Official Nominations: Patton. Airport. Tora Tora Tora. The Molly Maguires. Scrooge.
This, like Best Costume Design, is always a difficult one to argue against. You can add films to your list of nominations till the cows come home (damn cows always going AWOL), but generally the official nominations are fine. Patton picked up the win in 1970 and it’s expected. Airport is a close second, Scrooge as a period piece looks grimy and authentic. Tora Tora Tora is more notable for its Cinematography, while The Molly Maguires is the most likely choice to drop though it still looks good.
My Winner: Patton
My Nominations: Patton. Airport. The Conformist. Cromwell. On A Clear Day We Can See Forever. Ryan’s Daughter.
I bring over a few new options to spice things up – a music, two historical epics, and The Conformist which remains one of the most beautiful movies of the Seventies. Cromwell is a watchable warts and all (ahem) drama while Lean’s Ryan’s Daughter is as big, bold, and excessive as you would expect while lacking the subtlety of his earlier work. Minnelli’s films always look gorgeous – I’m not a fan of the music or musicals in general, but there’s a definite style and love of how cinema should look, exemplified in On A Clear Day We Can See Forever.
My Winner: The Conformist
Official Nominations: Hello Dolly. Anne Of The Thousand Days. Gaily Gaily. Sweet Charity. They Shoot Horses Don’t They.
Three obvious picks this year, one additional good one, and one bizarre one. Gaily Gaily is a film surely no-one remembers and a very odd choice for any Oscar nomination (it received three) given its subject matter. Still, it’s funny and looks okay I guess. They Shoot Horses Don’t They is an interesting choice, but a valid one as it creates a bizarre look which is a mixture of near and distant future, and an otherworldly vision of the past. Sweet Charity and Hello Dolly are your standard old fashioned musicals and as pretty to look at as you would expect, while Anne Of The Thousand Days does and looks like what a costume drama should.
My Winner: Hello Dolly
My Nominations: Hello Dolly. Sweet Charity. They Shoot Horses Don’t They. Satyricon. Hello Down There. The Italian Job. Marooned. On Her Majesty’s Secret Service. The Damned.
Five new additions for my list. Hello Down There is an odd cross between The Brady Bunch, The Jetsons, and Big Brother – a camp undersea adventure where a family, a band, and various animals live in an underwater house as a social experiment – it’s as silly as it sounds but the sets are good. Satyricon is odd and looks odd, Marooned doesn’t quite live up to 2001’s standards, while The Italian Job does the camp thing in a more madcap British way. Finally On Her Majesty’s Secret Service has some of the Bond’s series more memorable sets and designs, although it does leave me cold as a whole. PS – I just edited the post to add in The Damned which would be a worthy winner, its vision of Nazi Germany stylized to heighten the debauchery and shock the senses.
My Winner: Hello Dolly
Let us know in the comments what your pick for the Best Art Direction of 1969 is!
Official Nominations: Oliver! War And Peace. The Shoes Of The Fisherman. Star! 2001: A Space Odyssey.
A minor surprise with the strange The Shoes Of The Fisherman getting a nomination over some of the bigger, richer films of the year, but otherwise present and accounted for with Oliver!, Star! and War And Peace (!) getting expected nods. It’s difficult to chose against Oliver! in this category, but for me Anthony Masters, Harry Lange, and Ernie Archer deserve it for incredible work in 2001: A Space Odyssey.
My Winner: 2001: A Space Odyssey
My Nominations: Oliver! 2001. Once Upon A Time In The West. The Producers. The Thomas Crown Affair. Rosemary’s Baby.
A few obvious additions in my personal list of nominations, each an equally vibrant film in its own right. My choice of winner remains the same though.
My Winner: 2001: A Space Odyssey
Let us know in the comments which movie you choose as the Best Art Direction winner of 1968!
Official Nominations: Camelot. Bonnie And Clyde. The Taming Of The Shrew. Doctor Dolittle. Thoroughly Modern Millie. Guess Who’s Coming To Dinner.
Another unsurprising win for Camelot given the competition it was up against.
My Winner: Camelot
My Nominations: Camelot. Bonnie And Clyde. Guess Who’s Coming To Dinner. You Only Live Twice. Casino Royale. Wait Until Dark.
Three new movies make it to my list, with You Only Live Twice being one of the most visually ambitious and memorable Bond movies, and a movie whose scope in sets remains almost unrivaled today. Casino Royale has its own look and feel apart from the main Bond series, and Wait Until Dark uses its central set wisely to twist the nerves and heighten the claustrophobia – it could be your home!
My Winner: You Only Live Twice.
Which movie of 1967 do you think has the Best Art Direction? Let us know in the comments!
Official Nominations: BW: Who’s Afraid Of Virginia Woolf? The Fortune Cookie. The Gospal According To St Matthew. Is Paris Burning? Mr Buddwing. Colour: Fantastic Voyage. Gambit. Juliet Of The Spirits. The Oscar. The Sand Pebbles.
My Winner: BW: Is Paris Burning? Colour: Fantastic Voyage
My Nominations: The Bible. Born Free. Blowup.Farenheit 451. The Good The bad And The Ugly. Is Paris Burning? A Man For All Seasons. Fantastic Voyage.
My Winner: Fantastic Voyage
Who is your pick for winner of the Best Art Direction Of 1966? Let us know in the comments!
Official Nominations: BW: Ship Of Fools. King Rat. A Patch Of Blue. The Slender Thread. The Spy Who Came In From The Blue. Colour: Doctor Zhivago. The Agony And The Ecstasy. The Greatest Story Ever Told. Inside Daisy Glover. The Sound Of Music.
Robert Clatworthy and Joseph Kish get my nod as winners for the Black and White category in their detailed recreation of a liner, while a whole host of names get the win for The Greatest Story Ever Told, with numerous impressive sets being created to define a film which ended up being more about the look and the ensemble cast than about the plot.
My Winner: Ship Of Fools. The Greatest Story Ever Told.
My Nominations: Alphaville. Doctor Zhivago. The Greatest Story Ever Told. King Rat. The Ship Of Fools. The Sound Of Music. Red Beard.
My Winner: The Greatest Story Ever Told
Which film of 1965 do you think deserves the win for Best Art Direction? Let us know in the comments!
Once again this year the category was split into BW and colour awards:
Actual Nominations: BW: Zorba The Greek. Hush Hush Sweet Charlotte. Seven Days In May. The Americanization Of Emily. The Night Of The Iguana. Colour: My Fair Lady. Becket. Mary Poppins. The Unsinkable Molly Brown. What A Way To Go.
This year highlighted that the split category was becoming redundant, especially with fewer BW films being released and when seeing them alongside so many colourful extravaganzas it takes something truly special to stand out. Having said that, both categories feature accomplished work with Zorba and My Fair Lady picking up the respective wins. Seven Days In May proved that you didn’t have to be a musical or big budget epic to get noticed in this category while Americanization is an odd movie and choice. Hush Hush and Iguana round up the BW nominations with well crafted pieces.
My Winner: Mary Poppins. (William H Tuntke, Carroll Clark)
My Nominations: Mary Poppins. The Unsinkable Molly Brown. My Fair Lady. Dr Strangelove. Seance On A Wet Afternoon. Red Desert.
I’ve added 3 colour films to the nominations. Peter Murton gives Dr. Strangelove a farcical clinical feel where everywhere seems to clean against the lunatic plot while Ray Simm lends a suitably bleak feel to Seance. My winner though is Red Desert, where the melding of ideas between Antonioni, Piero Poletto, and the rest of the production crew give the director’s first colour film a look of post war shock- greys stilted against shocking reds.
My Winner: Red Desert (Piero Poletto)
Let us know in the comments which film of 1964 you felt had the best Art Direction!