My Nominations: Beneath The Planet Of The Apes. The Bird With The Crystal Plumage. The Dunwich Horror.
No official category this year, as you well know, so you’ll have to put up with my picks scant as they are. There’s a wealth of crappy to average horror movies this year, The Dunwhich Horror just about scrapes by due to interesting ideas though it’s hackneyed and terribly dated now – decent make-up in places. The Bird With The Crystal Plumage is much better and not as gory and stylized as Argento’s later efforts. While Beneath The Planet Of The Apes doesn’t really advance the work achieved in the early entry in the series, it does offer some mutants as well as the apes, and is still my choice as winner.
My Winner: Beneath The Planet Of The Apes.
What film of 1970 would you give the Best Make-Up award to? Let Us know in the comments!
Even with two special Awards in the last few years, the Academy was still not prepared to dedicate a yearly category for those responsible for Make-up. In their defence, it would be another few years until enough films with suitable quality were being regularly released, but lets see what 1969 had to offer.
My Nominations: They Shoot Horses Don’t They. The Wild Bunch. Butch Cassidy And The Sundance Kid.
Not a lot to be honest.
My Winner: The Wild Bunch
What is your pick? Let us know in the comments!
My Nominations: Planet Of The Apes. Night Of The Living Dead. Chitty Chitty Bang Bang.
John Chambers won an honorary award for his work on Planet Of The Apes this year, adding fuel to the fire of those who believed a dedicated category and award was deserved. His apes have an all too human look, yet the makeup is flawless and on a huge scale. Not too many of the other movies released in 1968 raised the Make-Up bar or changed the game significantly, but both Chitty Chitty Bang Bang with the nightmarish Child Catcher, and Night Of The Living Dead with its assortment of zombies featuring pasty, yet ultra-effective looks.
My Winner: Planet Of The Apes
Which film of 1968 do you think has the Best Make Up? Let us know in the comments!
This was another year where the Make-up Category did not exist, so the the below nominations are entirely my own selections.
My Nominations: Beach Red. Bonnie And Clyde. The Fearless Vampire Killers. Frankenstein Create Woman.
Not a stellar year for make-up and there are no obvious standouts or leap forwards when compared with the progress in acting and storytelling seen this year. The various films nominated basically were selected for expanding visual gore and other visceral elements, but none of them are particularly powerful or memorable from that perspective.
My Winner: Frankenstein Created Woman
Which film of 1967 has the Best Make Up? Let us know in the comments!
As we know, this category was still over a decade away from becoming a reality, but thanks to The Spac Hole we can right that wrong.
My Nominations: Dracula – Prince Of Darkness. Plague Of The Zombies. The Good The Bad And The Ugly. Fantastic Voyage. The Bible. A Man For All Seasons.
My Winner: Plague Of The Zombies
What is your pick for Best Make-Up of 1966? Let us know in the comments!
My Nominations: Dr Terror’s House Of Horrors. Planet Of The Vampires. The Greatest Story Ever Told. The Agony And The Ecstasy.
As is standard for this era of films, my Make-Up nominations are split between long forgotten horror and sci-fi movies, and mainstream epics. While the epics here have your typical big budget attention to detail, it is the lower budget Mario Bava effort which excels due to it’s Make-up and effects, and the early Amicus anthology which employs all manner of tricks convincingly to tell a bunch of stories about vampires, werewolves, and hands that crawl and claw and clench.
My Winner: Dr Terror’s House Of Horrors.
Which film of 1965 do you think deserves the win for Best Make-Up? Let us know in the comments!
Finally, in 1964, an award was presented for the first time in the field of make-up. It may have only been an honorary award, but it was a step in the right direction although it would take a depressing 17 years before the category became official. William J Tuttle had been responsible wholly or in part for the make up in films from the 1930s to the 1970s- if you haven’t heard his name then I’m sure you’re familiar with his work- The Wizard Of Oz, The Red Badge Of Courage, Singin’ In The Rain, The Prisoner Of Zenda, 7 Brides For 7 Brothers, Forbidden Planet, North By Northwest, The Time Machine, The Twilight Zone, Young Frankenstein to name a very few. His award for 7 Faces of Dr. Lao is justified and deserved in itself, but gives thanks to one of the greatest undervalued careers in Hollywood.
My Nominations: 7 Faces Of Dr. Lao. The Fall Of The Roman Empire. Goldfinger. The Flesh Eaters. Onibaba. Zulu. The Masque Of The Red Death.
A mix of horror, action, and epics make up my picks this year. Zulu and The Fall Of The Roman Empire are obvious choices given the scale and dedication involved, while Goldfinger continues the trend of strong work for Bond films. Onibaba is made all the more flesh-crawling due to the subtle make-up- it’s so subtle I don’t even know who the make-up artist was. The Masque Of The Red Death and The Flesh Eaters go for a more visceral approach and while both relatively low budget, they show a supreme mastery of the craft and ability to make the craft a vital part of the production. My Winner though has to be 7 Faces Of Dr. Lao as it is genuinely revolutionary. There are techniques and sights on display here that were new, and others brought to the tip of their power, but it is the diversity and invention which overshadows the other nominees and shows a great man going wild with his art.
My Winner: 7 Faces Of Dr. Lao.