Official Nominations: Annie Hall. The Goodbye Girl. The Late Show. Star Wars. The Turning Point.
As is usually the case with this category, it closely matches the Best Picture nominees. Annie Hall – not that different from the usual Woody Allen shtick although there are enough one-liners and rambling speeches to highlight. A modern viewer will find much of it hackneyed and cliched, but only because it has been copied so many times. The Goodbye Girl is standard Neil Simon fare – romantic comedies don’t do much for me, even when they are as well written as this, but it needs to be exceptional for me or speak on a personal level for me to rate it any higher than average. The Late Show is the anomaly of the bunch – the film no-one remembers. It’s another unfortunate case because it’s an interesting film merging noir with lighter moments and it’s certainly the type of film you don’t say anymore. The Turning Point doesn’t offer anything new and plays out like a standard soap drama. Star Wars created an enduring universe with a multitude of characters and places and dialogue which has become part of culture and daily dialogue, never mind the number of imitators which the story spawned.
My Winner: Star Wars
My Nominations: Star Wars. Annie Hall. Close Encounters Of The Third Kind. Desperate Living. Eraserhead. High Anxiety. Martin.
Desperate Living…. I just like the idea of something like this getting nominated. Have you seen it? There’s more humour and weirdness in a couple of pages of this script than there are in many comedy writers’ careers. It’s… not for everyone. Close Encounters gets another nomination, Spielberg subtly working in Jewish and Christian allusions and more overarching themes of exploration, knowledge, and tolerance. Eraserhead also gets another nomination – a screenplay created almost entirely to allow for Lynch’s visuals and atmosphere. Mel Brooks knocks out another great script – it’s very difficult to get parody right but he does it once again with High Anxiety, while Martin was one of the first movies to bring vampires out of European castles and Victorian streets and into American suburbs, while at the same time subverting the vampire myth and offering insight into pained adolescence.
My Winner: Star Wars
Let us know your winner in the comments!
I would choose Annie Hall 🙂 Desperate Living was good, but it pales in comparison to John Waters previous then previous two films – Pink Flamingos and Female Trouble. Part of what made those two work was his lead actor in drag Divine. Divine’s absence in Desperate Living is not Waters fault – the role of Mole McHenry was reportedly written for Divine, but he was busy at the time. Anyway, keep up the great work as always 🙂
I can just see Waters walking up to pick up an Oscar for something like Desperate Living or Pink Flamingos… that would have been hilarious.