My Nominations: Young Frankenstein. The Texas Chainsaw Massacre. Flesh For Frankenstein. The Golden Voyage Of Sinbad.
Once again there was no official award this year, so you’ll have to take my word on what was good. As would continue to be the case, the nominees mainly fall into the horror and fantasy genres – not genres which The Academy pays much heed to – but which nevertheless have created some of the finest examples of the craft. Young Frankenstein does subtle work to Peter Boyle to turn him into The Monster, but not so much that Boyle’s features and abilities are blocked. The Texas Chainsaw Massacre screams blood and guts, but there are only a few very minor scenes of such in the movie – it’s the make-up on Grampa and lighter touches on the rest of the family which transform them into something gruesomely human. Flesh For Frankenstein on the other hand goes all in on the gore effects, with viscera spilling all over the place. Finally, The Golden Voyage Of Sinbad is mainly notable for its stop motion and assorted effects, but the Make-up also gives a convincing sense of time and place.
Official Nominations: The Godfather Part II. Chinatown. Murder On The Orient Express. Shanks. The Towering Inferno. The Great Gatsby. The Little Prince. Phantom Of Paradise.
The category continues to be divided into two, with the official winners being The Godfather Part II and The Great Gatsby. After the mess surrounding the score and snub for The Godfather, there was only one winner here. In truth the score isn’t all that different from Part I but it’s still strong enough to be the choice. Jerry Goldsmith’s Chinatown is the only other potential, a woozy score with plenty of wistful moments, a score which on its own evokes Marlowe imagery, lonely PIs and boozed up dames, and maybe the odd footchase through a dark alley.
The Murder On The Orient Express soundtrack always reminded me of a score from decades earlier, albeit done with better production values – it’s classy, has sudden dramatic outbursts, and the necessary touches of glamour and romance. Shanks isn’t about a series of prison stabbings – it’s somehow worse. It’s amusing that a movie about a killer doll gets nominated for an Oscar. Well, not quite, but it is about a puppeteer played by Marcel Marceau who, with the help of an evil doctor, can control the dead. How William Castle got Alex North to work on this I don’t know, possibly via the use of an evil doctor and puppeteer, but it’s an Oscar Nomination for a horror movie so I can’t complain. It actually isn’t that bad a film – lent authenticity by Marceau’s performance and North’s wispy stop-start score – you can imagine the notes being pulled up and down by the invisible hands of a puppeteer.
The Towering Inferno is, I always forget, another score by John Williams. Even before he made all the soundtracks you love he was knocking it out of the park. If anything, this one actually reminds me of Star Trek – there’s that sense of ambition and exploration and scope in the music. Not a lot of memorable cues though. The Great Gatsby… not a book or an adaptation or a period of time and place I’ve ever really enjoyed so I’m usually biased against such things. Thankfully the score doesn’t go too far down the sound of the period that I don’t like, but still… The Little Prince is a strange one – an unsuccessful musical with a good cast. In theory it sounds like a musical version of the story could work, and that’s coming from someone who hates musicals, but this one doesn’t work. Most of the songs are annoying and the music is forgettable – it’s not a patch on the 2015 version. Finally, Phantom Of Paradise is the weirdest one of the lot – another musical, or maybe more accurately a Rock Opera with horror elements, directed by Brian De Palma. The rock opera movie would have a more successful release the following year, but this one has its moments, possibly let down by the lack of known performers. It’s a film about a disfigured rock star who seeks revenge against an evil producer who steals all his work and gets rich. A number of the songs are good, the overall score is consistent, though none of it became a hit and the film wasn’t a huge success.
My Winner: Chinatown
My Nominations: Chinatown. The Godfather Part II. The Phantom of Paradise. Black Christmas. Foxy Brown. Earthquake. The Taking Of Pelham 123. Blazing Saddles. Dark Star. The Sugarland Express. The Texas Chainsaw Massacre. Young Frankenstein.
Three of the official choices make it to my list – you should know by now my choices tend to be somewhat more eclectic.
Black Christmas has a pretty unnerving and chilling soundtrack, filled with moans and creaking and wind howls along with twist on Christmas classics. Foxy Brown on the other hand is just good, solid, sexy fun by the great Willie Hutch. John Williams was just starting to hit his stride in the early-mid 70s, as you’ll see from this list and pretty much every subsequent year. Both Earthquake and The Towering Inferno have decent central themes and much to love and quite a few similarities. Elsewhere, he also collaborated with the little known Senor Spielbergo on The Sugarland Express – a weird one which has too much wailing harmonica and not enough of the good stuff – strings, building brass, hooks, yet is great when it works.
David Shire’s The Taking Of Pelham 123 feels like a disaster score, which I suppose is apt. It’s suitably chaotic, the lead ba-dum-da-dum brass pulsating and pounding. Finally, we’ve got to have The Texas Chainsaw Massacre soundtrack (Wayne Bell and Tobe Hooper) – perhaps more than any other main theme this year does it catch in your memory. Those screeching, ‘whatever they ares’ in the intro remain horrifying now, setting up a truly unique and nightmarish film – you watch and hear the opening, and you know you’re in trouble. Aside from that there is booming distortion, clashing cymbals, and other anti-music just off-putting enough to create an unequaled atmosphere.
Blazing Saddles, Young Frankenstein, Dark Star. I was going to pick The Godfather Part 2, but lets not.
We’ve been slicing up this story for a while now haven’t we? Even through all the sequels, remakes, and copies, few films touch the raw, visceral power of Tobe Hooper’s 1974 original – a film which still gets under the skin after multiple decades and viewings. What can we possibly add to the story, and do we need to? My feelings have always been that (and the same goes for most horror films and icons) we don’t need an origin story – all we need to know is that this creature or person exists, and that it’s trying to kill the protagonists. Most origin stories try to reason with the murderer and inevitably make us sympathize to a certain degree, yet end up not making the character any more interesting. If your original story contains the origin – fine, but can a prequel coming much later be anything other than a cash grab?
Cash grabs can be entertaining, no matter how cynical they may be. Thankfully, as many flaws as this one his – almost entirely due to the plot and premise – it still does the job of entertaining me. For horror fans, there is plenty of gore and violence (though not as explicit as most others in the series) and for everyone else it is peppered with good performers giving good performances. Viewed as a standalone film separate from the mythology of the franchise it works a little better. It tells a story of revenge echoing through the years – a policeman’s daughter is senselessly murdered by a brutal isolationist family and as retribution the cop abducts a baby from the family. The baby grows up in an institute but eventually escapes with a group of Bonnie and Clyde wannabees and they embark on a collision course of mayhem which leads baby, family, and cop back to where it all began.
Sam Strike takes up the unenviable task of playing the young Leatherface – UK viewers will know him from Eastenders – and I have no issues with his performance. He has the script, he’s been told how to play it, and he follows through. Similarly, the always reliable Dorff and Tyler are engaging and Vanessa Grasse is good as the sympathetic final girl. French directing duo Maury and Bustillo became instant horror legends after their incredible debut Inside, but they don’t get to expand upon their penchant for threat and terror here, hindered by an idea and a screenplay which is entirely by the numbers and unnecessary. There’s a point in the movie – I’m not sure if it was ever intentional – that it seems like the filmmakers are going to pull an early Shyamalan and actually have a different character turn out to be Leatherface. Based on what we do get, that twist could have improved matters.
Going back to my point about not needing origin stories – a related point is that I never found Leatherface to be such an interesting character anyway. Here was this hulking man-child who appeared to be severely mentally challenged, and just happened to enjoy killing things and dead things – like the rest of his family. He was essentially a slave and both didn’t and couldn’t know better. That’s all you need to know. The original offers no suggestion of him being a complex character – that’s us projecting onto him. Rather, the film portrays him to be an almost mindless child in the body of a WWE Superstar, likely the result of generations of inbreeding and seclusion. Leatherface does a ridiculous double sell-out, a triple sell out in fact; first, by showing the young Leatherface being abducted and raised by a different family before being placed in a Young Offenders/mental institution where he is presented as a sympathetic, caring, yet conflicted human, secondly by making him become violent for no good reason, and finally by making him lose his mind and regress to…. something? There’s no reasoning behind any of it. We start out the movie not buying into the character being this emotionally involved teenager, and we end the movie not buying in to him becoming the mindless Leatherface. They even make a mess of explaining the origin of the mask – him wearing it out of necessity due to taking a bullet to the face, rather than because he simply likes the feel of human skin on his own. It makes the character much less interesting, and crucially, much less frightening. What is scary about the original is that history has shown us that there are people out there who commit these crimes for no reason other than they enjoy it. Here, in trying to explain evil they instead act like the parent showing that the coat in the closet isn’t the boogeyman.
Still, with all that said it’s better than a lot of movies of its ilk and it’s likely an improvement on many of the franchise entries. I can’t say for sure how I feel as the three other entries between 2003 and 2013 are of similar middling quality. In the end, they all feel like watchable throwaway horror which don’t come close to the madcap disgusting nature of Part 2, and are a world away from the relentless perfection of the original.
Aah, Halloween- the most wonderful time of the year. When even those who wouldn’t usually subject themselves to all manner of terrors decide to watch the odd scary movie or 2. Unfortunately for me, this part of the Spac Hole which I currently inhabit does not indulge in the season as seriously and joyfully as other places, so I have always felt a little deprived. Sure, we had some parties, sure we threw fireworks at Gerry’s house, and yes we would watch whatever limited choice of movies were on over the few days but compared to other places (particularly you festive folks in the US) it just didn’t seem as much damn fun. In my mind, the whole month of October should be a vessel for Halloween activities, from dressing up to trick or treating, to watching scary movies and hiding under the beds of people you don’t know with a chainsaw.
To that end I have helpfully made a few lists of classic horror movies which sould chill you to the bone, and add to the singular atmosphere of this most evil time of the year. This list of 31 movies was created so that you can split the fun over the entire month (alternatively you could wait until closer to the day and have a few marathon sessions) and let yourself tremble ever so slightly in the supposed safety of your own home. Just be sure to lock your doors and windows, close the curtains, and tuck up the kids tightly in bed (checking underneath and in closets for me) before turning off the lights. Maybe check those locks once more, you can never be too sure or too safe. Oh, what’s that? That noise from outside? I wouldn’t worry, probably just the wind. By all means go out and check, but that would mean going into the basement to find batteries for your torch. Really, just relax and watch the film, your paranoia can’t hurt you. The thing outside, yeah- it could hurt you. But you locked the doors, right?
These don’t have to be watched in any particular order, but some would suit the big day (or night) better than others. This is not meant to be a list of the best or even my favourite horror movies (though I love them all) but rather I feel these offer something of the atmosphere of Halloween. Enjoy.
An American Werewolf in London: This one has it all- gore, jump scares, atmosphere, action, humour, and a great plot with likeable characters. WereWolves, like Vampires have taken a rather glossy beating recently. This proves that you can wrap up a love story with horror without being teeny, without being sparkly, without being demeaning to viewers with brains. Classic Halloween scene: The Nazi section.
A Nightmare on Elm Street: Wes Craven, Johnny Depp, Heather Langenkamp, John Saxon, and Robert Englund- lovely ingredients for a tasty Halloween Pie. This is the original and best, before the horrific character of Freddy (Here just Fred) became a snuggleable, bantering chum. What could be better for Halloween than scaring yourself so badly that you can’t sleep- knowing that something terrible may be waiting for you in your dreams. A story with more depth than it gets credit for, dealing with the Craven standard of ill-advised parenting and how the children have to cope with the mistakes of the elders, this is full of genius set pieces and bloody action. Classic Halloween Scene: Nancy gets a bloody post coital surprise- but not what you’d expect. And did they say she was 14??
Alien: Often described as Halloween in space, or a Haunted House in Space, Alien deals with our fears of isolation, of being trapped, of being in s situation way beyond our control and way above our heads. Remove the alien, remove the setting, and this could be any slasher movie from the time. However, that would be taking away the fun, the fear, the atmosphere, and the ingenuity. This is dark, claustrophobic stuff, and the perfect film for Halloween to make you look out the windows into pitch darkness and wonder if something is staring back. Classic Halloween Scene: Dallas goes hunting, but realizes too late that he is the prey.
The Blair Witch Project: Similar to Alien this deals with our fears of isolation and the un-experienced unknown, but spices things up with issues of abandonment, paranoia, and things that go bump in the woods. A classic survival tale for city folk poking their ill-prepared noses where they don’t belong, Blair Witch succeeded because of it’s innovative filming and marketing techniques. It still succeeds today amongst a rubbish tip of similar films because the plot is solid, the acting is real, the rising tension and fear played out between the characters feels exactly like how we would react, the growing dread is almost unrivalled, and the climax is absolutely chilling. Classic Halloween Scene: The search for Josh in the freakshow house at the end will get you tingling and gripping the seat every time.
Creepshow: Halloween isn’t just about traumatizing each other, it’s also about good old fashioned camp-fire tales to warm the heart and soul. This is cheesy at times, but never boring or irritating, it feels nostalgic both for children of the 80s and of the 50-60s. The tales are brief, well written and acted, the effects are still top-notch with an earthy feel, and the scares are tense and fun. Classic Halloween Scene: Trying to convince your abusive wife to enter a box where a monster lives has never looked so enjoyable.
Candyman: Both Cliver Barker and Tony Todd are vital ingredients in any scare-fest- put them together and you’d better have a few spare pairs of pants lying around. An intellegent, sexy, city based horror which merges old world supernatural fears with the modern world of big business, CSI policework, snooping journalists, and end of the century hairdos. Barker at his height was a fountain of invention, bringing a freshness to the genre which made everyone else’s ideas look like old creaky mummy movies. Candyman merges urban myths with ancient folklore, mysticism with science, gore and shocks with beauty and lyricism. Todd’s presence is as powerful as any of the classic monsters, while Madsen gives a refreshing twist on the final girl character. Classic Halloween Scene: Hook through the chest.
Carrie: One for the teens this, though it may have aged some due to being so authentically 70s, the scares and the themes of abuse, loneliness, bullying, and separation are no less relevant or universal today. The story is simple but pumped up by ideas of religion, extremism, and psychotic mummies (not those ones). The acting by the main players is superb, there is something bleak about the whole sordid business, and we manage both to sympathize with and be scared by Carrie. And wish we had her gift. De Palma twists the tension knobs until they break off, though some of the intrusive camera guff is laughable now. Classic Halloween Scene: Everything between the bucket dropping and the school burning.
Child’s Play: The evil doll is a well worn sub genre of horror, but one which has very few, if any, classics. Child’s Play is amongst the best, and the series is certainly the most notorious. Like many 80s horrors, the series was unfairly derided for it’s supposed impact on our youth with some people going so far as blaming it for some grisly murders. As with most of these series, the quality decreased as the sequels increased, but the original remains surprisingly effective given the silly subject matter. If you don’t know the story- multi murdering maniac transfers his soul into a popular doll moments before his death, doll is picked up by young boy, doll begins murderous rampage again until it realises that it needs to sacrifice the boy to become human again. There are sure to be some laughs, some screams of just kick him in the balls and throw hm out the window!’, but maybe a few jumps too. Classic Halloween Scene: Chucky terrorizes the baby-sitter and we all jump when the phone rings.
Dawn Of The Dead: There is something quite special which you may not know about Dawn. If you watch it at Dawn- depending on where you live etc, try to time it where the film will just be ending as the sunrises. Then go for a walk immediately. It’s likely there won’t be many people around. The ones you will see will probably be shambling. The bleak nature of the film rarely hits harder than in these moments and you will surely look around yourself and feel a stark aura fill your being. There are few things more terrifying than waking up to an otherwise beautiful day and not wanting to be any part of it. Classic Halloween Scene: So many to choose from, from funny, to scary, to bleak, but I’ll go for the truck parking section as we realize that paradise can quickly become hell, and a haven can suddenly become a tomb.
Day Of The Dead: Surely the most grim of all the DEAD films, this is perfect Halloween viewing, not only because of the exquisite gore and effects. Claustrophobia and paranoia again play a large part, and you can’t help wondering why all these psychopaths keep getting in the way of your enjoyable apocalypse. Most people would be happily looting and whiling away their days watching DVDs, playing games, reading books, getting drunk, but there always has to be a crazy doctor or maniacal military group to spoil your good times. Halloween is all about good times, stick this on to reap the benefits. Classic Scene: When the Zombies step on the lift and it begins moving downwards- you just know all hell is about to break loose.
Dracula (30s): A classic to chill the bones of all comers, this still has the ability to… worry those who haven’t seen it before. A film that’s almost a hundred years old- how could that possibly be scary? Well, there’s a reason why this is still considered the best version. Classic Halloween Scene: When Harker first meets The Count.
The Exorcist: Now we get into the truly demanding territory. A rarity in the genre, The Exorcist was a massive financial and critical hit upon release, pampered with awards and then…uh, banned. It may not be as hard-hitting these days, but it’s still rough, creepy stuff. Plus it is played extremely coldly, and without a hint of humour. This is as bleak as horror gets, and even the supposed happy ending leaves us with a bitter, fearful taste. Excellent performances, bewildering jump scares, and freaky moments all conspire to chill the soul and ensure you cuddle up to your beloved in bed. Classic Halloween Scene: Spider walk.
The Evil Dead: This was mostly played for scares over the played for laughs sequel, and while there is humour here, the main focus is on sudden frights and wonderful, innovative camera techniques. You’ll have fun watching this one as each character gets picked off, comes back, and gets picked off again. Classic Halloween Scene: Cheryl at the window, not in the cupboard.
Friday The 13th: One of the original slashers and one of the most successful, this one has plenty of ideas and violence, and staples of the sub genre which have now become clichés. It has dated, it is silly and quite tame, but it was made with love and ambition and freshness. The ending is shocking, the performances are ok, and there isn’t a hockey mask in sight. Classic Halloween Scene: Arrow through the neck- don’t have sex kids.
Final Destination: Another rarity- an inspired modern horror film with great ideas which blends humour and genuine frights. We have a series of characters who rather than getting picked off one by one in an uncaring fashion, are shown to be real kids with real lives, fears, and concerns- and then they are picked off one by one in increasingly exciting, tense, and innovative ways. A film which deals with our fear of death, of inevitability succeeds on every level. Classic Halloween Scene: During a heated discussion in his car, one reckless character refuses to accept that his life is pre-destined or that death is stalking his every move. To prove the point he parks his car on train tracks with his friends as the train hurtles towards them. He soon realizes he was wrong.
The Fog: One of the great campfire spook stories, The Fog is still sadly underrated. Carpenter creates a wonderful atmosphere here which suits the season perfectly- even better if you’re near the sea or if there is fog around. Classic Halloween Scene: The introduction with the wizened old sailor sets the tone for the rest of the show, and should set the tone for your night.
Hellraiser: Another British one now, offering something different from our American cousins. We have sex, violence, lots of gore, and some S&M themed fun. This is gritty in an Eastenders sort of way- you don’t really want to look or have anything to do with these characters. Classic Halloween Scene: When Kirsty first meets the Cenobites- what is the finger in the mouth about?
Halloween: What more can I say? This is the movie which should be watched every Halloween- not only is it a genuine classic of the genre and a kick-ass movie no matter which way you look at it, it drips with and evokes that special Seasonal feeling that few things do. Make this the highlight of your night. After you’ve cut some throats. Classic Halloween Scene: Young Laurie runs screaming down her street being chased by a murderous maniac. She clambers to the front door of a neighbour, knocks and begs for help. A light is turned on. Then switched off. Did they think it was just kids messing around? Were they too afraid to help? Welcome To America folks.
Invasion Of The Bodysnatchers (70s): Some us like to dress up at Halloween as ghosts, vampires, or our favourite horror movie characters. Some people go further and pretend to be the person that the costume depicts. This definitive version of Bodysnatchers takes the idea of hiding behind a costume to dramatic and terrifying extremes- what if person next to you on the bus, your neighbour, your friend, your wife, or child was no longer the person they once were? In fact, what if some alien creature had taken their body as host and was walking around as an imperfect mockery of that person’s life? What if this alien race had designs on all your friends and everyone you’ve ever known, and what if you were next? This chilling view of a world snatched away from under our noses is all about loss of identity and mistrust, and makes for unsettling Halloween viewing. Classic Halloween Scene: The final moments. I’ll say no more.
Night Of The Living Dead: A staple of midnight viewing, the surrounding darkness makes the black and white all the more stark and cold; There are no easy answers or happy endings here. If you are watching this with a group of people, ask yourself which ones you would trust in a life/death situation. If your cosy home was surrounded suddenly by thousands of undead, who amongst you would come out as leader? Would you sit back, would you make decisions, would you think only of yourself or would you think of the safety of the group? Either way, you’re bound to get a chewing. Classic Halloween Scene: They’re coming to get you, Barbara.
The Omen: So far we don’t trust our neighbours and friends, but what if you thought your son was the Antichrist? The Omen is an apocalyptic film in more than one way and is filled with strong performances, gripping and bloody deaths, and a memorable, frightening score. Music is often pivotal in horror movies, and as you clamber the stairs to bed after this, with infernal monks chanting obscenities in your head, that corner of darkness you can’t quite see clearly may fill with unspeakable evil more readily. Classic Halloween Scene: Damian decides to ride his bike.
Prince Of Darkness: I find this to be Carpenter’s most underrated film mostly because it is awesome and should be mentioned in the same breath as Halloween and The Thing. Sure the plot is messed up with it’s evil green satanic liquid taking over zombies and bums mixed with time-travelling dream messages and psych jargon, but seriously it is awesome. It has more effective jump scares than any of his other shows and there is a creeping sense of dread and atmosphere throughout. In many ways it is classic Carpenter- a group of different thrown together in a building who have to team together or fall apart and stand against an overpowering threatening external force. It is a siege movie, it is clever for the genre though at times it doesn’t know what genre it wants to be. I think that was part of the fun though- like Big Trouble In Little China it is more than just it’s labels instead transcending notions of what it should or shouldn’t be, and is well ahead of it’s time. Classic Halloween Scene: The final survivors holding up behind some furniture while one of the crazies admires himself in a mirror with a large blade.
Ring: Please please please watch the Japanese version, not the abomination that is the remake. Sure the remake has plenty of jump moments, but it also has a deer on a boat, Brian Cox in a bath, and a director who decides it would be clever to cut away from the movie’s most important scene for the sake of a car chase. The original has Nanako Matsushima and Hiroyuki Sanada and if that isn’t enough of a recommendation then please remove thine eyes from mine page post haste. Watch this deep into the night, possibly as the last film, then play the lovely game of phone your friend once they have left to terrify them. Unfortunately the ideas first seen here have been so over-used that these games have become diluted, but the film still has an unflinching power. Not a drop of blood is shed, there are no knives, guns, or people bursting in from behind doors with a loud noise- this is the best horror film of the nineties and goes against everything that decade threw at us. And it’s a damn good story with excellent performances. Classic Halloween Scene: Sadako. TV. Sleep tight.
Scream: The second best horror movie of the nineties is the stuff of parties. By know everyone should have seen it, but many of you will have forgotten it and how good it still is. Plenty of shocks, laughs, scares, and action as well as a script the quality of which horror movies rarely get. And my beloved Neve Campbell is in it. Few horror films provide this much entertainment whilst still being scary, funny, and clever. The nods to horror movies will keep the nerds amongst your bunch happy and you can shout out when you spot a reference. Classic Halloween Scene: The final house chase scene as Neve doesn’t know where to run or who to trust.
The Shining: It’s rare for most people to get snow at Halloween, even more rare to be completely snowed in and surrounded. Try replacing the notion of snow with rain or darkness- would you want to go wandering outside if it was completely dark or hammering down? Anyway, this is another film which plays on isolation, claustrophobia, and paranoia. It’s probably best not to watch this one as a cosy night in flick with your little family- you’ll start wondering what the hell is going through each other’s minds. This is a giant of the genre with heaps of atmosphere and plenty of unsettling moments which deserves to be menti0ned at any Horror Movie Marathon. Classic Halloween Scene: Danny was warned not to go in that room. Prepare to be scared when Daddy goes looking too.
Silence Of The Lambs: The critic’s choice. Don’t invite any critics to your party as they will moan, groan, bore your girlfriends, and likely drink all your wine. There should be wine. This is nasty stuff from start to end as poor Jodie Foster tries to solve a murder whilst hiding her own fears from the unlikely Terminator Anthony Hopkins. This is better suited to smaller group viewing as it isn’t exactly cheery, blood n guts fun but it does the job when you’re on your own. Classic Halloween Scene: Anything with Bill really.
The Thing: In many ways the ultimate John Carpenter film, the ultimate macho man fest, and the number 1 examination of the paranoia which creeps into people during periods of isolation. The effects here still blow me away and they are only part of a long list of quality to describe this film- look at the cast, the performances, the music, the scares, the cinematography, and the way Carpenter drags the tension out of every shot until we don’t know who has been infected and who hasn’t. Great action adds to the great scares, but the special effects and story are kings here. Classic Halloween Scene: When the survivors are tied to chairs and Mac goes through each one by one to test if any are not human. Genius.
The Texas Chainsaw Massacre: This one still hurts today- it’s just so damn grim, dirty, and repulsive as to make the horror timeless. Sure they scares may be cliché now and the gore is almost non-existent, but the low down atmosphere, the miniscule budget, and the amateur (but good) performances all conspire to make this uncomfortable watching. I’m sure that there are plenty of people out there who still think that there could be a family like this in their town, just as much as I’m sure that there probably are still families or people like this in the world- maybe not in your town, but possibly the next one over. And chainsaws are awfully easy to come by these days. Classic Halloween Scene: The entire dinner scene. Truly horrific, the use of sound and various camera techniques make this one of the most intense few minutes in any horror movie.
28 Days Later: A modern classic, and one of the few great British horror movies of the last few decades. Taking riffs from Romero and King this is a post apocalyptic survivalist’s wet nightmare. Empty streets, shops to loot, cars to steal- all great if it wasn’t for the hundreds of thousands of psychopaths charging towards you in search of your blood. This is the 21st century folks, and zombies ain’t got time to amble and stumble about- these are confident, successful, modern big business, stepping up to the plate, corporate bull-shitting zombies, and they won’t take closing a door in their face for an answer. If you can’t run fast, you’re screwed. And just to make things Mega Man 9 difficult- these fiends don’t even have to bite you to kill/convert you- one drop of their blood/saliva entering your body, through a gash, a scratch, a kiss, or a tear is enough it recruit you. And sheesh! They don’t even give you time to grieve for your fallen comrade- within seconds of getting exposed, your best friend will be diving for your jugular too. My advice- kill everyone you see and hide under a pile of coats till it all goes away. Classic Halloween Scene: An abandoned car sitting in the middle of an abandoned London- nothing to fear but technology.
The Wicker Man: Nothing to fear but religion. Look closely enough and all religions begin to look like cults; they all have a figurehead, the followers worship the figurehead unquestionably and offer prayers, thanks, songs, and sacrifices, there are certain rituals usually borne of centuries long since dusted, those involved are usually inviting to outsiders in person, but have a secret hatred, anger, or issue against them once backs are turned. So we have The Wicker Man, possibly the best British Horror Film of the whole sorry lot. Aah, the confusion of two worlds colliding as we watch a upstanding lawman and guardian of his own archaic faith fall victim ever so slowly to a cult even more decrepit than his own. He knows something terrible is amiss, but it isn’t until his toes turn to cinders that he realizes his fate was sealed the second his feet touched the land. Classic Halloween Scene: When we first see Mr Straw and realize our hero’s fate.
Paranormal Activity: Proof not only that horror movies still have the power to scare, entertain, and bring in the mega bucks, proof not only that a good story well executed can be more than a match for buckets of blood, but also proves that in this day and age of $200 million dollar movies that a small group with talent, an idea, and a few months worth of average salary can make a great movie. Romero did it in the 60s, Carpenter did it in the seventies, Raimi in the 80s, Myrick and Sanchez in the 90s, and now Oren Peli has continued the tradition. Using every trick in the book he has made a classic pastiche of the genre and a thrill ride akin to running naked through a field of land mines. The setting of the movie is perfect for Halloween viewing- primarily it is set in the home and most of the scares happen at night- the film invades you with a sense that you aren’t safe in your own house and makes you take a second or third glance at that cup that you swore you set on the table which now sits on the ground. Likely to lose its impact with subsequent viewings this is best served to people who haven’t seen it. The scares (while you sense them coming) are unexpected and rewarding and while the characters are painfully annoying, you’ll still soil your drawers. Classic Halloween Scene: NEVER leave your foot hanging out of bed.
Trick R Treat: Anthology movies have had their heyday- we had a succession of British hits in the 70s, then a slew of bloodier efforts in the 80s. Then for 20 years anthology fans didn’t have a lot to be excited about aside from a few cheap efforts (although Asia did produce some great ones at the turn of the century). Trick R Treat is good enough to kick start a revolution in the genre, or at least it would have been had it been released in any cinemas. Straight to DVD (yet with a decent budget and big name cast) Trick R Treat features four shorts linked by an over-arcing plot and is to Halloween what presents are to Christmas. This one is destined to be shown and loved every Halloween for years to come, possibly as a double header with Carpenter’s classic. Classic Halloween Scene: The creepy opener sets the tone for the movie and features everything we love about the season, dripping with atmosphere, and settling us in for a bumpy ride.
Please leave your comments and suggestions for films you think are best viewed at Halloween, and let us know which films terrified you when you were growing up at this time of year.