Official Nominations: Star Wars. The Spy Who Loved Me. Julia. Mohammed Messenger Of God. Close Encounters Of The Third Kind. A Little Night Music. Pete’s Dragon. The Slipper And The Rose.
Well well well, John Welliams (Williams) was on a bit of a roll this year, with two nominations and one win – both scores of course being indisputable classics which are still listened to by thousands of people today. Lets not kid ourselves – Star Wars is winning this every day of the week. From the main theme, to Leia’s theme, to the Cantina theme, it’s littered with classics and is obviously one of the best and most famous movie scores ever. Close Encounters Of The Third Kind is mostly known for the famous ‘do di do duh doo’ communication melody, but elsewhere the score has many other great pieces ranging from tense buildups and wailing melodies of foreboding.
The Spy Who Loved Me remains one of the most critically acclaimed Bond entries, netting three Oscar nominations. Marvin Hamlisch took over from John Barry and ironically got the first nomination of the series (Skyfall would pick up the second decades on) – his score patriotic, quintessentially Bond yet self mocking. Julia is one of George Delerue’s most suitably poignant efforts while Mohammed Messenger Of God (or The Message) isn’t a film you can see being made or becoming so successful today – Maurice Jarre’s blends East and West quietly. On to the other category and A Little Night Music picked up the official win – you already know how I feel about musicals. Pete’s Dragon is there too, never a favourite film of mine but the music is okay, and finally The Slipper And The Rose is a bizarre British live action musical of Cinderella with some decent songs and tunes.
My Winner: Star Wars
My Nominations: Star Wars. The Spy Who Loved Me. Julia. Close Encounters Of The Third Kind. Black Sunday. A Bridge Too Far. The Deep. Eraserhead. Hausu. Martin. Saturday Night Fever.
Does anything else stand a chance against Star Wars this year? Well, John Williams didn’t only make two scores this year – he ain’t no slacker – he also made Black Sunday – another string heavy piece which actually has a lot in common with his two official nominations though not as bombastic. A Bridge Too Far is yet another classic war epic with a massive cast – you know I love those, and while John Addison’s score is not as memorable as others it does still have a great lead theme. The Deep isn’t a great film, but for some reason certain scenes have always stayed with me, usually those involving eels (Louis Gossett Jr never seems to have much luck with aquatic wildlife). The music is good though, reminiscent of Jaws of course, but going its own way too. I’d love it if Eraserhead had received a nomination here (or anywhere) so I’m adding it, for it’s washing, industrial, hissing noise.
The soundtrack to Hausu is great because it was completed before the film had actually been made, yet it manages to be as buck nuts as the film itself, sounding like a children’s TV show and a cheesy rock based musical. The soundtrack of Martin is one of the most beautiful, haunting, and underrated in horror, while we can’t have a discussion about soundtracks without mentioning one of the biggest selling albums ever – Saturday Night Fever – a soundtrack brimming with disco classics. If we’re going to include that, then we must also include Smokey And The Bandit – as much as I’m not a fan of disco, I hate country music more, yet both these soundtracks are great. Susperia remains Argento’s most famous film and probably Goblin’s most acclaimed score – reminding me of Rosemary’s Baby but with hissing and arcane whisperings and chants in place of the lullaby ‘la las’. It’s one of the few soundtracks I can put on and listen to the whole way through, a rip-roaring ride of devilish funk, rock, synth, screams, and more. It would be my winner if not for Star Wars. I think that’s quite enough soundtracks for one year.
My Winner: Star Wars
Let us know in the comments which Score of 1977 you would choose!
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