Best Original Song – 1970

Official Nominations: For All We Know – Lovers And Other Strangers. Whistling Away The Dark – Darling Lili. Till Love Touches Your Life – Madron. Pieces of Dreams – Pieces Of Dreams. Thank You Very Much – Scrooge.

The official winner of 1970, For All We Know, is known more popularly thanks to The Carpenters’ version, but Larry Meredith’s original is just as lovely. Whistling Away The Dark is a vain attempt to keep the old Hollywood Musical tradition alive – it actually isn’t too bad a song and keeps the whining of old at bay – it’s melancholy and tearfully hopeful, haunting but doesn’t quite hit all the marks for me. Till Love Touches Your Life is a bizarre song for a fairly average Western, a song with a sprinting guitar line and with strings and vocals which swell as the song progresses. Many big voice vocalists have covered this one as it lends itself to huge gulps of air. Pieces Of Dreams has been a difficult one to nail down as so many people have covered it – it’s an okay song crafted by Michel Legrand but nothing special. Thank You Very Much is another average one, lyrics better than the music as it’s all about Scrooge being dead while he thinks he is being praised.

My Winner: For All We Know – Lovers And Other Strangers.

My Nominations: Something In The Air – The Magic Christian. Ev’rybody Wants To Be A Cat – The Aristocats. You Don’t Know What’s Going On – Joe. Suicide Is Painless – MASH. Crumbling Land – Zabriskie Point.

I have picked five different songs from five films separate from the official picks. Thunderclap Newman’s Something In The Air is a bit of a cheat as it wasn’t expressly written for any movie, but it features so heavily in The Magic Christian that it feels like it was written for the movie. Everybody Wants To Be A Cat starts slowly but features a breathless, barnstorming finish. You Don’t Know What’s Going On feels exactly like the sort of song that The Academy would nominate – it has an unusual, interesting flavour which hadn’t really been seen in movies before. Exuma’s performance is tribal and powerful, and the chorus is infectious. Suicide Is Painless (even though the Manic Street Preachers version is superior) is a haunting, tuneful, soulful ballad, and it’s a mystery why it wasn’t nominated. Say what you will about Zabriskie Point, but it has a pretty good soundtrack, with Crumbling Land being maybe the most interesting – a unique foray into Country music by Pink Floyd. It feels more like a typical late sixties folk song to be honest, but its strange rhythms and vocals make it memorable.

My Winner: Suicide Is Painless – MASH

Let us know in the comments which song of 1970 you would pick!

Best Original Song – 1969

Official Nominations: Raindrops Keep Falling On My Head – Butch Cassidy And The Sundance Kid. Come Saturday Morning – The Sterile Cuckoo. Jean – The Prime Of Miss Jean Brodie. True Grit – True Grit. What Are You Doing The Rest Of Your Life – The Happy Ending.

The winner this year is a timeless hit by Burt Bacharach and Hal Davis, one which evokes plenty of images from the movie it was written for, but one which works just as well outside of the film, even for those who aren’t aware the film exists. Charming, melancholy, and hopeful, it’s a well deserved winner. Come Saturday Morning, performed by The Sandpipers feels like a Simon & Garfunkel track, with gentle folk sounds and pleasant harmonies – acoustic guitars and flutes are prominent, and while breezy it lacks a a key hook.

Jean starts like one of those whining ballads from countless movies from previous decades, but once the verse starts it becomes something better. It does veer close to those awful ballads once the additional singing voices join, but largely stays clean, though again it lacks a hook – it also doesn’t seem to fit with the characters of Jean Brodie. True Grit also falls foul of almost striking those vintage notes, but again the vocals manage to raise the song above the unfortunate instrumentation – it’s a decent performance from Glen Campbell, Bernstein’s music is fine but once again there isn’t anything memorable. The Bergmans and Michel Legrand pick up another nomination and create another widely covered song in What Are You Doing The Rest Of Your Life – it’s a smooth ballad with sparse arrangement, an okay verse which gets worse as the music and vocals crescendo – more forgettable stuff.

My Winner: Raindrops Keep Falling On My Head.

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My Nominations: Raindrops Keep Falling On My Head – Butch Cassidy And The Sundance Kid. Change Of Habit – Change Of Habit. Ballad Of Easy Rider – Easy Rider. Wand’rin’ Star – Paint Your Wagon. Get A Bloomin’ Move On – The Italian Job. Do You Know How Christmas Trees Are Grown – On Her Majesty’s Secret Service.

Only My Winner makes it over to my list of nominations, joining one of The King’s last decent songs from one of his last movies. Change Of Habit is one of his better movie songs, funky, with a solid rock beat and strong vocal performance – no gimmicks and with a nice distorted lead guitar riff. It sounds both modern and like something you would expect to see in a late 70s US detective show. Great drums in the final section. As great as the soundtrack to Easy Rider is, most of its songs were not written for the movie and were taken from previous seminal 60s movies. Roger McGuinn’s track evokes all of the themes from the movie without the drug-haze. It has a timeless 60s folk edge, a sense of hope and freedom, and still feels powerful today.

Wand’rin’ Star from Paint Your Wagon is a strange one – it has all of the humming voices and guitars you would expect in a Spaghetti Western song, but it is given a grandiose all American twist with gorgeous strings and downbeat, growling, almost spoken vocal by Lee Marvin. Many will be put off by the vocals, but the melodies are still catchy. Adding some British groove to the mix is Get A Bloomin Move On, a painfully catchy track which I can’t love 100% because rhyming slang and Cockney accents piss me off – the song feels like a lost Beatles track with tonnes of varying, overlapping sections and a myriad of instruments and moments destined to chant at football games. Most people remember We Have All The Time In The World from On Her Majesty’s Secret Service, but I personally cannot stand that song and feel it is one of the most depressing dirges ever penned. I feel, even though it’s a little twee, that Do You Know How Christmas Trees Are Grown is the vastly superior song – it doesn’t really have anything in common with the film (aside from snow) but it’s all lovely and the main line demands you to sing along. Of course it works well as a festive standalone song.

My Winner: Raindrops Keep Falling On My Head.

Let us know in the comments what your favourite movie song of 1969 is!

Best Original Song – 1968

Official Nominations: The Windmills Of Your Mind – The Thomas Crown Affair. Chitty Chitty Bang Bang – Chitty Chitty Bang Bang. For Love Of Ivy – For Love Of Ivy. Funny Girl – Funny Girl. Star! – Star!

Unsurprisingly, Musicals make up the bulk of the nominations, but surprisingly a non-musical thriller picks up the win. The Windmills Of Your Mind, by Michel Legrand, Alan Bergman, and Marilyn Bergman merges the French New Wave cool with beach side 60s pop, the swaying melancholy melodies juxtaposed by the lightning fast lyrics and vocals. The win seems to be because the song is unusual and doesn’t have an obvious hook, but is nevertheless an interesting song and winner. Other artists would cover the song at a much slower pace – I’ll leave it up to you to decide which style is best. Chitty Chitty Bang Bang is absolute nonsense, twee, grating, but still damn catchy. At barely a minute long it feels like it doesn’t deserve a nomination, but it’s pretty iconic and memorable. For Love Of Ivy feels like an early Motown-lite song, showcasing the increasing talents of Quincy Jones but it’s a largely forgettable ballad. Funny Girl is all about the performance, with Streisand giving it her all, but the song itself, while lyrically interesting, has nothing strong in either melody or innovation. Between Jimmy Van Housen and Sammy Cahn you would expect a big band, swinging song with a hook, but Star! is bland from a musical perspective. The lyrics are fine, but the song itself is just another by the numbers Musical standard with nothing to make it stand out.

My Winner: The Windmills Of Your Mind.

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My Nominations: Consider Yourself. Food Glorious Food. The Windmills Of Your Mind. Once Upon A Time In The West Theme. All I Needed Was The Rain. A Little Less Conversation.

While the songs from Oscar! may not necessarily be considered originals as they are the same as those from the Stage version, they had not yet appeared on film so that’s good enough for me. I’ve never been a fan of musicals, but both Consider Yourself and Food Glorious Food are such a part of British childhood that they are inescapable  – luckily both songs are good fun (but I despise those feckin accents). I may be cheating a little when I include the Once Upon A Time In The West theme, but its wordless vocals area again good enough for me – it’s a glorious piece of music. A Little Less Conversation became a huge hit over thirty years after the release of Live A Little, Love A Little with an awful remix which plagued TV and radio – the original is much better. Finally, another Elvis song from another Elvis movie – All I Needed Was The Rain from Stay Away, Joe – a blues rock drawl featuring thunder and dog howls.

My Winner: Once Upon A Time In The West Theme.

Best Music (Song): 1967

Official Nominations: Talk To The Animals – Doctor Dolittle. The Bare Necessities – The Jungle Book. The Eyes Of Love – Banning. The Look Of Love – Casino Royale. Thoroughly Modern Millie -Thoroughly Modern Millie

1967 is one of the greatest years in the history of music and unsurprisingly had a number of fantastic movie songs – nominated and otherwise. Nevertheless, we get a couple of ill advised selections. The Eyes Of Love is an early Quincy Jones effort, a crooning ballad which sounds out of place given the year it was written. Thoroughly Modern Millie is thoroughly awful. Talk To The Animals is silly yet charming and has a killer hook, it’s unfortunate so much of the song is spoken. The final two songs are vastly superior to the other nominees, with The Bare Necessities being one of Disney’s finest and The Look Of Love being sexy, smooth, crystalline.

My Winner: The Bare Necessities – The Jungle Book.

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My Nominations: The Bare Necessities – The Jungle Book. Talk To The Animals – Doctor Dolittle. The Look Of Love – Casino Royale. To Sir, With Love – To Sir, With Love. I Wanna Be Like You – The Jungle Book. Mrs Robinson – The Graduate. You Only Live Twice – You Only Live Twice. Magical Mystery Tour – Magical Mystery Tour.

I add a few further timeless tracks to the three official picks. Another Jungle Book classic which is infectious and will make your day better. Another Bond song makes it over, with You Only Live Twice being one of my favourite Bond songs. Simon and Garfunkel’s Mrs Robinson is of course another classic, Magical Mystery Tour is a strange late in the day Beatles song, and Lulu’s To Sir, With Love is a fine, forgotten song – though I do prefer the Susanna Hoffs version.

My Winner: I Wanna Be Like You – The Jungle Book.

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What is your favourite movie song from 1967? Let us know in the comments!

Best Original Song – 1966

Official Nominations: Born Free. Alfie. Georgy Girl. My Wishing Doll – Hawaii. A Time For Love – An American Dream.

There is one obvious winner here, a song which everyone knows, regardless of whether or not you have seen the movie. John Barry and Don Black’s Born Free, sung with gusty by crooner Matt Munro is both timeless, and a symbol of many 60s ideals. It is synonymous with images of sprawling vistas, African grasslands, mothers and cubs, and of course, freedom. Bacharach’s Alfie has performed by every sing of all time, so take your pick between the Cher and Cilla versions. I much prefer the Susannah Hoffs version – What’s It All About, Austin? – Hoffs really transforms it into a monster, but the basis of a great song was built here in the 60s. Tom Springfield and Jim Dale’s Georgy Girl evokes similar images of the decade and is light, cheery nonsense. It’s instantly catchy and perfromed with pinache by the Seekers. However, it’s impossible to hear it now without changing the lyrics to ‘Hey there, blimpy boy’. So this is a rarity – three great songs so far, WTF is going on Oscars? Berstein and David’s Wishing Doll has an odd mixture of Western tones with the Hawaiian feel needed for the movie, another song with strong melodies, but a much more mournful song when compared to the rapture of the previous three. The final entry is Johnny Mandel’s A Time For Love – a misplaced song in an unfairly maligned film. It’s a soppy enough song which tries to fit the dreary, lurid atmosphere of the movie, but comes off as a fairly standard ballad. It’s ok as a standalone, but it doesn’t work for the movie.

My Winner: Born Free.

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My Nominations: Born Free. Alfie. Georgy Girl. Follow Me Boys.

The only addition to my list is the title song from the Disney Scout movie, a jolly little ditty which was almost adopted by the USA Scouts as their signature tune. It does feel like a song which should be sung while marching and although it’s very simple it has a pleasant innocence.

My Winner: Born Free

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Which movie song of 1966 do you think deserves the Best Song crown? Let us know in the comments!

Best Song:1965

Official Nominations:

The Shadow Of Your Smile (The Sandpiper): Johnny Mendel and Paul Francis Webster’s oft covered hit won the award this year, a gentle, dreary song – the original choral version isn’t the best, with several crooners and a wide range of performers putting stronger spins to it over the year. The melancholy shines through on the original though, and thankfully the choral isn’t all that bad to render it unlistenable.

The Ballad Of Cat Ballou (Cat Ballou): Johnny Livingstone and Mack David provided the central tune to Cat Ballou, a rip-roaring feisty track with humorous lyrics, veering between a typical cowboy tune and sea shanty. The melodies aren’t that strong, but the energy and fun spirit keep your interest.

I Will Wait For You (The Umbrellas Of Cherbourg): Michael Legrand and Jacques Remy is a tear-jerker which again has been covered by all the crooners, and of course, in Futurama. The lyrics, vocals, and great composition come together to give a uniquely tragic song which instantly recalls moments from the film. And from Futurama.

The Sweetheart Tree (The Great Race): A calming moment in an otherwise frantic and silly movie, the song opens gently, accompanied by sweet vocals and easy lyrics. The choral version isn’t great, but the crazy piano solo in the middle is brilliant.

What’s New Pussycat? (What’s New Pussycat?): Not a lot to say on this one, other than Jones belts it out like a man posessed. It’s a nonsense song, but damn catchy.

My Winner: What’s New Pussycat?

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My Nominations

What’s New Pussycat? (What’s New Pussycat?).

The Sweetheart Tree (The Great Race).

I Will Wait For You (The Umbrellas Of Cherbourg).

Do-re-mi (The Sound Of Music): It seems bizarre that for such a popular film which yielded so many popular songs, and won so many awards, did not receive any nominations for Best Song. Of course the songs were taken from the stage musical, but who cares about that? Although I can’t stand the film, I can’t deny the power of some of its tunes, and this jingly childrens favourite is the best of a good/bad bunch.

Help! (Help!): One of my favourite Beatles tracks, and one of the greatest songs of all time, so not much else to say.

Ticket To Ride (Help!): A more unusual song than much of the rest of the soundtrack, but another one of my favourite Beatles tracks.

My Winner: Help! (Help!)

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What do you think is the best movie song of 1965? Let us know in the comments!

Best Music (Song): 1964

Actual Nominations: Chim Chim Cheree (Mary Poppins), Dear Heart (Dear Heart), Hush Hush Sweet Charlotte (Hush Hush Sweet Charlotte), My Kind Of Town (Robin And The 7 Hoods), Where Love Has Gone (Where Love Has Gone)

Jeepers, I can’t wait to get out of the 60s so that some decent movie songs can be discussed. Henry Mancini’s Dear Heart almost strangles his excellent work from The Pink Panther and is yet another whiney, choral-voiced, meandering and dreary love song. There’s nothing offensively bad about it, and I’m sure my opinion is in the vast minority, but any time I hear songs of this style I am instantly sent into a momentary depression. Hush Hush Sweet Charlotte is better though, gentle, bland, but goes absurdly against the plot, tone, and style of the film. By this point you can probably guess what I’m going to say about Where Love Has Gone– I do enjoy the overblown strings of the intro, but it’s just another whiney love song about nothing with music which doesn’t merge well with the (bland) vocals. Luckily, My Kind Of Town is better, but unluckily it’s another swing song which is a type of music which I cannot listen to for more than 2 minutes before wanting to pull out my eyes and insert them in my ears so I can watch myself going deaf. So, it is with no delight that my winner matches the official one- Chim Chim Cher-ee. Again it goes against everything I like in movies and music, but it certainly isn’t bland or whiney. It’s fun, funny, clever, the lyrics fit the plot, the music fits the vocals, the performance fits blah blah. The children vocals however are awful, but luckily they don’t last long.

My Winner: Chim Chim Cher-ee (Mary Poppins)

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My Nominations: Viva Las Vegas (Viva Las Vegas). Supercalifragilisticexpialadocious (Mary Poppins). Goldfinger (Goldfinger). Can’t Buy Me Love (A Hard Day’s Night). Wouldn’t It Be Loverly (My Fair Lady).

So, I’ve managed to pick entirely different songs from the official nominations-some of which could be said to have been a huge oversight. I still managed to select 2 songs from the two winning films- Superblabladoshus, a fine nonsensical song which retains the ability to charm kids of any generation, and Wouldn’t It Be Loverly which is a loverly song. Aside from those, my choices see Elvis on fine form with Viva Las Vegas – a hurried verse followed by blasting chorus which is now synonymous with the city, and Shirley Bassey’s epic first entry in the Bond series- the sensual classic, Goldfinger. Either of those tracks are deserving winners in any year. However, my win has to go to The Beatles; it’s a case of ‘take your pick’ from A Hard Day’s Night as every song is a winner. My favourite though is Can’t Buy Me Love, one of the best pop/rock songs ever.

My Winner: Can’t Buy Me Love (A Hard Day’s Night)

 Let us know in the comments what your favourite song from a 1964 movie was!