Wes Craven proves he’s a master of horror and innovation with Scream, over 10 years since his last smash which pulled a similar trick – A Nightmare on Elm Street. Craven had been a legend for 3 decades, but with this he made possibly his best known film, reinventing a dead genre for better and worse, making horror films profitable again. More importantly it gave horror fans something to cheer about – a smart, funny, sexy, but above all scary film.
Scream’s intro has already gone down in movie history as the benchmark of a shocking and effective way to start a film. Take an established actress, and eventually butcher her to set the tone. The phone, the knife, shocks, inevitability of death, blood, helplessness, and a love of scary movies. Craven turns what we expect on its head, and we know we are in for something special.
We are introduced to Sydney Prescott, a teenager whose mother was murdered a year ago, trying to get on with her life – coping with school, a boyfriend, the court case involving the man (Cotton) who has been charged with her mother’s murder, and intrusion from journalists. She has become strong through this ordeal, but is still vulnerable. Her boyfriend Billy wants sex, but isn’t pushy. The news of a new murder comes as a shock to the whole town though because of the town’s recent history, journalists flock in including Gail Weathers, who had previously accused Sydney of lies. In school the news spreads, and the cops question the students. Sydney’s tight group of friends try to work out who the killer was, believing everyone’s a suspect. Her friends are Tatum, feisty, strong whose boyfriend is similar yet comically manic, and Randy – movie nerd who secretly loves Sydney. When Sydney is attacked, it seems the killer is not done and may have a larger plan. The teens of the town gather together for a curfew-baiting house party all the while debating who the killer is, and who could be the next on their hit-list.
This is clearly one of the best horror movies of the decade, not just an excuse for gore, but clever on many levels, and self-referential. It is more than that, being one of the best looks at teenage life in the last few years. The characters are extremely well drawn, taking stereotypes, but changing them against our expectations, enhanced by some brilliant performances. Every cast member performs well, with special mention to Kennedy, Arquette, and Lillard for bringing the laughs. Cox is good, but Campbell is excellent, going through a myriad of emotions and proving that her character does not have to be stupid like most final girls are typically shown to be.
Craven is in control, feeding us clues as to the identity of the killer, but ensuring that by the end we are surprised. Gore is used effectively, the scares and jokes come thick and fast, but it is the story of Sydney which makes it a classic. She is strong willed, smart, and we go through every emotion with her, aided by Neve’s performance. We feel for her, and are frustrated we cannot help. The film is shot beautifully, with Woodsboro shown as an idyllic place to live, but with dark secrets. I love near-Leone style facial close-ups, and the care given to each character so that we are hurt when one is killed, but suspicious of each. The script is sharp, with many references to horror movies which fan will try to recognise.
Thematically we return to Elm Street territory; We must fight for ourselves in the world, and while our friends are the most important people in our lives, they may not be around forever and we must be able to cope with their loss. Parents are either not around, don’t care, don’t understand, or are to blame. Sydney’s mum seems to be the catalyst for the deaths, the only authority figure to gain respect is Dewey, who isn’t much older than the teens. The opening scene as Casey crawls towards her nearby parents, with the killer behind her highlights this, that the older generation will not always be able to keep us safe. The Headmaster, played by Henry Winkler hates kids, but he cannot organise or gain respect from them either.We are never certain of Gail’s intentions, another point to do with the media’s involvement in society today. Death has become trivialised, the victims just a ploy for ratings or power for those who tell the stories. Our thoughts on violence, on violent movies are challenged – Craven a veteran of criticism over use of violence. In the end it’s up to us as individuals. The film shows that places we believed to be safe -our homes, our schools, have become dangerous places today too, that we are not safe anywhere. In a group, or by yourself, we are still vulnerable. The scene in the school toilets emphasizes this point, and is another beautiful scene. However, the film teaches us that rather than being overcome by fear, by the fact that we are not always safe, we should fight.
I wanted to mention a few of my favourite scenes – Sydney on her porch, staring over the hills; Sydney and Billy in her bedroom while Gus’s cover of Don’t Fear the Reaper plays in the background. It gives a perfect glimpse of what it is like to be in love at that age, and together with Campbell’s beauty makes an odd atmosphere, especially when viewed again, having watched the other 2 films. We become intimate with Sydney, wishing we could save her from her pain.
With the combination of genres subverted, a brilliant script and score, some excellent acting, good scares and jokes, Scream paved the way for a new breed of horror films, none of which, like Halloween and Elm Street, have matched it. We should be thankful for Craven, as he has provided the world with another film which should be watched and talked about as much as those felt to be the best movies of all time. This is certainly one of the best of our time.
Let us know in the comments what you think of Scream!
In this new series of posts, I’m going to talk briefly about some of my favourites TV shows of yesteryear, and some which I’m watching at the moment. In ‘Sh*t I Used To Watch’ I’ll reminisce about some TV shows that I used to watch, from my childhood up until roughly the time I graduated from University – by and large these will be shows that I haven’t watched since that period, or have only caught a small numbers of episodes of. In ‘Sh*t I Watch’ I will talk briefly about the shows I’m watching at the moment, and will deal with both current series which have not yet been cancelled or completed, and those which I am catching up on having missed first time around. I’ll try to post one of these each week, but as regular Glancers will be aware, my regular posts are fairly irregular. Some of the shows in both categories which I’ll talk about will be ones you should all be familiar with, while others will be extremely niche and I can only imagine about three other people will have ever heard of.
So no-one told you life was gonna be this way? Either a question or a statement, the opening words of one of the most recognisable songs of the 90s spoke volumes about the show it appeared on – the all-conquering Friends. The show was about 6 twentysomethings living, working, and loving in New York and followed their various relationships and tribulations over 10 Seasons. It rejuvenated the stale sitcom format, launching the careers of its six main cast members, garnering rave reviews and massive worldwide audiences, and remains incredibly influential. On paper, the shows sounds like something I would never choose to watch; Lord knows if was only created and shown today for the first time it would be packed with too many smiling faces, reality stars, and a multitude of other reasons to not watch. When it first aired in the UK, I was 12 years old (arggghh) and it was a pretty big hit amongst certain groups of my peers. I remember a lot of people in school talking about it, and although most of the people who were talking about it were those whose opinions I didn’t care for, and although they made it sound much worse than it actually was, a few people whose brains I actually did trust also loved it. In short, I’m not sure why I eventually decided to watch it – I’ve never been one to give in to peer pressure, the show sounded rubbish, but for some reason I watched it. And when I did, I was hooked.
What people who haven’t seen Friends don’t realise is that it isn’t a simple, standard sitcom featuring unrealistically pretty people in unrealistic situations. While it was trendy, while the people involved are too pretty, and while many critics and fans did focus on the more shallow and less important aspects of the show, it was, and still is an incredibly well written show, and features exceptional comedic performances. Much of the humour is zany and offbeat, but not in the obvious way and not in the ironic way seen nowadays. It was a very slight touch – often only a single moment in a single episode. While I never really got wrapped up in the who’s dating who aspect of the show, the characters did grow on me quickly, and I did eventually want certain characters to end up with each other. The show played this card a little too often over the ten years, and a little excessively towards the end, but at its peak it was extremely good at being charming and making the viewer root for someone they loved.
Arguably my favourite funny moment of the show is something that no-one else would ever think of. It was in one of the first few episodes, and Rachel, Monica, and Phoebe appear to be having a sleepover on their balcony. The girls are a little tipsy while talking about relationships. Rachel leans forwards and her cushion falls off the balcony; there’s a beat, and the group continue their chat. For no greater insight into my personality – I’m laughing my nuts off thinking about it now, while you are staring at the screen wondering why that’s funny and thinking what the hell is wrong with me. As I continued to watch, I got into the swing of the dialogue, grew to love each of the friends, saw the highest of high quality of the writing, and even got drawn into the various love duels – one in particular.
Yes, in another time I may say I’m ashamed to say i got drawn into such things, especially as everyone else was talking about the will they, won’t they nature of Ross and Rachel, but for a couple of Seasons there it was wonderful. Even though Ross is a bit of a knob who almost falls into all those ‘Nice Guy’ tropes and traps, there is still something loveable about how inept he was, and it was clear for everyone that he was perfect for Rachel. This all peaks of course in The One With The Prom Video – a flashback episode where the gang find an old Video featuring their younger selves preparing for Prom. For some reason Ross really does not want to watch the video, but everyone else does. We assume for much of the episode that Ross is simply embarrassed about everyone seeing what a doofus he was, but the selfless act at the end leads to one of my favourite moments in the show. But before that, we get plenty of hilarious moments which the writers would revisit with lesser effect throughout the series – Monica’s weight, Chandler’s attraction to trends, Ross’s gradual steps from one strand of geekdom (and his music which is visited later to excellent effect) to another etc. As the Prom video progresses we see that even then Ross was infatuated by Rachel and is upset when he sees that Rachel has been stood up by her date. Upon his parents’ insistence, Ross gets dressed in his tuxedo to offer to take Rachel to the prom (with comedy stair-falling), but just as he is about to come downstairs to ask her if she will go with him he catches Rachel leaving with Monica and their dates – it turns out Rachel’s date was simply late; Ross is broken and the video is turned off. We see that this is why Ross didn’t want the gang to see the video, but as he readies himself for a comic backlash, Rachel approaches him and gives him one of the greatest kisses in TV history. Yay! Fade to black and end the series on a high! Ah, I’m tearing a little at the memory of it, and I still remember the feeling of joy now.
Aside from the main characters, the show had a large and varied cast of recurring characters – some excellent actors who would appear in a handful of episodes, or others who would continue to appear over the 10 Seasons – the various parents of each character, Janice, Gunther, Carol and Susan, Julie, Pete, Mr Heckles, Estelle, Emily – all of them and more felt like real people and not simple two-dimensional figures thrown in to serve some random plot. The show also drew the best of Hollywood as guest stars – Brad Pitt, Julia Roberts, Bruce Willis, Ben Stiller, Robin Williams, George Clooney – the list goes on, and each made a lasting impact. The show was a cultural phenomenon and everyone wanted a slice. Arguably no show before or since has seen such adoration from fans and critics, and seen so many A-Listers falling over themselves to be a part of it.
Another favourite memory of mine is the double Wedding episode set in London. Rachel has rushed to London to stop Ross from marrying Emily and the series ends on a stinking cliffhanger. I remember that when this was first shown in the UK, there was a break between when this episode ended and when the new series began. I can’t recall what the delay was – it may have been only a week, or it may have been a few months. Luckily one of my friends and me had RTE – the television service of the Irish Republic, which just happened to be showing the new episode of the new series that very night – just after the British broadcast ended. Remember that this was before all the internetting and Tweetbooking we have nowadays, so being one of a select few who were able to catch the new episode and get the resolution to the cliffhanger was a real coup.
Over time though I gradually lost my way with the show. The show began to re-tread similar ideas and I began watching other stuff. I would still tune in the odd time to catch an episode or two, but I didn’t like what I saw – there seemed to be a shift in the humour, the performances were too self-aware, and stories of the actors being paid ridiculous amounts of money all pissed me off. The show seemed to have hit its peak and wasn’t going anywhere. It wasn’t until after the show had officially ended that I returned to it. My girlfriend at the time (later to be my wife) had most of the Seasons on DVD so we had a bargain that I would watch all of Friends with her if she would watch all of Buffy. It was win win for me then as I already liked Friends and was interested in watching it all again, and I love seeing people’s opinion’s of Buffy changing as they inevitably fall in love with it (took her until the 2nd Season like most people). It turns out that I was right and wrong about the final seasons of Friends – yes the show did become bloated, the actors did become overpaid, but the writing for the large part shone through. Although none of the major plots gripped me as much as the early season plots did, there were still a lot of highlights – Ross and his keyboard, Paul Rudd coming on board, and many other smaller moments, and there were some low points – Rachel and Joey’s relationship being entirely unconvincing and silly.
So, for a few years there in my early teens Friends became required Friday night viewing, with each episode being discussed with…ahem… friends on Monday morning. It’s been a few years now since I’ve watched any of it, but I imagine it is still as fresh as ever, and those pieces that may not be so fresh will be saved by nostalgia – funny is always funny if the writing and performances are good. The show is definitely seen as a watershed of the 90s, but it was so smart, and had such an easy and smooth transition between slapstick, satire, pathos, romance, and tragedy, that it’s quality will always ensure it will be watchable. Anyone who ignored the show for any of the reasons I give above, or any other reason, I would advise you to give the show a try – a brief run of episodes in order would be best to get accustomed to the characters and not what you imagine them to be. Some of the acting in the first series isn’t great, but that is greatly improved by the time Season 2 comes along and many of the gimmicks are dropped. It’s a quick and easy show to watch, and there’s bound to be something you’ll enjoy in there.
Did you watch Friends religiously when it was first broadcast, or did you come to the show later? What are your favourite moments, episodes, and memories of watching? Let us know in the comments!
Aah, Halloween- the most wonderful time of the year. When even those who wouldn’t usually subject themselves to all manner of terrors decide to watch the odd scary movie or 2. Unfortunately for me, this part of the Spac Hole which I currently inhabit does not indulge in the season as seriously and joyfully as other places, so I have always felt a little deprived. Sure, we had some parties, sure we threw fireworks at Gerry’s house, and yes we would watch whatever limited choice of movies were on over the few days but compared to other places (particularly you festive folks in the US) it just didn’t seem as much damn fun. In my mind, the whole month of October should be a vessel for Halloween activities, from dressing up to trick or treating, to watching scary movies and hiding under the beds of people you don’t know with a chainsaw.
To that end I have helpfully made a few lists of classic horror movies which sould chill you to the bone, and add to the singular atmosphere of this most evil time of the year. This list of 31 movies was created so that you can split the fun over the entire month (alternatively you could wait until closer to the day and have a few marathon sessions) and let yourself tremble ever so slightly in the supposed safety of your own home. Just be sure to lock your doors and windows, close the curtains, and tuck up the kids tightly in bed (checking underneath and in closets for me) before turning off the lights. Maybe check those locks once more, you can never be too sure or too safe. Oh, what’s that? That noise from outside? I wouldn’t worry, probably just the wind. By all means go out and check, but that would mean going into the basement to find batteries for your torch. Really, just relax and watch the film, your paranoia can’t hurt you. The thing outside, yeah- it could hurt you. But you locked the doors, right?
These don’t have to be watched in any particular order, but some would suit the big day (or night) better than others. This is not meant to be a list of the best or even my favourite horror movies (though I love them all) but rather I feel these offer something of the atmosphere of Halloween. Enjoy.
An American Werewolf in London: This one has it all- gore, jump scares, atmosphere, action, humour, and a great plot with likeable characters. WereWolves, like Vampires have taken a rather glossy beating recently. This proves that you can wrap up a love story with horror without being teeny, without being sparkly, without being demeaning to viewers with brains. Classic Halloween scene: The Nazi section.
A Nightmare on Elm Street: Wes Craven, Johnny Depp, Heather Langenkamp, John Saxon, and Robert Englund- lovely ingredients for a tasty Halloween Pie. This is the original and best, before the horrific character of Freddy (Here just Fred) became a snuggleable, bantering chum. What could be better for Halloween than scaring yourself so badly that you can’t sleep- knowing that something terrible may be waiting for you in your dreams. A story with more depth than it gets credit for, dealing with the Craven standard of ill-advised parenting and how the children have to cope with the mistakes of the elders, this is full of genius set pieces and bloody action. Classic Halloween Scene: Nancy gets a bloody post coital surprise- but not what you’d expect. And did they say she was 14??
Alien: Often described as Halloween in space, or a Haunted House in Space, Alien deals with our fears of isolation, of being trapped, of being in s situation way beyond our control and way above our heads. Remove the alien, remove the setting, and this could be any slasher movie from the time. However, that would be taking away the fun, the fear, the atmosphere, and the ingenuity. This is dark, claustrophobic stuff, and the perfect film for Halloween to make you look out the windows into pitch darkness and wonder if something is staring back. Classic Halloween Scene: Dallas goes hunting, but realizes too late that he is the prey.
The Blair Witch Project: Similar to Alien this deals with our fears of isolation and the un-experienced unknown, but spices things up with issues of abandonment, paranoia, and things that go bump in the woods. A classic survival tale for city folk poking their ill-prepared noses where they don’t belong, Blair Witch succeeded because of it’s innovative filming and marketing techniques. It still succeeds today amongst a rubbish tip of similar films because the plot is solid, the acting is real, the rising tension and fear played out between the characters feels exactly like how we would react, the growing dread is almost unrivalled, and the climax is absolutely chilling. Classic Halloween Scene: The search for Josh in the freakshow house at the end will get you tingling and gripping the seat every time.
Creepshow: Halloween isn’t just about traumatizing each other, it’s also about good old fashioned camp-fire tales to warm the heart and soul. This is cheesy at times, but never boring or irritating, it feels nostalgic both for children of the 80s and of the 50-60s. The tales are brief, well written and acted, the effects are still top-notch with an earthy feel, and the scares are tense and fun. Classic Halloween Scene: Trying to convince your abusive wife to enter a box where a monster lives has never looked so enjoyable.
Candyman: Both Cliver Barker and Tony Todd are vital ingredients in any scare-fest- put them together and you’d better have a few spare pairs of pants lying around. An intellegent, sexy, city based horror which merges old world supernatural fears with the modern world of big business, CSI policework, snooping journalists, and end of the century hairdos. Barker at his height was a fountain of invention, bringing a freshness to the genre which made everyone else’s ideas look like old creaky mummy movies. Candyman merges urban myths with ancient folklore, mysticism with science, gore and shocks with beauty and lyricism. Todd’s presence is as powerful as any of the classic monsters, while Madsen gives a refreshing twist on the final girl character. Classic Halloween Scene: Hook through the chest.
Carrie: One for the teens this, though it may have aged some due to being so authentically 70s, the scares and the themes of abuse, loneliness, bullying, and separation are no less relevant or universal today. The story is simple but pumped up by ideas of religion, extremism, and psychotic mummies (not those ones). The acting by the main players is superb, there is something bleak about the whole sordid business, and we manage both to sympathize with and be scared by Carrie. And wish we had her gift. De Palma twists the tension knobs until they break off, though some of the intrusive camera guff is laughable now. Classic Halloween Scene: Everything between the bucket dropping and the school burning.
Child’s Play: The evil doll is a well worn sub genre of horror, but one which has very few, if any, classics. Child’s Play is amongst the best, and the series is certainly the most notorious. Like many 80s horrors, the series was unfairly derided for it’s supposed impact on our youth with some people going so far as blaming it for some grisly murders. As with most of these series, the quality decreased as the sequels increased, but the original remains surprisingly effective given the silly subject matter. If you don’t know the story- multi murdering maniac transfers his soul into a popular doll moments before his death, doll is picked up by young boy, doll begins murderous rampage again until it realises that it needs to sacrifice the boy to become human again. There are sure to be some laughs, some screams of just kick him in the balls and throw hm out the window!’, but maybe a few jumps too. Classic Halloween Scene: Chucky terrorizes the baby-sitter and we all jump when the phone rings.
Dawn Of The Dead: There is something quite special which you may not know about Dawn. If you watch it at Dawn- depending on where you live etc, try to time it where the film will just be ending as the sunrises. Then go for a walk immediately. It’s likely there won’t be many people around. The ones you will see will probably be shambling. The bleak nature of the film rarely hits harder than in these moments and you will surely look around yourself and feel a stark aura fill your being. There are few things more terrifying than waking up to an otherwise beautiful day and not wanting to be any part of it. Classic Halloween Scene: So many to choose from, from funny, to scary, to bleak, but I’ll go for the truck parking section as we realize that paradise can quickly become hell, and a haven can suddenly become a tomb.
Day Of The Dead: Surely the most grim of all the DEAD films, this is perfect Halloween viewing, not only because of the exquisite gore and effects. Claustrophobia and paranoia again play a large part, and you can’t help wondering why all these psychopaths keep getting in the way of your enjoyable apocalypse. Most people would be happily looting and whiling away their days watching DVDs, playing games, reading books, getting drunk, but there always has to be a crazy doctor or maniacal military group to spoil your good times. Halloween is all about good times, stick this on to reap the benefits. Classic Scene: When the Zombies step on the lift and it begins moving downwards- you just know all hell is about to break loose.
Dracula (30s): A classic to chill the bones of all comers, this still has the ability to… worry those who haven’t seen it before. A film that’s almost a hundred years old- how could that possibly be scary? Well, there’s a reason why this is still considered the best version. Classic Halloween Scene: When Harker first meets The Count.
The Exorcist: Now we get into the truly demanding territory. A rarity in the genre, The Exorcist was a massive financial and critical hit upon release, pampered with awards and then…uh, banned. It may not be as hard-hitting these days, but it’s still rough, creepy stuff. Plus it is played extremely coldly, and without a hint of humour. This is as bleak as horror gets, and even the supposed happy ending leaves us with a bitter, fearful taste. Excellent performances, bewildering jump scares, and freaky moments all conspire to chill the soul and ensure you cuddle up to your beloved in bed. Classic Halloween Scene: Spider walk.
The Evil Dead: This was mostly played for scares over the played for laughs sequel, and while there is humour here, the main focus is on sudden frights and wonderful, innovative camera techniques. You’ll have fun watching this one as each character gets picked off, comes back, and gets picked off again. Classic Halloween Scene: Cheryl at the window, not in the cupboard.
Friday The 13th: One of the original slashers and one of the most successful, this one has plenty of ideas and violence, and staples of the sub genre which have now become clichés. It has dated, it is silly and quite tame, but it was made with love and ambition and freshness. The ending is shocking, the performances are ok, and there isn’t a hockey mask in sight. Classic Halloween Scene: Arrow through the neck- don’t have sex kids.
Final Destination: Another rarity- an inspired modern horror film with great ideas which blends humour and genuine frights. We have a series of characters who rather than getting picked off one by one in an uncaring fashion, are shown to be real kids with real lives, fears, and concerns- and then they are picked off one by one in increasingly exciting, tense, and innovative ways. A film which deals with our fear of death, of inevitability succeeds on every level. Classic Halloween Scene: During a heated discussion in his car, one reckless character refuses to accept that his life is pre-destined or that death is stalking his every move. To prove the point he parks his car on train tracks with his friends as the train hurtles towards them. He soon realizes he was wrong.
The Fog: One of the great campfire spook stories, The Fog is still sadly underrated. Carpenter creates a wonderful atmosphere here which suits the season perfectly- even better if you’re near the sea or if there is fog around. Classic Halloween Scene: The introduction with the wizened old sailor sets the tone for the rest of the show, and should set the tone for your night.
Hellraiser: Another British one now, offering something different from our American cousins. We have sex, violence, lots of gore, and some S&M themed fun. This is gritty in an Eastenders sort of way- you don’t really want to look or have anything to do with these characters. Classic Halloween Scene: When Kirsty first meets the Cenobites- what is the finger in the mouth about?
Halloween: What more can I say? This is the movie which should be watched every Halloween- not only is it a genuine classic of the genre and a kick-ass movie no matter which way you look at it, it drips with and evokes that special Seasonal feeling that few things do. Make this the highlight of your night. After you’ve cut some throats. Classic Halloween Scene: Young Laurie runs screaming down her street being chased by a murderous maniac. She clambers to the front door of a neighbour, knocks and begs for help. A light is turned on. Then switched off. Did they think it was just kids messing around? Were they too afraid to help? Welcome To America folks.
Invasion Of The Bodysnatchers (70s): Some us like to dress up at Halloween as ghosts, vampires, or our favourite horror movie characters. Some people go further and pretend to be the person that the costume depicts. This definitive version of Bodysnatchers takes the idea of hiding behind a costume to dramatic and terrifying extremes- what if person next to you on the bus, your neighbour, your friend, your wife, or child was no longer the person they once were? In fact, what if some alien creature had taken their body as host and was walking around as an imperfect mockery of that person’s life? What if this alien race had designs on all your friends and everyone you’ve ever known, and what if you were next? This chilling view of a world snatched away from under our noses is all about loss of identity and mistrust, and makes for unsettling Halloween viewing. Classic Halloween Scene: The final moments. I’ll say no more.
Night Of The Living Dead: A staple of midnight viewing, the surrounding darkness makes the black and white all the more stark and cold; There are no easy answers or happy endings here. If you are watching this with a group of people, ask yourself which ones you would trust in a life/death situation. If your cosy home was surrounded suddenly by thousands of undead, who amongst you would come out as leader? Would you sit back, would you make decisions, would you think only of yourself or would you think of the safety of the group? Either way, you’re bound to get a chewing. Classic Halloween Scene: They’re coming to get you, Barbara.
The Omen: So far we don’t trust our neighbours and friends, but what if you thought your son was the Antichrist? The Omen is an apocalyptic film in more than one way and is filled with strong performances, gripping and bloody deaths, and a memorable, frightening score. Music is often pivotal in horror movies, and as you clamber the stairs to bed after this, with infernal monks chanting obscenities in your head, that corner of darkness you can’t quite see clearly may fill with unspeakable evil more readily. Classic Halloween Scene: Damian decides to ride his bike.
Prince Of Darkness: I find this to be Carpenter’s most underrated film mostly because it is awesome and should be mentioned in the same breath as Halloween and The Thing. Sure the plot is messed up with it’s evil green satanic liquid taking over zombies and bums mixed with time-travelling dream messages and psych jargon, but seriously it is awesome. It has more effective jump scares than any of his other shows and there is a creeping sense of dread and atmosphere throughout. In many ways it is classic Carpenter- a group of different thrown together in a building who have to team together or fall apart and stand against an overpowering threatening external force. It is a siege movie, it is clever for the genre though at times it doesn’t know what genre it wants to be. I think that was part of the fun though- like Big Trouble In Little China it is more than just it’s labels instead transcending notions of what it should or shouldn’t be, and is well ahead of it’s time. Classic Halloween Scene: The final survivors holding up behind some furniture while one of the crazies admires himself in a mirror with a large blade.
Ring: Please please please watch the Japanese version, not the abomination that is the remake. Sure the remake has plenty of jump moments, but it also has a deer on a boat, Brian Cox in a bath, and a director who decides it would be clever to cut away from the movie’s most important scene for the sake of a car chase. The original has Nanako Matsushima and Hiroyuki Sanada and if that isn’t enough of a recommendation then please remove thine eyes from mine page post haste. Watch this deep into the night, possibly as the last film, then play the lovely game of phone your friend once they have left to terrify them. Unfortunately the ideas first seen here have been so over-used that these games have become diluted, but the film still has an unflinching power. Not a drop of blood is shed, there are no knives, guns, or people bursting in from behind doors with a loud noise- this is the best horror film of the nineties and goes against everything that decade threw at us. And it’s a damn good story with excellent performances. Classic Halloween Scene: Sadako. TV. Sleep tight.
Scream: The second best horror movie of the nineties is the stuff of parties. By know everyone should have seen it, but many of you will have forgotten it and how good it still is. Plenty of shocks, laughs, scares, and action as well as a script the quality of which horror movies rarely get. And my beloved Neve Campbell is in it. Few horror films provide this much entertainment whilst still being scary, funny, and clever. The nods to horror movies will keep the nerds amongst your bunch happy and you can shout out when you spot a reference. Classic Halloween Scene: The final house chase scene as Neve doesn’t know where to run or who to trust.
The Shining: It’s rare for most people to get snow at Halloween, even more rare to be completely snowed in and surrounded. Try replacing the notion of snow with rain or darkness- would you want to go wandering outside if it was completely dark or hammering down? Anyway, this is another film which plays on isolation, claustrophobia, and paranoia. It’s probably best not to watch this one as a cosy night in flick with your little family- you’ll start wondering what the hell is going through each other’s minds. This is a giant of the genre with heaps of atmosphere and plenty of unsettling moments which deserves to be menti0ned at any Horror Movie Marathon. Classic Halloween Scene: Danny was warned not to go in that room. Prepare to be scared when Daddy goes looking too.
Silence Of The Lambs: The critic’s choice. Don’t invite any critics to your party as they will moan, groan, bore your girlfriends, and likely drink all your wine. There should be wine. This is nasty stuff from start to end as poor Jodie Foster tries to solve a murder whilst hiding her own fears from the unlikely Terminator Anthony Hopkins. This is better suited to smaller group viewing as it isn’t exactly cheery, blood n guts fun but it does the job when you’re on your own. Classic Halloween Scene: Anything with Bill really.
The Thing: In many ways the ultimate John Carpenter film, the ultimate macho man fest, and the number 1 examination of the paranoia which creeps into people during periods of isolation. The effects here still blow me away and they are only part of a long list of quality to describe this film- look at the cast, the performances, the music, the scares, the cinematography, and the way Carpenter drags the tension out of every shot until we don’t know who has been infected and who hasn’t. Great action adds to the great scares, but the special effects and story are kings here. Classic Halloween Scene: When the survivors are tied to chairs and Mac goes through each one by one to test if any are not human. Genius.
The Texas Chainsaw Massacre: This one still hurts today- it’s just so damn grim, dirty, and repulsive as to make the horror timeless. Sure they scares may be cliché now and the gore is almost non-existent, but the low down atmosphere, the miniscule budget, and the amateur (but good) performances all conspire to make this uncomfortable watching. I’m sure that there are plenty of people out there who still think that there could be a family like this in their town, just as much as I’m sure that there probably are still families or people like this in the world- maybe not in your town, but possibly the next one over. And chainsaws are awfully easy to come by these days. Classic Halloween Scene: The entire dinner scene. Truly horrific, the use of sound and various camera techniques make this one of the most intense few minutes in any horror movie.
28 Days Later: A modern classic, and one of the few great British horror movies of the last few decades. Taking riffs from Romero and King this is a post apocalyptic survivalist’s wet nightmare. Empty streets, shops to loot, cars to steal- all great if it wasn’t for the hundreds of thousands of psychopaths charging towards you in search of your blood. This is the 21st century folks, and zombies ain’t got time to amble and stumble about- these are confident, successful, modern big business, stepping up to the plate, corporate bull-shitting zombies, and they won’t take closing a door in their face for an answer. If you can’t run fast, you’re screwed. And just to make things Mega Man 9 difficult- these fiends don’t even have to bite you to kill/convert you- one drop of their blood/saliva entering your body, through a gash, a scratch, a kiss, or a tear is enough it recruit you. And sheesh! They don’t even give you time to grieve for your fallen comrade- within seconds of getting exposed, your best friend will be diving for your jugular too. My advice- kill everyone you see and hide under a pile of coats till it all goes away. Classic Halloween Scene: An abandoned car sitting in the middle of an abandoned London- nothing to fear but technology.
The Wicker Man: Nothing to fear but religion. Look closely enough and all religions begin to look like cults; they all have a figurehead, the followers worship the figurehead unquestionably and offer prayers, thanks, songs, and sacrifices, there are certain rituals usually borne of centuries long since dusted, those involved are usually inviting to outsiders in person, but have a secret hatred, anger, or issue against them once backs are turned. So we have The Wicker Man, possibly the best British Horror Film of the whole sorry lot. Aah, the confusion of two worlds colliding as we watch a upstanding lawman and guardian of his own archaic faith fall victim ever so slowly to a cult even more decrepit than his own. He knows something terrible is amiss, but it isn’t until his toes turn to cinders that he realizes his fate was sealed the second his feet touched the land. Classic Halloween Scene: When we first see Mr Straw and realize our hero’s fate.
Paranormal Activity: Proof not only that horror movies still have the power to scare, entertain, and bring in the mega bucks, proof not only that a good story well executed can be more than a match for buckets of blood, but also proves that in this day and age of $200 million dollar movies that a small group with talent, an idea, and a few months worth of average salary can make a great movie. Romero did it in the 60s, Carpenter did it in the seventies, Raimi in the 80s, Myrick and Sanchez in the 90s, and now Oren Peli has continued the tradition. Using every trick in the book he has made a classic pastiche of the genre and a thrill ride akin to running naked through a field of land mines. The setting of the movie is perfect for Halloween viewing- primarily it is set in the home and most of the scares happen at night- the film invades you with a sense that you aren’t safe in your own house and makes you take a second or third glance at that cup that you swore you set on the table which now sits on the ground. Likely to lose its impact with subsequent viewings this is best served to people who haven’t seen it. The scares (while you sense them coming) are unexpected and rewarding and while the characters are painfully annoying, you’ll still soil your drawers. Classic Halloween Scene: NEVER leave your foot hanging out of bed.
Trick R Treat: Anthology movies have had their heyday- we had a succession of British hits in the 70s, then a slew of bloodier efforts in the 80s. Then for 20 years anthology fans didn’t have a lot to be excited about aside from a few cheap efforts (although Asia did produce some great ones at the turn of the century). Trick R Treat is good enough to kick start a revolution in the genre, or at least it would have been had it been released in any cinemas. Straight to DVD (yet with a decent budget and big name cast) Trick R Treat features four shorts linked by an over-arcing plot and is to Halloween what presents are to Christmas. This one is destined to be shown and loved every Halloween for years to come, possibly as a double header with Carpenter’s classic. Classic Halloween Scene: The creepy opener sets the tone for the movie and features everything we love about the season, dripping with atmosphere, and settling us in for a bumpy ride.
Please leave your comments and suggestions for films you think are best viewed at Halloween, and let us know which films terrified you when you were growing up at this time of year.
As a fan of the more extreme side of cinema, I ask you to join me, as I explore the history of Cinema's most extreme movies with all the sex, violence and symbolism intact. I'm here to reflect on the extreme movies that have come and gone to see what they mean, see what makes them so extreme, and of course, see if they're any good.