The 31 Days Of Halloween (Part 1)

Not Turnips

Aah, Halloween- the most wonderful time of the year. When even those who wouldn’t usually subject themselves to all manner of terrors decide to watch the odd scary movie or 2. Unfortunately for me, this part of the Spac Hole which I currently inhabit does not indulge in the season as seriously and joyfully as other places, so I have always felt a little deprived. Sure, we had some parties, sure we threw fireworks at Gerry’s house, and yes we would watch whatever limited choice of movies were on over the few days but compared to other places (particularly you festive folks in the US) it just didn’t seem as much damn fun. In my mind, the whole month of October should be a vessel for Halloween activities, from dressing up to trick or treating, to watching scary movies and hiding under the beds of people you don’t know with a chainsaw.

To that end I have helpfully made a few lists of classic horror movies which sould chill you to the bone, and add to the singular atmosphere of this most evil time of the year. This list of 31 movies was created so that you can split the fun over the entire month (alternatively you could wait until closer to the day and have a few marathon sessions) and let yourself tremble ever so slightly in the supposed safety of your own home. Just be sure to lock your doors and windows, close the curtains, and tuck up the kids tightly in bed (checking underneath and in closets for me) before turning off the lights. Maybe check those locks once more, you can never be too sure or too safe. Oh, what’s that? That noise from outside? I wouldn’t worry, probably just the wind. By all means go out and check, but that would mean going into the basement to find batteries for your torch. Really, just relax and watch the film, your paranoia can’t hurt you. The thing outside, yeah- it could hurt you. But you locked the doors, right?

These don’t have to be watched in any particular order, but some would suit the big day (or night) better than others. This is not meant to be a list of the best or even my favourite horror movies (though I love them all) but rather I feel these offer something of the atmosphere of Halloween. Enjoy.

An American Werewolf in London: This one has it all- gore, jump scares, atmosphere, action, humour, and a great plot with likeable characters. WereWolves, like Vampires have taken a rather glossy beating recently. This proves that you can wrap up a love story with horror without being teeny, without being sparkly, without being demeaning to viewers with brains. Classic Halloween scene: The Nazi section.

A Nightmare on Elm Street: Wes Craven, Johnny Depp, Heather Langenkamp, John Saxon, and Robert Englund- lovely ingredients for a tasty Halloween Pie. This is the original and best, before the horrific character of Freddy (Here just Fred) became a snuggleable, bantering chum. What could be better for Halloween than scaring yourself so badly that you can’t sleep- knowing that something terrible may be waiting for you in your dreams. A story with more depth than it gets credit for, dealing with the Craven standard of ill-advised parenting and how the children have to cope with the mistakes of the elders, this is full of genius set pieces and bloody action. Classic Halloween Scene: Nancy gets a bloody post coital surprise- but not what you’d expect. And did they say she was 14??

Alien: Often described as Halloween in space, or a Haunted House in Space, Alien deals with our fears of isolation, of being trapped, of being in s situation way beyond our control and way above our heads. Remove the alien, remove the setting, and this could be any slasher movie from the time. However, that would be taking away the fun, the fear, the atmosphere, and the ingenuity. This is dark, claustrophobic stuff, and the perfect film for Halloween to make you look out the windows into pitch darkness and wonder if something is staring back. Classic Halloween Scene: Dallas goes hunting, but realizes too late that he is the prey.

The Blair Witch Project: Similar to Alien this deals with our fears of isolation and the un-experienced unknown, but spices things up with issues of abandonment, paranoia, and things that go bump in the woods. A classic survival tale for city folk poking their ill-prepared noses where they don’t belong, Blair Witch succeeded because of it’s innovative filming and marketing techniques. It still succeeds today amongst a rubbish tip of similar films because the plot is solid, the acting is real, the rising tension and fear played out between the characters feels exactly like how we would react, the growing dread is almost unrivalled, and the climax is absolutely chilling. Classic Halloween Scene: The search for Josh in the freakshow house at the end will get you tingling and gripping the seat every time.

Creepshow: Halloween isn’t just about traumatizing each other, it’s also about good old fashioned camp-fire tales to warm the heart and soul. This is cheesy at times, but never boring or irritating, it feels nostalgic both for children of the 80s and of the 50-60s. The tales are brief, well written and acted, the effects are still top-notch with an earthy feel, and the scares are tense and fun. Classic Halloween Scene: Trying to convince your abusive wife to enter a box where a monster lives has never looked so enjoyable.

Creepshow

Candyman: Both Cliver Barker and Tony Todd are vital ingredients in any scare-fest- put them together and you’d better have a few spare pairs of pants lying around. An intellegent, sexy, city based horror which merges old world supernatural fears with the modern world of big business, CSI policework, snooping journalists, and end of the century hairdos. Barker at his height was a fountain of invention, bringing a freshness to the genre which made everyone else’s ideas look like old creaky mummy movies. Candyman merges urban myths with ancient folklore, mysticism with science, gore and shocks with beauty and lyricism. Todd’s presence is as powerful as any of the classic monsters, while Madsen gives a refreshing twist on the final girl character. Classic Halloween Scene: Hook through the chest.

Carrie: One for the teens this, though it may have aged some due to being so authentically 70s, the scares and the themes of abuse, loneliness, bullying, and separation are no less relevant or universal today. The story is simple but pumped up by ideas of religion, extremism, and psychotic mummies (not those ones). The acting by the main players is superb, there is something bleak about the whole sordid business, and we manage both to sympathize with and be scared by Carrie. And wish we had her gift. De Palma twists the tension knobs until they break off, though some of the intrusive camera guff is laughable now. Classic Halloween Scene: Everything between the bucket dropping and the school burning.

Child’s Play: The evil doll is a well worn sub genre of horror, but one which has very few, if any, classics. Child’s Play is amongst the best, and the series is certainly the most notorious. Like many 80s horrors, the series was unfairly derided for it’s supposed impact on our youth with some people going so far as blaming it for some grisly murders. As with most of these series, the quality decreased as the sequels increased, but the original remains surprisingly effective given the silly subject matter. If you don’t know the story- multi murdering maniac transfers his soul into a popular doll moments before his death, doll is picked up by young boy, doll begins murderous rampage again until it realises that it needs to sacrifice the boy to become human again. There are sure to be some laughs, some screams of just kick him in the balls and throw hm out the window!’, but maybe a few jumps too. Classic Halloween Scene: Chucky terrorizes the baby-sitter and we all jump when the phone rings.

Dawn Of The Dead: There is something quite special which you may not know about Dawn. If you watch it at Dawn- depending on where you live etc, try to time it where the film will just be ending as the sunrises. Then go for a walk immediately. It’s likely there won’t be many people around. The ones you will see will probably be shambling. The bleak nature of the film rarely hits harder than in these moments and you will surely look around yourself and feel a stark aura fill your being. There are few things more terrifying than waking up to an otherwise beautiful day and not wanting to be any part of it. Classic Halloween Scene: So many to choose from, from funny, to scary, to bleak, but I’ll go for the truck parking section as we realize that paradise can quickly become hell, and a haven can suddenly become a tomb.

Day Of The Dead: Surely the most grim of all the DEAD films, this is perfect Halloween viewing, not only because of the exquisite gore and effects. Claustrophobia and paranoia again play a large part, and you can’t help wondering why all these psychopaths keep getting in the way of your enjoyable apocalypse. Most people would be happily looting and whiling away their days watching DVDs, playing games, reading books, getting drunk, but there always has to be a crazy doctor or maniacal military group to spoil your good times. Halloween is all about good times, stick this on to reap the benefits. Classic Scene: When the Zombies step on the lift and it begins moving downwards- you just know all hell is about to break loose.

Day Of The Dead

Dracula (30s): A classic to chill the bones of all comers, this still has the ability to… worry those who haven’t seen it before. A film that’s almost a hundred years old- how could that possibly be scary? Well, there’s a reason why this is still considered the best version. Classic Halloween Scene: When Harker first meets The Count.

The Exorcist: Now we get into the truly demanding territory. A rarity in the genre, The Exorcist was a massive financial and critical hit upon release, pampered with awards and then…uh, banned. It may not be as hard-hitting these days, but it’s still rough, creepy stuff. Plus it is played extremely coldly, and without a hint of humour. This is as bleak as horror gets, and even the supposed happy ending leaves us with a bitter, fearful taste. Excellent performances, bewildering jump scares, and freaky moments all conspire to chill the soul and ensure you cuddle up to your beloved in bed. Classic Halloween Scene: Spider walk.

The Evil Dead: This was mostly played for scares over the played for laughs sequel, and while there is humour here, the main focus is on sudden frights and wonderful, innovative camera techniques. You’ll have fun watching this one as each character gets picked off, comes back, and gets picked off again. Classic Halloween Scene: Cheryl at the window, not in the cupboard.

Friday The 13th: One of the original slashers and one of the most successful, this one has plenty of ideas and violence, and staples of the sub genre which have now become clichés. It has dated, it is silly and quite tame, but it was made with love and ambition and freshness. The ending is shocking, the performances are ok, and there isn’t a hockey mask in sight. Classic Halloween Scene: Arrow through the neck- don’t have sex kids.

Final Destination: Another rarity- an inspired modern horror film with great ideas which blends humour and genuine frights. We have a series of characters who rather than getting picked off one by one in an uncaring fashion, are shown to be real kids with real lives, fears, and concerns- and then they are picked off one by one in increasingly exciting, tense, and innovative ways. A film which deals with our fear of death, of inevitability succeeds on every level. Classic Halloween Scene: During a heated discussion in his car, one reckless character refuses to accept that his life is pre-destined or that death is stalking his every move. To prove the point he parks his car on train tracks with his friends as the train hurtles towards them. He soon realizes he was wrong.

The Fog: One of the great campfire spook stories, The Fog is still sadly underrated. Carpenter creates a wonderful atmosphere here which suits the season perfectly- even better if you’re near the sea or if there is fog around. Classic Halloween Scene: The introduction with the wizened old sailor sets the tone for the rest of the show, and should set the tone for your night.

The Fog

Hellraiser: Another British one now, offering something different from our American cousins. We have sex, violence, lots of gore, and some S&M themed fun. This is gritty in an Eastenders sort of way- you don’t really want to look or have anything to do with these characters. Classic Halloween Scene: When Kirsty first meets the Cenobites- what is the finger in the mouth about?

Halloween: What more can I say? This is the movie which should be watched every Halloween- not only is it a genuine classic of the genre and a kick-ass movie no matter which way you look at it, it drips with and evokes that special Seasonal feeling that few things do. Make this the highlight of your night. After you’ve cut some throats. Classic Halloween Scene: Young Laurie runs screaming down her street being chased by a murderous maniac. She clambers to the front door of a neighbour, knocks and begs for help. A light is turned on. Then switched off. Did they think it was just kids messing around? Were they too afraid to help? Welcome To America folks.

Invasion Of The Bodysnatchers (70s): Some us like to dress up at Halloween as ghosts, vampires, or our favourite horror movie characters. Some people go further and pretend to be the person that the costume depicts. This definitive version of Bodysnatchers takes the idea of hiding behind a costume to dramatic and terrifying extremes- what if person next to you on the bus, your neighbour, your friend, your wife, or child was no longer the person they once were? In fact, what if some alien creature had taken their body as host and was walking around as an imperfect mockery of that person’s life? What if this alien race had designs on all your friends and everyone you’ve ever known, and what if you were next? This chilling view of a world snatched away from under our noses is all about loss of identity and mistrust, and makes for unsettling Halloween viewing. Classic Halloween Scene: The final moments. I’ll say no more.

Night Of The Living Dead: A staple of midnight viewing, the surrounding darkness makes the black and white all the more stark and cold; There are no easy answers or happy endings here. If you are watching this with a group of people, ask yourself which ones you would trust in a life/death situation. If your cosy home was surrounded suddenly by thousands of undead, who amongst you would come out as leader? Would you sit back, would you make decisions, would you think only of yourself or would you think of the safety of the group? Either way, you’re bound to get a chewing. Classic Halloween Scene: They’re coming to get you, Barbara.

Night Of The Living Dead

The Omen: So far we don’t trust our neighbours and friends, but what if you thought your son was the Antichrist? The Omen is an apocalyptic film in more than one way and is filled with strong performances, gripping and bloody deaths, and a memorable, frightening score. Music is often pivotal in horror movies, and as you clamber the stairs to bed after this, with infernal monks chanting obscenities in your head, that corner of darkness you can’t quite see clearly may fill with unspeakable evil more readily. Classic Halloween Scene: Damian decides to ride his bike.

Prince Of Darkness:  I find this to be Carpenter’s most underrated film mostly because it is awesome and should be mentioned in the same breath as Halloween and The Thing. Sure the plot is messed up with it’s evil green satanic liquid taking over zombies and bums mixed with time-travelling dream messages and psych jargon, but seriously it is awesome. It has more effective jump scares than any of his other shows and there is a creeping sense of dread and atmosphere throughout. In many ways it is classic Carpenter- a group of different thrown together in a building who have to team together or fall apart and stand against an overpowering threatening external force. It is a siege movie, it is clever for the genre though at times it doesn’t know what genre it wants to be. I think that was part of the fun though- like Big Trouble In Little China it is more than just it’s labels instead transcending notions of what it should or shouldn’t be, and is well ahead of it’s time. Classic Halloween Scene: The final survivors holding up behind some furniture while one of the crazies admires himself in a mirror with a large blade.

Ring: Please please please watch the Japanese version, not the abomination that is the remake. Sure the remake has plenty of jump moments, but it also has a deer on a boat, Brian Cox in a bath, and a director who decides it would be clever to cut away from the movie’s most important scene for the sake of a car chase. The original has Nanako Matsushima and Hiroyuki Sanada and if that isn’t enough of a recommendation then please remove thine eyes from mine page post haste. Watch this deep into the night, possibly as the last film, then play the lovely game of phone your friend once they have left to terrify them. Unfortunately the ideas first seen here have been so over-used that these games have become diluted, but the film still has an unflinching power. Not a drop of blood is shed, there are no knives, guns, or people bursting in from behind doors with a loud noise- this is the best horror film of the nineties and goes against everything that decade threw at us. And it’s a damn good story with excellent performances. Classic Halloween Scene: Sadako. TV. Sleep tight.

Scream: The second best horror movie of the nineties is the stuff of parties. By know everyone should have seen it, but many of you will have forgotten it and how good it still is. Plenty of shocks, laughs, scares, and action as well as a script the quality of which horror movies rarely get. And my beloved Neve Campbell is in it. Few horror films provide this much entertainment whilst still being scary, funny, and clever. The nods to horror movies will keep the nerds amongst your bunch happy and you can shout out when you spot a reference. Classic Halloween Scene: The final house chase scene as Neve doesn’t know where to run or who to trust.

The Shining: It’s rare for most people to get snow at Halloween, even more rare to be completely snowed in and surrounded. Try replacing the notion of snow with rain or darkness- would you want to go wandering outside if it was completely dark or hammering down? Anyway, this is another film which plays on isolation, claustrophobia, and paranoia. It’s probably best not to watch this one as a cosy night in flick with your little family- you’ll start wondering what the hell is going through each other’s minds. This is a giant of the genre with heaps of atmosphere and plenty of unsettling moments which deserves to be menti0ned at any Horror Movie Marathon. Classic Halloween Scene: Danny was warned not to go in that room. Prepare to be scared when Daddy goes looking too.

Silence Of The Lambs: The critic’s choice. Don’t invite any critics to your party as they will moan, groan, bore your girlfriends, and likely drink all your wine. There should be wine. This is nasty stuff from start to end as poor Jodie Foster tries to solve a murder whilst hiding her own fears from the unlikely Terminator Anthony Hopkins. This is better suited to smaller group viewing as it isn’t exactly cheery, blood n guts fun but it does the job when you’re on your own. Classic Halloween Scene: Anything with Bill really.

The Thing: In many ways the ultimate John Carpenter film, the ultimate macho man fest, and the number 1 examination of the paranoia which creeps into people during periods of isolation. The effects here still blow me away and they are only part of a long list of quality to describe this film- look at the cast, the performances, the music, the scares, the cinematography, and the way Carpenter drags the tension out of every shot until we don’t know who has been infected and who hasn’t. Great action adds to the great scares, but the special effects and story are kings here. Classic Halloween Scene: When the survivors are tied to chairs and Mac goes through each one by one to test if any are not human. Genius.

The Texas Chainsaw Massacre: This one still hurts today- it’s just so damn grim, dirty, and repulsive as to make the horror timeless. Sure they scares may be cliché now and the gore is almost non-existent, but the low down atmosphere, the miniscule budget, and the amateur (but good) performances all conspire to make this uncomfortable watching. I’m sure that there are plenty of people out there who still think that there could be a family like this in their town, just as much as I’m sure that there probably are still families or people like this in the world- maybe not in your town, but possibly the next one over. And chainsaws are awfully easy to come by these days. Classic Halloween Scene: The entire dinner scene. Truly horrific, the use of sound and various camera techniques make this one of the most intense few minutes in any horror movie.

28 Days Later: A modern classic, and one of the few great British horror movies of the last few decades. Taking riffs from Romero and King this is a post apocalyptic survivalist’s wet nightmare. Empty streets, shops to loot, cars to steal- all great if it wasn’t for the hundreds of thousands of psychopaths charging towards you in search of your blood. This is the 21st century folks, and zombies ain’t got time to amble and stumble about- these are confident, successful, modern big business, stepping up to the plate, corporate bull-shitting zombies, and they won’t take closing a door in their face for an answer. If you can’t run fast, you’re screwed. And just to make things Mega Man 9 difficult- these fiends don’t even have to bite you to kill/convert you- one drop of their blood/saliva entering your body, through a gash, a scratch, a kiss, or a tear is enough it recruit you. And sheesh! They don’t even give you time to grieve for your fallen comrade- within seconds of getting exposed, your best friend will be diving for your jugular too. My advice- kill everyone you see and hide under a pile of coats till it all goes away. Classic Halloween Scene: An abandoned car sitting in the middle of an abandoned London- nothing to fear but technology.

The Wicker Man: Nothing to fear but religion. Look closely enough and all religions begin to look like cults; they all have a figurehead, the followers worship the figurehead unquestionably and offer prayers, thanks, songs, and sacrifices, there are certain rituals usually borne of centuries long since dusted, those involved are usually inviting to outsiders in person, but have a secret hatred, anger, or issue against them once backs are turned. So we have The Wicker Man, possibly the best British Horror Film of the whole sorry lot. Aah, the confusion of two worlds colliding as we watch a upstanding lawman and guardian of his own archaic faith fall victim ever so slowly to a cult even more decrepit than his own. He knows something terrible is amiss, but it isn’t until his toes turn to cinders that he realizes his fate was sealed the second his feet touched the land. Classic Halloween Scene: When we first see Mr Straw and realize our hero’s fate.

Paranormal Activity: Proof not only that horror movies still have the power to scare, entertain, and bring in the mega bucks, proof not only that a good story well executed can be more than a match for buckets of blood, but also proves that in this day and age of $200 million dollar movies that a small group with talent, an idea, and a few months worth of average salary can make a great movie. Romero did it in the 60s, Carpenter did it in the seventies, Raimi in the 80s, Myrick and Sanchez in the 90s, and now Oren Peli has continued the tradition. Using every trick in the book he has made a classic pastiche of the genre and a thrill ride akin to running naked through a field of land mines. The setting of the movie is perfect for Halloween viewing- primarily it is set in the home and most of the scares happen at night- the film invades you with a sense that you aren’t safe in your own house and makes you take a second or third glance at that cup that you swore you set on the table which now sits on the ground. Likely to lose its impact with subsequent viewings this is best served to people who haven’t seen it. The scares (while you sense them coming) are unexpected and rewarding and while the characters are painfully annoying, you’ll still soil your drawers. Classic Halloween Scene: NEVER leave your foot hanging out of bed.

Trick R Treat: Anthology movies have had their heyday- we had a succession of British hits in the 70s, then a slew of bloodier efforts in the 80s. Then for 20 years anthology fans didn’t have a lot to be excited about aside from a few cheap efforts (although Asia did produce some great ones at the turn of the century). Trick R Treat is good enough to kick start a revolution in the genre, or at least it would have been had it been released in any cinemas. Straight to DVD (yet with a decent budget and big name cast) Trick R Treat features four shorts linked by an over-arcing plot and is to Halloween what presents are to Christmas. This one is destined to be shown and loved every Halloween for years to come, possibly as a double header with Carpenter’s classic. Classic Halloween Scene: The creepy opener sets the tone for the movie and features everything we love about the season, dripping with atmosphere, and settling us in for a bumpy ride.

Trick R Treat

Please leave your comments and suggestions for films you think are best viewed at Halloween, and let us know which films terrified you when you were growing up at this time of year.

Aliens

Aliens

James Cameron made his second masterpiece with this, the sequel to Ridley Scott’s classic space horror show. Cameron, a director who will always ensure he gets exactly what he wants, extremely talented and ingenious, brought the series in a new direction, keeping much of the tension of the original, but upping the excitement and action.

After Ripley went into hyper-sleep at the end of Alien, hoping that someone would find her floating through space and pick her up, she travelled for over 50 years before being picked up by ‘The Company’. She wakes up and tries to come to terms with all that has happened since she was asleep-her daughter grew up and died, ‘The Company’ has become more interested in the alien she claims to have encountered, and the planet where she found the alien has become a mining colony. During interrogation she tells the suits what happened to her, and expressed the need for someone to investigate the ‘alien’ planet. They charge her with the destruction of her previous ship. However, when they receive a distress call from the planet, a group of marines is ordered to investigate. Burke, a company Rep persuades Ripley to come along as she is the only one to have encountered an alien, and because her recurring nightmares are stopping her from living her life. We are introduced to each marine, all tough, hardened fighters, seemingly well-equipped for any danger.
Aliens must surely rank as one of the most exciting movies ever made. At well over 2 hours it is a testament to Cameron, the script-writers and the cast that the pace of the film never slows. Every time the characters think they may have a chance, something happens to make them think otherwise. Everything is giving the most acute detail, from the marines’ garb, to the miniature sets and craft designs. The score is militaristic, keeping with the charge and feel of the movie, and the action is very strong and brilliantly edited. The aliens themselves are still terrifying, and The Queen is awesome. The famous power-loader fight scene is excellent, just one of the many highlights. The planet itself is grim and dark, the perfect place for the creatures to be, and the darkness and tight corridors of the colony add to the tension, atmosphere and claustrophobia.

There is a wide range of characters here, each distinct much like the first film. Even if we do not get to see them for very long, we are given a strong impression of their backgrounds because of their own personal dress and dialogue. Every performance is worthy of mention too, and Weaver’s performance was definitely worthy of the Oscar. Ripley progresses here, becoming one of the strongest female characters in movie history, learning and adapting with the Marines, but retaining her maternal instincts and disgust for the company. In fact, the fight and chase involving the Queen, Ripley and Newt is almost like custody battle, a fight to see who is the best mother. Burke begins seeming friendly, but of course his interest is in bringing back a specimen. Bishop is a brilliant inclusion remembering Ripley’s last encounter with a Droid. Hicks, played by Biehn is an excellent character, strong marine but not an emotionless, stupid grunt. Paxton steals many scenes as Hudson, spitting out some of the film’s best dialogue, at times tough and terrified. Henn as Newt is a revelation in her first performance, dealing with the script and content perfectly. Vasquez must go down as one of the best cult action characters, equally as strong as any of the men, even if she has a short fuse. Goldstein is very good in the role. Apone as the ‘Sarg’ is also good, and Gorman begins as a fool but redeems himself later. The rest of the cast are all good, even if most are only their to be killed. With such a good cast, Aliens becomes even better.

This film cannot be praised enough. Although there are those who feel it is inferior to the first because it has more action and supposedly weaker characterisation, it has to be said that the two films are different entities, the first a horror, the second a sci-fi action. Like The Terminator, Cameron puts in many effective scares so that it transcends the genre, becoming something more. Cameron says he wants to return to Sci-Fi. Please make one as good as this.

This Double discer has everything an Alien fan would want and the presentation is perfect. Essential.

Feel free to leave some love for the movie here, share your thoughts and let us know if you think this is the best of the series.

Alien

Alien

The movie which forever changed the sci-fi genre, taking elements from past monster movies, going against the spotless visuals of 2001 to create a new vision of the future, and one of the most atmospheric movies ever. Rarely does this genre produce a film which inspires acclaim from both fans and critics, but Ridley Scott’s 1979 classic does just that, beginning a famous franchise, story, character and monster, and spawning many inferior clones.

Some time in the future, mankind has the capability of effective space travel, with many planets holding outposts. We are introduced to a crew of miners who work for an all-powerful Foundation, and are returning home on their massive ship- the ‘Nostromo’, after a long period of work. The crew are Dallas-in charge, Parker and Brett-mechanics, Ash-doctor, and Ripley, Lambert and Kane. However, they have been awakened from hyper-sleep early, by it seems an SOS signal. They discuss what to do, eventually deciding that they must investigate. They follow the call to a planet, and Kane, Dallas and Lambert go outside for a closer look. After discovering what appears to be a crashed ship of unknown origin, some sort of organism attaches itself to Kane’s face. Tension grows as they try to take the creature off, but eventually it goes by itself, and dies. Kane wakes and seems to be OK. Soon though, things turn nasty, and a creature is lose on the ship. The remaining crew members try to find it and kill it, but it has grown, and is violently hungry.

Alien works primarily because of three factors; 1. The performances are all immaculate, with some actors giving career bests. Weaver is immensely strong coming to movies from the stage, the veterans all take it seriously even though it first appeared to be a silly scary movie, Holm is extremely good as Ash etc. 2. Scott’s taut direction adds an edge to the script, his stunning visual style giving the sense of isolation and fear perfectly, the lighting is effective, everything is wonderfully detailed, and he knows that less is more when it comes to showing the monster. 3. Geiger’s creature is terrifying, and one of the best monsters ever made, beautiful, sultry, horrifying, mysterious, mechanical and deadly, everything a predator, and a monster should be. The story itself is strong, but it is these three factors which raise it from B-movie status, as well as some truly memorable scenes-The chest burster, Dallas in the tunnels, Ripley’s final encounter, and Ash’s revelation. The film is incredibly intelligent at a time when sci-fi movies were taking over, and it is one of the few which still remains powerful today. Everything about the film is near-faultless, but perhaps it suffers slightly from being too detached or cold. This is a minor complaint clearly. The set designs, the creation of the Alien and the face hugger are all realistic in the sense that we believe these things could conceivably exist. It is definitely the stuff of nightmares, an unseen foe stalking us, seemingly without weakness or emotion, its single motive to kill us. The recent director’s cut shown in cinemas proved that the movie can still excite audiences, even those who have seen it several times, and there were certainly screams as I watched.

This DVD is available at a great price, and is littered with every sort of feature you could possibly want. The new version is also worth buying, but only if you are a big fan.

Feel free as always to comment on the review and anything you disagree with- is this still the best monster in space film? Where would you rank this in the series?

Alien 3

Alien Cubed

The third entry in the Alien series is famous more for its script re-writes, disputes and problems rather than anything that happens in the movie, and has since been slated by fans and critics who expected much more. On the DVD documentaires we can see all these problems, the ideas that were thrown out, and how different the film could have been. On this purchase we see a different cut of the film, one which is superior to the theatrical edition we know, featuring a few cut scenes which did not deserve to be cut. Eventually Fincher got the director’s job and did everything he could to make an entertaining and coherent film which would stand well with the others in the series, all the while looking over his shoulders as ravenous producers repeatedly stepped in to make changes. What is left is a disappointment from one perspective, but a thoroughly good movie from another. Hicks and Newt, surviving characters from Aliens are killed off, rendering their escape from that movie nearly pointless, and setting the gloomy tone for the movie. Bishop is destroyed and has no wish of being remade as a second grade model. After the excitement of the previous film, here we have one alien, and lots of talking. In this way it disappoints. However, watching it as the story of Ripley, of her never-ending nightmare, of a triumph of lighting, atmosphere and darkness, it works well. The tunnel chase scene is also one of the best horror movie moments of the decade. Therefore it is nowhere near as bad as many say it is, but it had the potential of being much better.

Ripley’s escape pod crashes on a prison planet, Fury 101. She is the only survivor, human survivor, and is brought into the prison causing much disruption. The inmates are all men, most murderers and rapists, sentenced to life, but they have adopted religion to get them through each day. There is no way off the planet, no weapons, and it seems a certain creature is loose. The Corporation hears of her survival and prepares to come ‘rescue’ her, but Ripley is more worried about survival as the Alien begins to pick off the inmates. However, a twist reveals that the Alien may let her live.

Weaver is again very good, as are the rest of the cast, particularly Charles S. Dutton and the late Brian Glover. Unfortunately the rest of the cast all look identical, and most are killed without emotion. The score is good, the sets are impressive, and everything is dark and shadowy. The alien itself has changed, but the CG is poor. Many complained the film is too depressing, and if you like your films bright and with a happy ending then this is not for you. For fans of the series, most are split over its merits. I only really enjoyed it after a few watches.

What did you think of the review and the film- fee free to share your thoughts? Is this really the worst in the series, or is it unfairly criticized?

Heartbreakers

Heartbreakers

A romantic comedy with an unusually varied cast giving good performances. Sigourney Weaver and Jennifer Love Hewitt star as a mother and daughter con-team. They are like the legacy hunters of Ancient Rome, following around wealthy men in order to get their money. Their usual scam involves Max (Weaver) seducing a man, then marrying him. Then Page (Hewitt) appears and makes him unfaithful so that Max can divorce him and get half his money. The film begins with such a scam, taking mechanic Ray Liotta for a ride. Max is annoyed though with their slim pickings, and Page claims she can move out on her own. They decide to go for one last score each, to see who can earn the most. Max sets her sights on aging Billionaire Tensey, played by Hackman and Page follows Bartender Jason Lee who is also rich. However, Page falls for Lee and Max realises she may lose her daughter, as well as Tinsey’s fortune as he refuses to die. Also, Liotta has found the two and realised their plans. He wants his money back…

Although this starts out as quite a dark and cynical comedy it soon becomes more light-hearted and typical fare. There remains though a subtle tone of skepticism throughout which is refreshing in a genre which rarely offers any originality, or entertainment. Each actor seems to enjoy themselves fully, some being pulled widely away from the characters they usually play. Weaver is very strong and in control, Hewitt is extremely sexy rather than her usual roles involving screaming, crying or cuteness, and she does very well. Liotta is excellent giving the best jokes in the film, Hackman is also very funny, and Jason Lee, though toned down from his Kevin Smith roles is still capable of getting our laughs and sympathy. You can usually buy this pretty cheap so it would hardly be a waste, better than most of its type but unfortunately it is a type which is limited. Overall, good fun.

The DVD has a few tiny feautures- trailers, TV spots, nothing overly exciting. For any fans of the cast or of romantic comedies (which do not rely on overly sexual or toilet based humour) this is a cheap purchase.

Feel free to comment on the review and/or the movie- what did you like, what didn’t you like?

Aliens: Not nearly as good as the First, very dark

Riply Scott’s prequel to this film was a tale of intergalactic terror. Seven friends and their Bumbling Side-kick Jones were travelling home after a long vacation when they encountered a monster. Hearing its distress call, they let it board their ship, but rather than show its gratitude, it decided to kill off the friends one by one in a terrifying game of cat and monster. The survivors from that film appear again here, namely Captain Ridley and of course Jonesy our heroic side kick. Ridley wants revenge for the death of her friends and recruits a team of super tough marines (that’s soldiers to the lay person) to go to their home planet and wipe out the monsters once and for all. This darker tone is in stark contrast to Riply Scott’s original, and it continues throughout. This leads to a series of let downs- Jones disappears without explanation early in the film, without explanation so much of the comedy from the first film is lost. Add to this the lack of Cyborg Ash, whose little dance was a hilarious highlight of the first, and there are few laughs to be found here. Bill Pullman’s marine Ernie ‘Dry Heat’ Hudson attempts some improvised one liners ‘Hey Vasquez- you look like a man!’ and tries some banter with his Sergeant. ‘Can I wear your slippers, Sir?’ he asks ‘LOOK AT MY EYES!’ Capone riplyies. I didn’t really understand this comeback, but I assume The Searg was in no mood for fun and games. This is obviously because the film was under the fierce stranglehold of famous control freak Jim Cameroon, known for a lack of humour in all his films. Cameroon reluctantly casts Paxman in all his films as they’re cousins and there is a definite tension between the comic genius of the actor, and the ultra serious ‘I’m The Daddy’ mentality of the Director.

Ridley and crew fly down to the planet to hunt down the monsters but are shocked to find a survivor- a little boy called Newt. This is a deliberate attempt to soften the almost unrelenting darkness of the film, and possibly bring in a wider female audience who may enjoy the mother/son relationship which develops between Ridley and Nuke. The child doesn’t talk much which in fact adds to the bleak tone, and the fact that he carries around a decapitated doll’s head is rather disturbing. I mean, everyone knows boys don’t play with dolls. Newt mumbles things like (in response to Ridley asking if he’s hungry) ‘I’m mostly scared. Mostly’ and the bizarre ‘Hi, Firmative!’. Presumably Firmative is some imaginary friend, or possibly futuristic slang. Throw into the mix the fact that among the marines is a geeky science geek who wants to steal one of the monster eggs to bring home and experiment on or sell or something. Indeed, he hatches a plan to impregnate one of the gang with the egg so that no-one suspects anything. I think if I woke up with an 8 foot monster mounting me in an attempt to give me its seed, I might suspect something was not right. But back to the film. The gang underestimates the sheer number of the monsters (at least 25) and the fact that their King is on the island too, and soon it is the humans that are on the run. Cameroon is clearly adding a subtext here about man’s destruction of nature and of other species, and that eventually it will turn around and we will be on the receiving end. I have studied film studies for at least a year, and have over a year’s experience in social anthbiology, so I know what I’m talking about. The last half of the film is really a series of chase scenes- in the alien base with tanks etc, in a bedroom with spider monsters, through the living quarters, and then into the sewers until The King wakes up. That’s not to mention the super robot fight at the end which was a precursor to Cameroon’s next film Terminator 2. So yes, there is much action and excitement, and lots of mistrust between characters which lends another level of tension.

Most of the characters are killed off, but all fight well and you really feel like you got to know them. Ridley is a true mother- fighting for her family and friends, strapping on a grenade launcher to take on the bullies, Hudson is a comedian but also a bit of a moaner, Capone, Hick, and Vasquez are all super tough and ultra cool. There is also Bishop, a cyborg who doesn’t dance but preaches the Gospel and does magic tricks with knives. Perhaps if Riply had directed this he would have let some more comedy in, and it would have been a stronger film. At times I wanted to jump into the TV, grab a gun and help out my chums, pumping bullets into skulls. ‘Come on, man! Shoot them! Here they come, quick, let’s blow them away and get out of here! ARRGH!’ I would have been shouting like that. Because the film is so dark and depressing though, I didn’t have the energy to jump in and help. So all I could do was sit back and watch each of my friends get eaten, killed, or worse. Overall this is an excitement film, but Cameroon needs to relax and let some light in. I mean what’s the point in having all these characters only for the planet to blow up at the end and kill them all?

Best Scene: When the soldiers are walking through the alien corridors, and all the bleeps are getting closer, but no-one knows where they’re coming from. It was quite scary, but would have been better if Hudson had jumped out with his underpants on his head and shouted ‘ONLY ME!!!’

GAME OVER, MAN!