For years I’ve been trying to find a movie that I caught bits of once when I was in holiday in Spain. Helpfully, I can’t remember if the film was in English or any of the actors. It wasn’t subtitled, but that doesn’t help either. The film seemed to be set in an apartment block, though it could have been offices, and appeared to be about a woman being chased by a killer. Lots of stairwells. Perpetual night. I remember it having a distinct vibe, like it was a late 70s movie, though it could just as well have been 80s or 90s. What can I say – I was young, I wasn’t, or couldn’t pay much attention, and I only saw a few minutes. Actually, it could have been a TV episode too, but it didn’t feel that way. When I first read the synopsis for Someone’s Watching Me I thought this could be the one, and the more I thought about it, the more I remember the film feeling like something Carpenter would have made. Spoiler alert – this is not the same movie, and my search continues.
Someone’s Watching Me is loosely based on a true event which occurred in the 1970s involving a woman living in an apartment block, and a stalker watching her every move. John Carpenter at this time had directed a couple of movies to varying degrees of success and was writing and selling scripts – this is before Halloween. After writing the script it was decided to make it as a TV movie which afforded Carpenter an essence of control and freedom, and it was through these experiences he was able to hone the techniques which would turn him into the Master Of Horror.
The film follows a woman played by Lauren Hutton who has moved to LA looking for work. Shortly after she moves into an apartment, she begins receiving strange repeated phone calls and gifts from an unknown person or persons. Feeling unsafe and watched, she goes to the police but as there is no specific threat or immediate danger, they send her on her way. Things continue to escalate, and with the help of her co-workers she plots to turn the tables on her stalker and get to the bottom of the mystery.
The film has various obvious nods to Hitchcock, in theme, tone, stylistically, and it is an efficient thriller for its time. Watching now it feels more like a curio given what we know Carpenter would unleash afterwards and there won’t be anything a modern viewer hasn’t seen countless times. Back in the late 70s, the idea of stalkers and being watched was still fresh enough that stay at home mums, housewives, and working single gals would have been suitably freaked out if they caught the movie. Hutton puts in a vigorous performance and her character is a precursor to many of the final girls who would come along after. She is backed by a number of Carpenter regulars – namely Charles Cyphers and Adrienne Barbeau – and while the film doesn’t have many of the Carpenter trademarks – soundtrack, mood, and a tighter control of the tension, there is enough on display to suggest he was a talent on the rise.
Someone’s Watching Me is a brisk, taut, well-acted piece of late 70s thrills focusing on a steady build rather than gore or outlandish surprises, and it’s a must for any Carpenter fan who has not yet taken the plunge. Let us know in the comments what you think of the movie!
It’s our last day – lets make it a good one. That stranger you spent the night with… I’m sorry to say that you won’t keep in contact with them, but that’s fine – just let it be a beautiful 24 hour romance and long may it remain in your memory.
10 – 11: John Carpenter
I think this one could be a possibility given John’s recent touring and focus on music. I’d love to see the great man live and while I feel that an indoor, night time setting would suit his music better, there’s no way he’s going to headline here and a morning blast of Halloween or some of his Lost Tracks would be superb.
Number Of Times Seen Live: 0
11 – 12: Lovebites
My favourite recent band, there’s no reason why Lovebites shouldn’t be huge. Well, people are idiots, so that’s the main reason they won’t be as successful as they should be. They are a Japanese metal band, but get this – they’re all girls – shock! And double shock, they’re amazing musicians, playing face-melting power metal! I jest of course, but the focus on the band is usually that they are female. Regardless, this is an injection of pure adrenaline and delight, a throwback to the glory days with a renewed sense of fun and exuberance.
Number Of Times Seen Live: 0
12 – 2: Natalie Imbruglia
I’ve said it before and I’ll say it again here – Natalie Imbruglia is the finest pop star of her generation, to the extent that pop star is too cheap a term for her. She has a huge array of hits released and otherwise, and is an intelligent writer and performer who doesn’t get any of the credit she deserves. A sunny lunchtime outdoor gig would be perfect for her blend of angst anthems and melancholic pop.
Number Of Times Seen Live: 0
2 – 4: The Delays
While we’re on the subject of pop perfection, The Delays are another band who came out at the same time as all of the other ‘The’ bands, but surpass them all in terms of sheer melody. The Delays see one of the finest vocalists in the business – Greg Gilbert – lending his incredible falsetto to some of the most infectious hooks you’ll ever hear. Imagine The Beach Boys crossed with Nirvana and you’re somewhere close to the mark. Unfortunately the band hasn’t released anything in 9 years due to family commitments followed by Greg getting cancer. He’s still fighting, and I’m holding out for a glorious return.
Number Of Times Seen Live: 0
4 – 6: Joni Mitchell
Maybe the greatest living singer songwriter, Joni Mitchell has had her (un)fair share of health issues in the last years but in her early years everything she touched was gold. I’m a much bigger fan of her folk stuff than her later jazz and blues stuff, but a late afternoon 2 hour set from this Goddess would strike the hippy chord which all festivals need.
Number Of Times Seen Live: 0
6 – 8: The Gathering
I mentioned Natalie Imbruglia being an underrated pop star – The Gathering are the best unknown band in the world, an incredible collection of artists who change with each release and can variously be called a metal band, an atmospheric rock band, post-prog, shoegaze etc. I’ve reviewed most of their stuff on this blog already and every music fan should definitely check them out. The band has had line-up changes over the years but for the purposes of this festival I’d love to have Anneke Van Giersbergen and Silje Wergeland on stage together like at their 25th anniversary show. They are definitely a band to enjoy in the dark, so this time of the day should suit them perfectly.
Number Of Times Seen Live: 1
8 – 10: The Beatles
What is this? The Beatles, not headlining? Blasphemy! Well, yes, but I rate my headliner higher and would want to see them more than the Fab Four. The Beatles stopped performing live just as they were hitting their peak in musical releases meaning a tonne of their best songs were never performed by the original band together. But this is fantasy, so my show will see The Beatles alive, well, and together, playing songs from their entire catalogue with no technical concerns. Surely that is the Holy Grail of all music fans?
Number Of Times Seen Live: 0
10 – 12: Michael Jackson
There was never going to be anyone else to close my original festival. Jackson is the greatest and to me personally had the biggest impact on me musically. It’s rare a day passes that I don’t either listen to or play one of his songs in my head. He was a born headliner and he was cruelly taken just before what was sure to be a glorious tour. Here he is free to play whatever the hell he wants with as huge a stage show as he wants, and there’s no-one else in the history of music I’d want to see live more.
Number Of Times Seen Live: 0
Let us know in the comments who else you would add to you festival line-up!
What is increasingly, and unfortunately looking like John Carpenter’s last feature film (2017 note to past self – not quite!) Ghosts of Mars is another genre-blending experiment typical of his illustrious career. Set in the distant future, Ghosts of Mars is a mix of sci-fi, action, horror, and western which follows a large group of people including prisoners and prison guards who must work together to overcome a deadly, massing foe, much like Rio Bravo and Assault on Precinct 13. There is a lack of trust between each character, minimal dialogue, a sense of claustrophobia, and the usual cliffhanger ending. Ghosts of Mars is a good film, much better than most critics and fans have said, yet inferior to Carpenter’s past classics. It does unfortunately suffer from some cheap looking sets and odd casting choices – perhaps if Kurt Russell had been here instead of Ice Cube it would have been a greater success, but this choice would have been too predictable and samey for Russell.
A group of Prison guards are sent to Mars to transport a dangerous criminal, Desolation Williams (Cube) from a remote mining community to a maximum security prison. When Commander Braddock (Pam Grier), Melanie Ballard (Henstridge) and her team arrive, they find the community ominously empty and quiet. As they look around, the sense that someone is watching them rises, and as the team splits we get their two different perspectives of events. Upon further investigation it seems that the inhabitants of the town have somehow been possessed and have become ultra-strong, vicious killers, ready to butcher any intruders. What soon becomes clear is that the survivors must work together to find a way out of the place alive, while not letting Desolation and his team get free. However, certain team members may also be possessed, and they are greatly outnumbered.
Even though everyone gives a good performance, Ice Cube has his critics and sometimes seems as if he is trying too hard to look as serious as possible. Many have spoken about the appearance of Mars, and the lack of logic behind the physics involved, but I’ll assume that as this is 200 years in the future technology will have magically changed. And that it is science fiction. Yes, the sets do not look like expensive buildings for millionaires, but this was the desired effect, a ghost town which has been worn down over the years which adds to the atmosphere of isolation. Perhaps there are too many characters, the dialogue is not as strong as in other films, the score will put some off and it is not as memorable as others. It is quite gory though, with some good effects when blood and death is involved, and there is plenty of action.
Although we can probably predict some of the survivors, there is enough intrigue to make us wonder who will be next to die, or turn. The direction is sound, and the split perspective at the start is a good idea. Henstridge is strong, Statham gives probably the best performance – one reminiscent of past Carpenter hits – Clea Duvall is also good, and Grier is fine in a short-lived part. Most fans expect greatness from Carpenter, and something fresh – this is something he has done all his career so it is hardly surprising when he just makes a fun movie which doesn’t try to be serious, and when there is not much originality. The B-movie feel will likely alienate many people, the characters and plot have been seen before, but for gory action this is sure to please, as long as you are not expecting a masterpiece.
Let us know in the comments what you thought of Ghosts Of Mars!
In this new series of posts I’m going to list ten of my favourite films by some of my most loved directors and actors. While I may not have seen everything that they have done, I’ll catch up to them eventually. For some of the posts, I’ll be adding films I’m not as keen on to ensure a list of ten so be on the look out for your favourites. The ordering of most of these posts will not be strict and in most cases there will not be too much difference between my number 1 pick and my number 5 pick.
John Carpenter is my favourite director. A master of many a genre, he’s the director who’s films appear most regularly in my favourite films of all time, and while it’s clear to most movie fans that his best work was in the 70s and 80s, he has enjoyed a career spanning six decades. Incredibly influential, you only have to look at the number of remakes of his franchises which have been plaguing our screens for years, yet failing spectacularly to recapture the quality of his original vision.
Carpenter’s only full blown love story (sorry, Christine fans) is a well-acted heartwarming story about an alien coming to earth in the guise of a widow’s dead husband, while devious military and government types try to claim him for their own. As with most Carpenter films, this has an excellent score and main theme (although not written by Carpenter himself). Criminally, this is the only Carpenter film to receive an Oscar nomination – Jeff Bridges for best Actor.
9. The Ward.
I’m a fairly vocal defender of the more recent Carpenter films – this and Ghosts Of Mars had their issues, but they are still wildly entertaining movies, with The Ward offering a bit more in terms of plot. While in many ways this doesn’t feel like a Carpenter film it is chock full of jump-scares and good performances. It’s taut, crafted and executed strongly, and while the twist is hardly surprising, it is great nevertheless to see the great man on the director’s chair again.
8. In The Mouth Of Madness.
Like many of Carpenter’s films, this was overlooked by fans at critics at the time, and even now it isn’t well-known – we’re still waiting for a Region 2 DVD or Blu Ray release. It is a cult favourite though, and remains one of the finest, most accurate film depictions of Lovecraftian horror. It’s one of Carpenter’s most thickly layered films and each viewing uncovers new themes.
7. Escape From New York.
If Snake Plissken isn’t the single most cool character in movie history then I’ve clearly been watching the wrong movies. When this is eventually remade, you just know it;s going to be a shambles – no-one else but Russell and Carpenter could take a story like this, filled with characters like Plissken and not only make it work, but make it one of the quintessential action movies of the decade. With stellar action and effects, a blending of genres, an apocalyptic wit, and once again a superb score, this is Carpenter to the core.
6. The Fog
Unfairly seen as Halloween’s vastly inferior little brother, this should more accurately be described as Halloween as told to you by your creepy, drunk uncle. It’s the perfect campfire ghost story, with murderous vengeful pirates laying siege to a picturesque coastal town on the anniversary of their tragedy. Although the ending may be a cop-out, everything before hand is remarkably atmospheric, spooky, and the perfect movie for a dark evening alone.
5. Prince Of Darkness
I’d class this as Carpenter’s most underrated film, one with more scares than any of his other films, and arguably his most difficult film to describe or explain. Ostensibly, like most Carpenter movies it’s a siege movie, with a bunch of characters trapped with some powerful external force picking them off one by one. To make things more interesting, not only is there a horde of baddies outside the building which our heroes are trapped in, but the main evil is coming from within that very same building, and our heroes may have unleashed it. Throw in some time-travelling, parallel universe, God versus Satan, zombie, Alice Cooper mumbo jumbo, and we have a dense, terrifying film well worth watching.
4. Big Trouble In Little China
For a kid growing up in the 80s, this was the most awesome movie ever. It had over the top action and violence, guns, martial arts, Gods, monsters, mystery, comedy, and yet none of it was too graphic or scary so it was suitable to watch with our parents. Filled with epic one-liners and moments, this genre-bender is as timeless as it is 80s, and is a film you can’t imagine being made today.
The biggie, and the one that started it all, kicking off Carpenter’s career in earnest and launching one of the most revered horror franchises. As the name suggests, there is no better film for Halloween, not only is it set during the period, depicting a suburbia which many of us will be familiar with, it pits a group of shell-shocked kids against a seemingly unstoppable killer. It churns out scare after scare like a fairground attraction, making you jump and squeal in equal measure, but more than that it features excellent direction and some wonderful performances. And again, there’s an exquisite score.
2. Assault On Precinct 13
I think I first saw this when I was around 14, and even though I knew who John Carpenter was, this was around the time I was beginning to understand what being a director was, and that this guy just happened to have made all these other films I treasured. It’s the perfect ‘modern’ siege movie with a well-worn approach which hasn’t been bettered since. The stark low-budget feel gives an earnest, off-putting realism, and when coupled with the cast of unknowns and the largely faceless enemy there is a sense of this thing being all too possible. As with later Carpenter movies we get an awesome anti-hero, a strong leading lady, and a mashup of other multi-dimensional characters from opposing backgrounds thrown together in a fight for survival. There is also a brilliant sense of hopelessness as the sun begins to go down on this desolate, soon to be rubble part of town. With strong, straight-forward action, gripping tension, and one of the greatest shock moments in cinema history, this is an undoubted classic. And guess what – epic score.
1. The Thing.
Well, it couldn’t really be anything else, could it (sorry, They Live fans). Carpenter’s remake is more of a complete overhaul, and remains one of the finest horror films ever made. Most of you reading this should know it, and for anyone who hasn’t especially you young cubs, go watch it now. Some of the most jaw-dropping special effects, wiping the floor with today’s CGI, alongside a stellar all-male cast leads to paranoia, gore, fear, and a timeless ending. It’s a flawless movie in all departments, yet failed miserably at the box office. All the remake/prequel was a fine standalone film, it isn’t a patch on this beast, a film as vital now as it was upon release.
There we go, folks. Let us know in the comments what your favourite John Carpenter films are, and what you think of my selections above!
The Abominable Dr Phibes: This is a nice bridge between the Monster movies of the pre- 60s era and the more intense stuff of the 70s onwards. Price is at his hammy best, chewing up the dialogue and relishing the inventive plot. It’s all about the kills and atmosphere here so older kids will appreciate the varying, often funny death scenes based on the biblical plagues. Some of it may be a bit too shocking for younger kids so make sure you are there if it gets too much. Classic Halloween Scene: The locust kill is hard to beat.
The Birds: Hitchcock’s thriller may not pack the punch that it used to for adults but thanks some great ideas, strong performances, and inspired set pieces it can still work for an early Halloween viewing. The kids will love it and it may make them think twice about chasing a flock of pigeons in the park. Classic Halloween Scene: Tippi Hedren goes into the attic when every person watching knows she shouldn’t.
The Blob: You could really go for either the 50s or 80s version as both are harmless products of their time, yet the story of some giant, unstoppable thing killing everything in its path retains its power to absorb the viewer. Both have aged horribly but therefore they make for interesting and humourous viewing for adults, but kids will be able to look past the funny hair as they wonder who will get eaten next. Obviously the modern version has the darker content with gore, swearing, and a more threatening nature. The 50s one though has Steve McQueen. Classic Halloween Scene: I’ll go for the kitchen sink scene in the 80s remake.
Bride Of Frankenstein: James Whales most famous masterpiece is one which has kept audiences scared for 7 decades now, thanks to its creaky old atmosphere and timeless creations. Although obviously watered down with each passing decade, this is still a good introduction to scary movies for kids who will learn that the evil which lurks in the shadows can sometimes come stumbling out to get you. Classic Halloween Scene: When we first learn that The Monster has survived the fire from the first films and begins another rampage, killing two characters in quick succession.
The Black Cat: Keeping with the oldies you can choose either the 30s original or 40s follow-up; both feature Legosi, and both are greats of the genre, although the 40s version of Poe’s story focuses more on humour while the original’s psychological and Satanic slant has ensured that it still has power today. Pairing Karloff and Legosi for the first time, your kids will be introduced to the first horror superstars and will get sucked in by the dark tale of rituals and creepy castles. Classic Halloween Scene: The basement ritual.
The Fly: I wouldn’t advice letting your kids anywhere near Cronenberg’s vision- they’ll get to it eventually on their own time. For now you can let them learn everything they need to know about Science here (don’t mess with it). The story of a man splicing himself with a fly to create both a fly-man and a man-fly sounds utterly ridiculous but there are moments of brilliance here which make you forget all about the plot and watch the characters fight for survival. Classic Halloween Scene: For any spider haters out there, one scene here will stay in your head for weeks.
The Fog: One of the great campfire spook stories, The Fog is still sadly underrated. Carpenter creates a wonderful atmosphere here which suits the season perfectly; even better if you’re near the sea or if there is fog around. Classic Halloween Scene: The introduction with the wizened old sailor sets the tone for the rest of the show, and should set the tone for your night.
Ghost: Settle down, the kids won’t even remember the pottery scene, they’ll be too busy talking about and recovering from the scenes where the things come to claim the souls of the recently departed; the effects may be dated but the sounds, screams, and general idea remain terrifying. The girls and boys will both get wrapped up in the plot, whether it be the romance from beyond the grave or the revenge plot, while parents will revel in the genuine performances from all concerned. Classic Halloween Scene: When the spirits come for Willie.
Ghostbusters 2: The first film may have the more obvious jump scares, but the sequel has Vigo The Carpathian who is creepy just by being a static painting. Classic Halloween Scene: The Titanic returns.
House On Haunted Hill: Gimmick king William Castle teams up with Vincent Price to deliver a camp horror classic. In many ways the plot mirror’s Castle’s own style with Price’s weirdo millionaire offering obscene incentives to gain an audience. The story is a nice twist on the ‘stay overnight in a haunted house’ archetype and there are enough old fashioned scares to please the family. Classic Halloween Scene: The skeleton coming out of the acid- for your Halloween party buy your own skeleton and try a bit of Castle gimmickry yourself.
The Invisible Man: One of the best Universal Horror films, albeit one which has not had the same impact/amount of remakes as the more famous Monster films. Claude Rains ‘stars’ as a deranged scientist who goes on a rampage after discovering the key to invisibility. Strong effects and a creepy atmosphere ensure this is still strong watching today. Classic Halloween Scene: When the Doctor takes of his clothes and first reveals his gift to the locals. Ooh-er.
The Mummy: Keeping with the Universal theme, why not make it a double with Karl Freund’s dusty, creaking classic. Or you could go with the modern, action packed Brendan Fraser effort, though it is more of an adventure film than horror. Classic Halloween Scene: Imhotep’s awakening.
The Nightmare Before Christmas: I saw this at the cinema when it was first released, and quite a few families had to leave with their younger kids as it must have been too scary. In truth, I think it was the showing of Vincent at the start of the movie which freaked most out. The film itself pulls together everything festive about Halloween and Christmas and presents them with both childish wonder and Poe-esque darkness. The story, songs, and characters meld into an animation which kids of all ages should love. Classic Halloween Scene: When Oogie shows that he’s just a pile of bugs.
The Old Dark House: Few films have a more traditionally Halloween title, story and feel than James Whale’s early hit. The story of a group of travellers seeking shelter in a creepy mansion, the dark, rain covered, dreary setting, the mysterious residents, all create a superb, festive tone and the scares come thick and fast towards the end. Early jokes help to lighten the mood and make the film something of an oddity. Classic Halloween Scene: You just know that the deranged, locked up brother will escape
The Pit And The Pendulum: Arguably the best of the Corman/Poe productions, The Pit And The Pendulum has heaps of atmosphere, plenty of invention, and a top rate Price performance. Taking extreme liberties with the original tale, the film follows a man in search of his lost sister, a search which leads him to a foreboding mansion filled with torture devices, mystery, and strange characters. This one has plenty of shocks and a fair amount of genuine scares, so maybe keep the younger kids away. Classic Halloween Scene: When the ‘corpse’ of Elizabeth is first uncovered or the tense ending as the pendulum falls.
Stir Of Echoes: Continuing with the Richard Matheson stories, Stir Of Echoes is a supernatural thriller which stars Kevin Bacon as a man who gains the ability to experience visions of the past, and his son who is able to speak to the dead. This is a good one for older kids and while low on obvious jump scares, it has an interesting plot and is more like a detective story with ghost elements rather than an all out horror movie. Strong performances, ghostly visions, great script, and watching Bacon’s slow descent into madness all increase the chill factor. Classic Halloween Scene: When the son is talking to his mum about the babysitter and he goes a little odd.
The Thing From Another World: Carpenter’s remake is one of my favourite movies of all time and is the epitome of sci-fi/horror crossover. Due to it’s horrific nature though, it is not suitable for kids. For the same basic tale of paranoia, claustrophobia, and shadowy, alien evil, Howard Hawks’ original will do the job for kids at Halloween. The stark visuals, small cast, and threatening tone ensure this is still a classic. Classic Halloween Scene: When the team set The Thing on fire- great scare, awesome stunt work.
The Wolf Man: Lets return to The Universal Monsters once again and visit the hit werewolf tragedy. Although neither the first Werewolf film by Hollywood or Universal, this was the first of Chaney’s installments and is probably still the best. Again, Universal strike a perfect balance between focus on the Monster and the human side, all filmed in glorious B and W. Classic Halloween Scene: When Chaney attacks the Gravedigger, his first victim.
Wallace And Gromit- The Curse Of The Were Rabbit: After many succesful adventures (which are usually shown every Christmas in Britain) Wallace and Gromit enter the Halloween market with their take on werewolves, albeit changing to were-rabbits here. The film was a huge financial and critical success, picking up the Best Animated Film Oscar. Retaining the unique English charm of previous adventures, this is nevertheless accessible to all with its clever humour, fast pace, strong sight gags and set pieces, and strong voice cast. This is a gentle introduction to scares for the youngest children, but there is enough action and wit to please the whole family. Classic Halloween Scene: When the Reverend is attacked by the were-rabbit.
The Monster Squad: This is another one of those films whose VHS cover freaked me out when I was young. This is more of an action comedy with horror elements which succeeds due to yet another brilliant Shane Black script and because of the love for the genre it spins. It’s another quintessential 80s movie featuring a group of savvy kids on an adventure, this time battling famous monsters like Dracula, The Mummy, and The Wolf Man. This retains a cult following, but wasn’t a smash on Goonies/Gremlins/Stand By Me levels. It’s another strong introduction to horror for kids of all ages, with plenty of gentle scares and a lot of action and laughs. Classic Halloween Scene: Any scene with Dracula’s ‘Daughters’ has a high freak-out quota.
The Halloween Tree: What better introduction into the world of horror, and of Halloween, than this festive animated treat. Although lacking the big budget style of Disney/Dreamworks/Pixar type films, the film relies heavily on its script, backed up by a decent voice cast featuring Spock and writer Ray Bradbury. The story is set at Halloween, features a quartet of friends Trick Or Treating, and discusses the origins of Halloween and its traditions. Kids will love the spooky costumes and settings and older viewers will appreciate the Scooby Doo nods. Classic Halloween Scene: Nimoy’s poetic description of the tree.
The Sixth Sense: It may be too wordy and dramatic for younger kids, but the series of stand out scares will surely live on long in their imagination. The same should apply for older kids who will appreciate the plot, the performances, and the twists. Classic Halloween Scene: Under the table.
Pan’s Labyrinth: Frequently described as a fairy tale for adults, I don’t see why kids can’t get in on the act; the film is gorgeous and depicts an all too realistic nightmarish world which their young minds will thrive upon, while the story will teach them that sometimes it is the people around us we should fear as well as the demons. Classic Halloween Scene: The Banquet table chase.
Twilight Zone: The Movie: Spielberg, Landis, Dante, and Miller get together to make this homage to Rod Sterling’s classic series. Featuring 3 remakes and 1 original story, the focus is more on horror than the original series was, but the twists and ironic lessons are still in place. Each sequence is stronger than the one before, but each has its own charms and chills. Classic Halloween Scene: Miller’s final segment is a great remake of the original and packs some big punches (as well as having the always excellent John Lithgow).
Salem’s Lot: Well, hello. This is probably the first film which led me on the depraved path to horror geekdom. It scarred me at the time, but they best way I could deal with it was by telling all of my friends and neighbours about it. Through this catharsis I realised that this horror stuff was pretty cool and my friends and I began to seek out more scares. For people of a certain age, this one will still have an impact. As far as realistic vampire movies go, there are few to beat this nasty one. Classic Halloween Scene: There are tonnes to choose from which darkened my dreams for many a night, but it’s difficult to top the first- Ralphie Glick comes-a-scratching at the window of his brother.
The Gate: This frequently bizarre horror movie has plenty of 80s hallmarks- cool creature effects, heavy metal music, evil books, kids battling demons etc etc. A group of friends inadvertently raise a host of demons and subsequently have to do battle with them. This is a darker version of The Lost Boys but this cult hit is still waiting to be rediscovered by a new generation. Why don’t they make horror films with kids anymore?Classic Halloween Scene: When Al almost gets pulled under the bed by monstrous arms- bed scare scenes always get me good, dagnammit.
Night Of The Living Dead: Few horror films have had such a long-lasting impact as Romero’s original. This is a must for all horror nuts and acts as a good gateway into the genre for viewers of any age; it’s smart, it’s terrifying, it’s brilliant. For younger kids this will be too much, but from around the age of 10 this is ideal Halloween viewing. The bleak setting, the black and white colouring adding to the tone, the isolated group dynamic which the imaginative child will link to their present situation, it’s all good. Spice things up by adding zombie make-up to the group. Classic Halloween Scene: The entire opening, from first second until Barb reaches the house.
Silent Hill: Perhaps a bit too complex and horrifying for younger viewers, this should satisfy younger teens. There are some spectacular visuals on display, the night scenes are powerful, and there are plenty of big scares on offer. It’s just a pity the plot is quite messy. The dark depiction of the town should make your kids ventures outside at Halloween more interesting as they question the noises and shadows surrounding them. Classic Halloween Scene: Pyramid Head’s first appearance.
Psycho: Why not break your children by subjecting them to the movie which broke the genre? Hitchcock’s mutha-luvin, lady-hatin, stabby creepfest has enough big scares involving scary houses, knives, and weirdos that all viewers will find something to be freaked out about. It’s one of the original behind-the-sofa watches, and 60 years on the power is still potent. Classic Halloween Scene: The shot of ‘mother’ strutting out of one of the upstairs rooms to claim another victim.
Tideland: Terry Gilliam’s massively polarizing film remains essentially unknown outside of the critical circle. For such a demented movie it is criminal that it made barely half a million at the box office- there is surely an audience out there for another twisted fairy tale, so it makes an ideal experiment for kids at a Halloween party. It may not make a lot of sense to them, but as is expected from a Gilliam film, the visuals are like nothing you will have experienced before with an invention sorely lacking in films of most genres today. Classic Halloween Scene: Any scene with Noah’s decaying corpse is both ghastly and tragic.
The Omega Man: We end the list with another Matheson tale. Based roughly on his classic I Am Legend, this sees Chartlon Heston battling groovy hooded freaks rather than the terrifying and pitiful vampires of the novel. Heston was obviously a huge star and is able to carry the film on his own, but once the love interest is introduced things get messy. I’m still waiting on the definitive version of the story, but for an action packed siege film this has plenty of nice scares and no gore or swearing, so is suitable for all ages. Classic Halloween Scene: The wine cellar attack.
As always, feel free to leave your comments: what did you think of my list- are some of the films too extreme for kids? Which films would you choose for Halloween family viewing, and which films haunted your youth?
Aah, Halloween- the most wonderful time of the year. When even those who wouldn’t usually subject themselves to all manner of terrors decide to watch the odd scary movie or 2. Unfortunately for me, this part of the Spac Hole which I currently inhabit does not indulge in the season as seriously and joyfully as other places, so I have always felt a little deprived. Sure, we had some parties, sure we threw fireworks at Gerry’s house, and yes we would watch whatever limited choice of movies were on over the few days but compared to other places (particularly you festive folks in the US) it just didn’t seem as much damn fun. In my mind, the whole month of October should be a vessel for Halloween activities, from dressing up to trick or treating, to watching scary movies and hiding under the beds of people you don’t know with a chainsaw.
To that end I have helpfully made a few lists of classic horror movies which sould chill you to the bone, and add to the singular atmosphere of this most evil time of the year. This list of 31 movies was created so that you can split the fun over the entire month (alternatively you could wait until closer to the day and have a few marathon sessions) and let yourself tremble ever so slightly in the supposed safety of your own home. Just be sure to lock your doors and windows, close the curtains, and tuck up the kids tightly in bed (checking underneath and in closets for me) before turning off the lights. Maybe check those locks once more, you can never be too sure or too safe. Oh, what’s that? That noise from outside? I wouldn’t worry, probably just the wind. By all means go out and check, but that would mean going into the basement to find batteries for your torch. Really, just relax and watch the film, your paranoia can’t hurt you. The thing outside, yeah- it could hurt you. But you locked the doors, right?
These don’t have to be watched in any particular order, but some would suit the big day (or night) better than others. This is not meant to be a list of the best or even my favourite horror movies (though I love them all) but rather I feel these offer something of the atmosphere of Halloween. Enjoy.
An American Werewolf in London: This one has it all- gore, jump scares, atmosphere, action, humour, and a great plot with likeable characters. WereWolves, like Vampires have taken a rather glossy beating recently. This proves that you can wrap up a love story with horror without being teeny, without being sparkly, without being demeaning to viewers with brains. Classic Halloween scene: The Nazi section.
A Nightmare on Elm Street: Wes Craven, Johnny Depp, Heather Langenkamp, John Saxon, and Robert Englund- lovely ingredients for a tasty Halloween Pie. This is the original and best, before the horrific character of Freddy (Here just Fred) became a snuggleable, bantering chum. What could be better for Halloween than scaring yourself so badly that you can’t sleep- knowing that something terrible may be waiting for you in your dreams. A story with more depth than it gets credit for, dealing with the Craven standard of ill-advised parenting and how the children have to cope with the mistakes of the elders, this is full of genius set pieces and bloody action. Classic Halloween Scene: Nancy gets a bloody post coital surprise- but not what you’d expect. And did they say she was 14??
Alien: Often described as Halloween in space, or a Haunted House in Space, Alien deals with our fears of isolation, of being trapped, of being in s situation way beyond our control and way above our heads. Remove the alien, remove the setting, and this could be any slasher movie from the time. However, that would be taking away the fun, the fear, the atmosphere, and the ingenuity. This is dark, claustrophobic stuff, and the perfect film for Halloween to make you look out the windows into pitch darkness and wonder if something is staring back. Classic Halloween Scene: Dallas goes hunting, but realizes too late that he is the prey.
The Blair Witch Project: Similar to Alien this deals with our fears of isolation and the un-experienced unknown, but spices things up with issues of abandonment, paranoia, and things that go bump in the woods. A classic survival tale for city folk poking their ill-prepared noses where they don’t belong, Blair Witch succeeded because of it’s innovative filming and marketing techniques. It still succeeds today amongst a rubbish tip of similar films because the plot is solid, the acting is real, the rising tension and fear played out between the characters feels exactly like how we would react, the growing dread is almost unrivalled, and the climax is absolutely chilling. Classic Halloween Scene: The search for Josh in the freakshow house at the end will get you tingling and gripping the seat every time.
Creepshow: Halloween isn’t just about traumatizing each other, it’s also about good old fashioned camp-fire tales to warm the heart and soul. This is cheesy at times, but never boring or irritating, it feels nostalgic both for children of the 80s and of the 50-60s. The tales are brief, well written and acted, the effects are still top-notch with an earthy feel, and the scares are tense and fun. Classic Halloween Scene: Trying to convince your abusive wife to enter a box where a monster lives has never looked so enjoyable.
Candyman: Both Cliver Barker and Tony Todd are vital ingredients in any scare-fest- put them together and you’d better have a few spare pairs of pants lying around. An intellegent, sexy, city based horror which merges old world supernatural fears with the modern world of big business, CSI policework, snooping journalists, and end of the century hairdos. Barker at his height was a fountain of invention, bringing a freshness to the genre which made everyone else’s ideas look like old creaky mummy movies. Candyman merges urban myths with ancient folklore, mysticism with science, gore and shocks with beauty and lyricism. Todd’s presence is as powerful as any of the classic monsters, while Madsen gives a refreshing twist on the final girl character. Classic Halloween Scene: Hook through the chest.
Carrie: One for the teens this, though it may have aged some due to being so authentically 70s, the scares and the themes of abuse, loneliness, bullying, and separation are no less relevant or universal today. The story is simple but pumped up by ideas of religion, extremism, and psychotic mummies (not those ones). The acting by the main players is superb, there is something bleak about the whole sordid business, and we manage both to sympathize with and be scared by Carrie. And wish we had her gift. De Palma twists the tension knobs until they break off, though some of the intrusive camera guff is laughable now. Classic Halloween Scene: Everything between the bucket dropping and the school burning.
Child’s Play: The evil doll is a well worn sub genre of horror, but one which has very few, if any, classics. Child’s Play is amongst the best, and the series is certainly the most notorious. Like many 80s horrors, the series was unfairly derided for it’s supposed impact on our youth with some people going so far as blaming it for some grisly murders. As with most of these series, the quality decreased as the sequels increased, but the original remains surprisingly effective given the silly subject matter. If you don’t know the story- multi murdering maniac transfers his soul into a popular doll moments before his death, doll is picked up by young boy, doll begins murderous rampage again until it realises that it needs to sacrifice the boy to become human again. There are sure to be some laughs, some screams of just kick him in the balls and throw hm out the window!’, but maybe a few jumps too. Classic Halloween Scene: Chucky terrorizes the baby-sitter and we all jump when the phone rings.
Dawn Of The Dead: There is something quite special which you may not know about Dawn. If you watch it at Dawn- depending on where you live etc, try to time it where the film will just be ending as the sunrises. Then go for a walk immediately. It’s likely there won’t be many people around. The ones you will see will probably be shambling. The bleak nature of the film rarely hits harder than in these moments and you will surely look around yourself and feel a stark aura fill your being. There are few things more terrifying than waking up to an otherwise beautiful day and not wanting to be any part of it. Classic Halloween Scene: So many to choose from, from funny, to scary, to bleak, but I’ll go for the truck parking section as we realize that paradise can quickly become hell, and a haven can suddenly become a tomb.
Day Of The Dead: Surely the most grim of all the DEAD films, this is perfect Halloween viewing, not only because of the exquisite gore and effects. Claustrophobia and paranoia again play a large part, and you can’t help wondering why all these psychopaths keep getting in the way of your enjoyable apocalypse. Most people would be happily looting and whiling away their days watching DVDs, playing games, reading books, getting drunk, but there always has to be a crazy doctor or maniacal military group to spoil your good times. Halloween is all about good times, stick this on to reap the benefits. Classic Scene: When the Zombies step on the lift and it begins moving downwards- you just know all hell is about to break loose.
Dracula (30s): A classic to chill the bones of all comers, this still has the ability to… worry those who haven’t seen it before. A film that’s almost a hundred years old- how could that possibly be scary? Well, there’s a reason why this is still considered the best version. Classic Halloween Scene: When Harker first meets The Count.
The Exorcist: Now we get into the truly demanding territory. A rarity in the genre, The Exorcist was a massive financial and critical hit upon release, pampered with awards and then…uh, banned. It may not be as hard-hitting these days, but it’s still rough, creepy stuff. Plus it is played extremely coldly, and without a hint of humour. This is as bleak as horror gets, and even the supposed happy ending leaves us with a bitter, fearful taste. Excellent performances, bewildering jump scares, and freaky moments all conspire to chill the soul and ensure you cuddle up to your beloved in bed. Classic Halloween Scene: Spider walk.
The Evil Dead: This was mostly played for scares over the played for laughs sequel, and while there is humour here, the main focus is on sudden frights and wonderful, innovative camera techniques. You’ll have fun watching this one as each character gets picked off, comes back, and gets picked off again. Classic Halloween Scene: Cheryl at the window, not in the cupboard.
Friday The 13th: One of the original slashers and one of the most successful, this one has plenty of ideas and violence, and staples of the sub genre which have now become clichés. It has dated, it is silly and quite tame, but it was made with love and ambition and freshness. The ending is shocking, the performances are ok, and there isn’t a hockey mask in sight. Classic Halloween Scene: Arrow through the neck- don’t have sex kids.
Final Destination: Another rarity- an inspired modern horror film with great ideas which blends humour and genuine frights. We have a series of characters who rather than getting picked off one by one in an uncaring fashion, are shown to be real kids with real lives, fears, and concerns- and then they are picked off one by one in increasingly exciting, tense, and innovative ways. A film which deals with our fear of death, of inevitability succeeds on every level. Classic Halloween Scene: During a heated discussion in his car, one reckless character refuses to accept that his life is pre-destined or that death is stalking his every move. To prove the point he parks his car on train tracks with his friends as the train hurtles towards them. He soon realizes he was wrong.
The Fog: One of the great campfire spook stories, The Fog is still sadly underrated. Carpenter creates a wonderful atmosphere here which suits the season perfectly- even better if you’re near the sea or if there is fog around. Classic Halloween Scene: The introduction with the wizened old sailor sets the tone for the rest of the show, and should set the tone for your night.
Hellraiser: Another British one now, offering something different from our American cousins. We have sex, violence, lots of gore, and some S&M themed fun. This is gritty in an Eastenders sort of way- you don’t really want to look or have anything to do with these characters. Classic Halloween Scene: When Kirsty first meets the Cenobites- what is the finger in the mouth about?
Halloween: What more can I say? This is the movie which should be watched every Halloween- not only is it a genuine classic of the genre and a kick-ass movie no matter which way you look at it, it drips with and evokes that special Seasonal feeling that few things do. Make this the highlight of your night. After you’ve cut some throats. Classic Halloween Scene: Young Laurie runs screaming down her street being chased by a murderous maniac. She clambers to the front door of a neighbour, knocks and begs for help. A light is turned on. Then switched off. Did they think it was just kids messing around? Were they too afraid to help? Welcome To America folks.
Invasion Of The Bodysnatchers (70s): Some us like to dress up at Halloween as ghosts, vampires, or our favourite horror movie characters. Some people go further and pretend to be the person that the costume depicts. This definitive version of Bodysnatchers takes the idea of hiding behind a costume to dramatic and terrifying extremes- what if person next to you on the bus, your neighbour, your friend, your wife, or child was no longer the person they once were? In fact, what if some alien creature had taken their body as host and was walking around as an imperfect mockery of that person’s life? What if this alien race had designs on all your friends and everyone you’ve ever known, and what if you were next? This chilling view of a world snatched away from under our noses is all about loss of identity and mistrust, and makes for unsettling Halloween viewing. Classic Halloween Scene: The final moments. I’ll say no more.
Night Of The Living Dead: A staple of midnight viewing, the surrounding darkness makes the black and white all the more stark and cold; There are no easy answers or happy endings here. If you are watching this with a group of people, ask yourself which ones you would trust in a life/death situation. If your cosy home was surrounded suddenly by thousands of undead, who amongst you would come out as leader? Would you sit back, would you make decisions, would you think only of yourself or would you think of the safety of the group? Either way, you’re bound to get a chewing. Classic Halloween Scene: They’re coming to get you, Barbara.
The Omen: So far we don’t trust our neighbours and friends, but what if you thought your son was the Antichrist? The Omen is an apocalyptic film in more than one way and is filled with strong performances, gripping and bloody deaths, and a memorable, frightening score. Music is often pivotal in horror movies, and as you clamber the stairs to bed after this, with infernal monks chanting obscenities in your head, that corner of darkness you can’t quite see clearly may fill with unspeakable evil more readily. Classic Halloween Scene: Damian decides to ride his bike.
Prince Of Darkness: I find this to be Carpenter’s most underrated film mostly because it is awesome and should be mentioned in the same breath as Halloween and The Thing. Sure the plot is messed up with it’s evil green satanic liquid taking over zombies and bums mixed with time-travelling dream messages and psych jargon, but seriously it is awesome. It has more effective jump scares than any of his other shows and there is a creeping sense of dread and atmosphere throughout. In many ways it is classic Carpenter- a group of different thrown together in a building who have to team together or fall apart and stand against an overpowering threatening external force. It is a siege movie, it is clever for the genre though at times it doesn’t know what genre it wants to be. I think that was part of the fun though- like Big Trouble In Little China it is more than just it’s labels instead transcending notions of what it should or shouldn’t be, and is well ahead of it’s time. Classic Halloween Scene: The final survivors holding up behind some furniture while one of the crazies admires himself in a mirror with a large blade.
Ring: Please please please watch the Japanese version, not the abomination that is the remake. Sure the remake has plenty of jump moments, but it also has a deer on a boat, Brian Cox in a bath, and a director who decides it would be clever to cut away from the movie’s most important scene for the sake of a car chase. The original has Nanako Matsushima and Hiroyuki Sanada and if that isn’t enough of a recommendation then please remove thine eyes from mine page post haste. Watch this deep into the night, possibly as the last film, then play the lovely game of phone your friend once they have left to terrify them. Unfortunately the ideas first seen here have been so over-used that these games have become diluted, but the film still has an unflinching power. Not a drop of blood is shed, there are no knives, guns, or people bursting in from behind doors with a loud noise- this is the best horror film of the nineties and goes against everything that decade threw at us. And it’s a damn good story with excellent performances. Classic Halloween Scene: Sadako. TV. Sleep tight.
Scream: The second best horror movie of the nineties is the stuff of parties. By know everyone should have seen it, but many of you will have forgotten it and how good it still is. Plenty of shocks, laughs, scares, and action as well as a script the quality of which horror movies rarely get. And my beloved Neve Campbell is in it. Few horror films provide this much entertainment whilst still being scary, funny, and clever. The nods to horror movies will keep the nerds amongst your bunch happy and you can shout out when you spot a reference. Classic Halloween Scene: The final house chase scene as Neve doesn’t know where to run or who to trust.
The Shining: It’s rare for most people to get snow at Halloween, even more rare to be completely snowed in and surrounded. Try replacing the notion of snow with rain or darkness- would you want to go wandering outside if it was completely dark or hammering down? Anyway, this is another film which plays on isolation, claustrophobia, and paranoia. It’s probably best not to watch this one as a cosy night in flick with your little family- you’ll start wondering what the hell is going through each other’s minds. This is a giant of the genre with heaps of atmosphere and plenty of unsettling moments which deserves to be menti0ned at any Horror Movie Marathon. Classic Halloween Scene: Danny was warned not to go in that room. Prepare to be scared when Daddy goes looking too.
Silence Of The Lambs: The critic’s choice. Don’t invite any critics to your party as they will moan, groan, bore your girlfriends, and likely drink all your wine. There should be wine. This is nasty stuff from start to end as poor Jodie Foster tries to solve a murder whilst hiding her own fears from the unlikely Terminator Anthony Hopkins. This is better suited to smaller group viewing as it isn’t exactly cheery, blood n guts fun but it does the job when you’re on your own. Classic Halloween Scene: Anything with Bill really.
The Thing: In many ways the ultimate John Carpenter film, the ultimate macho man fest, and the number 1 examination of the paranoia which creeps into people during periods of isolation. The effects here still blow me away and they are only part of a long list of quality to describe this film- look at the cast, the performances, the music, the scares, the cinematography, and the way Carpenter drags the tension out of every shot until we don’t know who has been infected and who hasn’t. Great action adds to the great scares, but the special effects and story are kings here. Classic Halloween Scene: When the survivors are tied to chairs and Mac goes through each one by one to test if any are not human. Genius.
The Texas Chainsaw Massacre: This one still hurts today- it’s just so damn grim, dirty, and repulsive as to make the horror timeless. Sure they scares may be cliché now and the gore is almost non-existent, but the low down atmosphere, the miniscule budget, and the amateur (but good) performances all conspire to make this uncomfortable watching. I’m sure that there are plenty of people out there who still think that there could be a family like this in their town, just as much as I’m sure that there probably are still families or people like this in the world- maybe not in your town, but possibly the next one over. And chainsaws are awfully easy to come by these days. Classic Halloween Scene: The entire dinner scene. Truly horrific, the use of sound and various camera techniques make this one of the most intense few minutes in any horror movie.
28 Days Later: A modern classic, and one of the few great British horror movies of the last few decades. Taking riffs from Romero and King this is a post apocalyptic survivalist’s wet nightmare. Empty streets, shops to loot, cars to steal- all great if it wasn’t for the hundreds of thousands of psychopaths charging towards you in search of your blood. This is the 21st century folks, and zombies ain’t got time to amble and stumble about- these are confident, successful, modern big business, stepping up to the plate, corporate bull-shitting zombies, and they won’t take closing a door in their face for an answer. If you can’t run fast, you’re screwed. And just to make things Mega Man 9 difficult- these fiends don’t even have to bite you to kill/convert you- one drop of their blood/saliva entering your body, through a gash, a scratch, a kiss, or a tear is enough it recruit you. And sheesh! They don’t even give you time to grieve for your fallen comrade- within seconds of getting exposed, your best friend will be diving for your jugular too. My advice- kill everyone you see and hide under a pile of coats till it all goes away. Classic Halloween Scene: An abandoned car sitting in the middle of an abandoned London- nothing to fear but technology.
The Wicker Man: Nothing to fear but religion. Look closely enough and all religions begin to look like cults; they all have a figurehead, the followers worship the figurehead unquestionably and offer prayers, thanks, songs, and sacrifices, there are certain rituals usually borne of centuries long since dusted, those involved are usually inviting to outsiders in person, but have a secret hatred, anger, or issue against them once backs are turned. So we have The Wicker Man, possibly the best British Horror Film of the whole sorry lot. Aah, the confusion of two worlds colliding as we watch a upstanding lawman and guardian of his own archaic faith fall victim ever so slowly to a cult even more decrepit than his own. He knows something terrible is amiss, but it isn’t until his toes turn to cinders that he realizes his fate was sealed the second his feet touched the land. Classic Halloween Scene: When we first see Mr Straw and realize our hero’s fate.
Paranormal Activity: Proof not only that horror movies still have the power to scare, entertain, and bring in the mega bucks, proof not only that a good story well executed can be more than a match for buckets of blood, but also proves that in this day and age of $200 million dollar movies that a small group with talent, an idea, and a few months worth of average salary can make a great movie. Romero did it in the 60s, Carpenter did it in the seventies, Raimi in the 80s, Myrick and Sanchez in the 90s, and now Oren Peli has continued the tradition. Using every trick in the book he has made a classic pastiche of the genre and a thrill ride akin to running naked through a field of land mines. The setting of the movie is perfect for Halloween viewing- primarily it is set in the home and most of the scares happen at night- the film invades you with a sense that you aren’t safe in your own house and makes you take a second or third glance at that cup that you swore you set on the table which now sits on the ground. Likely to lose its impact with subsequent viewings this is best served to people who haven’t seen it. The scares (while you sense them coming) are unexpected and rewarding and while the characters are painfully annoying, you’ll still soil your drawers. Classic Halloween Scene: NEVER leave your foot hanging out of bed.
Trick R Treat: Anthology movies have had their heyday- we had a succession of British hits in the 70s, then a slew of bloodier efforts in the 80s. Then for 20 years anthology fans didn’t have a lot to be excited about aside from a few cheap efforts (although Asia did produce some great ones at the turn of the century). Trick R Treat is good enough to kick start a revolution in the genre, or at least it would have been had it been released in any cinemas. Straight to DVD (yet with a decent budget and big name cast) Trick R Treat features four shorts linked by an over-arcing plot and is to Halloween what presents are to Christmas. This one is destined to be shown and loved every Halloween for years to come, possibly as a double header with Carpenter’s classic. Classic Halloween Scene: The creepy opener sets the tone for the movie and features everything we love about the season, dripping with atmosphere, and settling us in for a bumpy ride.
Please leave your comments and suggestions for films you think are best viewed at Halloween, and let us know which films terrified you when you were growing up at this time of year.
Following on directly from number 4, Number 5 has both the flaws, and the good points of its prequel, making it a respectable horror movie, and superior to the other entries in the series. Like Halloween four, this should now be seen as a strong slasher film in a genre full of rubbish and cliche- it may not be the most original, and it may not have the cinematography, tension or atmosphere of the original, but it does manage some good scares and is one of the more involving knife and run films. And it has Danielle Harris in it.
After the shock ending of number 4, we find that Jamie is now extremely traumatised and expects Michael to appear all the time. She is under constant (though not constant enough) care and supervision, and has lost her ability to speak. Rachel, the other survivor from 4 is sympathetic at the start, but unfortunately conforms to the dumb teen status of her friends. Stupidity it seems, was an enjoyable hobby in the eighties. The various other friends, teens, victims vary from watchable to annoying, most of whom are simply there to satisfy the bloodlust of those people who watch these films. Of course Michael is still around, and the killings begin again. Luckily though (perhaps, as he seems to have got a little Michael Syndrome himself) Loomis is still in the town. He decides to use Jamie as bait to lure and catch Michael, but it now seems that like all good super-villians, Michael is completely indestructible. And he’s brought a few friends with him…
Again Harris is superb, so much so that the rest of the cast are made to look like amateurs, apart from Pleasance who descends further into madness. Unfortunately, but unsurprisingly for a man of his talents, he seems to be getting tired with the series. There are enough shocks to prevent the film from becoming another stab flick, but there are the usual unsurprising elements-teens having sex then getting mutilated, characters there with the sole purpose of being killed etc. The scene in the old house where the police ‘guard’ Jamie is very good, with Jamie showing she may be the only one capable of protecting herself. We see a different side to Michael, just a glimpse, as Jamie tries to get through to him. Again the ending is a shock, though not entirely unexpected, but the man in black thing is intriguing, and the viewer is left wondering what has happened, and what is yet to happen.
The DVD has no real extras, but for fans of the series, or of the first movie who have not watched the rest, this is one to buy, along with number four. They’re cheap, but much better than most slashers around in the cinema these days.
As always, feel free to leave your thoughts on the movie and the review- is this one of the better slasher sequels or yet another average knife-fest? And don’t forget to check out my other Halloween reviews in the DVD section.
Michael Myers hears he has a niece and decides it is time for him to rise from his coma and begin his hunt again, having been burnt to a crisp 10 years earlier. He escapes from hospital and heads for Haddonfield, and for his niece Jamie, a pre teen girl. Unlike the previous 2 sequels, Halloween 4 has some effective scares and a decent plot. While it is still a cash in on the original, 4 (and 5) are the only other films in the series which can stand respectably with the original. Not as good, but not as terrible as you might expect. This is largely because of Danielle Harris’ performance, she outshines every other cast member, who admittedly are playing stupid teens ready to be slaughtered, but the range of emotions she shows at such a young age proves that she is among the best actresses of her generation. However, she can’t get a decent role these days and is content to do voices for The Wild Thornberries etc. (since this review was originally written Danielle has featured heavily in both of Rob Zombie’s Halloween movies and starred in Hatchet 2, hopefully carving her way into further big roles.
As with most slasher sequels, the kill count is very high and the death scenes more elaborate and ridiculous, with most of the central characters being wiped out. However, the gore level is low, and the deaths are not as gratuitous or set-piece like as other films. Unlike most slasher sequels though, the script is good, and the twist at the end is very effective, if a little strange. The director does well, creating a fair amount of tension, and we do not simply sigh as we wait for the inevitable next kill and final showdown. Pleasance returns as Loomis and is as good as ever, but he now is beginning to show signs of insanity, as Myers is taking over his life. This theme is explored further is the following film. It seems that only now, intelligent audiences, fans, and critics are realising that this is a decent film in its own right- that it should not be judged because it is not Halloween. Overall this does have a few of the expected flaws of a sequel, but it will surprise you by being better than you would think. The DVD does not have any real features, but for fans of the series, this should be a quick purchase.
As always, feel free to leave any comments- did you find this sequel better than you expected or is it just another cheesy teen-fest?
Whether or not you feel that, excluding Psycho, this was the first of its genre- it is definitely the most influential (for better or worse) and easily the most famous. John Carpenter’s Halloween, like Romero’s NOTD before it came out of low-budget nowhere land, and paralysed audiences around the world upon it’s release, turning it’s cast into stars and ensuring that horror movies would never be the same again. Almost thirty years on, even though horror movies have become much darker and more grotesque, this still stands at the top of the pile as a timeless, chilling and effective film which will have you reaching for the light switch, or knife, when you hear a creaking at the top of the stairs.
A boy who killed his sister many years ago escapes from his asylum, and from the care of Dr. Loomis, the only person who remotely understands him, and decides to go on a kill crazy rampage in the town he was born, seeking and killing his relatives, and any other fool who gets in his way. So begins the legacy of Michael Myers. The film follows Laurie, the virgin teenager and mother of all modern scream queens, dateless and forced to babysit on Halloween night as she tries to escape Myers.
While the plot is hardly outstanding, it is Carpenter’s direction which makes this a classic. He knows how to create and build tension, to get the most from his cast, and for any wannabe directors this is essential viewing, as it was all done on a low budget. Employing original camera angles, effective use of the hand-held, and a memorable score all help create an atmosphere that most modern horror movies cannot reach. Everything in this movie is designed around ensuring that the tension is unrelenting. This was also one of the first ‘modern’ movies that showed youth that the world was not as safe as they had been led to believe, that our parents are not as reliable or trustworthy as we thought. The scene where Laurie is turned away from a neighbors house by a simple flick of a light switch underlines this. Suburbia is not sanctuary, and sometimes we can only rely on ourselves. However, it is when Laurie is pushed, that her strong character and instinct to survive and protectc comes out.
Jamie Lee Curtis is of course outstanding in her role, but the supporting cast are all strong. Pleasance creates a legend opposite to Myers with only a few scenes and not much dialogue, and Loomis and Cyphers in smaller roles are effective as always. The film seems ageless even now, looking past the hair and fashion largely because the themes of being threatened and scared by an unseen force, and being held under seige by the same force when it presents itself are still relevant today. Something as simple as Myers peaking out from behind a bush can still send shivers, and yet there is a beauty in the cinematography- like Assault On Precinct 13, sunsets lend a reflective, emotive force, but it is after the sun has set that the fun really begins.
This 2 disc edition is a must for all horror fans, with lots of extra features which compliment the film.
As always, feel free to leave your thoughts- is this Carpenter’s best? Is this the definitive slasher movie?
John Carpenter creates another piece of brilliant cinema with this, a mix of action, horror unt comedy. The tension and violence is still here, as are the mysterious characters and sharp story-telling, but this time it’s aimed at a younger audience. Or at least, he is not trying to be shocking or scare. This was Carpenter’s golden age, when he ensured he would not be seen as a one-hit indie wonder, though the film did not do well at the box-office, a naive and unreceptive western audience not ready for such an eclectic mix.
Kurt Russell (who else?) plays trucker/gambler Jack Burton, a man who just wants to get the job done, get paid and go. His latest job takes him to Chinatown where he meets old friend Wang Chi. They go together to pick up Chi’s fiancée from the airport, but she is kidnapped by gang members. Local reporter Gracie Law gets involved and they look for the girl. Soon they uncover a deadly and magical plot that sees the ancient Lo Pan intending to become all-powerful once he marries a girl with green eyes- Chi’s fiancée. Jack and Chi gather together an army of ninjas and travel into the underground and underworld to rescue the girl and stop Lo Pan. This will not be easy as Lo Pan’s powers are growing, and he seems to be immortal. His three henchmen Thunder, Lightning and Rain also seem to be unstoppable. Soon a massive battle breaks out with monsters, magic, martial arts, ninjas, swords etc in a classic struggle between good and evil.
Although the film’s main draw is the action and sorcery, the script is also exceptional, dripping with cool. Russell gets all the one-liners, delivering them with wit. His character has no idea what is going on, but deals with it, Cattral is good, if slightly OTT as Law, Dun tries to play his character straight, to comic effect, and Hong is outstanding as the evil Lo Pan, indulging in the eccentricity of the story and character. Wong also does well. It is meant to look like it wasn’t made for millions by Hollywood suits, and succeeds in every way. Carpenter is not only a master of tension, but a master of excitement and comedy too.
It unfortunately isn’t often that a John Carpenter film gets the 2 disc treatment, but this one does. Trailers, deleted scenes, interviews, commentary, an extended ending, this has everything that a good DVD should have. Hopefully, after sadly being poorly received upon it’s initial release, the movie should find a new, larger and more appreciative audience thanks to DVD.
As always, fee free to leave a comment on the movie/review: Does Carpenter try to throw too much into the story or does it all work well? Where does this rank in your favourite Carpenter films?