Essential Movies – 1965 – An Alternative View

For my original post explaining my criteria – click here!

For the mainstream view – click here!

Rules: Ten films which, in some way, show our history and culture reflected in film and film’s growth and change as a medium. It can’t simply be your ten personal favourites of the year. One of your ten choices must be in the top 10 grossing films of the given year. One of the films must have been nominated for a Best Film Oscar (Best Picture, Best Foreign Feature, or Best Animated Feature). One of the films needs to appear in a renowned critic or magazine or book’s best 10 films of the year. These choices can’t overlap. 

  1. Dr Zhivago (Top Grossing Choice)
  2. Kwaidan (Academy Award Choice)
  3. Thunderball (Critic’s Choice)
  4. Dr Terror’s House Of Horrors
  5. Faster Pussycat Kill Kill
  6. Repulsion
  7. The Sound Of Music
  8. Alphaville
  9. The Greatest Story Ever Told
  10. The Cincinnati Kid

What are your Top Ten Essential Movies of 1965?

Essential Movies – 1965

Greetings, Glancers! Welcome back to my half-assed destruction of so call Essential movies as we look at which ones can truly be given such a moniker. Check out my explanation post for more info, and have a look at my 1965 Oscars posts if you have additional time to waste. Onwards!

Alphaville

Why Is It Considered Essential: Jean Luc Godard. Influential.

Why Could It Not Be Considered Essential: Old. Black and White. Foreign. Weird.

What I Think: Has a great look and is a good introduction to Godard’s style. Only Godard fans, Critics, Wannabees should consider it Essential, though Film Nerds will want to see what’s up.

Cat Ballou

Why Is It Considered Essential: Jane Fonda. Lee Marvin. 5 Oscar Nominations, 1 win. Top 10 Grossing film.

Why Could It Not Be Considered Essential: Westerns are typically tough men movies for tough men. Musicals are not. Musical Westerns? That’s a tough sell.

What I Think: It’s enough of a curiosity to bring in fans of both genres. Film Nerds will want to see what the fuss is about, but not Essential for anyone else. I actively dislike Musicals, and Westerns as a whole are not my thing. This manages to have a certain charm and Marvin and Fonda are strong.

Darling

Why Is It Considered Essential: Top 20 Grossing. Nominated for 5 Oscars, won 3. John Schlesinger. Julie Christie. Dirk Bogarde. Laurence Harvey.

Why Could It Not Be Considered Essential: Old, Black and White, doesn’t feature one of the true big stars of the era which modern audiences would know.

What I Think: I love how groundbreaking it is at looking at certain lifestyles and human relationships, and there’s no doubting the talent involved. Is there enough to make it essential for a modern viewer? Wannabees will get to it due to the Oscar success, fans of the cast should see it, I doubt anyone beyond that will.

Dr Zhivago

Why Is It Considered Essential: 2nd Highest Grossing movie of the year and one of most successful ever. Nominated for 10 Oscars, won 5. Julie Christie. Omar Sharif. David Lean. Alec Guinness.

Why Could It Not Be Considered Essential: It’s over three hours. It’s incredibly dense, though basically a romance.

What I Think: It’s one of those movies I tend to avoid – sprawling historical epics based on literary epics based on real world events – feels too much like school than Cinema. You’re sucked in though by the visuals and as a technical feat there are fewer filmmakers more essential than David Lean. Essential for Critics, Wannabees, Film Nerds, Fans should see it once, but likely overlong for anyone else.

Faster Pussycat Kill Kill

Why Is It Considered Essential: I’m not sure it actually is considered Essential, but in the annals of Cult Movies it’s definitely one of the most Essential. Influential to many later artists on many fronts and peppered with quotable dialogue. If you watch one Russ Meyer movie – it’s this.

Why Could It Not Be Considered Essential: Old, Black and white, cheap, tacky, violent. It was a box office failure even though it’s budget was under 50K.

What I Think: If you like Cult Movies or Exploitation Film, it’s a must. Modern critics note it for its gender politics and influence. Essential down to Film Nerds, Film Fans should give it a try, and any Casuals who enjoy action, violence, and boobs will enjoy it.

Help!

Why Is It Considered Essential: Beatles. Top 20 Grossing.

Why Could It Not Be Considered Essential: Not as good as A Hard Day’s Night so if you’re only going to watch one Beatles movie, it won’t be Help!

What I Think: The music is better than A Hard Day’s Night, at least to me, but the film isn’t as strong. Still, it’s The Beatles and as cultural icons go they don’t come bigger. Essential all the way down to Casuals, and anyone should give it a try.

The Ipcress File

Why Is It Considered Essential: Cemented Michael Caine’s place on the map. One of the most successful and highly regarded British movies ever. Interesting counterpoint to 007. Also scored by John Barry. 100% on Rotten Tomatoes.

Why Could It Not Be Considered Essential: Given the choice between this and a Bond movie, most will go with Bond. More quintessentially English, which may distance viewers.

What I Think: A great film as worthy of watching as any Bond. Casual British viewers of a certain age should enjoy it and Essential for anyone higher on the scale.

A Patch Of Blue

Why Is It Considered Essential: Top 20 Grossing. 100% on Rotten Tomatoes. Nominated for 5 Oscars, won one. Sidney Poitier. Shelly Winters. Breaking down racial boundaries.

Why Could It Not Be Considered Essential: Dated, old.

What I Think: Yeah, it’s dated but still relevant, and must have been shocking at the time with all the stuff about prostitution, rape, and mixed race fun. Fans of cast should see it, not sure if it’s Essential for Film Nerds, and Wannabees will get to it and some point.

Repulsion

Why Is It Considered Essential: Polanski. Deneuve. 100% on Rotten Tomatoes.

Why Could It Not Be Considered Essential: Old, Black and White. Weird.

What I Think: One of the finest horror movies of the era, one of the best psychological horror movies ever. Due to its expressionist nature it’s not one you can simply dip into, so likely not Essential for Casuals or below. Essential for everyone above.

The Sound Of Music

Why Is It Considered Essential: Highest grossing movie of year and one of most successful films ever. Nominated for 10 Oscars, won 5. If you ask people to name a Musical, this will be one of the top 5 answers.

Why Could It Not Be Considered Essential: It’s a Musical. There’s too much smiling and singing and all of the other stuff I can’t stand about the genre. Sickly, simple, silly, showy.

What I Think: As much as I’m not a fan of the genre, there’s no getting away from the cultural impact. The film looks incredible, the songs are part of Western life. I think everyone has to see this at some point, right?

For A Few Dollars More

Why Is It Considered Essential: Top 15 Grossing film. Clint. Leone. Van Cleef. Morricone.

Why Could It Not Be Considered Essential: Too violent. Some people don’t like Spaghetti Westerns.

What I Think: A strong entry in the best Western Trilogy ever. If you watch one Spaghetti Western though, it’s not going to be this. Essential for Wannabees, Nerds, Western Fans.

The Greatest Story Ever Told

Why Is It Considered Essential: Top 15 Grossing Film. Huge cast. Jesus? Nominated for 5 Oscars.

Why Could It Not Be Considered Essential: Well over 4 hours long. Massive commercial flop. Not critically well received.

What I Think: If you’re going to watch one Biblical epic, it may as well be this one. It’s not good, but for the sheer number of Stars it’s interesting. Wannabees should get to it. Nerds will want to see what it’s all about. Essential for Christian types?

Thunderball

Why Is It Considered Essential: 3rd Highest Grossing Film of year. Bond.

Why Could It Not Be Considered Essential: As Bond films go, as Connery films go – it’s a lesser entry. Most people will go with Dr. No or Goldfinger. 

What I Think: I consider the Bond franchise as a whole essential viewing – there’s much for critics to think through, and general movie fans continue to gobble them up. Thunderball isn’t a personal favourite and if you don’t care for the series then I’d consider skipping it.

Which films of 1965 would you consider Essential, and who do you break down that categorization?

Essential Movies – 1964 – An Alternative View

For my original post explaining my criteria – click here!

Rules: Ten films which, in some way, show our history and culture reflected in film and, film’s growth and change as a medium. It can’t simply be your ten personal favourites of the year. One of your ten choices must be in the top 10 grossing films of the given year. One of the films must have been nominated for a Best Film Oscar (Best Picture, Best Foreign Feature, or Best Animated Feature). One of the films needs to appear in a renowned critic or magazine or book’s best 10 films of the year. These choices can’t overlap. 

  1. Dr Strangelove (Academy Award Choice)
  2. Goldfinger (Top Grossing Choice)
  3. Woman In The Dunes (Critical Choice)
  4. The Umbrellas Of Cherbourg
  5. A Hard Day’s Night
  6. A Fistful Of Dollars
  7. Band Of Outsiders
  8. Marriage Italian Style
  9. My Fair Lady
  10. Mary Poppins

Let us know your picks for the Top Ten Essential Movies of 1964!

Essential Movies – 1964

Greetings, Glancers! We’re back again to check which classic movies should be considered essential within each category of viewer. Check out my 1964 Oscars posts for more on some of these movies, otherwise lets go.

Becket

Why It Could Be Considered Essential: Richard Burton. Peter O’Toole. John Gielgud. Nominated for 11 Oscars, winning one.

Why It May Not Be Considered Essential: It’s an old, very theatrical film about a period of time few people will be interested in.

What I Think: As far as costume dramas go, there were plenty to chose from during the Sixties – I’m ambivalent towards all of them and would suggest that anyone not interested in the style needs to only see one of them. This is as good as any, but it’s not to my personal tastes. Essential only for critics and wannabees.

Dr Strangelove

Why It Could Be Considered Essential: Kubrick. Peter Sellers. Dropping the bomb. Top 15 grossing film. Nominated for four Oscars.

Why It May Not Be Considered Essential: We’re distant from the time of release that was being satirized now, so much of the comedy may not hit the mark. Sellers can be an acquired taste. Many people don’t like political humour. Black and white, which will put off many modern viewers.

What I Think: It’s going to be eternally ranked among the best, most important comedies of all time. Even if the specifics are dated, a look at the world today shows that the satire still works. All Kubrick movies from Spartacus onwards (if not all, period) should be considered essential by critics, wannabees, nerds, and fans. Casuals with an interest in the director, the stars, comedy, or politics will enjoy it.

Goldfinger

Why It Could Be Considered Essential: Bond, one of the most successful and highly regarded of the series. Shirley Bassey. Most people would include this in the top five must-see Bond movies. 2nd highest grossing movie of the year.

Why It May Not Be Considered Essential: If you’ve seen any other Bond and you’re not a fan, then you likely won’t care to see this.

What I Think: It’s Bond, so I automatically consider it essential. It’s arguably the most iconic entry in the series, what with the song, the quotes, the bad guy, the henchmen, Pussy Galore, the car etc. Still, growing up more with Moore I find myself watching the Connery movies less than others. Should be essential for everyone down to Casuals, and essential for them if they like Bond.

A Hard Day’s Night

Why It Could Be Considered Essential: It’s The Beatles. It’s one of the first movies of its type. It showcases a specific time and place and energy like few films or documents do.

Why It May Not Be Considered Essential: It will be too wacky and displaced for some. If you’re not interested in The Beatles, or music, it won’t be of interest.

What I Think: It’s weird and energetic and doesn’t make a lot of sense unless you place it in the context of the time and the surrounding hysteria. It gives insight into the minds of the Fab Four, their creativity, and is a valuable artifact as well as being a lot of fun. Great music too. Essential down to Casuals, essential for Casuals who like the band.

Mary Poppins

Why It Could Be Considered Essential: It’s Mary Poppins. You’ve seen it. Disney. Supercali, chim chimeree, lets fly a kite etc. Third highest grossing film of the year. 100% on Rotten Tomatoes. Nominated for thirteen Oscars, won five.

Why It May Not Be Considered Essential: It’s a musical. It’s essentially plot-less. It’s too long and drags on endlessly.

What I Think: Have you watched it recently? It’s pretty bad. It’s not just the Van Dyke accent that we all know about – for me it’s not that the accent is nothing like Cockney – it’s that you literally cannot understand 95% of what he says. His character is unnecessary too, aside from a few cloying nods in the pseudo-redemption arc. It’s takes a hell of a long time to get going, the kid actors are annoying though it’s unclear why they need a Nanny in the first place beyond the fact that their parents are terrible human beings. By the end of the film, no-one has learned anything – the kids have lost the only person who showed them some passing interest, the mother doesn’t change whatsoever, and the father clearly suffers some sort of breakdown. Some of the songs and scenes go on for far too long and the humour is worse than swallowing a fart. While obviously dated, it is still wildly inventive. Having said all of that, I’m clearly in the minority and there’s no doubting it’s essential given the cultural impact, though a modern viewer who hasn’t seen it will likely not be as impressed as the person forcing them to watch it.

My Fair Lady

Why It Could Be Considered Essential: Audrey Hepburn. Loverly. Rain In Spain. Highest grossing movie of the year. Best Picture winner, along with seven other Oscar wins.

Why It May Not Be Considered Essential: It’s a musical. Those accents. Rex Harrison is a dick.

What I Think: Although this defeated Mary Poppins at the box office, it has fared less well in terms of impact. It’s still talked about, it’s still iconic, but to a much lesser degree than Poppins. Again, for someone who largely despises musicals, it’s a struggle to get through it, only kept from shutting it off by Hepburn’s charm. Regardless, it’s essential for Critics, Wannabees, Nerds, Fans and Casuals can give it a go if they like Hepburn or musicals.

The Umbrellas Of Cherbourg

Why It Could Be Considered Essential: Catherine Deneuve. Nominated for five Oscars (over a number of years)

Why It May Not Be Considered Essential: It’s foreign, most viewers won’t care about the director or cast. Not a top grossing movie.

What I Think: As you should know by now – musicals are not for me. This is the bets musical of the year. It’s as charming as Mary Poppins is bad, it’s as enchanting as My Fair Lady is annoying. However, given the choice, the average fan will pick a different musical to watch from this year, in that case probably only essential for Critics and Wannabees, though geeks and musical fans should give it a go.

The Woman In The Dunes

Why It Could Be Considered Essential: One of the best films from the Japanese New Wave, nominated for two Oscars, gorgeous music and cinematography. 100% Rotten Tomatoes.

Why It May Not Be Considered Essential: Old, black and white, Japanese, weird.

What I Think: Alienating, yet beautiful. Haunting, sad, creepy, yet definitely an acquired taste. Only for connoisseurs of Japanese cinema.

Zulu

Why It Could Be Considered Essential: Michael Caine’s first major role. A cast of British icons starring in a film about a pivotal moment in British history. A John Barry score. One of the most successful and enduring British films of all time, still shown regularly on TV. Influenced many later war films and battle scenes.

Why It May Not Be Considered Essential: Outside of Britain, nobody really cares. It wasn’t one of the highest grossing films of the year outside of Britain, and critical reception was and remains divided – is it racist or not, is it good or not? It didn’t win any awards of note.

What I Think: This has become less essential with time. Even though I still think it’s a great film, and that more movie fans outside of Britain should see it, there’s maybe not enough incentive within the cast or via the director to encourage viewers. The action and tension remain fresh and modern viewers will recognise its influence. Critics and Wannabees need to see it, but I imagine my generation of film fans born in Britain will be the last to consider it essential.

A Fistful Of Dollars

Why It Could Be Considered Essential: It’s Sergio Leone. It’s Clint Eastwood. It’s Ennio Morricone. They are three of the biggest names in their respective fields, and they’re together, making possibly the first film which enabled their legend status. It introduced The Man With No Name, both as a character and a character type. One of the first Spaghetti Westerns which reinvented a dying genre and took it onto darker, more violent territory. It was a Top Ten Grossing Movie that year.

Why It May Not Be Considered Essential: British and US critics were not impressed upon release. The non-traditionalist, cheaper, more European feel may put some viewers off.

What I Think: While not as good as, or essential, or iconic as The Good, The Bad, And The Ugly, it came first and laid the groundwork. It kick-started a number of careers who would each become superstars, and it defined a genre. Essential for Critics, Wannabees, Nerds, and Fans, and even with its age modern virgin viewers should get something out of it.

Zorba The Greek

Why It Could Be Considered Essential: Stars Anthony Quinn. Was a Top 20 Grossing film. It won three Academy Awards, and was nominated for four others, including Best Director and Best Picture.

Why It May Not Be Considered Essential: Like most romances and comedies from a particular era, it hasn’t aged well. The stars probably aren’t recognisable enough to your average modern film fan.

What I Think: It has aged, but it still has good performances and at times is more like a buddy comedy/odd people romp than a romance. It was nominated for Best Picture, but didn’t win and has since become just another near-forgotten film. Critics and Wannabees should see it eventually, but for anyone else it’s only essential if you’re a fan of the cast.

Let us know in the comments which films above you would rank as essential, and which films of 1964 you would put in that category!

Essential Films – 1963 – Alternative View

For my original post explaining my criteria – click here!

Rules: Ten films which, in some way, show our history and culture reflected in film and  film’s growth and change as a medium. It can’t simply be your ten personal favourites of the year. One of your ten choices must be in the top 10 grossing films of the given year. One of the films must have been nominated for a Best Film Oscar (Best Picture, Best Foreign Feature, or Best Animated Feature). One of the films needs to appear in a renowned critic or magazine or book’s best 10 films of the year. These choices can’t overlap. 

  1. Cleopatra (Top Grossing Film Choice)

2. The Haunting (Top Critical Choice)

3. 8 And A Half (Academy Award Winning Choice – Best Foreign Picture)

4. The Birds

5. The Great Escape

6. Jason And The Argonauts

7. From Russia With Love

8. Shock Corridor

9. The Pink Panther

10. The Sword In The Stone

Essential Movies – 1963

As promised/threatened in my spectacular viewer categorization post, I wanted to have a look at what truly classifies as essential. My main point in the post linked above is that ‘essential’ is subjective to the viewer, but if we can roughly classify viewers then we can perhaps distinguish between what is essential for each viewer type, and what is not. Now, this is not scholarly in the slightest, nor is it researched in any way aside from in my own head between 1 and 2 am when I can’t sleep. Take it with as many pinches of salt as you like, and perhaps some vinegar.

Greetings, Glancers! We’re back again to check which classic movies should be considered essential within each category of viewer. Check out my 1963 Oscars posts for more on some of these movies, otherwise lets go.

America, America

Why It Could Be Considered Essential: Elia Kazan. The American Dream. Nominated for 4 Oscars, won one.

Why It May Not Be Considered Essential: Three hours long. Old. Most would view it as foreign. Didn’t make a bunch of money so most would remember it.

What I Think: Essential only for critics and wannabees. Fans of Kazan will obviously see it, but there would be a few others to consider before this.

The Birds

Why It Could Be Considered Essential: Hitchcock. Birds. You already know.

Why It May Not Be Considered Essential: It’s actually pretty slow and anyone expecting all out constant bird attacks may be disappointed.

What I Think: It’s The Birds. Pick five or 10 Hitchcock movies everyone should see and this will be there.

Bye Bye Birdie

Why It Could Be Considered Essential: Top 15 grossing. Nominated for 2 Oscars. One of the few musicals based on rock n roll.

Why It May Not Be Considered Essential: Dated. Musical.

What I Think: I think you know what I think, at least the music isn’t as bad as most.

Cleopatra

Why It Could Be Considered Essential: One of the most famous movies ever, incredibly expensive, highest grossing film of the year. Liz Taylor. Richard Burton. Mankiewicz.

Why It May Not Be Considered Essential: 4 hours long.

What I Think: It’s Cleopatra. You don’t need to know the history, the stories, or have seen the movie, but when you hear the name you probably imagine Taylor, extravagantly adorned and reclining. Essential for everyone down to movies fans, but probably too long to convince anyone else.

8 And A Half

Why It Could Be Considered Essential: Fellini. Almost always near the top of any Best Foreign Film Ever list. Top 30 grossing film. Iconic. Influential. Nominated for 5 Oscars, two wins.

Why It May Not Be Considered Essential: Old. Weird. Black And White. Foreign. 

What I Think: I’m not sure whether we can consider foreign films essential for your typical fan or casual, not matter how important it is. Essential for Critics and Wannabees, most likely essential if you call yourself a worldly film fan.

From Russia With Love

Why It Could Be Considered Essential: Bond. Generally considered one of the top five, if not the best Bond.

Why It May Not Be Considered Essential: If you have to pick one Bond film as essential, most people would go for Goldfinger. A bit tame on the action and tension maybe for modern viewers.

What I Think: It’s not my personal favourite, not even my favourite with Connery, but it’s still Bond and therefore everyone should see it.

The Great Escape

Why It Could Be Considered Essential: One of the best ‘escape’ movies, one of the best POW movies ever, Steve McQueen, Donald Pleasance, Richard Attenborough, James Garner, Charles Bronson, iconic scenes and soundtrack.

Why It May Not Be Considered Essential: It’s pretty long?

What I Think: I can’t speak for the rest of the world, but everyone in GB sees this, usually as a kid. It’s one of my favourite movies ever and would recommend to everyone.

The Haunting

Why It Could Be Considered Essential: One of, if not the most highly regarded haunted house movie ever.

Why It May Not Be Considered Essential: Old, black and white. Scares will be deemed tame by modern audiences.

What I Think: It doesn’t matter how old it is, the tension is still there, the sound work is brilliant, and if you’re going to see one haunted house movie it should be this one. Essential for the usual suspects and for horror fans. Film fans and casuals in general should give it a go.

High And Low

Why It Could Be Considered Essential: Kurosawa. Mifune. How many times will I say that? No Samurai here though.

Why It May Not Be Considered Essential: Old, BW, foreign. It’s not one most people will recommend in a top 5 or 10 list of Kurosawa movies.

What I Think: It’s still Kurosawa so essential for Critics and Wannabees. Kurosawa fans should see it. Film Nerds can probably skip it, and there isn’t enough to encourage anyone else.

Hud

Why It Could Be Considered Essential: Paul Newman. Top 20 grossing. Nominated for 7 Oscars, won three.

Why It May Not Be Considered Essential: The usual (old, BW), even though others won for their performances, most won’t care about the cast outside of Newman.

What I Think: It has some great performances, but on the surface sounds boring and may be a hard sell. Outside of Critics, Wannabees will need to see it, I don’t think it’s essential enough for Film Nerds or fans, but Newman fans will want to see it.

Jason And The Argonauts

Why It Could Be Considered Essential: Harryhausen. Skeletons. Talos. Harpies.

Why It May Not Be Considered Essential: It’s dated.

What I Think: I love this movie – it’s one of those movies we all have where if you stumble across it on TV, you have to watch it. Critics, Wannabees, Film Nerds, Fans should all see it – I can’t see any category who wouldn’t get a kick out of it.

The Leopard

Why It Could Be Considered Essential: Visconti. Burt Lancaster. Claudia Cardinale. Alain Delon. Now seen as one of the best foreign movies ever.

Why It May Not Be Considered Essential: Old. Foreign. Long. Modern audiences won’t care about the actors or politics.

What I Think: Not a personal favourite but essential for Lancaster and Cardinale fans.

Pink Panther

Why It Could Be Considered Essential: One of the most famous comedies and comedic performances of all time. Blake Edwards. David Niven. Peters Sellers. The music. Top 15 grossing.

Why It May Not Be Considered Essential: The humour is heavily slapstick and many will find it dated.

What I Think: It’s The Sellers show and fans of comedy need to see it. Casuals should give it a chance.

Shock Corridor

Why It Could Be Considered Essential: Sam Fuller. Cult classic.

Why It May Not Be Considered Essential: Even among cult fans it’s not widely known.

What I Think: One for Fuller fans and those curious about cult films and interesting ideas. Horror fans should give it a go.

Tom Jones

Why It Could Be Considered Essential: 10 Oscar Nominations, 4 wins including Best Picture and Director. 4th grossing film of the year.

Why It May Not Be Considered Essential: Its merging of styles and comedy may feel stilted and confusing to modern viewers, the cast will not appeal to those outside of specific fans, particularly in the UK.

What I Think: It’s not my sort of thing, but you can’t deny its success and pedigree. Therefore essential for Critics and Wannabees. Fans of British comedy or the source material should see it. Probably not essential for anyone else.

The Knife In The Water

Why It Could Be Considered Essential: Polanski – his first. Nominated for Best Foreign Film Oscar. 100% rating on Rotten Tomatoes.

Why It May Not Be Considered Essential: It’s not seen as one of Polanski’s best, despite the critical acclaim. Old. Foreign.

What I Think: You don’t get to be a movie fan without seeing a Polanski movie. However, this is likely one you’ll only get to if you see and enjoy his more famous works. Essential for Critics and Wannabees, Nerds should be aware of it, fans should give it a shot if they don’t find foreign cinema.

The Sword In The Stone

Why It Could Be Considered Essential: Disney. Still the definitive version of the story?

Why It May Not Be Considered Essential: It came during a downturn in quality and success by the Company and it isn’t highly regarded outside of its hardcore fans.

What I Think: I’ve always considered it one of my favourites but there are much better Disney films. Still, almost all Disney movies are essential for all kids so by the time you care about films you’ve already probably seen it. If you get to adulthood without seeing it, it’s not you’ll likely seek out.

Let us know which movies of 1963 you would deem as Essential for a particular audience!

Essential Movies – 1962 – Alternative View

For my original post explaining my criteria – click here!

Rules: Ten films which, in some way, show our history and culture reflected in film and  film’s growth and change as a medium. It can’t simply be your ten personal favourites of the year. One of your ten choices must be in the top 10 grossing films of the given year. One of the films must have been nominated for a Best Film Oscar (Best Picture, Best Foreign Feature, or Best Animated Feature). One of the films needs to appear in a renowned critic or magazine or book’s best 10 films of the year. These choices can’t overlap. 

  1. Lawrence Of Arabia (Best Picture option)

2. The Longest Day (Top Grossing Option)

3. How The West Was Won (Best Film Critical option)

4. Lolita

5. Cape Fear

6. Dr No

7. The Mutiny On The Bounty

8. Whatever Happened To Baby Jane?

9. The Manchurian Candidate

10. To Kill A Mockingbird

Which 10 films would make up your Essential list?

Essential Movies – 1962

Greetings, Glancers! We’re back again to check which classic movies should be considered essential within each category of viewer. Check out my 1962 Oscars posts for more on some of these movies, otherwise lets go.

Cape Fear

Why It Could Be Considered Essential: Stars Robert Mitchum and Gregory Peck, remade by Martin Scorsese, all time classic villain, influential thriller.

Why It May Not Be Considered Essential: Didn’t win any Oscars, wasn’t a top grossing movie, the shocks and plot may have been diluted by time.

What I Think: One of the great thrillers and peppered with shocking moments. Essential for critics and wannabees and fans of the cast. Film Nerds should see it. Almost essential for horror fans and with enough points of interest to engage casuals.

Days Of Wine And Roses

Why It Could Be Considered Essential: Top 20 Grossing Movie, 1 Oscar win and four additional nominations, Jack Lemmon, Lee Remick, Blake Edwards, 100% on Rotten Tomatoes.

Why It May Not Be Considered Essential: Old and a little dated for modern viewers, people looking for a happy time won’t be interested.

What I Think: One of the most famous and best films about addiction with two fantastic leading performances. Essential for critics. Wannabees and Nerds should try to get to it, otherwise only essential for fans of the cast.

 Dr No

Why It Could Be Considered Essential: The first Bond movie – need I say more?

Why It May Not Be Considered Essential: Some people don’t like Bond, some people don’t like older movies.

What I Think: By no means my favourite Bond, but I consider every Bond film a personal must see. Essential for critics, Wannabees, Fans, Film Nerds, Casuals should still enjoy it and Twats will likely see it.

The Exterminating Angel

Why It Could Be Considered Essential: Luis Bunuel – that should be enough for some people. A Classic of Surrealism.

Why It May Not Be Considered Essential: Old, weird, talky, foreign, no stars.

What I Think: It’s one of those weird ideas that when I hear it, I instantly want to see it – a group of people at a house party discover, though no-one understands why, that they are unable to leave. I don’t think anyone outside of Critics and Bunuel fans will deem it essential.

How The West Was Won

Why It Could Be Considered Essential: 2nd highest grossing film. Massive cast featuring Jimmy Stewart, John Wayne, Eli Wallach, Henry Fonda, George Peppard, Gregory Peck. Nominated for 8 Oscars, won 3. Zeppelin named a DVD after it.

Why It May Not Be Considered Essential: Fairly long. Old school Westerns aren’t everyone’s thing – mine included.

What I Think: One of the last epic Westerns and a great chance to see some of Hollywood’s finest. It looks stunning. It is fairly long and it may feel disjointed to some. Film nerds should see it, Western fans should see it, I doubt anyone in any lower category will watch.

Jules And Jim

Why It Could Be Considered Essential: Truffaut. New Wave. Influential. Frequently named one of best Foreign Movies ever.

Why It May Not Be Considered Essential: Foreign, old, no Oscars, not a top grossing movie, most people won’t care about the cast.

What I Think: A classic romance of heartache, desire, tragedy and fairly accessible. Essential for critics, Wannabees should get to it, Film Nerds should see it to appreciate the later media which references it, any fans of French New Wave should see it. Most others won’t care.

Lawrence Of Arabia

Why It Could Be Considered Essential: Come on, it’s one of the most famous movies ever.  David Lean. Peter O’Toole. Alec Guinness. Riding out of the horizon. Omar Sharif. The soundtrack. Won seven Oscars. Was the top grossing film of the year.

Why It May Not Be Considered Essential: It’s almost four hours long and people nowadays can’t be expected to go without Twitter for that long.

What I Think: Although I’m not its biggest fan it is undoubtedly one of Cinema’s greatest achievements and needs to be seen by anyone remotely serious about calling themselves a movie fan. C

Lolita

Why It Could Be Considered Essential: Kubrick. Sellers. One of the most controversial books ever turned into one of the most controversial films ever. Top 15 grossing film of the year.

Why It May Not Be Considered Essential: It still makes for uncomfortable viewing so anyone scared of taboo-breaking films may want to keep away.

What I Think: It’s Kubrick so you have to see it if you call yourself a film fan. You already know it’s going to be great on a technical level, but it’s also provocative and well acted. Casuals should give it a go.

Sanjuro

Why It Could Be Considered Essential: Kurosawa. Mifune. Swords.

Why It May Not Be Considered Essential: Old. Black and white. Foreign.

What I Think: I don’t like it as much as Yojimbo or Seven Samurai but it’s still one of the five or ten Kurosawa films everyone should see before they can be considered and honest ass film fan.

The Loneliness Of The Long Distance Runner

Why It Could Be Considered Essential: One of the most successful and highly regarded British films of the era.

Why It May Not Be Considered Essential: Definitely one that Brits, and specifically Brits of the time will get the most out of.

What I Think: A product of the time but the themes echo onwards and rebellious youth is always bound to suck in new audiences. Probably only essential for critics and wannabees.

The Longest Day

Why It Could Be Considered Essential: 2nd highest grossing film of the year, nominated for five Oscars, won two, and features one or two names you may recognise – John Wayne, Richard Burton, Robert Mitchum, Sean Connery, Leslie Phillips, Curt Jurgens, Henry Fonda and many many more.

Why It May Not Be Considered Essential: Some will be put off by the not fully linear plot and documentary style shooting and the cast is so large that no-one stands out.

What I Think: A classic war film with many influential moments and an incredible scope. War fans should consider it essential.

The Man Who Shot Liberty Valance

Why It Could Be Considered Essential: Top 20 grossing film. John Ford. John Wayne. James Stewart. Lee Marvin. Lee Van Cleef.

Why It May Not Be Considered Essential: The usual – old, black and white, and somewhat darker than most John Ford films. 

What I Think: As the Western genre was on its last legs in this decade, the big hitters needed to be at their best to stay relevant – this is one of the best and essential for Western fans.

The Mutiny On The Bounty

Why It Could Be Considered Essential: Top 10 grossing film. Brando, Milestone, Harris, Howard. Nominated for seven Oscars even though it was not well received upon release.

Why It May Not Be Considered Essential: Many consider the 30s version to be the better and essential version, it was a box office bomb due to a massive budget, and critics see it as a lesser Brando performance.

What I Think: It’s still Brando, and the film was notorious for its production problems. If want to say the 30s one is best, you need to see them both. Brando fans should see it, but not essential enough for regular movie fans.

The Music Man

Why It Could Be Considered Essential: Top 5 grossing film. Nominated for 6 Oscars. Won one.

Why It May Not Be Considered Essential: It’s not a musical many would name if you asked them to list five or ten off the top of their heads. Also – it’s a musical.

What I Think: You know my feelings about the genre, and outside of a small handful I wouldn’t consider any essential. However, due to its success musical fans should see it but anyone outside of that group won’t care.

To Kill A Mockingbird

Why It Could Be Considered Essential: If you’ve been to school in America or Britain you’ve read the book. And you’ve probably seen the film. Gregory Peck. Boo Radley. Racism. Top 10 grossing film. Nominated for 8 Oscars. Won three.

Why It May Not Be Considered Essential: It’s a school book movie – you want to watch shit blow up when you stick a movie on. Too simplistic, too idealistic, and in attacking racism becomes racist itself.

What I Think: You have to see, don’t you. And even if you don’t want to, they’ll make you. Luckily, it’s good. Better than that Silas Marner shite anyway.

The Manchurian Candidate

Why It Could Be Considered Essential: Top 15 grossing filmFrankenheimer. Sinatra. Harvey. Janet Leigh. Angela Lansbury. Released at the height of Cold War fears.

Why It May Not Be Considered Essential: I have no idea… too slow, too long, too old?

What I Think: A gripping thriller which should pull anyone in if they give it a chance, but I can’t see anyone outside of fans of the cast clambering to see it.

Whatever Happened To Baby Jane?

Why It Could Be Considered Essential: Top 15 grossing film. Bette Davis. Joan Crawford. Nominated for five Oscars, won one.

Why It May Not Be Considered Essential: People now won’t care about the real life rivalry between the stars. It’s weird. It’s old, black and white, and features old people shrieking at each other.

What I Think: A cult classic, for more positive reasons than negative. Well acted, creepy, and still referenced enough that you should see it to understand. Probably a hard sell for modern casuals and likely a no go for anyone in a lower category of viewer.

Which of the above films would you rate as Essential, and who would you say it is Essential for? Let us know in the comments!

Essential Movies – 1961 – Alternative View

For my original post explaining my criteria – click here!

For the mainstream view – click here!

Rules: Ten films which, in some way, show our history and culture reflected in film and  film’s growth and change as a medium. It can’t simply be your ten personal favourites of the year. One of your ten choices must be in the top 10 grossing films of the given year. One of the films must have been nominated for a Best Film Oscar (Best Picture, Best Foreign Feature, or Best Animated Feature). One of the films needs to appear in a renowned critic or magazine or book’s best 10 films of the year. These choices can’t overlap. 

  1. The Hustler (Best Picture Winner)

2. West Side Story (Top Grossing Movie)

3. 101 Dalmations (Best Film Critical Choice)

4. The Guns Of Navarone

5. Breakfast At Tiffany’s

6. Yojimbo

7. The Innocents

8. Judgement At Nuremberg

9. One-Eyed Jacks

10. The Pit And The Pendulum

Essential Movies – 1961

Greetings, Glancers! Welcome back to my series of posts examining those movies intelligent people call Essential – and whether the rest of us should agree.  Check out my explanation post for more info, and have a look at my 1961 Oscars posts if you have additional time to waste. Onwards!

A Raisin In The Sun

Why It May Be Considered Essential: One of the first films to feature a predominantly African American cast including Ruby Dee and Sidney Poitier. Preserved by the USA National Film Registry.

Why It May Not Be: Dated even though still topical, no-one remembers it, didn’t do huge business.

What I Think: Even Wannabe Critics and Film Nerds will likely miss out on this one, probably essential for Fans of the cast.

Breakfast At Tiffany’s

Why It May Be Considered Essential: Audrey Hepburn, George Peppard, Blake Edwards, one of the most iconic Romances of all time. Top 15 grossing movie that year. Won two Oscars, nominated for three others. Moon River. Preserved by NFR.

Why It May Not Be: It’s old?

What I Think: One of the most obviously all around Essential Movies of the 60s. You don’t get to be a Critic, Film Nerd, or Film Fan without seeing this. Casuals and Careless will know it and should see it.

Fanny

Why It May Be Considered Essential: Nominated for five Oscars including Best Picture and Actor.

Why It May Not Be: It has an unfortunate name. Most people won’t care about the cast. It wasn’t successful. I don’t think anyone remembers it outside of devout stage fans.

What I Think: Essential only if you’re determined to see every film nominated for Best Picture. No-one else needs to seek this out, as enjoyable as it may be.

Judgement At Nuremberg

Why It May Be Considered Essential: Preserved by NFR. Top 15 Grossing film that year. The most famous film about one of the most important Court Cases ever. Stanley Kramer directs. Spencer Tracey, Burt Lancaster, Max Schell, Judy Garland, William Shatner, Marlene Dietrich appear among others – some of the biggest names in Hollywood History. Nominated for 11 Oscars with Schell winning Best Actor.

Why It May Not Be: It’s old and modern audiences may not know all of the historical nuances.

What I Think: Essential for Wannabe Critics and Film Nerds. Should be essential for Film Fans – a must see for Courtroom Drama fans or fans of the cast. No-one else will be interested in finding it.

Last Year At Marienbad

Why It May Be Considered Essential: Directed by Alain Resnais. Masterpiece of surrealism. Influenced David Lynch, Stanley Kubrick, nominated for an Oscar two years after release.

Why It May Not Be: Surrealism is a tough self and this is ambiguous as films get. There are no easy answers and most people like a beginning, middle, and end with clear structure.

What I Think: Essential for Wannabe Critics. Film Nerds should give at least one Alan Resnais film a go, so why not this. Surrealist Fans should see it. No-one will care.

La Notte

Why It May Be Considered Essential: Antonioni, Mastroinanni, Jeanne Moreau.

Why It May Not Be: Who?

What I Think: A dense Italian drama about a collapsing relationship – not going to be an easy sell to a modern audience. Wannabe Critics should see it, Film Nerds should try, if you’re not a fan of Antonioni or the cast you’re not going to chase it down.

Lola

Why It May Be Considered Essential: Jacques Demy. Anouk Aimee.

Why It May Not Be: Again, who?

What I Think: If you’re not a fan of Demy or Aimee, or a devotee of the French New Wave you won’t care.

Lover Come Back

Why It May Be Considered Essential: Nominated for an Oscar. Rock Hudson and Doris Day. Screwball comedy in an world of Executives.

Why It May Not Be: Old, dated, corny, not well remembered.

What I Think: Only essential if you like the two stars.

One Eyed Jacks

Why It May Be Considered Essential: Directed by and starring Marlon Brando.

Why It May Not Be: Other than the above, there isn’t much to recommend it to people.

What I Think: An interesting curio and essential for Brando fans. Wannabe Critics and Film Nerds should be aware of it and therefore should see it, but wouldn’t class it as essential for them.

One Hundred And One Dalmations

Why It May Be Considered Essential: It’s Disney. Cruella De Vil. Spawned a Live action sequel or two. Top 10 Grossing Film of the year.

Why It May Not Be: It was during a dark period for Disney where their films were not doing so well, critically or commercially and suffers from being a little dull. The songs aren’t great.

What I Think: Even though Disney films were not great during this time, this one proved they could still make a lot of money on a small budget. Aside from the wacky and dark story, it’s quite a plain story but as it is a Disney animated movie it should be considered Essential for almost everyone. The Casuals may have seen it when younger or if they have kids of their own, and same goes for The Careless – not as vital as some Disney movies, more important than others – so somewhere in the middle.

Splendor In The Grass

Why It May Be Considered Essential: Natalie Wood. Warren Beatty. Elia Kazan. Top ten grossing film of the year. Won one Oscar and nominated for another.

Why It May Not Be: Teen drama from an era long gone. Most modern audiences won’t care about the cast. Stupid name?

What I Think: A fine school-based drama with good performances and timeless arguments, but a setting and style and period which will not resonate as easily with modern viewers. Only essential for fans of the cast, not essential for Film Nerds and not high up the must see list for Wannabe Critics.

The Exiles

Why It May Be Considered Essential: One of the first films of its kind, a pseudo-documentary, but based mostly on the lives of young Native Americans who have left their reservations and moved to the big city.

Why It May Not Be: See above. No-one has ever seen it.

What I Think: I have no idea.

The Guns Of Navarone

Why It May Be Considered Essential: 2nd highest grossing movie of the year. Gregory Peck. David Niven. Anthony Quinn. Nominated for Best Picture, Director, Score, Writing, and others and won for Best Visual Effects.

Why It May Not Be: In the pantheon of great war action movies, this one has maybe been overshadowed by some others. Modern audiences looking for action aren’t likely to look so far in the past.

What I Think: One of the finest WWII era action movies and a perennial seasonal British favourite. Essential for Film Nerds more than Wannabe Critics, but both groups should see this. Essential for War fans, interesting enough that channel surfers may catch it and be drawn in by the cast and the action.

The Hustler

Why It May Be Considered Essential: Paul Newman. Piper Laurie. George C Scott. Nominated for Best Picture and 8 other Oscars, winning for Set Decoration and Cinematography.

Why It May Not Be: Old and Black and White?

What I Think: One of the best Sports movies ever with some iconic performances and characters. Essential for Wannabe Critics, Film Nerds, and fans of the cast. Fans of Pool and Snooker should consider it essential. Likely too distant now for Casuals or Careless to go looking for it.

The Innocents

Why It May Be Considered Essential: One of the finest ghost/haunted house movies ever, dense and gothic.

Why It May Not Be: Old, BW, not many obvious scares, and probably too stodgy and sterile for modern audiences.

What I Think: A classic in the British horror genre, but a slow-burner which only certain horror fans will appreciate. Essential for Wannabe Critics, less essential for Film Nerds and horror fans, not essential for anyone else.

The Ladies Man

Why It May Be Considered Essential: A Jerry Lewis comedy.

Why It May Not Be: Not many modern viewers will care about the above.

What I Think: Only essential for Lewis fans.

The Misfits

Why It May Be Considered Essential: Miller. Huston. Gable. Monroe. Arguably more famous for the Production issues than the end result. 100% rating on Rotten Tomatoes.

Why It May Not Be: Monroe may remain a household name, but how many modern viewers have actually seen one of her films? If they have, it’s not this one. A flop on release.

What I Think: Filmed as Miller and Monroe were separating and Huston was drinking heavily. Monroe was in rehab during production. Gable died days after filming finished, Monroe a year later. An interesting film to be aware of due to its troubled history, so Essential for Film Nerds and Wannabe Critics. Essential for fans of the cast due to strong performances. Not essential for anyone else.

Through A Glass Darkly

Why It May Be Considered Essential: Bergman. Won Best Foreign Film Oscar. Harriet Andersson. Max Von Sydow. 100% rating on Rotten Tomatoes.

Why It May Not Be: See above.

What I Think: Bergman, so again if you want to be a critic or call yourself a Film Nerd, you have to have seen a few Bergman films. This one is a good mixture of accessibility, art, and heavy themes. Essential for Bergman fans – no one else will give a damn.

Viridiana

Why It May Be Considered Essential: Bunuel. Won the Palme d’Or.

Why It May Not Be: See above.

What I Think: Same as Bergman – you need to see some Bunuel and this is as good a place to start as any. Again, no-one else will care.

West Side Story

Why It May Be Considered Essential: Best Picture winner, top grossing film of the year, won Oscars for Best Director, Supporting Actor, Supporting Actress, and six more. One of the most famous and popular musicals of all time.

Why It May Not Be: Musicals. They’re balls.

What I Think: Arguably the end of the traditional epic Hollywood musical – what more could be done after this? If you’re going to watch one, it may as well be this. Essential for Film Nerds, Wannabe Critics, and Fans – Casuals and Careless will be aware of it and may as well see it but depending on preferences may not seek this out.

Yojimbo

Why It May Be Considered Essential: Kurosawa. Mifune. Swords. Basis of A Fistful of Dollars. One of the best Samurai movies ever. Influential.

Why It May Not Be: Old. BW. Foreign.

What I Think: Essential for Film Nerds, Wannabe Critics, and Kurosawa fans. Like Japanese movies? Then this is essential. Casuals and Careless will not care unless they happen to like old Samurai movies.

Let us know in the comments which movies of 1961 you feel are Essential viewing – feel free to borrow my categorizations or choose your own definitions!