Greeting, Glancers! We head back to my middle year of University – 2003. It seemed like every album was an attack on funny wee George Bush and with such a torrid time we should really have had a new wave of powerful, excellent rock music. We never got that – just an endless success of rubbish ‘The’ bands, and the dying grunts of nu-metal and pop-punk. Bush always seemed to me to be a permanently bewildered moron with the face of teddy bear who just lost his bowl of porridge, but the people get who they vote for.
Wikipedia tells me this was a concept album, so without reading any further I assume that Madonna also got in on the act, especially with a name like that. I’m certain I’ve heard the title track, though I can’t for the life of me think of what it’s like now – and I’ve probably heard a few of the others. I know all too well the evil of Die Another Day – otherwise known as the worst thing ever – so I’m just going to skip on by it if that’s okay with you. Much of this will be new to me, so hold my hand as I dive in.
American Life: No, I don’t think ever heard this. Very electronic, not Ray Of Light style, but much more barren. It’s not bad, so far. Plaintive lyrics. Some obvious auto-tune on the vocals in places, but elsewhere they’re good. I quite like the melodies, and as a whole it’s a pleasing song, but – aw what the hell is this. She goes off on one near the end, has a rap section which sounds exactly as you’d expect from a white person who’s never rapped before. I can only guess that she’s being satirical here with her lyrics during the rap, but it becomes doubly ironic because you know she indulges in half of the stuff she’s being critical of and poking fun at. It’s like, oh I don’t know, like if a hair metal band tried to make fun of a cheesy pop song, I’d be shouting YOU ARE THE EXACT SAME.
Hollywood: So, she’s continuing that satirical tone here, this time poking fun at people wanting to be famous? I get she’s mainly targeting those without talent or those who think it is the single most important thing that anyone can achieve, but yeah… it still doesn’t work when you were one of the exact people. I’m not saying Madonna’s not talented, hell I’ve shown I love enough of her songs to prove otherwise, but there’s absolutely no ignoring the fact that she exploited herself for fame just as much as anyone else and was ruthless in her pursuit of it, possibly preventing people more deserving than her of getting there. Lets give her the benefit of the doubt though and say she’s mocking her younger self and rejecting all of the stuff she used to love, in the hope that today’s youngsters will do the same. The song is okay, a bit weak, a bit repetitive… it’s moderately catchy fluff and absolutely doesn’t need to pass the three minute mark.
I’m So Stupid: A more promising start, with broken up guitars and stuttering mystical vocals. This has a bit more love and imagination chucked at it – all those quirks with stretching notes and messing with time are different from what other mainstream artists were trying now or are attempting now. Is it more interesting, than good? I like it anyway, doesn’t go down the simple dance music route.
Love Profusion: It’s another video where Madonna walks towards the camera. This time it was directed by Luc Besson. This song is pretty cool, no messing around with the melody and the production doesn’t try to upset the rhythm or become master. Everything compliments everything else. It isn’t much more than verse and chorus melody slapped together, but it doesn’t need to be as both main parts are strong and everything else bolsters matters.
Nobody Knows Me: Phat funky beatz. I’d rather we had normal vocals, but there you go. I was hoping for an explosive verse after that intro, but it’s too tame. It’s very singular – one level. The melody and rhythm simply repeats over and over, lyrics are okay, but the repetition is annoying. The background beats and music is ever-changing, but if the main melody stays the same then the impact of everything else is lost. I usually don’t mind when a melody is repeated, as long as everything else builds upwards towards some sort of climax, but this doesn’t really go anywhere and feels like an excuse to experiment aimlessly. As an experiment, it’s not bad. As a song, it’s not great.
Nothing Fails: More stuttering guitars. This is much more to my preferences. When the melody is strong and honest, it doesn’t really matter what else you craft around it. Well, it does, but the core is still good. Depending on what else you add it can become a masterpieces, or merely an okay song. This is pretty good and I’m happy to see that even when she makes an experimental album or something with such heavy production that she still falls back on something sweet and simple. This is another example of the surrounding studio trickery complimenting the main stuff rather than taking over. The refrain section is a nice surprise, with the backing vocals and strings coming in like a choir and reminding of Like A Prayer.
Intervention: Another guitar intro, followed by another interesting melody, so another potential favourite. Yes, this is quite lovely. Melodies have that touch of tragedy, the surrounding instrumentation isn’t overwhelming, rarely moving from sparse and instead relying on backing vocals and harmonies to fill up the space. That’s two very good songs I wasn’t aware of in a row – cool.
X-Static Process: With a name like that, I can only assume the worst. But no, it opens in a similar vein to the last three – guitars, soft vocals. One minute in and it hasn’t changed at all. Finally a backing vocal comes in and the two pieces interact or argue like a confused mind. The backing track hasn’t really changed at all. There’s a little bit of new stuff just after halfway. It’s another good one, ladies and gents. I don’t like it as much as the last two, because this one really doesn’t want to add any frills, but still another positive surprise.
Mother And Father: Back to a more electronic intro. Strange vocals. Like the fifth song to mention Jesus. Melody is repetitive, but this time it’s annoying. Thankfully this one changes things up by not having just the one melody – the others are better than the main ‘there was a time’ one. A strange song with some highs and some lows – I’d drop the rap parts and the deeper vocal pieces, but credit again for trying something different even if it doesn’t work for me. Even with the dodgy parts, I can see me listening to this again due to the good parts.
Die Another Day: Nope
Easy Ride: Ooh, a lovely intro with all the heart-tugging strings I love. The verse has potential, it’s not something which grabs me immediately but I think it could grow on me. More strings – always helps. We’re finishing with another good one. It’s another brave move for such a famous artist – another sign that she does whatever the fuck she wants, and when she pulls it off the results can often be fantastic. Like I say, this is probably going to a grower for me – I can sense its potential rather than it hitting me with obvious and immediate quality.
An average to less than average start followed up by some gems. There are quite a lot of songs here that I hadn’t heard before which will now be on my playlist, and that’s why I’m here – to grow that personal memory bank of songs to love over and over and leave discussion of artistic merit until I’m more familiar with them. I’m not sure what I expected from the album, but I didn’t have high hopes. Those fears were mostly pushed firmly back under the bed and I’m left with an album which doesn’t have any huge missteps (aside from Die Another Day obviously) and a collection of songs which never drop below average. The weaker ones have merits and while the stronger ones don’t yet reach the heights of my personal favourites, perhaps they will after more listens. I know this should give me confidence going into her next album, but I’m always cautious about these things, always waiting for things to go badly wrong. Hang around for my next Madonna post, and find out with me. For now, leave your thoughts in the comments below!
Nightman’s Playlist Picks: Easy Ride. X-Static Process. Intervention. Love Profusion. Nothing Fails.