Best Cast – 1977

My Nominations: Star Wars. Airport 77. A Bridge Too Far. Sorcerer. The Duellists.

I mean, I have to pick Star Wars again here, surely? You may say the cast don’t deliver the best individual or group performances of the year, but has there ever been a cast of performers creating a cast of more iconic characters in movie history? Every generation there’s a film which pulls the same trick, but in most cases those characters are based of an existing property. In any case, you have Mark Hamill perfecting the young man thrust into a huge adventure trope, Harrison Ford bringing the rugged space cowboy charm, Fisher as the feisty Princess, and Alec Guinness as the wise teacher – and that’s me being as simplistic as possible – and not mentioning James Earl Jones, Peter Cushing, Daniels, Baker, or Prowse.

Airport 77 brings together another sparkling cast – James Stewart, Jack Lemmon, Christopher Lee, Lee Grant, Olivia De Havilland, Joseph Cotten – just a pity the film isn’t great. Similarly, A Bridge Too Far brings the stars without quite hitting the heights – Sean Connery, James Caan, Laurence Olivier, Anthony Hopkins, Robert Redford, Gene Hackman, Michael Caine, Max Schell, Ryan O’Neal, Liv Ullman – it’s a ridiculous cast. Sorcerer pits the always reliable Roy Scheider alongside a still little known cosmopolitan cast including Amidou, Bruno Cremer, Ramon Bieri, Paco Rabal, and Joe Spinell. Finally, The Duellists is more condensed in terms of casting, but exceeds in terms of quality – with Keith Carradine, Harvey Keitel, Stacey Keach, Albert Finney, Tom Conti, Cristina Raines, and Diana Quick all contributing.

My Winner: Star Wars

Best Visual Effects – 1977

Official Nominations: Star Wars. Close Encounters Of The Third Kind.

The Academy had persisted through the middle of the 70s with Special Achievement Awards, but by the time 1977 rolled around it became clear that more and more films were pushing the bar where Visual Effects were concerned and a dedicated category was needed like any other category. Having said that, it would still be a while before The Academy fully relented and gave a complete batch of nominees. Here, we have two of the seminal effects movies of the decade vying for the win. Both are great, but the win has to go to Star Wars. It just blew open the door for everything which came after and pioneered so much that it’s one of the most obvious wins of all time.

My Winner: Star Wars

My Nominations: Star Wars. Close Encounters Of The Third Kind. A Bridge Too Far. Hausu. Pete’s Dragon. Sinbad And The Eye Of The Tiger. The Spy Who Loved Me.

I tryto spice things up by adding a few other notable entries – Pete’s Dragon is not a movie I enjoy but it did do some pioneering work in the merging of animation with live action. A Bridge Too Far is a war epic coming a few years too late, but still manages to bring plenty of effects to the table to extend the realism of the piece. The Spy Who Loved Me has all manner of amusing visual gags, while Sinbad And The Eye Of The Tiger continues Harryhausen’s amazing run with Cavemen, a Saber-Toothed Tiger, baboons, monsters, and plenty of nifty transformations.

My Winner: Star Wars

Let us know your winner in the comments!

Best Original Score – 1977

Official Nominations: Star Wars. The Spy Who Loved Me. Julia. Mohammed Messenger Of God. Close Encounters Of The Third Kind. A Little Night Music. Pete’s Dragon. The Slipper And The Rose.

Well well well, John Welliams (Williams) was on a bit of a roll this year, with two nominations and one win – both scores of course being indisputable classics which are still listened to by thousands of people today. Lets not kid ourselves – Star Wars is winning this every day of the week. From the main theme, to Leia’s theme, to the Cantina theme, it’s littered with classics and is obviously one of the best and most famous movie scores ever. Close Encounters Of The Third Kind is mostly known for the famous ‘do di do duh doo’ communication melody, but elsewhere the score has many other great pieces ranging from tense buildups and wailing melodies of foreboding.

The Spy Who Loved Me remains one of the most critically acclaimed Bond entries, netting three Oscar nominations. Marvin Hamlisch took over from John Barry and ironically got the first nomination of the series (Skyfall would pick up the second decades on) – his score patriotic, quintessentially Bond yet self mocking. Julia is one of George Delerue’s most suitably poignant efforts while Mohammed Messenger Of God (or The Message) isn’t a film you can see being made or becoming so successful today – Maurice Jarre’s blends East and West quietly. On to the other category and A Little Night Music picked up the official win – you already know how I feel about musicals. Pete’s Dragon is there too, never a favourite film of mine but the music is okay, and finally The Slipper And The Rose is a bizarre British live action musical of Cinderella with some decent songs and tunes.

My Winner: Star Wars

My Nominations: Star Wars. The Spy Who Loved Me. Julia. Close Encounters Of The Third Kind. Black Sunday. A Bridge Too Far. The Deep. Eraserhead. Hausu. Martin. Saturday Night Fever.

Does anything else stand a chance against Star Wars this year? Well, John Williams didn’t only make two scores this year – he ain’t no slacker – he also made Black Sunday – another string heavy piece which actually has a lot in common with his two official nominations though not as bombastic. A Bridge Too Far is yet another classic war epic with a massive cast  – you know I love those, and while John Addison’s score is not as memorable as others it does still have a great lead theme. The Deep isn’t a great film, but for some reason certain scenes have always stayed with me, usually those involving eels (Louis Gossett Jr never seems to have much luck with aquatic wildlife). The music is good though, reminiscent of Jaws of course, but going its own way too. I’d love it if Eraserhead had received a nomination here (or anywhere) so I’m adding it, for it’s washing, industrial, hissing noise.

The soundtrack to Hausu is great because it was completed before the film had actually been made, yet it manages to be as buck nuts as the film itself, sounding like a children’s TV show and a cheesy rock based musical. The soundtrack of Martin is one of the most beautiful, haunting, and underrated in horror, while we can’t have a discussion about soundtracks without mentioning one of the biggest selling albums ever – Saturday Night Fever – a soundtrack brimming with disco classics. If we’re going to include that, then we must also include Smokey And The Bandit – as much as I’m not a fan of disco, I hate country music more, yet both these soundtracks are great. Susperia remains Argento’s most famous film and probably Goblin’s most acclaimed score – reminding me of Rosemary’s Baby but with hissing and arcane whisperings and chants in place of the lullaby ‘la las’. It’s one of the few soundtracks I can put on and listen to the whole way through, a rip-roaring ride of devilish funk, rock, synth, screams, and more. It would be my winner if not for Star Wars. I think that’s quite enough soundtracks for one year.

My Winner: Star Wars

Let us know in the comments which Score of 1977 you would choose!

Best Make-up – 1977

My Nominations: Star Wars. Eraserhead. Hausu. The Island Of Dr. Moreau. Rabid. Suspiria.

There are a few here that I’d be happy picking as winner – for sheer disturbing power Eraserhead’s work is second to none and creates a nightmarish atmosphere and vision which is difficult to get through, while the invention in Hausu puts most other movies to shame. The Island Of Dr. Moreau continues what was started with Planet Of The Apes, while Rabid offers a more urban take on zombies, with all manner of bodily stuff going on. That leaves Star Wars and Suspiria, and out of those two Star Wars wins on scope alone.

My Winner: Star Wars.

Let us know in the comments which films you would nominate here!

Best Costume Design – 1977

Official Nominations: Star Wars. Airport 77. Julia. A Little Night Music. The Other Side Of Midnight.

This was a no brainer. Airport 77 is merely an excuse to give Edith Head her yearly nomination, while A Little Night Music is the Academy forcing another musical into the category, regardless of how bad it is. Julia and The Other Side Of Midnight are worthy nominees but being period pieces not so far removed from a recent period of history they don’t feel as startling as nominees from other years. Star Wars then creates a new Universe populated by planets and characters with their own individual fashions and styles. Even if the film only featured Vadar and everyone else wearing the same bland outfit, it would win. Of course we have iconic outfits on a conveyor belt, from the Stormtroopers to Leia’s various dresses, to Han’s space-age gunslinger garb… it’s one of the easiest Oscar wins in history.

My Winner: Star Wars

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My Nominations: Star Wars. A Bridge Too Far. The Duellists. New York New York. Jabberwocky.

It’s a little pointless again because we know what the winner is. A Bridge Too Far goes all in on the authentic costumes while The Duellists has more flair, New York New York hits the musical quotient if we must, and Jabberwocky recycles from Holy Grail with a few updates.

My Winner: Star Wars

Let us know your winner in the comments!

Best Art Direction – 1977

Official Nominations: Star Wars. Close Encounters. Airport 77. The Spy Who Loved Me. The Turning Point.

Similar to the Costume Category, this was always a one horse race. Not quite as one-sided as Costume as we have some notable nominees here, but we know Star Wars is the winner, what with its Death Stars and Millennium Falcons and Cantinas. Close Encounters is a close second, while Airport 77 and The Turning Point don’t offer anything out of the ordinary. The final option then is The Spy Who Loved Me. It’s always interesting to me when a Bond film is nominated for an Oscar, because it happens so infrequently. If there is one category it should have excelled in over the years, it’s this one with Ken Adam pulling magic from his hat on multiple occasions. Of course it took Adam to work on Barry Lyndon before The Academy paid attention to him (though he did get a nomination in 1956 too) but he finally got some respect for his epic Bond work this year thanks to his work on Stromberg’s base etc.

My Winner: Star Wars

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My Nominations: Star Wars. Close Encounters. The Spy Who Loved Me. A Bridge Too Far. The Duellists. Eraserhead. Hausu. Suspiria.

The Academy all out avoids some major picks this year. I bring over the three best nominees, but there’s no way you don’t nominate Suspiria here. It’s on, no questions. Similarly, Hausa just has to get on – if you’ve seen it, there’s no way you argue against it being here. A Bridge Too Far and The Duellists both deserve a nomination, though I’d be happy with either or, and that leaves Eraserhead as another film with such a unique look that it hasn’t really been replicated in the years since.

My Winner: Star Wars

Let us know in the comments which film gets your vote!

Best Original Screenplay -1977

Official Nominations: Annie Hall. The Goodbye Girl. The Late Show. Star Wars. The Turning Point.

As is usually the case with this category, it closely matches the Best Picture nominees. Annie Hall – not that different from the usual Woody Allen shtick although there are enough one-liners and rambling speeches to highlight. A modern viewer will find much of it hackneyed and cliched, but only because it has been copied so many times. The Goodbye Girl is standard Neil Simon fare – romantic comedies don’t do much for me, even when they are as well written as this, but it needs to be exceptional for me or speak on a personal level for me to rate it any higher than average. The Late Show is the anomaly of the bunch – the film no-one remembers. It’s another unfortunate case because it’s an interesting film merging noir with lighter moments and it’s certainly the type of film you don’t say anymore. The Turning Point doesn’t offer anything new and plays out like a standard soap drama. Star Wars created an enduring universe with a multitude of characters and places and dialogue which has become part of culture and daily dialogue, never mind the number of imitators which the story spawned.

My Winner: Star Wars

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My Nominations: Star Wars. Annie Hall. Close Encounters Of The Third Kind. Desperate Living. Eraserhead. High Anxiety. Martin.

Desperate Living…. I just like the idea of something like this getting nominated. Have you seen it? There’s more humour and weirdness in a couple of pages of this script than there are in many comedy writers’ careers. It’s… not for everyone. Close Encounters gets another nomination, Spielberg subtly working in Jewish and Christian allusions and more overarching themes of exploration, knowledge, and tolerance. Eraserhead also gets another nomination – a screenplay created almost entirely to allow for Lynch’s visuals and atmosphere. Mel Brooks knocks out another great script – it’s very difficult to get parody right but he does it once again with High Anxiety, while Martin was one of the first movies to bring vampires out of European castles and Victorian streets and into American suburbs, while at the same time subverting the vampire myth and offering insight into pained adolescence.

My Winner:  Star Wars

Let us know your winner in the comments!

Best Picture – 1977

Official Nominations: Star Wars. Annie Hall. The Goodbye Girl. Julia. The Turning Point.

This year was all about Star Wars and Annie Hall – one movie about a bunch of weird-talking, hair-covered, funny-looking characters, and the other about Luke Skywalker and chums. Annie Hall picked up the win and is generally considered Woody Allen’s finest work, honing his dialogue, quirks, and romantic plot into something palatable for the masses. Star Wars meanwhile, is possibly the single most significant film ever, single-handedly changing the movie landscape, the movie business, for ever more. I think you already know what my winner is.

Your average movie goer won’t know the other three even though each is worth seeing, depending on your preferences. The Turning Point was incredibly, and inexplicably, nominated for 11 Oscars, but didn’t win any setting a record. It’s about ballet – all these former dancers and lovers and new dancers and lovers and all of the drama between them, and based on a true life story. The Goodbye Girl is about the relationship between dancer and actor and is held together by an Oscar winnig Richard Dreyfuss performance – it’s another unusual choice for Best Picture nomination, but it’s still good. Finally, Julia sees Jane Fonda Vanessa Redgrave’s friendship divide into separate lives and journeys, with Nazi drama and Jason Robards and Meryl Streep all popping up – again a good film but an odd choice in the category.

My Winner: Star Wars

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My Nominations: Star Wars. Eraserhead. Close Encounters Of The Third Kind. The Duellists. High Anxiety. Sorceror. Suspiria.

You know, for such an important year in Cinema – namely due to the release of Star Wars – there aren’t many genuine contenders for the top prize. Therefore Star Wars is the only one which makes it to my list and joins a handful of personal favourites and some which you feel could have been nominated. Eraserhead was, and still is, too bizarre to have ever received a nomination in this category, but it is a singular film, a unique vision, and is just as powerful today as it was then – people are still talking about it and being influenced by it. Close Encounters feels like the one that could have been nominated, and the more conservative voter may have gone for it over Star Wars. The Duellists also feels like a film which could have been nominated, though maybe Ridley Scott needed another film under his belt before its release; it has all the hallmarks of the sort of film the Academy loves to nominate, with the caveat being that this one is actually good. My final trio had no chance of being nominated – Friedkin’s Sorceror mostly ignored upon release and only receiving its due credit in recent years as a pure exercise in tension, Argento’s Susperia is gory horror so wasn’t going to be mentioned at all, even if it is one of the most visually stunning movies ever made, and High Anxiety wasn’t topical enough while being one of the most clever and funny Brooks efforts.

My Winner: Star Wars

Let us know your picks and thoughts in the comments!

Amazon Vine Freebies – January/February 2018

These posts are as painful for me as they are for you, believe me. No-one reads them anyway, but I suppose there’s a sick delight in showing y’all the great free stuff I am sent. But because I get so much, and because I’m so far behind, I’m going to start grouping the posts in the hope that I catch up. Righty-oh, here we go.

Toasty

Itchy. Scratchy. Tasty.

Learnding

Headbanging

Drinking

Showering

Lasting

Blushing

Sloganeering

Copying

Aging

Creaming

Sweating

Switching

There is no try(ing)

Killing

Shaving

Thankee-sai!

Amazon Vine Freebies – June 2017

It continues….

Is it?

What Is It?

Any ideas?

Not for sniffing

Not for sniffing

Not for leaking

Not for… woofing?

A handheld sucka

Can you?

A handheld animal hair sucka

A multi purpose cutta

Laugh it up fuzzball