‘Your idols speak so much of the abyss/Yet your morals only run as deep as the surface’
‘Your idols speak so much of the abyss/Yet your morals only run as deep as the surface’
*Originally written in 2003
Based on Barry Gifford’s novel, Perdita Durango follows the exploits of the mysterious, dark, sexual creature of the same name- a woman with a violent and criminal past (who incidentally pops up for a few scenes in Wild At Heart, played by Isabella Rossillini). Full of unlikable characters, violence, voodoo, and sex, Perdita Durango is an intriguing film which attempts to say something about the state of the modern, vapid, white American whose lives are defined by the shows they watch, and the kids who have no real opinions of their own. Unfortunately, we must sympathize with this group as they have been kidnapped by the malevolent Perdita and her lover Romeo – even more despicable, yet charismatic people. The kids here are very annoying and it’s difficult to feel much sympathy for them, and just when we think we are disgusted by Perdita and Romeo, we find ourselves rooting for them. It is a strange film, messing with our conceptions of good and evil, and by the end we have the feeling that there is no good or evil, only stupid and lucky.
Perdita, played by Rosie Perez, meets the mysterious and deadly Romeo (Javier Bardem) who is planning to hijack a truck load of fetuses and bring them over the boarder from Mexico to N. America. They team up and have a fiery partnership which eventually leads to lots of dark sex and some semblance of love. Before they can do the job, Romeo needs human victims to sacrifice to his Gods so they will give him favourable odds. They kidnap two typical naive American teens, Duanne and Estelle, and begin their journey. As they travel, they pseudo-bond, but each time you think they will become friendly and the kids might be saved, the two Mexicans soon show their dark sides again. On their tails are some DEA agents, (including James Gandolfini), the girl’s obsessive but stupid father, and a couple of groups from Romeo’s past who want him dead. Things are looking bleak for all concerned, and perhaps not even Romeo’s Gods can intervene.
Banned and cut to shreds in many countries for its violence, nudity and use of other shows and films, you may find it a challenge to find a copy of this. It is dark, there is quite a lot of violence and sex and drug-use, but there is a wry sense of humour throughout, and everything is so fantastical and bizarre that it is difficult to take any of it seriously. The performances of Perez and Bardem are both extremely good, full-bodied, so we are drawn to them more than any other character, they seem so frantic and their faith is so strong that we cannot help to enjoy a few scenes they have. Gandolfini and Alex Cox are also good in smaller, comic roles, the two kids do everything they can, but are just there to annoy the viewer. There are many bizarre and funny moments – Estelle’s father’s final scene is one of the best moments. Definitely a film for those willing to see something out of the ordinary, it is rewarding and has some strong performances, good action, dark humour and an insane plot.
Have you seen Perdita Durango? Let us know in the comments!
*Originally written in 2004
One of the true ‘must see’ action films of the Nineties, not only because it was the first to fully establish John Woo as the master of action movies and Chow Yun Fat as a superstar (at least in the West), but because it has had a massive influence on every action movie made since, and is easily one of the most entertaining, over the top, gung-ho action movies ever. Slick, stylish, violent, funny, clever, with interesting characters, a superior plot which will keep you guessing, and filled with set pieces, explosions and chases, Hard-Boiled is a genuine classic.
Chow Yun Fat stars as Tequila, a cop with a love of Jazz, a man whose skills are never questioned, but whose methods are sometimes checked as they have a tendency to end in death and demolition. He also enjoys the odd bit of existential musing, and is always trying to win back his love, who happens to be a superior within the force. The film opens with a fight between cops and arms dealers which ends in the death of Tequila’s partner. Tequila kills all possible subjects so they are left with no evidence as to who the boss is. We meet Tony, played by Tony Leung, who is one the arms dealer’s lead men. He does his job flawlessly, and at all costs, but doesn’t want to see his boss harmed. However, when a rival with greater ambition wants to recruit him, Tony double-crosses his old boss. Tequila intervenes and many more are killed. Tony and Tequila continue to come into contact with each other, and we learn that Tony isn’t who he appeared to be. Soon Tequila works out where the massive armoury is, and a massive gunfight ensues, taking up the last 40 minutes of the film. Will Tequila get revenge, will any more twists enter the story, who will make it out alive?
The film is incredibly clever for an action film, with a twisting near-convoluted plot, but this is all the more astounding when you witness the level of action which takes place. The set-pieces are almost overwhelming, with so much going on at one time they beg to be re-watched repeatedly. Each actor is convincing, and it seems Fat and Leung were born for these roles. The final hospital scene has some of the best, most exhilarating action ever filmed, and no-one is safe as patients, doctors, kids, cops, and bad guys are slaughtered. Almost every window is smashed, all manner of guns are fired, and Woo is on top form. His slow-motion style and balletic gun play have never been better, and there is one Steadicam shot which goes into a lift, moves between floors, and features many deaths and explosions, plus dialogue -it’s one of the most awesome things you’ll ever see and must have been a nightmare to film. Few action movies can suck the viewer in like this does, so that we care about the characters and are not just watching vacantly. Hard-boiled succeeds on all levels, and must be seen by all action fans. It is the benchmark of the genre.
Jeepers, my old reviews were all plot, weren’t they? Let us know in the comments what you think of Hard-Boiled and how it ranks alongside John Woo’s other films!
….and may all your Christmases be shiiiittteee! I hope everyone has roasted their nuts suitably and are waiting to put their hand’s on Santa’s sack! Here meanwhile, I was provided with these lovely festive extras.
It’s lipstick. Shocking!
It’s eyeliner. Lasting!
It’s a gun. Blasting!
It’s mascara. Waterproofing!
‘Fuck the Brady bill/Fuck the Brady bill/If God made man they say/Sam Colt made him equal’
*Originally written in 2013 based on a free copy provided by Amazon.
It has been a while since I’ve seen a new Johnnie To movie which really impressed and excited me – Drug War brings him almost back to his best with a tense action thriller which draws many comparisons with Michael Mann’s Heat. This has a large case of famous faces, inspired set pieces, numerous explosive gun-fights, and a weaving cat and mouse plot as a criminal mastermind and fierce Detective do battle. There are plenty of stylish visuals and violence, but at the core is a cold story with few easy answers and fewer happy endings for the characters.
Zhang is a no-nonsense Detective who pulls out all the stops to catch notorious Drug Lords, and during the course of the film we see him become more dangerously close to the edge, almost reckless, in his pursuit of taking down the bad guys. Sun Honglei plays Zhang with a lot of skill, morphing seamlessly from zero-emotion cop to jolly criminal impersonator. Equally, Louis Koo, playing the captured drug baron Choi is impressive at conveying grief, desperation, charm, and deadly cunning. Much of the film is a game of wits between this pair, and along the way we interact with a variety of cops and criminals, each with their own story to tell and part to play.
For those who like their action, we do get a few highlights – a factory attack and the final showdown outside a school are directed flawlessly – they serve the plot and do not seem over the top in a John Woo style but are more grounded yet no less exciting or adventurous. This is definitely one for fans of Hong Kong, Asian, or action cinema to enjoy.
Amazon’s blurb, and indeed the dvd case itself, state that three masters of Hong Kong Cinema come together to create a masterpiece. 3 Masters yes, but what they have created is hardly a masterpiece. It is a complex but messy film following three storylines, each with three characters, intertwined by the main plot involving the three central characters. From the outset this is difficult to follow, with relationships between all three groups overlapping at different points until the final section where everything comes together. The ending is exciting enough, but ultimately is not satisfying and i expected more action throughout. However it is not an action movie, more a drama and the packaging seems a little misleading.
Triangle follows three ‘almost friends’, losers who want a big break to escape their respective lives. One works for the mafia and owes money- they are threatening to kill him and his mother. Another owns an antique shop, but wants a big score, and the final is married to a semi-psychotic woman who is having an affair, torn by memories of a past love. One dark night, while they discuss get rich quick schemes, a mysterious old man appears and tells them about a box which may solve all their problems. With no other option, the three men attempt to claim the box for themselves, but hot on their heels are the cops and the mafia.
The central characters could have been more interesting if the story had been told in a less haphazard way. Perhaps this was intentional, to reflect the chaos of their lives, but it menas we have less sympathy for them and cannot relate as well as we might. There are lots of funny moments, the usual quirky moments and offbeat minor characters to spice things up, but sometimes these do not work and only complicate things further. The acting is all sound from the ensamble cast- with lesser actors this would have collapsed. The final twenty minutes is the highlight, with all factions coming together and the chaos, comedy and action reaching a peak, meaning we don’t know who to trust, who will get out alive, or who will get out with what they came for. One for fans of the directors, or those curious to expand their asian collection
Aah, Halloween- the most wonderful time of the year. When even those who wouldn’t usually subject themselves to all manner of terrors decide to watch the odd scary movie or 2. Unfortunately for me, this part of the Spac Hole which I currently inhabit does not indulge in the season as seriously and joyfully as other places, so I have always felt a little deprived. Sure, we had some parties, sure we threw fireworks at Gerry’s house, and yes we would watch whatever limited choice of movies were on over the few days but compared to other places (particularly you festive folks in the US) it just didn’t seem as much damn fun. In my mind, the whole month of October should be a vessel for Halloween activities, from dressing up to trick or treating, to watching scary movies and hiding under the beds of people you don’t know with a chainsaw.
To that end I have helpfully made a few lists of classic horror movies which sould chill you to the bone, and add to the singular atmosphere of this most evil time of the year. This list of 31 movies was created so that you can split the fun over the entire month (alternatively you could wait until closer to the day and have a few marathon sessions) and let yourself tremble ever so slightly in the supposed safety of your own home. Just be sure to lock your doors and windows, close the curtains, and tuck up the kids tightly in bed (checking underneath and in closets for me) before turning off the lights. Maybe check those locks once more, you can never be too sure or too safe. Oh, what’s that? That noise from outside? I wouldn’t worry, probably just the wind. By all means go out and check, but that would mean going into the basement to find batteries for your torch. Really, just relax and watch the film, your paranoia can’t hurt you. The thing outside, yeah- it could hurt you. But you locked the doors, right?
These don’t have to be watched in any particular order, but some would suit the big day (or night) better than others. This is not meant to be a list of the best or even my favourite horror movies (though I love them all) but rather I feel these offer something of the atmosphere of Halloween. Enjoy.
An American Werewolf in London: This one has it all- gore, jump scares, atmosphere, action, humour, and a great plot with likeable characters. WereWolves, like Vampires have taken a rather glossy beating recently. This proves that you can wrap up a love story with horror without being teeny, without being sparkly, without being demeaning to viewers with brains. Classic Halloween scene: The Nazi section.
A Nightmare on Elm Street: Wes Craven, Johnny Depp, Heather Langenkamp, John Saxon, and Robert Englund- lovely ingredients for a tasty Halloween Pie. This is the original and best, before the horrific character of Freddy (Here just Fred) became a snuggleable, bantering chum. What could be better for Halloween than scaring yourself so badly that you can’t sleep- knowing that something terrible may be waiting for you in your dreams. A story with more depth than it gets credit for, dealing with the Craven standard of ill-advised parenting and how the children have to cope with the mistakes of the elders, this is full of genius set pieces and bloody action. Classic Halloween Scene: Nancy gets a bloody post coital surprise- but not what you’d expect. And did they say she was 14??
Alien: Often described as Halloween in space, or a Haunted House in Space, Alien deals with our fears of isolation, of being trapped, of being in s situation way beyond our control and way above our heads. Remove the alien, remove the setting, and this could be any slasher movie from the time. However, that would be taking away the fun, the fear, the atmosphere, and the ingenuity. This is dark, claustrophobic stuff, and the perfect film for Halloween to make you look out the windows into pitch darkness and wonder if something is staring back. Classic Halloween Scene: Dallas goes hunting, but realizes too late that he is the prey.
The Blair Witch Project: Similar to Alien this deals with our fears of isolation and the un-experienced unknown, but spices things up with issues of abandonment, paranoia, and things that go bump in the woods. A classic survival tale for city folk poking their ill-prepared noses where they don’t belong, Blair Witch succeeded because of it’s innovative filming and marketing techniques. It still succeeds today amongst a rubbish tip of similar films because the plot is solid, the acting is real, the rising tension and fear played out between the characters feels exactly like how we would react, the growing dread is almost unrivalled, and the climax is absolutely chilling. Classic Halloween Scene: The search for Josh in the freakshow house at the end will get you tingling and gripping the seat every time.
Creepshow: Halloween isn’t just about traumatizing each other, it’s also about good old fashioned camp-fire tales to warm the heart and soul. This is cheesy at times, but never boring or irritating, it feels nostalgic both for children of the 80s and of the 50-60s. The tales are brief, well written and acted, the effects are still top-notch with an earthy feel, and the scares are tense and fun. Classic Halloween Scene: Trying to convince your abusive wife to enter a box where a monster lives has never looked so enjoyable.
Candyman: Both Cliver Barker and Tony Todd are vital ingredients in any scare-fest- put them together and you’d better have a few spare pairs of pants lying around. An intellegent, sexy, city based horror which merges old world supernatural fears with the modern world of big business, CSI policework, snooping journalists, and end of the century hairdos. Barker at his height was a fountain of invention, bringing a freshness to the genre which made everyone else’s ideas look like old creaky mummy movies. Candyman merges urban myths with ancient folklore, mysticism with science, gore and shocks with beauty and lyricism. Todd’s presence is as powerful as any of the classic monsters, while Madsen gives a refreshing twist on the final girl character. Classic Halloween Scene: Hook through the chest.
Carrie: One for the teens this, though it may have aged some due to being so authentically 70s, the scares and the themes of abuse, loneliness, bullying, and separation are no less relevant or universal today. The story is simple but pumped up by ideas of religion, extremism, and psychotic mummies (not those ones). The acting by the main players is superb, there is something bleak about the whole sordid business, and we manage both to sympathize with and be scared by Carrie. And wish we had her gift. De Palma twists the tension knobs until they break off, though some of the intrusive camera guff is laughable now. Classic Halloween Scene: Everything between the bucket dropping and the school burning.
Child’s Play: The evil doll is a well worn sub genre of horror, but one which has very few, if any, classics. Child’s Play is amongst the best, and the series is certainly the most notorious. Like many 80s horrors, the series was unfairly derided for it’s supposed impact on our youth with some people going so far as blaming it for some grisly murders. As with most of these series, the quality decreased as the sequels increased, but the original remains surprisingly effective given the silly subject matter. If you don’t know the story- multi murdering maniac transfers his soul into a popular doll moments before his death, doll is picked up by young boy, doll begins murderous rampage again until it realises that it needs to sacrifice the boy to become human again. There are sure to be some laughs, some screams of just kick him in the balls and throw hm out the window!’, but maybe a few jumps too. Classic Halloween Scene: Chucky terrorizes the baby-sitter and we all jump when the phone rings.
Dawn Of The Dead: There is something quite special which you may not know about Dawn. If you watch it at Dawn- depending on where you live etc, try to time it where the film will just be ending as the sunrises. Then go for a walk immediately. It’s likely there won’t be many people around. The ones you will see will probably be shambling. The bleak nature of the film rarely hits harder than in these moments and you will surely look around yourself and feel a stark aura fill your being. There are few things more terrifying than waking up to an otherwise beautiful day and not wanting to be any part of it. Classic Halloween Scene: So many to choose from, from funny, to scary, to bleak, but I’ll go for the truck parking section as we realize that paradise can quickly become hell, and a haven can suddenly become a tomb.
Day Of The Dead: Surely the most grim of all the DEAD films, this is perfect Halloween viewing, not only because of the exquisite gore and effects. Claustrophobia and paranoia again play a large part, and you can’t help wondering why all these psychopaths keep getting in the way of your enjoyable apocalypse. Most people would be happily looting and whiling away their days watching DVDs, playing games, reading books, getting drunk, but there always has to be a crazy doctor or maniacal military group to spoil your good times. Halloween is all about good times, stick this on to reap the benefits. Classic Scene: When the Zombies step on the lift and it begins moving downwards- you just know all hell is about to break loose.
Dracula (30s): A classic to chill the bones of all comers, this still has the ability to… worry those who haven’t seen it before. A film that’s almost a hundred years old- how could that possibly be scary? Well, there’s a reason why this is still considered the best version. Classic Halloween Scene: When Harker first meets The Count.
The Exorcist: Now we get into the truly demanding territory. A rarity in the genre, The Exorcist was a massive financial and critical hit upon release, pampered with awards and then…uh, banned. It may not be as hard-hitting these days, but it’s still rough, creepy stuff. Plus it is played extremely coldly, and without a hint of humour. This is as bleak as horror gets, and even the supposed happy ending leaves us with a bitter, fearful taste. Excellent performances, bewildering jump scares, and freaky moments all conspire to chill the soul and ensure you cuddle up to your beloved in bed. Classic Halloween Scene: Spider walk.
The Evil Dead: This was mostly played for scares over the played for laughs sequel, and while there is humour here, the main focus is on sudden frights and wonderful, innovative camera techniques. You’ll have fun watching this one as each character gets picked off, comes back, and gets picked off again. Classic Halloween Scene: Cheryl at the window, not in the cupboard.
Friday The 13th: One of the original slashers and one of the most successful, this one has plenty of ideas and violence, and staples of the sub genre which have now become clichés. It has dated, it is silly and quite tame, but it was made with love and ambition and freshness. The ending is shocking, the performances are ok, and there isn’t a hockey mask in sight. Classic Halloween Scene: Arrow through the neck- don’t have sex kids.
Final Destination: Another rarity- an inspired modern horror film with great ideas which blends humour and genuine frights. We have a series of characters who rather than getting picked off one by one in an uncaring fashion, are shown to be real kids with real lives, fears, and concerns- and then they are picked off one by one in increasingly exciting, tense, and innovative ways. A film which deals with our fear of death, of inevitability succeeds on every level. Classic Halloween Scene: During a heated discussion in his car, one reckless character refuses to accept that his life is pre-destined or that death is stalking his every move. To prove the point he parks his car on train tracks with his friends as the train hurtles towards them. He soon realizes he was wrong.
The Fog: One of the great campfire spook stories, The Fog is still sadly underrated. Carpenter creates a wonderful atmosphere here which suits the season perfectly- even better if you’re near the sea or if there is fog around. Classic Halloween Scene: The introduction with the wizened old sailor sets the tone for the rest of the show, and should set the tone for your night.
Hellraiser: Another British one now, offering something different from our American cousins. We have sex, violence, lots of gore, and some S&M themed fun. This is gritty in an Eastenders sort of way- you don’t really want to look or have anything to do with these characters. Classic Halloween Scene: When Kirsty first meets the Cenobites- what is the finger in the mouth about?
Halloween: What more can I say? This is the movie which should be watched every Halloween- not only is it a genuine classic of the genre and a kick-ass movie no matter which way you look at it, it drips with and evokes that special Seasonal feeling that few things do. Make this the highlight of your night. After you’ve cut some throats. Classic Halloween Scene: Young Laurie runs screaming down her street being chased by a murderous maniac. She clambers to the front door of a neighbour, knocks and begs for help. A light is turned on. Then switched off. Did they think it was just kids messing around? Were they too afraid to help? Welcome To America folks.
Invasion Of The Bodysnatchers (70s): Some us like to dress up at Halloween as ghosts, vampires, or our favourite horror movie characters. Some people go further and pretend to be the person that the costume depicts. This definitive version of Bodysnatchers takes the idea of hiding behind a costume to dramatic and terrifying extremes- what if person next to you on the bus, your neighbour, your friend, your wife, or child was no longer the person they once were? In fact, what if some alien creature had taken their body as host and was walking around as an imperfect mockery of that person’s life? What if this alien race had designs on all your friends and everyone you’ve ever known, and what if you were next? This chilling view of a world snatched away from under our noses is all about loss of identity and mistrust, and makes for unsettling Halloween viewing. Classic Halloween Scene: The final moments. I’ll say no more.
Night Of The Living Dead: A staple of midnight viewing, the surrounding darkness makes the black and white all the more stark and cold; There are no easy answers or happy endings here. If you are watching this with a group of people, ask yourself which ones you would trust in a life/death situation. If your cosy home was surrounded suddenly by thousands of undead, who amongst you would come out as leader? Would you sit back, would you make decisions, would you think only of yourself or would you think of the safety of the group? Either way, you’re bound to get a chewing. Classic Halloween Scene: They’re coming to get you, Barbara.
The Omen: So far we don’t trust our neighbours and friends, but what if you thought your son was the Antichrist? The Omen is an apocalyptic film in more than one way and is filled with strong performances, gripping and bloody deaths, and a memorable, frightening score. Music is often pivotal in horror movies, and as you clamber the stairs to bed after this, with infernal monks chanting obscenities in your head, that corner of darkness you can’t quite see clearly may fill with unspeakable evil more readily. Classic Halloween Scene: Damian decides to ride his bike.
Prince Of Darkness: I find this to be Carpenter’s most underrated film mostly because it is awesome and should be mentioned in the same breath as Halloween and The Thing. Sure the plot is messed up with it’s evil green satanic liquid taking over zombies and bums mixed with time-travelling dream messages and psych jargon, but seriously it is awesome. It has more effective jump scares than any of his other shows and there is a creeping sense of dread and atmosphere throughout. In many ways it is classic Carpenter- a group of different thrown together in a building who have to team together or fall apart and stand against an overpowering threatening external force. It is a siege movie, it is clever for the genre though at times it doesn’t know what genre it wants to be. I think that was part of the fun though- like Big Trouble In Little China it is more than just it’s labels instead transcending notions of what it should or shouldn’t be, and is well ahead of it’s time. Classic Halloween Scene: The final survivors holding up behind some furniture while one of the crazies admires himself in a mirror with a large blade.
Ring: Please please please watch the Japanese version, not the abomination that is the remake. Sure the remake has plenty of jump moments, but it also has a deer on a boat, Brian Cox in a bath, and a director who decides it would be clever to cut away from the movie’s most important scene for the sake of a car chase. The original has Nanako Matsushima and Hiroyuki Sanada and if that isn’t enough of a recommendation then please remove thine eyes from mine page post haste. Watch this deep into the night, possibly as the last film, then play the lovely game of phone your friend once they have left to terrify them. Unfortunately the ideas first seen here have been so over-used that these games have become diluted, but the film still has an unflinching power. Not a drop of blood is shed, there are no knives, guns, or people bursting in from behind doors with a loud noise- this is the best horror film of the nineties and goes against everything that decade threw at us. And it’s a damn good story with excellent performances. Classic Halloween Scene: Sadako. TV. Sleep tight.
Scream: The second best horror movie of the nineties is the stuff of parties. By know everyone should have seen it, but many of you will have forgotten it and how good it still is. Plenty of shocks, laughs, scares, and action as well as a script the quality of which horror movies rarely get. And my beloved Neve Campbell is in it. Few horror films provide this much entertainment whilst still being scary, funny, and clever. The nods to horror movies will keep the nerds amongst your bunch happy and you can shout out when you spot a reference. Classic Halloween Scene: The final house chase scene as Neve doesn’t know where to run or who to trust.
The Shining: It’s rare for most people to get snow at Halloween, even more rare to be completely snowed in and surrounded. Try replacing the notion of snow with rain or darkness- would you want to go wandering outside if it was completely dark or hammering down? Anyway, this is another film which plays on isolation, claustrophobia, and paranoia. It’s probably best not to watch this one as a cosy night in flick with your little family- you’ll start wondering what the hell is going through each other’s minds. This is a giant of the genre with heaps of atmosphere and plenty of unsettling moments which deserves to be menti0ned at any Horror Movie Marathon. Classic Halloween Scene: Danny was warned not to go in that room. Prepare to be scared when Daddy goes looking too.
Silence Of The Lambs: The critic’s choice. Don’t invite any critics to your party as they will moan, groan, bore your girlfriends, and likely drink all your wine. There should be wine. This is nasty stuff from start to end as poor Jodie Foster tries to solve a murder whilst hiding her own fears from the unlikely Terminator Anthony Hopkins. This is better suited to smaller group viewing as it isn’t exactly cheery, blood n guts fun but it does the job when you’re on your own. Classic Halloween Scene: Anything with Bill really.
The Thing: In many ways the ultimate John Carpenter film, the ultimate macho man fest, and the number 1 examination of the paranoia which creeps into people during periods of isolation. The effects here still blow me away and they are only part of a long list of quality to describe this film- look at the cast, the performances, the music, the scares, the cinematography, and the way Carpenter drags the tension out of every shot until we don’t know who has been infected and who hasn’t. Great action adds to the great scares, but the special effects and story are kings here. Classic Halloween Scene: When the survivors are tied to chairs and Mac goes through each one by one to test if any are not human. Genius.
The Texas Chainsaw Massacre: This one still hurts today- it’s just so damn grim, dirty, and repulsive as to make the horror timeless. Sure they scares may be cliché now and the gore is almost non-existent, but the low down atmosphere, the miniscule budget, and the amateur (but good) performances all conspire to make this uncomfortable watching. I’m sure that there are plenty of people out there who still think that there could be a family like this in their town, just as much as I’m sure that there probably are still families or people like this in the world- maybe not in your town, but possibly the next one over. And chainsaws are awfully easy to come by these days. Classic Halloween Scene: The entire dinner scene. Truly horrific, the use of sound and various camera techniques make this one of the most intense few minutes in any horror movie.
28 Days Later: A modern classic, and one of the few great British horror movies of the last few decades. Taking riffs from Romero and King this is a post apocalyptic survivalist’s wet nightmare. Empty streets, shops to loot, cars to steal- all great if it wasn’t for the hundreds of thousands of psychopaths charging towards you in search of your blood. This is the 21st century folks, and zombies ain’t got time to amble and stumble about- these are confident, successful, modern big business, stepping up to the plate, corporate bull-shitting zombies, and they won’t take closing a door in their face for an answer. If you can’t run fast, you’re screwed. And just to make things Mega Man 9 difficult- these fiends don’t even have to bite you to kill/convert you- one drop of their blood/saliva entering your body, through a gash, a scratch, a kiss, or a tear is enough it recruit you. And sheesh! They don’t even give you time to grieve for your fallen comrade- within seconds of getting exposed, your best friend will be diving for your jugular too. My advice- kill everyone you see and hide under a pile of coats till it all goes away. Classic Halloween Scene: An abandoned car sitting in the middle of an abandoned London- nothing to fear but technology.
The Wicker Man: Nothing to fear but religion. Look closely enough and all religions begin to look like cults; they all have a figurehead, the followers worship the figurehead unquestionably and offer prayers, thanks, songs, and sacrifices, there are certain rituals usually borne of centuries long since dusted, those involved are usually inviting to outsiders in person, but have a secret hatred, anger, or issue against them once backs are turned. So we have The Wicker Man, possibly the best British Horror Film of the whole sorry lot. Aah, the confusion of two worlds colliding as we watch a upstanding lawman and guardian of his own archaic faith fall victim ever so slowly to a cult even more decrepit than his own. He knows something terrible is amiss, but it isn’t until his toes turn to cinders that he realizes his fate was sealed the second his feet touched the land. Classic Halloween Scene: When we first see Mr Straw and realize our hero’s fate.
Paranormal Activity: Proof not only that horror movies still have the power to scare, entertain, and bring in the mega bucks, proof not only that a good story well executed can be more than a match for buckets of blood, but also proves that in this day and age of $200 million dollar movies that a small group with talent, an idea, and a few months worth of average salary can make a great movie. Romero did it in the 60s, Carpenter did it in the seventies, Raimi in the 80s, Myrick and Sanchez in the 90s, and now Oren Peli has continued the tradition. Using every trick in the book he has made a classic pastiche of the genre and a thrill ride akin to running naked through a field of land mines. The setting of the movie is perfect for Halloween viewing- primarily it is set in the home and most of the scares happen at night- the film invades you with a sense that you aren’t safe in your own house and makes you take a second or third glance at that cup that you swore you set on the table which now sits on the ground. Likely to lose its impact with subsequent viewings this is best served to people who haven’t seen it. The scares (while you sense them coming) are unexpected and rewarding and while the characters are painfully annoying, you’ll still soil your drawers. Classic Halloween Scene: NEVER leave your foot hanging out of bed.
Trick R Treat: Anthology movies have had their heyday- we had a succession of British hits in the 70s, then a slew of bloodier efforts in the 80s. Then for 20 years anthology fans didn’t have a lot to be excited about aside from a few cheap efforts (although Asia did produce some great ones at the turn of the century). Trick R Treat is good enough to kick start a revolution in the genre, or at least it would have been had it been released in any cinemas. Straight to DVD (yet with a decent budget and big name cast) Trick R Treat features four shorts linked by an over-arcing plot and is to Halloween what presents are to Christmas. This one is destined to be shown and loved every Halloween for years to come, possibly as a double header with Carpenter’s classic. Classic Halloween Scene: The creepy opener sets the tone for the movie and features everything we love about the season, dripping with atmosphere, and settling us in for a bumpy ride.
Please leave your comments and suggestions for films you think are best viewed at Halloween, and let us know which films terrified you when you were growing up at this time of year.
A pretty little rich boy gets involved in drugs and violence in a pretty little rich town. Potentially interesting ruined by poor acting, poor camerawork, terrible characters who speak in the most inane language in an unconvincing manner, an ending which doesn’t answer questions about certain characters and an open half hour or more in which absolutely nothing happens.
Yes, the intro goes on for most of the movie- introducing the gardener from Desperate Housewives who, it seems, was once involved in drugs and other scary things and witnessed a friend dying. He has moved on, is doing well at Uni, has a bunch of friends who say a lot but have nothing to say, and parents who watch over him like prison guards. There follows scene after scene of semi nude , semi skeletal women gyrating to awful music, flashy camerawork which gets irratating before the first time it happens, and shots of people from a society which will hopefully soon be long forgotten drinking and grinning. Eventually something happens.
I won’t ‘spoil’ the ‘plot’, but basically the story follows Metcalfe descend back into his old ways which threaten to destroy everything he has achieved (been given) before he realises what has been happening and fights to save himself. I’m struggling to remember why i decided to give this two stars instead of one. Monica Keena, the only character worth remotely caring in, is watchable amidst the mire of stereotypes scraped off the back of a Tim Westwood earlobe, and Vinnie Jones is ok as himself. There are a few scenes of action, mostly handled as if by someone who runs away when they see a couple of birds fighting over a worm, and a couple of moments of violence which aren’t anything exciting for fans. There are a few funny moments, although that may have been my own madness setting in. For fans of things which look as if they go boom (but don’t) and people who think they’re beautiful (but aren’t).
Brooklyn Rules is a mix of coming of age drama and typical mafia film- comparisons with such classics as Goodfellas, Once Upon A Time In America, and even The Godfather will inevitably be made. True, the film does try to be a lighter, more commercial, less complicated version of Goodfellas- with fewer characters, a simpler plot, and less violence and swearing. The opening scenes comprise of voiceovers by the main character, played by Freddie Prince Jr, as he tells us briefly about his childhood growing up in Brooklyn, his friends, and his experiences with the mafia- like Goodfellas. The movie is set in the eighties with music, clothes, and expressions of the era all handled authentically- like Goodfellas, different decade. There are sudden flashes of violence with traitors and shady characters all being punished in over the top fashion- just like Goodfellas. There is something wrong with a film with so many comparisons to Goodfellas, and this is perfectly watchable. It just feels at times that the film is not a whole- like it is a smaller part of a bigger film.
The film centres on three friends in Brooklyn, the seedy underbelly of a larger city which seems foreign to those on either side. Michael (Jr) wants to get out of Brooklyn by studying Law. Bobby (Jerry Ferrara) is an underachiever whose main concerns are saving every penny and looking after his girlfriend, all under the watchful eye of Our Lord. Carmine (Scott Cann) is enamoured with mob life, and against the advice of his friends begins to hang out with local mob king Caesar (Alec Baldwin). The acting is of high enough quality, though no-one stands out, and the only unconvincing relationship is between Michael and Mena Suvari’s character Ellen. There seems to be no reason for the pair to like each other, although the way their different backgrounds seem so alien to one another is interesting. Certain unfortunate incidents occur which unravel the story, but the ending (predictably cheesy) feels too sudden, like nothing has been resolved. Certain characters come in such a way that make the film feel rushed and unfinished.
The film is worth watching for fans of mob dramas, it is interesting, holds the attention, and is not particularly offensive. Most scenes of violence are off screen or not as brutal as other films of this kind. There are a few interesting moments and themes which could ha
ve been expanded upon, and a few characters who deserved more screen time, but overall this is a watchable smaller brother of much greater films.
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