Nightman Listens To – Bon Jovi – Crush

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Greetings, Glancers. Bon Jovi have always been seen as an 80s band, but we know they had enormous success through the 90s too. After 1995’s These Days, the various members had gone and done their own things to varying degrees of success and by the time 2000 rolled around the musical landscape had changed dramatically. Could the band see in the millennium with another hit, and would anyone even care anymore?

You probably already know the answer to both of those questions, but if you don’t, here it is; yes. Crush was an instant smash, thanks to a string of hit singles and a sound which was both quintessentially Bon Jovi, but also found a way to speak to modern listeners. Even critics jumped on the bandwagon. I remember when the album was released that both people who outright refused to listen to guitar based music were listening to it, along with people who considered the band too soft and middle of the road. It’s an album I was pretty familiar with at the time, but haven’t listened to in a good ten years, so lets see how much I remember and if it holds up.

It’s My Life‘ was the first single and was of course a hefty hit. Harking back to their 80s sound with voicebox and references to Tommy and Gina, and reminds fans within seconds why they first fell in love. It’s big and brash, has a huge chorus, features lyrics designed to be belted out in a crowd, and is as simple a pop rock song as you’ll ever get. It’s not quite as euphoric as Livin’ On A Prayer, but it comes pretty close.

Say It Isn’t So‘ is another big single – they really front loaded this album with the big hitters – this can be a risky business if you leave the rest of the album without any instantly recognizable tracks. This one opens with an easy swagger, filtered vocals, and guitars reminiscent of many of the softer rock bands which were having hits around the time. I remember the chorus being stronger, listening now the vocals are really weird, the effect is too heavy and they waver around too much. There’s a strange keyboard part in the middle too, reminding us that 2000 was an odd time for rock music, as if it was unsure what direction it needed to move in.

Thank You For Loving Me‘ is a song I’m very familiar with and don’t really need to listen to again here. It was one of the songs my wife and I picked for our wedding day – she wasn’t having any outright metal for the ceremony, so the compromise was Bon Jovi. Nevertheless, it’s a great song and one of their best ballads. Sure it’s soppy stuff, but it’s good soppy stuff.

Two Story Town‘ opens with more turn of the millennium production – I can’t really say it’s dated but it is definitely a product of its time. This is a decent mid tempo rocker which doesn’t go full country – it flies under the radar but is good enough while it lasts. It’s clearly a step down from the first three songs.

Next 100 Years‘ starts with marching drums and a Sambora explosion before pulling back to a simple melody. It’s a good one too – nothing startling – and it builds up to an average chorus. It’s a song I try to like but it misses the mark while trying lots of different things. The brief bridge, the strings, and the solos are all good though – the song tries to go all Hey Jude for the ending, which doesn’t quite work, but it doesn’t totally collapse either. I like how they abandon this for the final minute and race towards the end with an epic solo and zippy violins.

Just Older‘ has another drum into, and again gets off to top speed for a brief moment before restraining itself for the verse. More lyrics about dreams and nostalgia fit well with the melodies and while the chorus doesn’t hit the heights, it’s fine. The verse and chorus compliment each other well, rather than having one outweigh the other. There’s another nice, twiddly solo leading into a softer section, though you know it’ll end with a bang.

Mystery Train‘ begins in acoustic fashion before the organ and electric guitars come in gently. I’ve always quite liked this one – it feels understated and genuine and again the verse and chorus are like glue. It feels like a song that most people will overlook or forget easily, but I think it’s one of their better non-singles – it doesn’t need to be so long though.

Save The World‘ starts steadily – drums, lots of string bends, and lots of violins. Those ‘education’ lyrics are a little cringeworthy, and the rest of the words feel cheesy, but it’s all well meaning. The melodies are great in places, but they are usually followed by something flatter rather than sustaining the quality. Again it feels too long, but it’s another fine song that just misses out on being really good.

Captain Crash And The Beauty Queen From Mars’ is Jovi going Bowie. Not really, but the name sound that way. Lyrics too. It’s a softer effort but a catchy one. This has single written all over it. It doesn’t have a huge chorus or anything, but it moves swiftly and I can see a lot of people enjoying it on sunny days. An easy love song, a little bit of poking at and making fun of young love while also revering those feelings.

She’s A Mystery‘ goes full ballad. That’s often a good thing for Bon Jovi, but sometimes a mess. This is a good one though, understated and subtle. It is missing a high point, instead happy to remain on a level. Verse and chorus melt into each other with the drums and guitar not really changing throughout. I like the backing vocals, I like the middle bridge, but it never reaches for that peak.

I Got The Girl‘ opens softly – low bass, light beat, whispered vocals. It suddenly bursts open for the chorus leading to a faster pace and mid level volume. It’s all pretty sweet, lyrically, melodically, and yes it is catchy too. This seems like another of those underrated ones that it’s easy to forget about or miss. No need for that extended ending.

One Wild Night‘ starts like a Disney song from the 1940s before moving forwards 40 years to the band’s 1980s heyday. This is pure 80s played 20 years too late. It’s good though, if you like that sort of thing. It’s as raucous as any of their bigger hits and has all the trademarks – chorus, guitars, melody, shouting backing vocals. The ‘na na na’ parts will get you singing along and the weaker among you may even roll down the windows to join the chorus.

Overall Crush is consistent – it opens big and closes big, and the middle has a mixture of ballads and rock standards. There aren’t any truly bad songs, while the best songs are pretty good examples of what the band does well. A couple of the non-singles are good enough to stick in your rotation but like most of their albums the majority of the album tracks are interchangeable. Still, it’s a decent album from the band and the last one I really know anything about – from here on out it’s uncharted territory for me. Next time around I’ll be checking out Bounce – an album that I’ll probably know a couple of songs from. We shall see. Let us know in the comments what your thoughts and memories of Crush are!

Nightman Listens To – Roxette – Look Sharp!

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Greetings, Glancers! Today we’re back to Sweden and glossy pop rock hits. Roxette’s second album was a massive hit around the world thanks to a string of new singles which saw them becoming late 80s superstars. Look Sharp! is an album that I would have been very familiar with in my younger days – I’m sure it would have been played in the car journeys from my house to our summer caravan park many times, though looking at the tracklist there are quite a few I don’t recognize. Some of the ones I do remember I can still sing word for word even though I haven’t heard them in years, and there may be some I have forgotten completely. Hopefully these will bring back memories and feelings of those car journeys – the sun beating in the window as we weaved between the mountains and the sea, school days behind us, and long summer days of football, friends, and fun ahead, romping on the beach, playing in the park, and gobbling sweets by the dozen. It’s exactly what Roxette were going for when they recorded the album.

‘The Look’ is a great way to start the album – maybe the album’s biggest hit and with a famous guitar riff. I’m not sure about the drums – a bit weak, but the lyrics are pure 80s nonsense which is pretty funny. Per sings the lead on the verses with Marie taking secondary duties once the chorus. Infectious melodies all the way through, from the whispering verses, the call and repeat chorus, and the ‘na na na na’ bits.

‘Dressed For Success’ is just fun all around. It grabs you from the first moment with Marie’s ‘yeah yeah yeah’, accompanied by cheery verses and a massive chorus. The best part is the bridge, because what is a great pop song without a connection between verse and chorus? This one is very good, with all the ‘what you gonna tell your mumma’ and ‘uh oh oh’ stuff and bouncy melodies. This one will put a smile on your face.

‘Sleeping Single’ is one I didn’t remember from the name alone. It starts with thumb clicks and tinkling stuff, before the 80s drums and horn stuff comes along and makes me think of Police Academy. The verses have only the slightest remembrances for me, but I do remember the chorus. It’s fine – I can’t say anything bad about it because it again sounds so fun and cheesy – it probably doesn’t need to be so long though.

‘Paint’ is another I don’t remember. It starts out pretty disastrously, with bad drums and 80s sounds. You can always rely on Roxette to pull it back with good melodies. I don’t remember the verse at all and the chorus makes me think of Madonna, so I can’t say I have any memory of this at all. It’s fine, chorus is okay, when Marie blasts it out halfway through it’s pretty good, but it’s the weakest song so far.

‘Dance Away’ actually start out like something by The Music, for about eight seconds. Then it goes all Eurythmics. Good vocals by Marie but everything else feels like a weaker version of The Look. Even the chorus isn’t that great, a couple of good moments.

‘Cry’ starts out softly, with piano and smooth sounds, leading into plain verses. I assumed I would remember this but I don’t aside from the ‘why should I cry’ line. There’s honestly not a lot to this song, even the melodies don’t hit the spot. I know it’s meant to be a lot more, but it’s a bit of a none event.

Chances‘ raises the energy levels again with heavy use of snyth and beats to create a throbbing rhythm. Better verse melodies and a much better chorus than the last few songs. It’s still not great, but has an atmosphere, a nifty guitar solo, and is catchy like their better songs.

Dangerous‘ opens with some chugging guitars and weird noises. Obviously I remember this, but I must have blocked out the weirdness from my memories. The verses are a little vague in my memory, but I remember the chorus clearly. It’s cute and infectious, strange when you consider the lyrics and subject matter. Like all of Roxette’s finest songs, this is all about the melody.

‘Half A Woman, Half A Shadow’ is one that doesn’t sound familiar at all. Opening vocals – nope, guitar and drums – nope, doesn’t ring a bell. Verse…. I don’t think I remember this but there is something… could be just because it sounds like something else. It feels a little bit like Lonely Nights by Bryan Adams. The chorus isn’t too hot. Disaster end.

‘View From A Hill’ is pure 80s dirt. This could be from Beverly Hills Cop or anything. I kind of remember the chorus, nothing else though. This is another middling effort, easily forgotten and aside from a couple of hooks there isn’t anything here to recommend. Lots of weird moments where the other musicians appear to lose their minds.

‘I Could Never Give You Up’ is a bonus song, but it sounds familiar. Again, I could be confusing it with something else. It’s better than the last couple, good Spanish guitar in the middle, better melodies.

‘Shadow Of A Doubt’ starts like an 80s action movie soundtrack. I love the verse vocals – they sound more urgent than most of the other songs. The melodies are fine, not too much difference between the verse and chorus. We get some sort of sax solo in lieu of a six string. I like the belting out by Marie at the end.

‘Listen To Your Heart’ closes the album – easily my favourite song here. This is one of the few Roxette songs that I’ve listened to sporadically over the years – it’s good enough that it’s never too far away. Atmospheric piano opening like the best power ballads. Steamy verses with superb melodies before the booming, immortal chorus. That’s it really, aside from saying I like the little twiddly synth ending.

I’m surprised I didn’t remember more of this album. My brother was a fan of making his mix tapes, so maybe he only took his favourites from Look Sharp! and the others got lost by the wayside. It’s worth listening to the whole thing, but it’s probably best to just cut out your favourites for future reference. Next time I listen to Roxette it will be an album I know I’m more familiar with – JoyRide. Let us know in the comments what your memories and thoughts of Look Sharp! are and share the music that you used to listen to on long car journeys of yore.

Disney Songs -Duh duh DUH!

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Greetings, Glancers! It’s time once more to undertake a gargantuan and pointless project by listening to all of the Disney songs. That’s right – ALL OF THEM. And by ALL, I don’t mean all – I won’t be covering the straight to DVD sequels or the non-animated work – only the central Disney Animated movies, starting with Snow White and the Fourteen Twats from way back in 1937 (and for fun I’ll throw in some of the Pixar ones too).

As there are literally (not) billions of songs, I’m going to post one movie at a time. I have my favourites and while driving with the kids I will occasionally blast a Disney Greatest Hits, but many of those songs are dreadfully annoying. There will be many songs I’m either not familiar with or haven’t heard outside of the film or have simply forgotten. For now, here is a handy list of every movie I will be covering (may be changed later as for a few of these I don’t even know if they feature songs). Let us know in the comments which Disney Movie you feel has the best songs, and which songs are your favourites!

Snow White And The Seven Dwarves                                             Pinocchio

Dumbo                                                                                                    Bambi

Saludos Amigos                                                                                    The Three Caballeros

Make Mine Music                                                                                 Fun And Fancy Free                                                                                                                                                                                 Melody Time

The Adventures Of Ichabod And Mr Toad                                    Cinderella

Alice In Wonderland                                                                          Peter Pan

The Lady And The Tramp                                                                 Sleeping Beauty

101 Dalmations                                                                                    The Sword In The Stone

The Jungle Book                                                                                  Robin Hood

The Many Adventures Of Winnie The Pooh                                 The Rescuers

The Fox And The Hound                                                                   The Black Cauldron

The Great Mouse Detective                                                             Oliver And Company

The Little Mermaid                                                                            The Rescuers Down Under

Beauty And The Beast                                                                       Aladdin

The Nightmare Before Christmas (not complete Disney I know I know)

The Lion King                                                                                       Pocahontas

Toy Story                                                                                               The Hunchback Of Notre Dame

Hercules                                                                                                Mulan

A Bug’s Life                                                                                           Tarzan

Toy Story 2                                                                                            Dinosaur

The Emperor’s New Groove                                                              Atlantis

Monster’s Inc                                                                                        Lilo And Stich

Treasure Planet                                                                                   Finding Nemo

Brother Bear                                                                                        Teacher’s Pet

Home On The Range                                                                          The Incredibles

Pooh’s Heffalump Movie                                                                  Chicken Little

Cars                                                                                                        Meet The Robinsons

Ratatouille                                                                                            Bolt

UP                                                                                                           The Princess And The Frog

Toy Story 3                                                                                           Tangled

Cars2                                                                                                     Winnie The Pooh

Brave                                                                                                     Frankenweenie

Wreck It Ralph                                                                                    Monsters University

Planes                                                                                                    Frozen

Planes: Fire And Rescue                                                                   Big Hero 6

Inside Out                                                                                            The Good Dinosaur

Zootopia                                                                                               Finding Dory

Moana

Depending on the time I get around to doing these, I may also include the following as yet unreleased movies and lesser known Disney pics: A Goofy Movie, Doug’s 1st Movie, The Tigger Movie, Recess, Return To Never Land, The Jungle Book 2, Piglet’s Big Movie, The Wild, Mars Needs Moms, Moana, Cars 3, Coco, Wreck It Ralph 2, Toy Story 4, Gigantic.

Stay tuned then for a rundown and half-arsed review of all of the songs. Bibiddi bobbidi arrghh!

Chart Music Through The Years – 1961

Yes! Back thanks to an almost universal lack of demand, I stretch back the scalp of time and feast upon the mushy innards of the past – in this instance I return to the UK music charts. If you’re interested, you can read my original post here – https://carlosnightman.wordpress.com/2015/10/22/the-uk-top-40/

Greetings, Glancers! Let us twist our heads 180 degrees like a Reagan possessed and see what fell behind us in those heady, innocent days gone by. Hands up if you remember 1961? Not me! I am reliably informed that JFK became President of those United States, that man and chimp ventured off world into space for the first time, The Bay Of Pigs came and went, Catch-22 was released, Ernest Hemmingway died, and Ken first met Barbie. In the world of music, The Beatles performed in The Cabin club for the first time, The Supremes signed to Motown, Mick Jagger met Keith Richards, and rock music continued to challenge the scourge of Swing throughout the year. Indeed, the ten songs featured below suggest a shift in popularity between the old and new, with pop rock upstarts taking the top prizes over the crooners of the past. Looking at the these ten songs, I can’t say that I recognise any of them from the titles alone, but I do know eight of the artists. Lets get stuck in, kids.

  1. The Shadows: Kon-Tiki

The famous twanging guitar, clear and crisp. Yes, it does evoke shimmering images of beach side Caribbean lounging. There’s still a country twist in there too. That this ever made it to Number 1 in the charts is bizarre to me – not because it’s bad, just because. At under two minutes long it doesn’t go very far or ask many questions, but a mild diversion and still sounds good over 50 years later.

2. Billy Fury: Jealousy

Big ass bass and trumpets. String blasts. Sounds like a tango. Certainly a strange collection of tones and styles, offset by the clean, smooth vocals and dark lyrics. Melodies are all over the place though. In trying to go in a hundred directions at the same time, it feels disjointed.

3. Highwaymen: Michael

Whistling. Guitars. Ok, hallelujah. Another bizarre song to ever be in the charts. Nicely sung, has the famous melody, but boring and uneventful – of course plenty of people are into that sort of thing.

4. John Leyton: Johnny Remember Me

Sighing. Cowboy guitars and vocals. Interesting mix of vocals, haunting sound. It frequently feels like the tempo is changing, even though it isn’t. Galloping guitars. This is a good one, even though I don’t like this style of male vocal. This was pretty good, and pretty weird.

5. Shirley Bassey: Reach For The Stars

Scary strings intro. Young Bassey voice… doesn’t sound like the vocals I know her from. Until she hits the bigger notes. It’s a strange song that doesn’t have your typical verse, chorus structure. It’s dreamy and drifting and the melodies don’t have an addictive quality. Difficult to fault the ability of the singer of course, but the vocals at points are too loud and overblown for the music.

6. Elvis: Wild In The Country

Another adventure into Western territory for Elvis, this soothing ballad is straightforward – a soft guitar and humming vocal accompaniment for a gentle Elvis vocal. This feels like a lightweight song that would be easily forgotten if sung by anyone else -even with Elvis singing it feels uneventful, though there isn’t anything inherently wrong with it.

7. Cleo Laine: You’ll Answer To Me

Squealing violin. Stirrings of Stephen King nostalgia. More squealing violins. Suggestive of stabbing, based off the lyrics? Crazy ex or crazy mother? It has a certain charm, and the lyrics are quite funny.

8. Connie Francis: Together

More King nostalgia. Swaying swooning. The complete opposite of the previous song, but retains a certain similar charm. Although the lyrics do become possibly sinister. Spoken part. Not sure if this is happy, creepy, or sad.

9. Del Shannon: Hats Off To Larry

I’ve always liked Del Shannon. More lyrics about lost love. Starts slow, then gets into a ripping tempo with weird blips and Shannon’s trademark high notes. Addictive stuff, angry, but fun, good good.

10. Eden Kane: Get Lost

More funky rock n roll. Strange mix of whispers, growls, and Elvis for the vocals. This is pretty good too, not as instantly catchy as Shannon’s. What was that about a shotgun?

A very good second half of songs, any of which I’d be happy to listen to again. The group of songs are a fair reflection of what was popular and good in 1961, with the year’s top selling songs including other hits by Elvis and Shannon. I’m not even going to attempt to pick an alternate top 10 for 1961, primarily because they wouldn’t be too different from the artists listed above, and also because albums were not really a big deal yet – mostly collections of singles and covers and tracks not good enough to be singles. Feel free to leave a comment about any of the songs or artists from 1961, and let us know what you were up to then!

Nightman Listens To! Eurythmics – Savage (Top 1000 Albums Series)

When I started writing this series of Listens To! posts, my idea was to:

A: Listen to the tonnes of albums I have acquired over the years that I hadn’t bothered to actually listen to yet and give my thoughts as I listened for the first time.

B: Catch up on those artists that I was aware of/liked certain songs by, but whose albums I had never listened to in their entirety.

C: Potentially get some new favourites based off what I heard or by recommendations from my billions of readers.

D: Because there are a tonne of albums which always appear on best of lists which I have never heard.

As a musician, music fan, and human with working ears, I feel that I should give these a go. To get some focus, I decided to go to 2000 Edition of ‘Colin Larkin’s All Time Top 1000 Albums’ because it looks fairly comprehensive (and there are a few extra sections listing top 100 albums by genre which cover selections left out of the main 1000 which I will also try to cover).

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Greetings, glancers. It’s time for you to wail and gnash your teeth once more as I proclaim the greatest albums ever to be kind of crappy. Today I tread into the terrifying land of 80s synth based pop, ginger-headed melodies, and regrettable fashion choices. It’s another album I know zero about by a band who have had a few singles I’ve enjoyed and a few I have not. It’ll be interesting for me to hear if they can make a coherent whole album, or if they are the singles band that I know them as. Synth music, especially a lot of the chart stuff from the 80s has never sat well with me, partly because it came out of Disco (which I never loved) and eventually became today’s generic dance music (which is terrible). For a while when synths were first used, they had a purpose and a focus, but songs soon became overburdened by the instrument to the point of ridicule, or were not used with any sort of smarts, or just sounded crap. Maybe there isn’t any synth on this album, I have no idea. Only one way to find out.

What Do I Know About Eurythmics: Lennox-based pop duet who had a string of hits in the 80s and early 90s, employing Annie’s big mouthed vocals and lots of electronic sounds.

What Do I Know About Savage: Zilch, never heard of it. In fact, looking down the track listing I don’t recognise a single song.

Beethoven (I Love To Listen To): 80s drum beats with a slight squeak. Wind noises. Growing. More drums. Disaster. Ridiculous, laughable, dated sounds. Repeated vocals. Silly speaking. Fading from ear to ear. Additional silly bleeps. It sounds so tame and feeble and horrendously outdated. At least the lyrics are interesting. Shift towards fake strings, better for a few seconds. Laughter. And on it goes.

I’ve Got A Lover (Back In Japan): Bits of guitar or something. Beat and simple set of notes. Catchy enough chorus. Vocals like a yawn. Middle bit. Didn’t go anywhere. Goes on for a bit more with a few additional swerves and throbs and vocal bits.

Do You Want To Break Up: Clicks and twinkles. Guitar bend. Nuts. Baywatch. Beats mess. Vocal disgrace. More yawning. Low bits. High bits. Playing with the tempo. Ridiculous chorus. Repeat with assorted bits.

You Have Placed A Chill In My Heart: Sigh. More wafery fluffy beats. Keyboard bits and bassy bits and vocal tics. It’s oddly infectious though, but pretty plan and not very interesting. Enough.

Shame: Non-Tubular bells. Louder. Shame. Cersei’s breasts. Thumpy beat noise. Better melodies. Wondering if I’ve heard this, but probably not. Rolling Rs. Best song so far, I could listen to this again. Not too much though.

Savage: Organs. Churching. More soft beats. Anti-things lyrics. Gentle. Savage. Harp sounds. Drums and guitar kick up a notch. Aircraft flyby sounds. Guitar solo. Air. Ooohing. Fading out.

I Need A Man: Harsher vocals. Bluesy husky. Sexy? It has a different sound from the other tracks so far, but isn’t as heavy as it could have been. Better vocal delivery. Funny Status Quo guitars. Bababababababay.

Put The Blame On Me: Funky disco guitars. And funky disco beats. A sound more suited to me. More interesting melodies, especially on the title line. Piano falling downstairs. Weirdo noises and speaking. Unnecessary words. Howl. A good song, but like most others here the song seems to run out of ideas long before it ends and has a minute or more of filler at the end – throw in a few more variances or twists, don’t simply let the song fade to nothing like a watery fart.

Heaven: Uppy downy bass. Synth. Whispers. Heaven. Falling back on boring sounds and habits. A third of the song done and nothing doing. Too much of this feels like music for dickheads to dance to. No further substance or interest. Into the final minute we get a slight change, marginally better, but too little too late.

Wide Eyed Girl: Rain on a caravan roof. Faster. A View To A Kill. More yawns. More squeals and tics. Live bit. Attempted crazy guitar. Gets more raucous towards the end.

I Need You: Bits. Acoustic blast. More bits. Guitar repeat. A little bit of blues. Faking. Laughter. All very basic, but shows you don’t need all the blips and blaps.

Brand New Day: Last song up. Vocals only. A brave thing to do when you’re known for your synth and backing music. Grunts and backing vocals. We all know Lennox can sing, it’s a pity she arses about too much on too many of the songs. In comes the synth and noise. At least this one does feel like it was well planned beforehand. Drums now. This feels more like an opening track than a closing one. Gospel. End.

What Did I Learn: Not really anything I didn’t know about the band already, except that the lyrics are more interesting than I’d previously paid attention to.

Does It Deserve A Place In The Top 1000 Albums Of All Time: I would say no. Of course maybe it was another important step for electronic pop. The first songs drag on as the sound and style don’t appeal to me personally, and it all feels rather bland and dated. It doesn’t help that many of the vocals are grating and the melodies are not memorable. Once we get over that bump there are a few songs with greater quality, providing more ideas. I was expecting plenty of big choruses and tunes I that would have me whistling along instantly, but that never happened. As always with these albums, first listens are not the same as subsequent listens, but having gone through it once there isn’t enough to make me want to go through it again.

Another album down, and another which didn’t quite make the grade for me. But what about you? Is this one of your favourite albums and are you seething that I have failed to understand it? What makes it special for you? Let us know in the comments!

Nightman Listens To – David Bowie – ”Heroes”

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Greetings, Glancers! We’re back with sexy spaceman himself today and listening to yet another of his most lauded efforts. “Heroes” is a song everyone knows and was another one of those Bowie hits I learned to play on guitar back in my teens. As for the album, I understand it is the second part of his Berlin trilogy which means it will be heavily inspired by the Krautrock and other euro music that Bowie surrounded himself with at the time. As for the other songs… I don’t think I recognise any of them so we’ll have to see. I wasn’t the biggest fan of Low and its reliance on instrumentals and ambiance so if this is in a similar vein I won’t be overly keen. If I enjoy some of the songs as much as the title track then we’ll be on to a winner. Lets get to it.

Beauty And The Beast: Noise. Piano. Boing. Building. Drums. Crash. Low voice. Fun and funky. Guitar. I can dig. My my.

Joe The Lion: More guitars, good good. Heavier edge than the glam nonsense. Funky again, with an industrial vibe – lots of noise. Like a lot of the backing riffs and how the vocal melodies intertwine. Guitar going buck nuts.

Heroes“: Well, not much to say about this. Immortal riffs, lyrics, melodies. My favourite part has always been the main riff going into the chorus. And of course when Bowie starts belting out the chorus. Good start to the album so far.

Sons Of The Silent Age: Slower. Drunk Dazed. Are we back in space? That riff sounds an awful lot like Pink Lady Lemonade by Acid Mothers Temple – seriously, compare them. This is more good stuff, hazy, crazy, drifty.

Blackout: Weirdness. Guitar weirdness, drum weirdness. Stabilizing. Collapsing. Piano. Vocal weirdness. Dancing. Breakdown. Guitar still going crazy like it’s in the wrong song, I always love it when guitar parts are like that.

V-2 Schneider: Phasing. Military drums. Bass. Noise. Assuming instrumental. Still, it’s good. Not much else to add. Now singing the title. I hear ‘Schneider’ I think ‘Buffy’.

Sense of Doubt: Ominous. News organs. Scary. Something coming to get me. Not a lot to this, but I like it, very good.

Moss Garden: Wind. Distortion. More instrumentals. I’m generally not a fan of instrumentals, but he’s got it right on this album. Japanese. A nice bit of calm after the previous unnerving stuff. Like wading through an ethereal pool of water and cloud.

Neukolln: This is making me hungry. Or I’m already hungry and it’s making it worse. Drippy toilet noises. Sax disaster. Honk. HONK. Weeeeeeee!

The Secret Life Of Arabia: Echo stubbed guitar. Cowboys. Drums. Singing. More nice funky disco rocky stuff. Ugh, not claps. A good ending.

So, a significant step up from Low in my opinion, which of course is worth less than nothing. The album doesn’t exactly lose its way in the second half, but instrumentals as a rule have to be exceptional to grab my attention alongside vocal pieces. These instrumentals are very good, but I prefer the first half. The harsher rock feel is more palatable for me when compared with Bowie’s glam work, meaning this is another one I’ll listen to again. Let us know in the comments what you think of “Heroes” and if you have any particular memories and opinions of it!

Chart Music Through The Years: 1977

Yes! Back thanks to an almost universal lack of demand, I stretch back the scalp of time and feast upon the mushy innards of the past – in this instance I return to the UK music charts. If you’re interested, you can read my original post here – https://carlosnightman.wordpress.com/2015/10/22/the-uk-top-40/

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Duh duh duh duhhh/daaah/do do do dooooh/doooh/do do do dooooh/doood/duh duh da duuuh! That’s right, it’s the year of Figrin D’an, Doctor Cornelius Evazan, Jek Tono Porkins and all their buddies from memorable Space Saga Star Warriors! Everyone was humming along to the theme tune by John Williams and quoting their favourite quotes – ‘Luke, put down that Ewok and get over here and EAT YOUR PEAS’ is of course the one everyone remembers to this day. Unfortunately, I was seemingly neither alive nor conceived in 1977, and as such my memories of the year are entirely fabricated or borrowed. Did it even happen? We may never know.

As I can’t possibly comment on what I was doing in 1977 without creating a confusing paradox that not even Year 2977 version of me would understand, I’ll have to rely on other avenues to share with you what was happening in the year between 1978 and that other one. According to websites, 1977 was one of the most important years of computer development, seeing both the Commodore PET being unleashed and fruit based overlords Apple Computers being ‘incorporated’. Roots reminded us that slavery was wrong, Morph began his squishy stop-motion animation antics, the Tenerife disaster seeing two airplanes colliding became the worst disaster in aviation history, and Spain put Franco behind them. In the music world it was a year of massive highs and lows; Elvis died, along with three members of Lynyrd Skynyrd, Marc Bolan, Bing Crosby, and Charlie Chaplin. The Bee Gees released the biggest selling album of all time up to that point in Saturday Night Fever, Led Zeppelin embarked on a farewell US Tour, The Sex Pistols released their only studio album, and Studio 54 opened its doors. But what of the charts? Let your eyes slip out of their sockets and down the screen if you wish to see my thoughts.

1. David Soul: Silver Lady

Looking at this top 10, there are only four entries I recognise, including a twist on the duh duh duh duuuhh duuuh! David Soul is mostly remembered by me for sliding over car bonnets and killing vampires. He seems to have had a singing career too. Lets have a listen. A groovy introduction. Disco was of course hitting its peak around this time, so everyone wanted a slice, even Vampire Slayers. There’s also a country and rock and motown twist, so it’s all a little unusual. Soul’s vocal talents fall apart in the chorus as the backing singers drown him out entirely. I like the verses though, interesting lyrics and a whole bunch of instruments thrown in – nice changes in melodies too, going back and forth between major and minor. A decent song I’ve never heard before.

2. La Belle Epoque: Black Is Black

I’ll assume this has nothing to do with Public Enemy. Ah right, it’s Black is Black, not Black is Back. Disco throbbing. Like farts in a bath. Actually, more like lowering your ass into the water in the toilet, and then farting. Multi voices. Unnecessary ‘wooo!’. Fast paced and funky, but it sounds like pretty generic Disco stuff. Still, it’s not bad. It is cheesy and horribly dated, mostly due to the vocals. Bizarre drum and synth breakdown in the middle. Quite a long one this. Apparently it’s a cover. Disastrous spoken part. Maybe the original is good as there are good moments here, hidden under a series of unfortunate decisions.

3. Baccarra: Yes Sir I Can Boogie

Right, three disco songs in a row? This is serious. It was truly a plague and as much as Punk was trying to make an impact, it was never going to seriously impact the charts. Anyway, I know this one, doesn’t everyone? It opens like some simpering ballad, turns into a breathy orgasm, leading into verses with ‘ha ha, listen to their accents’ singing. I never noticed the accents before, I thought they were just putting it on in the chorus, not that I’d paid any attention. It’s a strange one, with talky verses, and a catchy chorus. The lyrics are a complete nonsense. I’d always just assumed this one was okay, but it’s actually pretty bad. I mean the chorus is fine, but it’s so ridiculous and cheesy that I’m almost embarrassed for it. Don’t point at it, just tell it to go away.

4. Rod Stewart: You’re In My Heart

Rodney Stewart – rock music for women who neither understand nor like rock music. I didn’t recognise this from the name, but I have heard it before. It’s your typical light ballad aimed at dropping pants as much as making moneys, but it doesn’t come alive until the chorus. It hardly stretches Rodney’s vocals, and it doesn’t stretch anyone’s intelligence. It does have some weird violin stuff going on and the chorus is fine, but there’s an awful lot of crap in there too.

5. Danny Mirror: I Remember Elvis Presley.

There’s obvious cash-ins, and then there’s this. Elvis, one of the most famous people to have ever lived, was only dead a matter of moments before this catastrophe was shat onto the airwaves. What a stupid fucking title. Who the hell is Danny Mirror? He appears to be doing an impression of Elvis, and I can’t quite tell if this some sick joke or an extremely misguided dedication. Written to sound like a half-assed Elvis ballad, it’s lyrics are a mixture of Elvis name-checks and the sort of thing you say at a funeral for the pet budgie. I cannot fathom how this was ever allowed to be, never mind how it made it into the charts. People are morons. That is the only reason for this mistake’s existence. It may have made more sense five or ten years later, but only marginally.

6. The Emotions: Best Of My Life

Aah right. I know this one. Yes it’s more Disco, but this seems to have more of a touch of class to it. The vocals are vastly superior to anything else we’ve heard on today’s list, but the verses are directionless. Famous chorus though, it’s good, but not great. It’s short and to the point too.

7. Meco: Star Wars Theme

Right, I’ve been dreading this. Star Wars is one of my favourite movie series ever, and has some of my favourite music ever. Someone had the bright idea of going ‘this thing is popular, and this thing over here is popular too, so maybe if they fuck, there will be born an uber-popular!’ They were right, but they were also so so wrong. If you’ve heard literally any Disco song, and if you’ve heard the Star Wars theme, then you don’t need to listen to this as it’s exactly as you’re imagining now. Except it has added blaster noises.

8. The Stranglers: No More Heroes

Another one that I recognised immediately from looking at the list, this one manages to merge punk with some strange not-Disco synth noises. Good song, nifty solo in the middle, and as much as the synth does its hardest to distract and take over, it all blends together well. That post-solo rambling reminds me of similar work by The Doors, but even more manic.

9. Ram Jam: Black Betty

Of course I knew this from seeing the name, it’s one that still got regular plays at the rock clubs I used to frequent. I wasn’t a huge fan of it, but I still liked it – just not as much as most others seemed to. In that sense it hasn’t really aged, still has a timeless classic rock feel to it, and will continue to get revellers on their feet thanks to the incessant beat. It’s funky, catchy, and has plenty of interesting breakdowns. I believe most of the time this was played in clubs though, much of the guitar solo and weird drums parts were edited out leaving basically only ‘woah black betty, bam a lam’ for two minutes.

10. Elvis Presley: Way Down

With my rant above you’d maybe assume I’m some big Elvis geek. I’m not – at the time of writing I’ve never heard a single Elvis album, and I only know the obvious big hits. I’ve never gone out of my way to listen to anything else by him. I don’t recognise the name of this song, but I may know it once I hit play. Apparently this was the last song he released before his death. It starts out with a Disco flavour, and a little bit of Country guitar and honkey-tonk going on – basically an Elvis song influenced by Disco. We get Gospel backing vocals in the chorus. There’s some way down vocals going on too. Nothing too exciting for me here, but an okay foot-tapper.

A fairly accurate representation of 1977 then – Disco, Elvis, a little bit of punk, and more Disco. There are other genres not represented here of course, and there were a whole host of classic albums released in 1977 which have little in common with anything on this list – Low (David Bowie), Animals (Pink Floyd), Rumours (Fleetwood Mac),  The Idiot and Lust For Life (Iggy Pop), The Clash, Exodus (Bob Marley And The Wailers), Motorhead, Never Mind The Bollocks Here’s The Sex Pistols, Bat Out of Hell (Meat Loaf), and more. With that in mind, I now present my stunning list of an alternative Top 10 songs from 1977 which you should probably listen to. Now.

1. Dogs – Pink Floyd

2. Go Your Own Way – Fleetwood Mac

3. White Riot – The Clash

4. My God – Alice Cooper

5. Jamming – Bob Marley And The Wailers

6. Lust For Life – Iggy Pop

7. ‘Heroes’ – David Bowie

8. You Took The Words Right Out Of My Mouth

9. God Save The Queen – The Sex Pistols

10. Spread Your Wings – Queen

What are your memories of 1977, music based or otherwise? Were you there? Do you wish you were? Let us know in the comments!