Ranking Drones – Muse

Drones: Amazon.co.uk: Music

By the time Drones came along I had mostly stopped caring about Muse. I still bought it on day one, but I probably waited a few weeks before listening to it, and maybe only listened to it twice in that first year. Part of that is down to how I consume music. I’m still a CD guy when it comes to buying, and I very rarely use stuff like Spotify for new music. I used to convert my CDs to play on Ipod, but by 2015 I’d slowed down on this nonsense too. Plus I’m old, and I struggle to care as much about music unless it has some immediacy for me at a melodic, emotional, or conceptual level. Drones didn’t appeal to me on any of these levels, it didn’t jump out at me screaming to be heard; it cowered in the corner shouting military slogans. Having survived a stint in the military in my youth, such things are ridiculous to me. It’s also a case of having heard the same riffs, the same approach to music and melody, and the same type of songs done better before, plus the band and their thematic content somehow seemed more juvenile and adolescent than ever. There are still a few decent tunes in there – it’s still Muse for Bellamy’s sake – so of course they’re not suddenly shit, but as a whole due to where I was and the overall samey nature of the thing, it comes across as distinctly average.

  1. Revolt.
  2. Mercy.
  3. Aftermath.
  4. Reapers.
  5. The Globalist.
  6. Dead Inside.
  7. Psycho.
  8. The Handler.
  9. Drones
  10. Defector.
  11. JFK.
  12. Drill Sergeant

Let us know what you think of Drones in the comments!

Ranking The 2nd Law – Muse

Muse – The 2nd Law (2012, Vinyl) - Discogs

Similar to the last album, this is a more consistent affair without a single song I strongly dislike, but with few clear highs. My number 1 is head and shoulders above the others, the next eight songs are roughly similar in my estimation, and then the last few are a step further behind.


2. Follow Me.

3. Save Me.

4. Panic Station.

5. Big Freeze.

6. Animals.

7. Unsustainable.

8. Survival.

9. Supremacy.

10. Liquid State.

11. Isolated System.

12. Explorers.

13. Prelude.

Let us know your ranking in the comments!

Ranking The Resistance By Muse

Muse – The Resistance (2009, Gatefold Card Sleeve, CD) - Discogs I think this is the first Muse album where there isn’t a song I can point to and say ‘I don’t like that one’. However, there are fewer highs than any album so far. The title track is one of their best, but most of the songs are middling and forgettable. The Exogenesis piece I anticipated was going to be wonderful and the perfect next step for a band as overblown as Muse to take, but it’s a little bland and turns out it’s not the sort of thing I want from Muse. This also represents the turning point in my fandom timeframe – I began to not care as much about the band as I had in their (and my) earlier days. No bad songs, but if someone told me to sing a bit from anything other than my top two picks, I wouldn’t be able to.
  1. Resistance
  2. Undisclosed Desires.
  3. MK Ultra.
  4. Unnatural Selection.
  5. Guiding Light.
  6. Uprising.
  7. I Belong To You (Mon Couer S’Ouvre a Ta Voix).
  8. United States Of Eurasia (and Collateral Damage).
  9. Exogenesis.
Let us know your ranking in the comments!

Ranking Black Holes And Revelations – Muse

Muse – Black Holes And Revelations (2009, Vinyl) - Discogs

The problem with Black Holes And Revelations is that there’s Knights Of Cydonia and there’s everything else. That song is so obviously the highlight that nothing else comes close. The singles are good and it’s a thoroughly consistent album, but fewer of the non-singles stand out as much as non-singles from other albums. The band finally overcome their habit of putting a shitty song in the last position, over-compensating perhaps by putting their best song in that spot. They still have not overcome the dreary, slow ballads – but thankfully there’s only a single culprit in Soldier’s Poem.

  1. Knights Of Cydonia
  2. Starlight.
  3. Map Of The Problematique.
  4. Exo Politics.
  5. Assassin.
  6. City Of Delusion.
  7. Invincible.
  8. Take A Bow.
  9. Supermassive Black Hole.
  10. Hoodoo.
  11. Soldier’s Poem.

Let us know your ranking in the comments!

Ranking Absolution By Muse

See the source image

Just before Hullaballoo was released was my peak Muse fandom. Their live album dulled some of that enthusiasm, and coupled with me getting into other bands and doing other things, my excitement over Absolution was maybe not as high as it could have been. I still loved the album and the singles when they first came out, and it was the first time I began to see how popular they were becoming, with people I knew suddenly mentioning them as new favourites, having previously ignored them when I’d brought them up years before. The power of popularity. It’s a good album, however, there is absolutely (absolutionly?) no reason for this album to include both Ruled By Secrecy and Blackout; they’re basically the same song. By the same token, why have Interlude and Intro as separate tracks and not just part of the song that they bridge into? To looks like proggy twats?

  1. Thoughts Of A Dying Atheist.
  2. Time Is Running Out.
  3. Sing For Absolution.
  4. Falling Away With You.
  5. Apocalypse Please
  6. Stockholm Syndrome
  7. Hysteria.
  8. Endlessly.
  9. The Small Print
  10. Butterflies and Hurricanes.
  11. Blackout.
  12. Ruled By Secrecy.
  13. Interlude.
  14. Intro

Let us know your ranking in the comments!

Ranking Origin Of Symmetry – Muse

Lets face it – Origin Of Symmetry is peak Muse. Sure they would continue to find greater success, have bigger hits, and continually add inches to their boner for overblown epic sounds, but this is the moment they cemented themselves as genuine big boys. The bands I mentioned in my previous post – JJ72, My Vitriol, they failed at their second hurdle by failing to reach new audiences and keep their original fans happy. Muse chucked everything at their sophomore, including the kitchen sink they nicked from their intergalactic pirate voyages, and the result is an entirely flawless first half, followed by a very flawed second.

  1. Citizen Erased
  2. New Born
  3. Plug In Baby
  4. Space Dementia
  5. Bliss
  6. Hyper Music
  7. Darkshines
  8. Micro Cuts
  9. Megalomania
  10. Screenager
  11. Feeling Good

Feel free to leave your rankings in the comments!

Ranking The Songs: Muse – Showbiz

I get it; lists. They’re disposable and stinky, like the biodegradable wipes I’ve been using to cleanse my son’s rear after the tenth explosive bum incident of the day. But unlike those, lists are also quite appealing – to the masses, to the lowest common denominator, and to the genuine fans of whatever the hell I’m listing. Today, whatever the hell I’m listing is the songs of Muse’s debut album Showbiz.

I rather enjoyed this album when it was released a lifetime ago, but the band have since surpassed it. I was an early adopter to Muse – coming at a time when my own musical adventures were branching out and I was always on the prowl for some new act to obsess over. I liked the early songs that I heard, and then Unintended stole my maudlin little teenage heart. It was a great period for British rock – Muse, JJ72, My Vitriol, and others were announcing themselves at this time, but of course it all got fucked up when shite like The Killers, Franz Ferdinand, The Strokes, brought their populist bland-tastic albums into the charts ensuring that any true originals got overlooked and decided to go become Accountants instead. And now look. JUST LOOK AT YOUR BELOVED ROCK NOW. Yeah, it’s your fault. Showbiz then… here are some things:

  1. Unintended
  2. Showbiz
  3. Escape
  4. Muscle Museum
  5. Sunburn
  6. Filip
  7. Uno
  8. Cave
  9. Sober
  10. Overdue
  11. Hate This And I’ll Love You
  12. Falling Down

Does this match your ranking? If not, why – why are you wrong? Let us know in the word bits below!

Britain’s Favourite 50 Songs of the 1980s

The Dolly Dolls 19080s #TBT (With images) | Worst album covers, Greatest  album covers, Album cover art

The 1980s – I’ve talked about them before, do ya kennit? It’s when I was born, it’s when you were born – and even if you weren’t, with the amount of retro mewling and nostalgia surrounding the era these days, you probably feel like you were.

Christmas Telly in 2020 was a bit of a shambles – the days of big movie premieres on Terrestrial TV are long gone thanks to the convenience and availability of Streaming Services, but generally there are a few good shows held back specifically for the holidays by the big British Corporations. My only genuine British TV viewing this Christmas were the fantastic Waterhole: Africa’s Animal Oasis – which saw Chris Packham and Ella Al-Shamahi following the design and aftermath of a human-made Waterhole in Africa, and keeping tabs on the different species turning up to use it – and Channel 4’s Jungle Mystery – Lost Kingdoms Of The Amazon, which followed Ella (again) travelling the Amazon to investigate new proof of the ancient civilizations spread down the river with numbers presumed to be in the millions, and how descendants of these tribes are struggling to survive today.

One mainstay of End Of Year programming is the C-List Celeb pandering ‘Nation’s Favourite’ lists. Every year, most channels will have a Favourite Christmas Songs or Favourite Movie show to eat up a two hour block while the engorged viewer sweats the last leg of turkey out from their pits, but we do get the more curious ventures such as Britain’s Favourite Toy or Britain’s Favourite Biscuit. This year as I was channel hopping I stumbled upon the final fifteen minutes or so of Channel 5’s Britain’s Favourite 80s Song. Now, I’ve no idea who voted for this – presumably some random 1000 idiots were selected (based on the top ten selection), but generally lists of these type cater to the audience the Channel markets to. An NME list of best 80s song would feature a lot more Indie artists than a more populist magazine. Channel 5 has largely given up its more controversial leanings and is now a semi-populist version of Channel 4. Therefore, you’ll expect mostly big hits and Number 1 singles, lots of one hit wonders, with the odd interesting selection.

Lets take a look at the top 50 songs as voted for by Britain, and weep.

50. Relax – Frankie Goes To Hollywood

To its credit, the show is presented by Craig Charles (who makes everything better), but you know there’s going to be a heavy reliance on pop over Indie or Metal, and a lot of British synth artists I absolutely despise who get an unusual amount of credit for apparently creating a new genre. I’ve always argued that synth is an instrument (shock) not a genre – and that the Synth-Wave, New Wave artists were fairly inept creatively, relying on this new fangled instrument (which had been around in previous decades) to bolster average or boring pop songs. The only real legacy or influence that the artists prevalent in this generation have is a legion of even shittier pop and dance acts, and a further dumbing down of Chart Music. Relax is a prime example – it’s an ordinary song – crap vocals, decent melodies, it only stands out because of its synth. It’s not a favourite of mine, but it’s absolutely massive and is always going to appear on a list such as this.

49. You Spin Me Round – Dead Or Alive

You can have all the androgyny you want, that’s great, but your song is shit. Repetitive dog crap, horribly sung like so many British male vocalists of the 80s. I don’t think I ever heard this song in the 80s – it somehow passed me by until it inexplicably took on a second life in the 2000s, and now you can’t escape the thing. A turgid heap of toilet run-off.

48. Vienna – Ultravox

The first song I didn’t really know. Unsurprisingly it’s another synth number, it’s another deep, low vocal – at least until the chorus. It’s slow and melancholy, but at it’s core it is fairly boring. Apparently it was held off Number 1 by Shut Up A Your Face, which is clearly the superior song. I always go for melody and emotion over production or instrumentation – if the core of your song is so hollow that it is only memorable for its use of an instrument, then it’s just surface bullshit. Sure I can enjoy it, but in most cases not. Mix your melody and emotion with production and then we’re talking.

47. Kids In America – Kim Wilde

It’s another synth based pop song, but this one actually nails the melody portion. It’s a silly, pandering lyric, but it’s throwaway fun with a very catchy chorus.

46. The Final Countdown – Europe

An all time classic. Of CHEESE! We have the usually likeable Lucy Porter mixing up Metal bands with whatever the fuck Europe was supposed to be, because you can’t have a musical countdown list without some idiot attempting to mock a genre they clearly don’t understand. It’s a song about nothing, but it’s easily one of the most recognisable songs ever written and is ludicrously catchy. When I was DJing on New Year’s Eves – this was always the song before Midnight.

45. The Tide Is High – Blondie

One of Blondie’s most poppy moments, this cover song is almost as gorgeous as 1980 Debbie Harry. She doesn’t sing it very well or anything, but it’s such a sweet melody that it’s always going to be a winner. And even if it’s not, I’m too busy being mesmerized by Debbie’s face to care.

44. Money For Nothing – Dire Straits

The biggest song from one of my Favourite 80s Albums, Money For Nothing is far from my favourite song on said album, but again there’s no escaping that huge riff. Knopfler is such an underrated guitarist, but not the greatest singer in the world. Outside of the riff, the song is a tad on the meh side.

43. Never Gonna Give You Up – Rick Astley

The Eddie Munster of the Pop World, Rick Astley, meets with the Bin Laden/Hussain/Pinochet of the Pop World – Stock, Aiken, Waterman. This trio generated so much unforgiveable copycat crap in the 80s that it beggars belief. And yet, many of their songs – well, a few of their songs were undoubtedly catchy. One of the main problems I have with their stuff is that they are such cut and paste jobs – you hear one of their songs and you know instantly that it’s them – same instruments, same beat, same rhythm, same production, same soulless smiles – and the videos are almost identical too – bad dances, same camera movements, same colours. It’s ridiculous and cannot in any way be taken seriously as something to purchase or respect. As much as pop metal bands like Europe can be ridiculed, Stock, Aiken, and Waterman songs are so much more ripe for arse-ripping. As for this song… everyone knows it, big chorus, could have been sung by anyone. A darker, slower, not shitty pop version of this song could be interesting.

42. Walking On Sunshine – Katrina & The Waves.

I’m not sure what this is doing on the list – it’s a happy bouncy song forever used in Holiday adverts, but nothing special. The only special comment I can make on the song is that I always enjoy pissing off Iggy Pop fans by saying the intro to Lust For Life and this are identical.

41. China In Your Hand – T’Pau

I’ve always liked this one – no big story behind it, no real reason for me to like or dislike it. It’s just a decent little song which has always been there.

There’s a break in the countdown to talk about MTV and a couple of random other songs – maybe to fill up time, maybe because the Producer of the show was upset their favourite songs were missed out. In retrospect, MTV may have been one of the worst things to ever happen to music, leading to a reliance on visuals and looks over sound and song, a reliance which remains to this day, and has perhaps become the most important facet of creating a hit.

40A. Wild Boys – Duran Duran

Duran Duran were very much style over substance in their biggest songs and videos, and if there’s a single takeaway from the decade as a whole, as it pertains to chart music, it’s style over substance. There are a lot of Duran Duran songs I love – this isn’t one of them – and beyond the bombastic shouting of Wild Boys, there’s not a lot to it.

40B. Thunder In The Mountains – Toyah Wilcox

I don’t believe I’ve ever heard this one, which makes me wonder why it’s on a list like this or who the hell voted for it. Just an excuse to get Toyah in to the show as a commentator.

40. Don’t Leave Me This Way – Communards

Another cover, another terrible synth dance track. A shocking, truly shockingly awful video, with Mr Jimmy Sommerville being possibly my least favourite artist ever thanks to him appearing in no less than four acts I despise – this bunch, Bronski Beat, Fine Young Cannibals, and his solo work. I’m sure he’s a lovely bloke, but his music is the antithesis of everything I enjoy.

39. Purple Rain – Prince

Prince… everybody goes on about him as this chameleon figure, changing genres, having so much variety…. I haven’t heard this at all (in the admittedly small handful of songs from him that I know). I’m in no way versed in the dude’s music, but essentially everything I’ve heard from him is very similar – pop funk. And I don’t like much of it. I’ve wanted to delve into his back catalogue for some time, but I’ve held off by the fact that I don’t really like his biggest tracks, such as this. If I don’t like his best stuff, how the hell would I fare with everything else.

38. Dancing In The Dark – Bruce Springsteen

Out of all the good Springsteen songs they could have picked, they went for this. It’s… fine. Boring, repetitive, not the best vocal, okay melody, okay lyrics, terrible video. Whatever.

37. Chain Reaction – Diana Ross

Yeah, I love this song. It’s cheesy as the in-betweens of a tramp’s toes, but it’s pure sweet golden melody goodness. For some reason, they spend most of the time on this entry talking about Ross being a Diva (like this is in some way a good thing) and her clothes and the video. Keep it to the song, guys, especially when it’s a good song.

36. Don’t Stand So Close To Me – The Police

It’s an odd one… yeah, the subject matter is plenty icky, but like many Police songs it tows the line dangerously between white boy reggae rubbish, and goodness. The song shifts between minor and major in quite a jarring way – I’d have preferred it to go in a different direction for the chorus, but the verses are good. Some bin-lid comments that the song is like a precursor to #Metoo – no… it’s simply good morals and not being a repulsive shitbag – such notions did exist prior to Twitter. Mostly a nothing song I forget as soon as it ends.

35. Eternal Flame – The Bangles

Well, one of my favourite all time songs by one of my all time favourite bands, sung by one of my all time favourite singers. It’s perfect. I can’t quantify what it is about Susannah Hoffs’ voice that I love… but I will never tire of it.

34. Addicted To Love – Robert Palmer

Part of me really hates this song. It’s not good. But there’s still something about it. Bit of a one hit wonder.

33. I Just Called To Say I Love You – Stevie Wonder

This one gets ridiculed quite a lot. Yeah, it’s another cheese gobbler, but it’s sincere. I could of course lose all the little twee bleepy blop sounds – but once again – the sign of a truly good song is when you strip the production away, sing it solo or with minimal backing and it has the same impact. It’s rather lovely.

32. What’s Love Got To Do With It – Tina Turner

Yeah, good song – she had a few of them in the 80s.

31. Karma Chameleon – Culture Club

It’s androgyny done right, hint hint Dead Or Alive. Cheese? Check. Cheekbones? Check. Fun song great melodies? Check. It’s pure 80s silly fun.

30. Tainted Love – Soft Cell

Nope, hate this song. More synth junk. Take away the crap (in other words, listen to the original) and it’s… a little better. For such an average song it has been covered hundreds of times – but there’s not a good version of it to be found.

29. Africa – Toto

I really don’t get why this is a thing – not then, and certainly not now. Sure the 80s were a weird time when any old novelty shite should become successful… I guess that mirrors today’s meme-led world. It’s not terrible… I just don’t understand its success or how it has lasted so long. Once more, it’s the production which takes the song to the next level, beyond its fairly ordinary roots. If I heard it once I’d like it but forget it. For whatever reason it has persisted. Yet another one hit wonder.

28. 500 Miles – The Proclaimers

It’s another novelty song, which wasn’t intended to be one, and another which has inexplicably stayed with us long past its Use By Date. Featuring one more dismal video, it’s a catchy throwaway song which was a hit because everyone was on Coke, and now everyone remembers it in some semi-ironic way. It has been played at every wedding I’ve ever attended. Apart from my own. But seriously, what the hell is up with their mouths?

27. Everywhere – Fleetwood Mac

I always forget this is Fleetwood Mac. I’m surprised it’s on the list at all – I didn’t think people liked it. I still don’t think they do, given that it only receives about 30 seconds of coverage compared to every other song on the list so far. Again, fine, throwaway, don’t dislike, don’t care.

26. Do They Know It’s Christmas – Band Aid

Yep, thought it may have been higher. I guess it deserves to be there for its cultural importance. It’s a good song too.

25. Red Red Wine – UB40

Probably my host despised band ever. Everything these fuckers have done should be confined to The Great Void.

24. Come On Eileen – Dexy’s Midnight Runners

Another one hit wonder, another wedding song, another novelty song. I still like it though.

23. Total Eclipse Of The Heart – Bonnie Tyler

Yep, love it. Like it? I don’t know, I certainly have sung it enough times over the years. 

22. Careless Whisper – Wham!

I’ve never understood it myself, but George Michael and Wham! were huge. Sure, there are a couple of songs I enjoy but the vast majority of his solo, and the group’s material is sugary pop guff. Rather than spend a couple of minutes talking about the song, they launch into a 5 minute segment showing a whole bunch of Wham! hits. This song is one I like when it’s on, but only to a certain degree – the saxophone sounds ridiculous, the verses are bland, pre-chorus is good. It’s the sax that everyone remembers, I tend to forget everything else about it.

21. I’m Still Standing – Elton John

I feel the exact same way about Elton as I do about George. Wildly overrated in my opinion, but this is a good enough song. Certainly would never make my personal top 50 1980s songs, but I don’t have anything negative to say about it. Once again, they spend most of their time speaking about the video and choreography. 

Again, we take a break in the chart to talk of the video and its cost rather than the song. They main feature here is Duran Duran’s Rio, with a bit about how White Artists had money thrown at their videos over Black artists. It’s a decent song, kind of always sounds like a Bond song. Not one I ever think about it, but like any number of 80s songs it has always been part of my life. 

20. Take On Me – A Ha

The Duran Duran bit was obviously a precursor for this. It was only a matter of time before this showed up. I like it. It’s hard not to. It’s not amazing or anything, but again there is no escaping it if you grew up in Britain in the 80s and 90s.

19. I Wanna Dance With Somebody – Whitney Houston

Whitney – what a talent. Then it all went a bit wrong. You’d be hard pushed to find a more perfect 80s pop song, or pop song of any generation, than this. It’s unnecessarily stretched out towards the end, but no doubt a great song.

18. The Winner Takes It All – ABBA

Yeah, I must do an ABBA walkthrough on the blog. This is an endlessly beautiful, sad song. There you go – melody, emotion, instrumentation, all perfect. Just a shame the band is heralded as this big Camp thing rather than the genuinely great songwriters they were. Not that I’ve heard any of their albums in full… actually, we had Voulez Vous in the house when I was growing up so I probably did listen to the full thing.

17. Everybody Wants To Rule The World – Tears For Fears

I didn’t think this was as popular as it seems to be, but fair enough. It’s a decent song but I have no specific thoughts on it. 

16. Uptown Girl – Billy Joel

Novelty song, but one by someone prolific. Prolific, but I know barely any of his stuff. It’s silly, but catchy, like the best novelty songs.

There’s another break to talk about fashion – I always love when people go on about how ridiculous the hair and the outfits were back then, without looking at the absolute state of what they’re currently wearing and which will no doubt be a similar source of ridicule in a few years time. There of course needs to be a bit about Duran Duran versus Spandau Ballet. Still not a single mention of any of the genuinely good musical movements of the 80s, but there you go. 

15. Do You Really Want To Hurt Me – Culture Club

I prefer Karma Chameleon. This is fine.

14. Don’t You Forget About Me – Simple Minds

Fair enough. I’ve never been the biggest fan of this one, and Simple Minds are another one of those groups I’m subtly advised to listen to. I haven’t heard anything to push me in their direction, beyond bands I do like citing them as an influence. 

13. Lets Dance – David Bowie

This is somewhat surprising. I guess they had to get Bowie in there somewhere, far from his best song, far from my favourite from him. 

12. Billie Jean – Michael Jackson

Finally. I wasn’t sure if there would be anything from Michael given the latest accusations towards him after his death. It’s difficult to separate all of that stuff from his music and from your feelings about him, but jeebus his music is still so effing good. I’ve never been that fussed on the video, which of course they spend too long talking about, but the song is an all time classic. 

11. In The Air Tonight – Phil Collins

I’ve never understood the love this guy gets either, or the success. A handful of fairly good songs. I think this song has been drastically overrated over time (HE SUDDENLY PLAYS THE DRUMS) but I appreciate the downbeat nature of the song. This is one of his good ones, but I’m not a super fan. 

10. Super Trouper – ABBA

Interesting. I never thought much of this one – it does suffer somewhat from sounding like just another ABBA song and gets lots amongst all the other hits for me. I’m baffled it’s as high as it is, higher than The Winner Takes It All and Billie Jean!

9. Eye Of The Tiger – Survivor

Another novelty song and essentially a one hit wonder, littered with cheese crumbs. But you wouldn’t change a single thing about it. A perfect example of the pop rock song, and one which never fails do get middle aged men pumped up.

There’s a break to talk about technology and synth, as if we haven’t had enough of that already. They start with I Just Can’t Get Enough. See, it’s songs like this which push me back from ever listening to Depeche Mode. Again, some of my favourite bands cite them as influences, but there hasn’t been a single song of theirs which has given me the kick in the spine big enough for me to care. To me this just seems like another repetitive pop song too reliant on the novelty new instrument, and made worse by the bland droning vocals.

Oh look, it’s another one – Enola Gay by OMO. Bleepy synth? Check. Droning male vocal? Check. Awful video? Check. One hit wonder? Check. This may as well be Depeche Mode or any of the other synth artists on the list. Was it influential? Don’t care. 

8. Don’t You Want Me – The Human League

See above comment. Except this is a little better.

7. Sweet Child Of Mine – Guns N Roses

About f’ck’n time. An antidote to every other piece of crap on the list, though admittedly as overplayed as everything else here.

6. Sweet Dreams Are Made Of This – Eurythemics

Inevitable. It’s certainly memorable, as one note as it is.

There’s a shocking revelation about Madonna – not a single Madonna song makes the countdown, which honestly is truly bizarre. Regardless of how you feel about her music, she was one of the most successful artists of the decade so to not have a song on this list is nonsensical. I call shenanigans. 

5. Girls Just Wanna Have Fun – Cyndi Lauper

Yep, great song. Love Cyndi, doesn’t get the credit she deserves. 

4. Livin On A Prayer – Bon Jovi

It was bound to happen – I’m surprised they only have one song on the list (not surprised it’s this one) and I’m surprised it’s this high. 

3. Radio Gaga – Queen

See above.

2. Every Breath You Take – The Police

Yeah, I’ll take that. I’m not a fan of Sting or The Police, but this is their undoubted masterpiece. 

  1. Last Christmas – Wham!

I’m surprised it’s top, but maybe it’s because it’s that time of year. No doubt it’s a great song, but best song of the 198os? Nah, mate, nah. 

There you have it. No room for Madonna. No room for U2. A single Michael Jackson song… if we think purely about biggest selling artists there was also no AC/DC, Jennifer Rush, Kylie Minogue, John Lennon, and if we think about other genres there’s no New Order, Iron Maiden, Metallica, no Sinead O Connor, New Kids On The Block, BROS, no Public Enemy, Beastie Boys, or MC Hammer, no Kenny Rogers, The Cure, The Pixies, or Kate Bush. Of course, you can’t fit everyone in. 

What are your thoughts on this list? Which songs would you have liked or expected to see on here? Let us know in the comments!

TTT- Top Ten Gameshows Which Need To Make A Return!

Big Break - Wikipedia

Greetings, Glancers! It’s a strange time we find ourselves in, and the natural instinct is to withdraw into simpler times – when the skies were blue, when the music was better, when our only responsibility was deciding whether to roll out of bed at 10am or 11, and for some people, when you could be a racist dick and get away with it.

All your favourite distractions have been put on hold – movies have been pushed back due to Cinemas being shut down, and filming has stopped on even the most successful TV shows. Those shows lucky enough to have finished recording pre-Lockdown are being drip-fed to us in the UK, and one of these is Alan Carr’s Epic Gameshow. It’s an hour long format which sees the annoying buck-toothed imp prance around and relay famous catchphrases from days of yore. Each week, Carr and his team bring back a classic ‘British’ gameshow which has been off our screens for years for a nice bit of nostalgia. It’s not the first time this sort of thing has happened, and indeed many of the gameshows included have already seen multiple reboots over the decades, but each time it happens my wife always asks ‘why don’t they show gameshows like this anymore’ – to which I always reply ‘because you and all the other chumps killed them by watching Reality TV shite’. 

It’s something I’ve probably written about here before, and it’s definitely something I’ve misspent a lot of time thinking about – having my own TV channel and bringing back all of my favourite Game Shows. Game Shows were a big part of my youth – growing up in an era of four (count em) TV Channels where choice was extremely limited. While time has clearly moved on, and most Prime Time Game Shows now are an excuse to shove already famous people into nostalgic settings, the range of channels out there now surely allows for a few of these to be brought back. Sure, the prizes might not be as awe-inspiring as before due to limited audience figures but who knows, maybe the tide will turn and people will get sick of Reality TV shite such as I’m A Celebrity (No I’m Not), I’ll Sell My Own Baby To Be Famous, and Anal Island, and people will demand a return to 30 fun packed minutes of questions and games. If not, we can always dream. Here are ten Game Shows I’d love to see make a return (and there will be a part two coming soon).

Big Break

Big Break was a show which centered on the sport of Snooker, or as they call it in the USA, The Pointy Stick Coloured Orb Game. Like many Game Shows, our host was a trained stand-up Comedian, in this case Jim ‘I’m not sure if I’m allowed to say this’ Davidson. He was the perfect man for the job, always ready with a quip, a pulled face, or a frantic grab at a contestant’s balls (snooker balls). Ably backed up by his sexy, glamourous assistant – John Virgo – sort of a less sexually threatening Paul Hollywood, Jim would invite three contestants each week to join up with a famous snooker player to compete for the top prize of… a holiday? Usually? I can’t remember.

The show was split into different rounds – the first finding the contestants answering questions so that their professional compatriot could try to pot as many balls as possible – each correct answer giving ten seconds at the table. Whoever scored lowest was booted off. Next up saw coloured ball co-ordinated questions – pink for sport, green for music etc. The player would attempt to pot as many balls as they could within a time limit (again), but if they missed a shot the contestant would have to answer a question on the missed ball’s colour and the player couldn’t continue until the contestant got the right answer. The winner would proceed to the final round where they had to answer five questions against the clock (90 seconds for the whole round) – each correct answer meant a red ball removed from the table, and once all questions are answered the player had to pot the remaining balls on the table within the remaining time. Each non-red ball corresponded to a prize, with the star prize coming only if the black was sunk.

Big Break seemed to drop at a time (it ran from 1991 to 2002) when Snooker was very popular and had a lot of famous personalities in the sport. It was always exciting to see which player the contestants would get – would you be lucky and hit a Stephen Hendry or Jimmy White, or fall on your arse and get a Willie Thorn? The show was spiced up by the humour and antics of Virgo and Davidson, with lots of prat falling and cheating if a player was struggling, and an addictive Virgo’s Trick Shot Round which saw the first contestant eliminated trying their hand at the table, and having to pot a Trick Shot – amusingly Virgo would explain the shot and sometimes miss himself, and Davidson would usually use his hands to pot the ball if it looked like the contestant was going to miss. Would the show work nowadays? Honestly, I don’t watch too much snooker anymore and don’t know a lot of the top names, but it’s a format which succeeded for over a decade and which always managed to keep me entertained. The unique format of having the contestant and player rely on each other was interesting – sometimes the professional would have an off day, or sometimes the contestant was an idiot -and I can imagine a variety of other sports which could follow the style of Big Break. I’m not sure if it would be much use now without a duo of Virgo and Davidson’s chemistry, but I’d love to see it return.

Theme Tune: ‘I’m gonna be snookering you tonight!’

Catchphrases: ‘Say Good Night JV/Good night JV’. ‘Pot as many balls as you can’.


What the hell is Cyberzone you may ask. In truth, I barely remember it, and for years I wondered if it had been a dream, as no-one I explained it to ever seemed to think it existed. Once again though, I prove all you fools to be the fools you are, as Cyberzone did in fact exist outside of my barely functioning mind. Created by famed quiz creator dude Tim Child, Cyberzone was helmed by famed ‘always starring in weird futuristic shit dude’ Craig Charles and was one of the first examples of VR being used for TV entertainment. Naturally, this being the early 90s, the technology was terrible – yet still made an impact on little old me as I imagined a future of virtual exploration, adventure, and quite probably boobs.

The game featured two teams of contestants tackling virtual challenges by stamping on pads on the ground to walk, and shaking their arms to simulate shooting or completing some other challenge. Craig Charles dials it up to fifteen and brings much needed energy while he tries to explain computer speak for the ignorant masses while an all too white Colonial Cowboy Gamesmaster hybrid introduces the games, but unfortunately the games now look less early 90s Doom and more late 80s The Vindicator for Spectrum. Not heard of that one? Google it. Yes, the virtual world is blocky and barren, but again for a kid in an era of 2D sprites this was like chicken soup to a Measles sufferer, and I gobbled down every second, wishing I could take part.

VR has seen recent resurgences and it’s now sort of affordable to get much more innovative and immersive VR experiences in the comfort of your own’s momma’s basement. So why bother with a Virtual Gameshow? Well why not? A money rich studio could pump cash into this and make something which doesn’t hurt our tech-cultured 21st Century eyes, and games could be a lot more entertaining than ‘walk over there and pick that box up’. I’d recommend making this a kid centric show, upgrading the rather nifty set of the original, keeping the ludicrous hype of the original, but showcasing a technology that looks the part and doesn’t move at a single frame per second.

Theme Tune: I don’t remember the theme tune, so it must have been muck.

Catchphrases: Awooga! Cyber filth!

Fun House

Keeping things in the realm of Kids TV shows, for a moment, is there a more fondly related kids gameshow than Fun House? The show ran for ten years, was a staple of afterschool TV for multiple generations, and a source of wish fulfilment and escapism for people like me who wanted nothing more than to race down a slide into a coloured ball pit where a pair of gunge covered blonde twins waited to offer me their ‘prizes’

Pat ‘yes, this is a mullet’ Sharpe brought such much needed, barely veiled dry sarcasm to proceedings, proceedings which saw two teams (each made up of a boy and a girl) who represented a particular school tackling a variety of slimy, slippery games all for the opportunity to enter the Fun House and win some top top prizes. The games always led to people sliding on their arse and getting covered in foam, and eventually racing around in go-karts. I don’t know anyone who didn’t want to be in the show, and once similar giant indoor play parks started to pop up in Northern Ireland, we finally had the opportunity to recreate our fantasies.

There’s no good reason why Fun House wouldn’t work today – there have been several calls to bring it back and at the height of its popularity there was talk of an adult spin off. While that does sound fun, I don’t think it would work in practice – maybe the odd one-off special. One thing I didn’t like was the School representation – winning prizes for your School? Balls to that, you earn them, you keep them. A modern game would likely be watered down due to health and safety nonsense, but kids always want an opportunity to play in places like these – a new version with more entertaining games could be souped up to be more exciting than their local play park. My kids enjoy watching the original – no reason why they and others wouldn’t love a new one.

Theme Tune: ‘It’s wacky/it’s fun/it’s crazy/it’s outrageous’

Catchphrases: Lets re-run the fun.


Knightmare was a staple of my childhood after-school routine and, well, Nightmares. The show’s melding of mystery, puzzles, pantomime, mythology, real world contestants, and nifty special effects, all capped off by setting it in a swords’n’sandals world was perfect. I still watch any re-runs that are shown periodically. It was the show for nerds before nerdom became the all-encompassing bullshit it is now. You had to be intelligent, and lucky, to stand a chance on this gameshow, and if you weren’t the results were nasty.

This kids show featured a team of four friends entering a dungeon where they had to complete a quest, avoiding traps, monsters, giant spiders, wizards, witches, all to earn the lifelong respect of your peers and fellow humans. One poor sole donned a knapsack and helmet – blinding them – and set off into the dungeon, while the other three would sit hunched with notepads near a medieval fireplace under the watchful guidance of the Dungeon Master Treguard, and his cryptic clues.  I’ve talked about it before, you get the idea.

Kids TV, as mentioned, doesn’t have a lot of interesting gameshows like this anymore. In the Nineties there were a host of Virtual Reality themed gameshows with similar tasks, though none so atmospheric or brutal as Knightmare which could see contestants’ efforts spanning multiple episodes. With the improvements in Virtual Reality Technology, there’s no reason why something like this couldn’t be done again. The key would be to make it genuinely creepy, and difficult, and make those brave enough to step up to the challenge question their every decision.

Theme Tune: A classic

Catchphrases: Oooh, nasty.


I’m guessing none of you remember, or have heard of Steal. Like Catchphrase, Steal pits contestants against each other using a giant computerised board. Also like Catchphrase, it was hosted by a Walker – Mark Walker, son of Catchphrase legend Roy. It’s a show I loved at the time it was aired (1990-1992) and is one I spent years trying to find as I couldn’t remember its name. Thanks to various sites and the internet, I found it again. Now we should take the next step and bring it back to TV.

In truth, catching old episodes on Youtube reveals the show’s flaws. It was based on technology which didn’t really work even then, and was hampered by games which were a bit rubbish. Two teams would face off against each other to win both money and spot prizes by answering questions and then attempting to find a hidden symbol on the big TV board – Cash, Swag, or Jools (I used to think the show was called Swag). The 16 square grid would be shown to the contestants with the associated symbols, then hidden and rotated. The contestant would have to find the correct symbol by saying ‘top row, third from the left’, or ‘middle square’ etc. Its called Steal, because the other team can steal your squares/prizes if they get a Steal Square. The fun part was when they landed on the Jools square (the mascot of the show), and had to play a mini game. These were very basic computer games, played with a huge joystick, and involved digging up prizes or avoiding a dog etc. That’s where modern technology could come in, and spice the action up. Hell, you could even do some official game tie-ins and use the biggest blockbuster games challenges and make the whole format a mixture of Gamesmaster and prize-winning competition. It wasn’t the most exciting show looking back, but as a youngster into gaming at the time, it was fun tea-time viewing and made me want to play along.

Theme Tune: A fairly typical, jangly muzak type theme tune, nothing memorable.

Catchphrases: Take a bow, Jules. Our Feline Felon. Lets fill up the board. Remember what you saw and where you saw it.

Pets Win Prizes

As a kid, I spent a lot of my Summers at my a Caravan Park nestled between the sea and the mountains. Days were spent playing football, going on bike rides through country roads, evenings were spent wooing young ladies and eating gravy chips, and nights were spent camping and watching TV shows we probably wouldn’t normally watch given we were all sandwiched in the same space. Pets Win Prizes was one of these shows, always seeming to be on during those Summer Saturday Nights when I was filling my face with fart fuel (gravy chips). Obviously there’s nostalgia talking, but everyone still loves cute, furry pets, right? Look at recent Britain’s Got Talents, and look at all the rescue dog shows which are always on TV. Crufts still gets a huge audience, and it’s awful. A gameshow which sees talented pets, and their embarrassing owners being ridiculed by a quick witted host for the sake of some prizes should be simple TV gold. The series back then was hosted by Dale Winton, and before him Danny Baker, and saw pets being put through some often bizarre agility and skill based games, while their owners answered animal trivia questions. It wasn’t high art, but I’d say there’s still life in the old dog. So sorry. For anyone wondering why the hell I enjoyed this – I think I just enjoy anything with obstacle courses.

Theme Tune: Hardly a classic, but jaunty enough to be memorable. I was certain someone sang ‘Pets Win Prizes’ over the top of the music, but turns out that didn’t happen, and must have been my adding the words and singing myself.

Catchphrases: A succession of terrible animal based puns to go along with the badly behaved cats and dogs.

Takeshi’s Castle

There’s a solid argument to be made for Takeshi’s Castle being the greatest TV show of all time. The problem with it is… you have to be very careful with how it is presented and portrayed. For example – the original Japanese show is hilarious and bizarre, and the British Craig Charles presented clip type format is even better. HOWEVER, once the yanks got their hands on it and converted it to MXC or Most Extreme Elimination Challenge, it became almost unbearable due to a couple of dickhead co-presenters delivering the most hatefully unfunny commentary and complaining draining the show of its natural humour. Likewise, when the UK crafted Rebooted and brought in the normally amusing Dick and Dom instead of Craig Charles, it just wasn’t the same. Sure, the best clips had already been used, but the commentary and format simply wasn’t as strong.

So what is Takeshi’s Castle? It’s a Japanese show, the brainchild of the legendary Takeshi Kitano who wanted to make a live action Super Mario level. This quickly morphed into a gameshow/sketch show which saw Kitano and pals playing a range of strange characters who defended a Castle from intruders – the contestants. To storm the castle and defeat Takeshi for a fat cash prize, roughly 100 contestants had to complete a range of physical challenges which tested their limbs and skills, with dozens being eliminated each round until only a few survived. The final round, always a bit of an anti-climax, was a bumper car type water pistol battle. The best thing of course, aside from the characters and the contestants and their costumes, were the games – and the ever present chance of people being seriously injured.

I could list all my favourite games and moments, but I’d be here all day, but there was such a variety of challenges, even before factoring in the ‘Special Episodes’ that you always had something new balanced alongside personal favourites. Given the runaway success of, the frankly rubbish, WipeOut, and the vastly inferior modern versions of Ninja Warrior there is absolutely zero excuse to not bring back Takeshi’s Castle. It was a show which focused much less on the physical skill of the individual and instead highlighted to mayhem and creativity of the games and the mixture of luck and skill, as well as being one huge insane pantomime. Crucially, in today’s overly safety conscious world, shows like Ninja Warrior or The Floor Is Lava or Beastmaster – all those shows which copied Takeshi’s Castle – contain zero life or death threat. People gently flop into water with not even a scratched knee, while in the original potential snapped necks, twisted ankles, and new ribs were expected. For any new version to truly succeed, you’d need to leave yourselves open to potential law suits, health and safety concerns, leave shin guards and helmets aside, and just get stuck in.

In truth, I see a couple of formats for a true revival of the show. Much of the sketch side of things could be dispensed with but you could still have a cast of wacky characters following the general plot of ‘try to make it to the end without dying’. An hour long show could perhaps give a quick glimpse of every contestant and highlight the more quirky, more successful ones so that audiences can follow along with their endeavours, while a follow-up thirty minute show would be more like the Craig Charles version and feature just the best bits and smashes along with hilarious commentary. Naturally, you need to have Craig Charles doing it. Now that I think about it – think about the money pumped into shitty reality shows like Big Brother, X-Factor and the ilk, and the sheer amount of TV hours they take up, from auditions to live shows to backstage shows after each main show. I say have your main Takeshi show, follow it up with panel discussion and hidden clips with contestants and Takeshi guards as guests, then have your weekly 30 minute format too. If I was boss of the world, this would be top of my list. I could write an entire blog based on bringing back Takeshi’s Castle, so I’ll stop.

Theme Tune: The Craig Charles version is a beast.

Catchphrases: Too many to mention, again from the Craig Charles version.


A staple of Sunday night TV since the early 1980s, Bullseye always seemed old fashioned and a bit odd to my childhood eyes, yet there was something addictive about it. In fact, it was one of those rare TV shows which managed to break the Sunday curse of my childhood – 99% of TV shows which were shown on Sundays in my youth, I associate with how much I hated Sundays and therefore almost never like those shows. Nowadays, it’s all about making fun of the either naff, or strange top prizes – like speedboats, caravans, or a Mini Micro and they ignore how much fun the game was. Hosted for decades by the late Jim Bowen, it has been brought back a couple of times – in the aforementioned Alan Carr thing, and by Dave Spikey in the Noughties, as well as various celebrity one-off specials – it’s a simple gameshow based around darts. Three pairs of contestants, three rounds, darts and questions. It sounds rubbish, but it somehow works, and I see no reason why it couldn’t slot neatly in to regular Sunday night rotation in the Autumn or Winter when there’s feck all else on worth watching.

The great thing about the format is that you don’t need to change anything – you have your contestant pairs – one a darts player, the other there to answer questions – and at the end of each round the lowest scoring team is knocked out. In round one, each player tries to hit a category requested by the other player on the dartboard – they get bonus money for hitting the correct category and getting the question right. If they get it wrong, another contestant can buzz in for money. In Round 2, it was a case of each player getting three darts and the team with the highest score got to answer a question for more money. There would then be a charity round where a pro tried to earn as much money with 9 darts as possible, before moving into the final round where the winner tackled Bully’s Prize Board with the chance to win up to 9 prizes with 9 throws – both players in the team taking turns. Once their prizes were won, they could decide to go home with what they had, or gamble on the top prize – either winning or losing it all. This was a nice twist, because often the winning team would turn down the chance at the top prize, meaning the second, and then third place teams would be offered the same choice. If one of the teams did decide to go for it, they had to score more than 101 points with six throws – three for the darts dude, and three for the quiz person. More often than not, people would fail.

With this simple format, you could easily bring the show back – prizes need not be bank breakers, and you just need an affable host to run the show. Darts as a sport I feel has rarely been more popular, and surely a show like this would increase popularity and drive revenue towards some of the Sports Channels who host Darts Championships. There are plenty of near household name Darts players out there, at least for UK audiences, and of course you can still have your fancy pants celeb specials to grab more attention. I’m sure there are plenty of famous faces out there who grew up with the show and would want a chance to play on it while earning cash for charity.

Theme Tune: A nostalgic favourite, wouldn’t need much, if any updating.

Catchphrases: One hundred and eighty! It’s a bullseye! Keep out of the black and in the red – there’s nothing in this game for two in a bed’.

Full Swing

Keeping with the Sports theme, this was another one of those Summer time Caravan TV shows of my youth. Ostensibly a cash-in on Big Break, it never had anywhere near the same level of success and didn’t last long. Maybe it’s because my Caravan Park was opposite a Pitch’n’Putt and Driving Range which we played on at least once a week, maybe it was because Golf also always seemed to be on TV during the Summer hols, but I enjoyed Full Swing at the time.

Affable Scouse golf fan Jimmy Tarbuck hosted the show, often entering in a golf cart and telling his usual brand of family friendly jokes before introducing the guests. Like Big Break, three contestants would be paired with a celebrity – though typically not a golfer. Now, golf is a little more difficult to play within an enclosed space than snooker, meaning computer technology needed to be employed. Players would have to whack a real ball, which would translate to a virtual reality shot (think Wii Golf), and then contestants would answer questions for further shots. The second round saw contestant and celeb playing on a indoor mini golf course, complete with bunkers and water hazards, aiming to get as close to the hole as possible, with the final round being a beat the clock putting game. Again, like Big Break there was a consolation game for the first contestant to be knocked out, which involved a Mouse Trap esque Crazy Golf trick shot. This was probably my favourite part, because I used to love those Rube Goldberg type contraptions. And of course, it was a type of obstacle course.

This is one of the more unlikely shows to ever see a return, given how bad its ratings were. Honestly, I don’t think it was a bad attempt at porting the Big Break formula to sport which didn’t naturally suit it. Golf is still a highly popular sport and there are zero golf gameshows out there, so with a bit of tinkering a remake of this could be a minor hit. Once more, technology has improved to as to make the virtual golf better, more realistic, or alternatively you cold film the whole thing on location at a genuine golf course. I would maybe change up the first and second rounds, or even shake the whole thing up and have the whole thing (or one round) based around an indoor Crazy Golf course rather than the miniature pitch n putt style round. There’s plenty here to work with, and the fact that you would have celeb guests in each episode would keep things interesting for people not really invested in the sport. Perhaps a co-host or lively voiceover would improve entertainment and humour value.

Theme Tune: I remembered nothing of this and had to check Youtube to remind myself. It’s not great.

Catchphrases: More a host of Tarbuck specials and golf puns.

Small Talk

I loved Small Talk. It seemed like the perfect mixture of mirth, irreverent humour, and quiz fun and Ronnie Corbett was the perfect host. I believe the US had their own version too. Once more, three contestants faced off against each other, this time contending with a giant board filled with children. Yes. There were 9 squares, each with one child inside (though sometimes there would be a pair), and the kids had pre-recorded answers to questions which the contestants would be asked – the twist being that the contestants had to correctly guess if the particular child (or the majority) knew the correct answer. The children were amusing little characters themselves, often giving hilarious incorrect answers to the questions and nonsensical asides spurred on by Corbett. The final round would see Contestants trying to reach a score of 500 by picking five kids (each kids holding a particular points card from 50 to 500), and then guessing whether the kid would get a question correct or not. If the contestant and kid were in sync, the points were theirs. Sometimes things could be ruthless, with contestants not having a lot of faith in a particular child and expecting them to get everything wrong, but it was all done with the best intentions and was always light-hearted fun. One of my school teachers featured in an episode once – he didn’t win. I wonder if any of the kids are famous now. I bet one of them is Pixie Lott or some shite.

I see no reason why this wouldn’t work today. Sure, there would be some child safety protection bullshit going on, but kids will never not be funny. Look at all the memes and internet challenges which do the rounds each year – parents will know these – things like filming your child answering 20 random questions and then sharing their results, or leaving them alone with a chocolate biscuit for 1 minute and filming them to see if they can resist eating them – that was a big one in 2020. It’s the same idea, but less perverse. Who wouldn’t want to see their own kid on a show like this, and which mums and dads would not relate to the often bizarre responses to simple general knowledge questions? It’s the perfect show for early evening mid-week TV.

Theme Tune: A classic

Catchphrases: Oooh, nasty.

There you are – some random bloke’s list of TV shows he used to like and would like to see make a return. There is literally nothing omre important happening in the world right now. If you would like to see these make a comeback – please send me money and I’ll see what I can do.

Ranking The Manics Songs – Resistance Is Futile

This is more like it. The last album was a step beyond the one before, and this one takes things further again, delivering the melodies I’ve come to expect from the band that just keeps coming back. The band delivers a whopping six singles, though these mostly download only and therefore came with no B-Sides. Still, a few extras appeared due to the different editions of albums and singles though the higher overall quality of the album tracks mean it’s harder for me to switch anything out.

  1. Hold Me Like A Heaven
  2. People Give In
  3. Distant Colours
  4. In Eternity
  5. Liverpool Revisited
  6. International Blue
  7. Sequels Of Forgotten Wars
  8. Broken Algorithms
  9. A Song For The Sadness
  10. Vivian
  11. The Left Behind
  12. Dylan And Caitlin

There are a couple of very good extra songs which would have been superb if squeezed into a single whole – one has a fantastic verse, the other a great chorus. As they stand, I’d add those in and take out my bottom two:

  1. People Give In
  2. International Blue
  3. Distant Colours
  4. Vivian
  5. Holding Patterns
  6. Liverpool Revisited
  7. Sequels Of Forgotten Wars
  8. Hold Me Like A Heaven
  9. In Eternity
  10. Broken Algorithms
  11. A Song For The Sadness
  12. Mirror Gaze

And that’s us up to date. Will there be another Manics album? I sure hope so – the idea of a world without The Manic Street Preachers is almost unimaginable, especially as so many other greats have fallen by the wayside. Let us know your rankings in the comments!