*Originally written in 2006
This ‘between albums’ release is a large collection of live, alternate, and demo versions of some of the band’s biggest songs, as we as some covers that many fans may not have heard. This double album is interesting for the more avid fan but I wouldn’t recommend any new listeners getting this first. Some of the live versions give an idea of how the band like to have fun with their performances- changing parts, adding parts, or playing with an orchestra, and some of the demos are useful in highlighting how a song goes from initial idea to completion. Perhaps the best songs here are the few covers- they tell us of the band’s influences and when played feel like originals by The Gathering. This is a good collection but it isn’t essential by any means.
In Motion 1 Live: This live version of the Mandylion classic has an extended introduction with a sound clip which sets a tone of night time- I’m not sure of the relevance but adds something different to a song they perform every night. The song is not quite as heavy as the album version, just one guitar here and the sound quality is fairly distant. Anneke sings strongly, not showing any flaws or fear from being outside the recording booth.
Leaves Live: This blends in seamlessly from the previous song and is as good a live version as you will get anywhere. The musicians are all on top form, occasionally making a few changes and having fun on stage while Anneke again blows the front row back a few feet. The only problem is the same as the last song, that it seems too distant, maybe it’s the lack of crowd noise or maybe it’s that the volume isn’t high enough. Either way, the solo is still breathtaking and glad to see Rutten doesn’t resort to any Malmstein-esque twiddles with it live.
Adrenaline: This is the best B-Side the band has done and it’s tragic that it never appeared on any of their first albums with Anneke. I assume that it just sounds too upbeat and up tempo to fit in with the darkness of Mandylion and NB. Looking past that though, it has been a live favourite since its first play, and is one of their few songs that really gets the crowd jumping and dancing at speed. Lyrically it is nothing out of the ordinary, but melodically it is brilliant, musically catchy without being flashy- fairly heavy with crunching chords and synth but mostly free of solo work. Anneke gets a chance to wail and scatter her voice all over the place and everybody gets to smile.
Third Chance Alt: I’ve always seen Third Chance as the darker partner to Adrenaline, the album version was very good but this is exceptional. It is quick, angry, filled with urgency, but mainly stands out because Anneke sings in a higher register than on the NB. The notes she reaches and the style in which she does is enough to make me grin and shiver every time and I would recommend it over the album version every time. The quiet middle section and build up to the ending is all the more effective now because of the higher register, the ominous synth, and the urgency of it all.
Strange Machines Live: It is a bit of a come down after the energy of the previous song to hear this. The Gathering are a great band because they are constantly trying new things, not only with new songs but with their classics. Like Metallica’s S & M, they get a full orchestra involved here to play possibly their most famous song. Also like S&M, it should work brilliantly but doesn’t. Maybe it’s the sound quality, but it just sounds flat, almost empty. There is none of the energy of the album track, and certainly none of the energy from their normal live plays. Part of my problem is that the brass is the main focus, whereas I much prefer strings swelling in from all sides. This could all be personal preference and it may well work for you, but I don’t think it woks like it should.
In Power We Trust The Love: This Dead Can Dance cover is one of the few cover songs I’ve heard which makes me search out the original band- I think the Gathering version is better if only because the song suits Anneke so well. An ethereal, soothing number which builds through various phases- the type of song The Gathering have been making throughout their career except with this we get some great lyrics, something which is rarely a part of the Dutch band’s repertoire.
When The Sun Hits: Being a big Manic Street Preachers fan, I suppose I should hate this Slowdive cover. I’d never listened to that band before I heard this cover, but it’s pretty good. The Gathering is known for downbeat sounds, if not quite shoe-gazing, so again this suits them. Again it is interesting to see Anneke sing some different lyrics, the type which the band would never write. The song has a sleepy quality and is one of the better ones in this collection.
Confusion: This demo from the EROC sessions isn’t too dissimilar from the final version on NB. The sound is slightly more tinny, and Anneke’s voice sounds like there are more effects on it. Aside from some additional synth and slight differences you are on familiar territory.
Shrink Alt: This version of Shrink is played on strings rather than piano, has lots of background sound clips, and has a dual vocal from Anneke.
Frail Live: This live version of Frail is pretty similar to the album track, soothing guitars and flawless Anneke vocals.
Cyclist: This instrumental theme for ‘The Cyclist’ movie is interesting as it doesn’t particularly sound like anything the band has done before. Having not seen the film I can’t see how well it works, but as a stand alone piece of music it is fairly good, lots of brass and percussion with a lead piano part. I like the string section coming in towards the end, but it isn’t a track I would listen to often.
Leaves Orchestra: Like the earlier Strange Machines this doesn’t always work, although it has a much more bombastic feel to it. It sounds like Anneke enjoys competing for prime position with the full band behind her, and some of her vocals are strained to extremes. I’m not a big fan of brass taking the lead so personally this isn’t a favourite, plus this cuts my favourite part from the original- the middle guitar solo and end.
Life Is What You Make It: This Talk Talk cover is the weakest cover in the collection, mostly because the original material isn’t as strong as the others. Nevertheless it is a decent song which sounds like a slight departure from what the band would usually play. There is a nice messed up guitar part in the middle, and lots of drum based effects and Anneke sings as well as always without having to try too hard.
Amity Live: This is an average live version of Amity let down mostly because Anneke sounds drained and here vocals aren’t great, especially towards the end. Mostly it is musically the same as the album version, with some different effects.
New Moon, Different Day: This opens the second disc- rarities. There isn’t anything too startling or exciting here, a slightly different version of the one we all know.
Kevin’s Telescope: This instrumental abandons the darker intro of the final cut and instead focuses on the light melodies of the verse and the emotion of the chorus. If the vocals were added it still wouldn’t be too different.
Shrink: This seems to be a slightly more up tempo take on the song, and the piano tone isn’t as dark. This is pretty good but again not anything surprising.
The Earth Is My Witness: We are on familiar ground with this one as not much seems unusual. There are a few differences- guitar parts, effects etc, but the structure of the song is the same.
Diamond Box: This is quite an odd one – an instrumental with plenty of effects and sound clips. The main part reminds me of a computer game level set in a dank sewer, or something with a slightly Eastern twist. For some reason it reminds me of Banjo Kazooie. It’s worth a listen but it isn’t one I come back to often.
Nighttime Birds: The main difference here is some background guitar work and less dense effects. Otherwise the song is the same length, same style.
On Most Surfaces: Again this is very much the same as the main version, a slightly more swirling and extended introduction and background guitar work being the main differences.
Hjeimar’s: This is a strange instrumental piece which consists entirely of some eerie guitar work. Just as it sounds like it is building towards something it is cut short. I’d like to hear what the band could come up with by extending this short piece.
My Electricity: This is a strange version of My Electricity with low sound quality but some nice dual vocals. The accompanying guitar seems too metallic though to fit (even though it is acoustic).
Probably Built In The 50s: This is another odd take on the original with Anneke’s voice being heavily cropped, and with some extra distortion on the guitars. This is quite a bit different from the original and is worth a few listens to appreciate the differences. Some great singing and a high tempo middle.
Illuminating: This version is slightly shorter than the main one but is mostly similar in sound and style. The introduction features different drum sounds and the synth isn’t as deep and brooding.
Red Is A Slow Colour: This is a much more distorted take on the original, with clipped vocals and less subtlety. The chorus is different as the guitar tone changes from distorted to a twang, and rather than the effects beats we get some interesting chord strumming and odd background phaser sounds. There is also a strange middle interlude with all manner of noises clashing together- a nice sign of the experimentation which would go on to make the finished album a classic.
Travel: The band like trying different things with their songs, especially when played live and Travel is one which is constantly tweaked. This version is completely different from the final one- it sounds like a very early version as many of the lyrics are missing. Mostly it sounds like a heavier take on the second half of the complete song, but extended to over 7 minutes.
This is definitely a collection for existing fans only as I don’t see anything here which would particularly charm any new listeners. Most of the demos and alternate takes are the same, with a few additional instruments and lower sound quality, but some of the outtakes and B-sides are interesting as they show the band’s creative process. For the live versions I would stick to the main live DVDs and CDs, or better yet catch them live if they ever come to Britain again. For a band with such talent I wish they would have recorded more B-sides and covers but that seems to be a dying art. This is a good album, but too long to listen to repeatedly- just pick your favourites.
If you have heard Accessories, let us know your thoughts in the comments!