Official Nominations: Dustin Hoffman. Jack Lemmon. Al Pacino. Roy Scheider. Peter Sellers.
It seems appropriate that the final Awards of the decade should end with such a 70s looking list. Dustin Hoffman got his win as the sympathetic Daddy Kramer, another extension of the everyman characters he had been playing for much of the decade and becoming one of his most famous roles. It’s difficult to argue against him getting the win, even if I’m not the biggest fan of the film. The same could be said for any of the nominees in this category this year – Jack Lemmon would have felt like a veteran nomination, but for the fact he had already been nominated several times, and won twice by this point. Lemmon is the power plant worker who believes something is amiss and that a meltdown is imminent, tries to convince first his management and then the general public that the plant is not safe. Lemmon was also best as an Everyman, here is frustration growing steadily and convincingly – it’s easy to see why the public may not be able to tell if his character is genuine or has lost his mind.
Al Pacino grabs another vote for one of his lesser known 70s works, this time as the jaded and fiery Defence Attorney who ends up defending a Judge he has a difficult past with. As it’s Pacino, you know you’re going to get plenty of grandstanding and explosive speeches, and that’s precisely what he delivers – while not letting the sympathetic side of the character down. Roy Scheider basically plays Bob Fosse in All That Jazz – a workaholic and pressure addict who refuses to stop or accept when enough is enough. He fully embraces his many vices and Scheider is perfect for the role – just intense enough without becoming something to be lampooned, and jittering all the way to his character’s inevitable conclusion. Finally, Peter Sellers feels like the bonus nominee here, not someone who really stood a chance against the other four. Having said that, it may be his best role, if not best performance, because while it lacks the obvious silliness of his more renowned work, this one feels more true to who he wanted to be as a performer. The character is ideal for him – a simple-minded, simple gardener who somehow becomes advisor in The White House. Honestly you can take any of these choices and not be concerned.
My Winner: Dustin Hoffman
My Nominations: Dustin Hoffman. Al Pacino. Roy Scheider. Peter Sellers. Martin Sheen. Klaus Kinski. Phil Daniels.
As much as I’d like to put Mel Gibson here for Mad Max, I think the performance grows more in the sequel. It seems odd, especially in retrospect, that Martin Sheen wasn’t nominated here for Apocalypse Now. Possibly it’s a case of him being overshadowed somewhat by other performances in the film – with both Brando and Duvall stealing their scenes. But Sheen’s is the performance which holds the entire process together – we see the war and the journey through his eyes and he becomes increasingly crazed as the insanity around him intensifies. Klaus Kinski, in a year with a few notable vampire performances, delivers one of the all time best performances as a fanged monster. Obviously he is more visually horrific than the more romantic take on the creatures, but that doesn’t make him any less convincing, intriguing, seductive, or sympathetic – a credit to what Kinski was able to convey. Finally, Phil Daniels gives what I think is one of the finest British big screen performances of the decade in Quadrophenia – it’s authentic as hell, powerful on a number of emotional levels, and it is arguably one of the best performances focusing on teen rebellion, angst, and alienation. No-one else is ever going to go for him, so I will.
My Winner: Phil Daniels
Let us know in the comments who you pick as Best Actor of 1979!