My Nominations: 7 Women. The Bible: In The Beginning. The Chase. The Good, The Bad, And The Ugly. How To Steal A Million. A Man For All Seasons. Who’s Afraid Of Virginia Woolf?
Time for the all important Best Cast category of 1966, with a variety of epics, classics, and forgotten gems making up my list. Anne Bancfroft leads a nearly all-women cast in 7 Women, with Sue Lyon, Flora Dobson and other backing her up. On the epic front, The Bible goes old school, packing as many A listers and cameos in as possible but doesn’t quite match up to the movies it tries to emulate – Michael Parks, Ava Gardener, George C Scott, Peter O’Toole all popping up as your favourite Sunday School characters. A Man For All Seasons would likely have been the official winner if this category existed, with a handful of Redgraves starring alongside Orson Welles, John Hurt, Robert Shaw, and Paul Schofield, but it would have had a close fight on its hands thanks to the more powerful work by Taylor, Burton, Segal, and Dennis in Who’s Afraid Of Virginia Woolf? My remaining picks didn’t do as well at the Official ceremony, but are each packed with great performances, perhaps none more so than The Good, The Bad, And The Ugly – Eastwood, Wallach, and Van Cleer on top form. How To Steal A Million, saw Wallach again make an impact along with Audrey Hepburn, Peter O’Toole, and Hugh Griffith. My win though goes to the least known of the bunch, with Brando, Fonda, Angie Dickinson, and Robert Redford leading a cast including Robert Duvall and Clifton James.
My Winner: The Chase.
Which film of 1966 do you think had the Best Cast giving the best performances? Let us know in the comments!
My Nominations: Grand Prix. The Good, The Bad, And The Ugly. Is Paris Burning? The Sword Of Doom. The Wild Angels.
A selection of films from around the globe this year, with a Western, War movie, a Samurai epic, and two films focusing on man and machine making my list. Grand Prix takes my win for making car racing look much more exciting than it actually is, with Max Balchowsky, Tom Bamford, Carey Loftin, and Ronnie Rondell Jr performing the majority of the driving.
My Winner: Grand Prix
Which film of 1966 do you think had the best Stunt Work? Let us know in the comments!
My Nominations: The Man Called Flintstone
There were plenty of animated shorts this year as you would expect, and a few films blending animation and live action which I tend to not count here. The only true animated film from this year that I’ve seen is my default winner, and luckily it’s not too bad. I’ve never been a huge Flintstones fan, although I watched the show when I was younger even then it felt a little before my time. The film is a bit of a mish mash of ideas from the show while lampooning other movies and featuring the usual light-hearted satire on American values. There are a few decent songs and the animation is exactly a you remember it with that unique Hanna Barbera style.
My Winner: The Man Called Flintstone
Have you seen this one? Did you watch The Flintstones when you were younger? Let us know in the comments!
Official Nominations: Fantastic Voyage. Hawaii
My Winner: Fantastic Voyage
Not a very exciting this year, I’m afraid!
My Nominations: Fantastic Voyage.
My Winner: Fantastic Voyage
What is your pick for Best Visual Effects of 1966? Let us know in the comments!
As we know, this category was still over a decade away from becoming a reality, but thanks to The Spac Hole we can right that wrong.
My Nominations: Dracula – Prince Of Darkness. Plague Of The Zombies. The Good The Bad And The Ugly. Fantastic Voyage. The Bible. A Man For All Seasons.
My Winner: Plague Of The Zombies
What is your pick for Best Make-Up of 1966? Let us know in the comments!
Official Nominations: BW: Who’s Afraid Of Virginia Woolf? The Gospel According To Matthew. Mr Buddwing. Mandragola. Morgan! Colour: A Man For All Seasons. Gambit. Hawaii. Juliet Of The Spirits. The Oscar.
My Winner: BW: The Gospel According To Matthew. Colour: A Man For All Seasons.
My Nominations: The Gospel According To Matthew. A Man For All Seasons. Hawaii. The Bible. Blowup. Prince Of Darkness. Farenheit 451. The Good, The Bad, And The Ugly. The Wild Angels.
My Winner: A Man For All Seasons.
Which film do you think had the Best Costume Design of 1966? Let us know in the comments!
Official Nominations: Original: Born Free. The Bible. Hawaii. The Sand Pebbles. Who’s Afraid Of Virginia Woolf. Treatment: A Funny Thing Happened On The Way To The Forum. The Gospel According To St. Matthew. Return Of The Seven. The Singing Nun. Stop The World I Want To Get Off.
Two obvious winners for me this year with both my picks having memorable lead themes and plenty of finely tuned incidental pieces. Return Of The Seven does of course borrow heavily from The Magnificent Seven, but it’s still so much stronger than anything else on the list that it gets the win.
My Winner: Born Free. Return Of The Seven.
My Nominations: Born Free. Return Of The Seven. The Good, The Bad, And The Ugly. Blow-Up. The Sand Pebbles. Dracula: Prince Of Darkness. Fahrenheit 451.
I borrow three from the official nominations, and add the steamy and restrained soundtrack by James Bernard which gives a gravitas and emotional content to your typical Hammer fare. Also added is Herbie Hancock’s immortal soundtrack to Blow-Up with an infusion of guitar psychedelia and jazz freak outs, and Bernard Hermann’s mysterious and ominous ode to the future for Farenheit 451. My win of course has to be The Good, The Bad, And The Ugly. It’s unfortunately rare that movie soundtracks enter the public consciousness and have a lasting cultural significance, but that is exactly what Ennio Morricone gives us (and not for the first or last time). The soundtrack is easily one of the finest ever written, with the title track, with The Ecstasy Of Gold, The Story Of A Soldier, all being classic themes.
My Winner: The Good, The Bad, And The Ugly
What is your choice for the Best Score of 1966? Let us know in the comments (of course it’s going to be Morricone though…)