OLD MAN HERSHEL: Now listen up, everyone. The Lord has felt it necessary to wreak this plague upon us to shame us for our iniquities, but while we still live we need to prepare for the fut- Rick, what on Earth are you doing?
RICK GRIMES: Handstands.
OLD MAN HERSHEL: Han- why are you doing handstands? We’re having a serious discussion about farming, and irrigation, and such.
RICK GRIMES: Yeah I know but, handstands are much more fun. Look – weeeeee!
OLD MAN HERSHEL: Rick, that is the most ridiculous thing I’ve ever – it does look kinda neat though. Let me try. Weeeeeee!
What had the potential to be one of the greatest zombie movies ever is let down by poor studio choices – mainly distancing itself as far from the games as possible. However, it remains a solid action movie if not the terrifying, emotional, complex horror it could have been. Admittedly, truly bringing the game to life for a two hour movie would be an extremely difficult process, and those making it could easily have made a mess, mangling the characters and story. It has always been my opinion that the games should be made into feature length TV movies or a high budget series. This way everything would fit in, and the budget would not need to be great. Of course this is just a pipe dream, and what we have is not as bad as some make out, with many good points.
The film starts with an outbreak at the Umbrella facility. Chaos ensues, and everyone appears to die. We then meet Alice, a woman inside an eerily empty mansion at night. She does not know who she is, and only has flashbacks of her life. Soon a group of marines enter, assuming she is a civilian, and along with the other survivors they try to work out what happened to the facility. They quickly find out that everyone has been turned into zombies by an evil computer program and worry about how to escape. Alice is not what she first appears to be, and neither are some other survivors.
The main problem with the film is that there is little fear created, and it is insanely watered down, with little gore. Fans of the series are used to high tension, jumps, threat and bloodshed, but this is simply not present here. Most of the marines are wiped out in a room which shoots high powered, cutting lasers, while only one is killed by a zombie. The Licker effects are okay, but there are no Hunters, Spiders or Tyrants. As well as this, most of the marines get small roles, look similar, and we fail to feel anything for them. Now the good points; Jovovich is very good in the role and there are a few decent twists, like the game. The way her mysterious past is revealed is clever and well-balanced alongside the escape plot. The star though is Michelle Rodriguez, giving an excellent, physical performance akin to Vasquez in Aliens. The action scenes are dealt with well, especially those involving the dogs, sets and lighting feel authentic for the series and the direction is solid. The film makes a good attempt at creating an original story, and it is left open for a sequel. Of course, us fans would have loved to see Wesker’s antics and our favourite STARS members being picked off. Maybe one day the games will make truly great movies, but why complain when we still have the games. Obviously a let down for fans, but still a pretty good action film.
Let us know in the comments what you thought of Resident Evil!
By now if you haven’t seen Train To Busan you’ve probably at least heard of it – breaking box office records and hearts at a furious pace. If indeed you haven’t seen it, you need to set aside a couple of hours, right now, and watch it – Train To Busan is the horror movie of the year and shows that there is still plenty of life left in the shambling undead genre providing you have the right people behind and in front of the camera.
Train To Busan gets right what many horror films get wrong – character. Too often character is sacrificed for plot, or worse, for kills. I love a good beheading or stabbing as much as the next horror fan, but sometimes we want more – more substance, more feeling and care. Cannon Fodder is all well and good, but the impact when someone we actually like, or actively dislike bites the dust is more powerful and the memory of their death and the associated emotional weight stays with us longer. There’s an old belief/saying/remark that I generally accept as containing a lot of truth – that the best horror films are often made by people who don’t make horror movies. While that’s not true across the board, it does sometimes take a person outside of the genre to bring something truly unique or horrifying to the butcher’s table. While Yeon Sang Ho was no stranger to dark material, it would be difficult to classify his previous work as strictly horror – his debut animated feature The King Of Pigs an unsettling look at violence, class, bullying, masculinity, and the follow up The Fake is an equally divisive, unflinching depiction of religion and abuse of power. Train To Busan was the director’s first Live Action movie, and although he filmed it alongside the animated prequel Seoul Station, it depicts a level of character building and command of genre usually reserved for the greatest directors.
At just under 2 hours, Train To Busan covers a lot of ground and gets off the ground within moments – we meet the ‘bit of a dick’ protagonist – a divorcee who apparently cares more for his job than his young daughter. As her Birthday present, she wants to visit her mother in Busan and her dad reluctantly agrees to take her. As they get on the train we pass by several other characters – a working class tough guy with his pregnant wife, a superior wealthy business men, estranged elderly sisters, and a school baseball team with their own interconnected dramas. Just as the train is setting off, a young, sick, injured woman collapses into one of the carriages and the fun begins as she decides to take a chomp out of one of the train workers. The way the ‘virus’ spreads here is more akin to 28 Days Later where a serious bite will result in death and ‘turning’ in a matter of seconds. Within minutes the train is in chaos, with factions being formed, people being slaughtered, some hiding, some fighting, some locking others away to their doom, all while the train scurries along to its final destination.
The pace with which the virus spreads is matched by the plot pacing and direction. There is rarely a moment to breath or relax without some new twist or threat emerging. The characters from different backgrounds all react to the carnage differently, yet all want to survive. The arguments here are of course reminiscent of NOTLD and Day Of The Dead with each voice and ego demanding to be heard and refusing to accept any other opinion as valid. There are a number of terrific set pieces, from scrolling beat-em up fight scenes through zombie filled carriages, to white knuckle tension filled moments as one group tries to lock out another, to the seeming safety of arriving at another station only to find it completely overrun too. Indeed, most of the excitement and scares of the film come from the pacing and the character driven plot, rather than jump-scares or gore.
While the film has its bloody moments, it isn’t overly gory or off-putting for newcomers. Seasoned horror fans will enjoy the action and invention, while new fans will likely be sucked in by the story which is frequently heartbreaking. The performances from top to bottom are great, something vital when you are relying so heavily on character, and most of the writing is on point too. You’ll have fun guessing who, if anyone, will make it to Busan, and the energetic nature of the film will have you thirsting for a rewatch. This is a highly entertaining, game-changing zombie film which reinvigorates a genre bloated by the procession of Walking Dead episodes and clones and frequently equals the heights that the best of the genre has to offer while encouraging those unfamiliar with these types of movies to get on board.
Let us know in the comments what you thought of Train To Busan!
The beginning of the modern horror film, and along with Psycho, the most influential horror movie ever. Drawing on many of the early monster movies of the 1930s, with a seemingly unstoppable beast tracking down prey, it enhanced the atmosphere of those films for the new wave audience. Aside from that, NNOTLD is a breed apart from anything else released at the time. Tonnes of gore, shocks the cinema goer had never experienced, unexpected twists and turns, downbeat, scary, with unusual protagonists and new ways of story telling, the world didn’t know what had hit it.
It was the late sixties. The Vietnam War was proving that North America was not all-powerful, and asking questions about who were the good guys, about motivation, about the human race as a whole. Anti-war protesters were being beaten and gassed for what they believed, while America was attempting to destroy another place…for what they believed. Hippies were spreading a message of love, new ideas were flourishing in all areas, from making peace to making war, and technology was becoming more important and influential. The result was that the good guys were often over-looked, good deeds were mostly forgotten, and many lives were thrown away aimlessly and without purpose. Those who survived wondered why, and had no clue why they were still here. It seemed like outside, bigger forces were at play, and that unseen beings were controlling the public. NOTLD was released.
A brother and sister are travelling to their parents’ graves in the countryside, a trip that has become an annoyance rather than a mark of respect. Johnny taunts his sister Barbara like he used to as a kid, scaring her, saying the infamous line ‘they’re coming to get you, Barbara’. A man walks towards them and attacks without warning. Johnny is killed and Barbara flees to a nearby farmhouse,entering a near comatose state. Another man arrives, Ben, and begins to board up the doors and windows, telling Barbara that he too was attacked by a number of people, and witnessed a town coming under siege. The attackers seem to have no regard for their own safety, and feel no pain. Soon people who had been hiding in the basement appear, and together the group try to figure out what to do. The TV says the attackers can be killed by a heavy blow to the head, and seem to be scared of fire. It seems that, inexplicably, the dead are coming back to life and eating the flesh of the living, who in turn become zombies. The group argue over the best solution, tensions arise, and all the while, the number of zombies outside grows, waiting.
The film has great depth and terrific acting from amateurs. No-one is safe from harm here, and it seems that the group’s downfall is because they are human and cannot work as a group – personal interest and opinion always interferes. The zombies do not argue, they will happily wait for their chance and strike with stunning force, as a unit. If you take down one, there are 10 more closing in. The group could have escaped earlier, by running past the few zombies, but it seems the house will become their coffin. If they had not fought among themselves they may have had a chance but even then, where would they have gone?
Ben as the main character is seen as revolutionary because he was an African American, but this was not in the script -he just happened to be best for the part. Romero has since become a champion of the disenfranchised – women, children, other races. Duane Jones’s performance is strong. Judith o’ Dea as Barbara does not have much to do, but is good, and the other stand out is Karl Hardman as Cooper. Cooper has a wife and injured daughter and feels Ben is endangering them with his schemes. Tom and Judy are a local farm couple, innocents who try to think clearly and are punished for it. Indeed it seems that when a good plan comes around, it is stopped in its tracks with devastating results. Though human error is the major mistake in a darkly ironic twist.
Although it was filmed in BW, the gore is there. People are eaten and burned, flesh is chewed on the full screen, bullets are driven through chests. The shocks are genuinely shocking, and the film’s atmosphere is claustrophobic and we sense the dwindling of hope. The overall tone of the film is stark, and it seems the future only holds violence – the news reel footage echoing what American housewives and kids were starting to be exposed to on the news. The film struggled to find distributors, and was shown in matinées to unsuspecting youngsters – we can only imagine their reactions. Truly a horror classic, and one of the most nightmarish films ever made, with a view of the world as a terrible place filled with pain and stupidity. We cannot overcome creatures which cannot think. Death is shown as a creeping inevitability, and the good guys almost always lose.
Hmm, for one of my old half-assed reviews, that was actually pretty good, and reminds me again how prescient the film is in today’s world. Almost fifty years since its release and we still haven’t learned. Let us know in the comments what you think of Night Of The Living Dead!
It seems there’s a zombie mashup for every occasion; all we need now is Zombies vs Zombies, and the world will implode in an undead mass. While it’s true that the majority of these efforts are terrible, every so often something good squeezes through. Cockneys Vs Zombies just about hits the mark thanks to its charm and swagger and a number of funny moments and a good cast. Although the whole geezer thing gets irritating after a few minutes, it somehow doesn’t get too badly in the way of this entertaining jaunt through the East End.
Firstly, I’m surprised at how little money the movie has made given the critical consensus and a fair amount of hype and advertising around release, at least in the UK. According to Wikipedia, the movie has only made just over 100 grand off a 2 Million budget. That in itself is enough to make me recommend the movie – it’s a hell of a lot better than movies which rake in tens or hundreds of millions – better made, more inventive, funnier etc. Audiences outside of the UK may struggle with some of the speech and dialogue, but if you’re willing to give it a try, and if you like zombie movies, there’s no reason why you won’t enjoy this.
Harry Treadaway and Rasmus Hardiker star as Cockney brothers who want to help raise the money required to prevent their Grandfather’s Retirement home from being demolished. Not having any particular skills or education, they decide to rob a bank. When the robbery goes tits up the brothers (along with their cousin Katy and two friends) take a couple of people hostage. While all this has been going on, a construction group has accidentally discovered an abandoned 17th Century graveyard underground containing zombies – unleashing a growing wave of the undead across the East End. Soon the group of friends and hostages are surrounded by zombies and need to set aside their differences to reach their loved ones and try to fight their way out of London.
The film has some very funny moments – the zombie chasing the old man (Richard Briers’ last role) and much of the action in and around the Retirement home. Although Alan Ford’s hard old man shtick wears then very quickly, the appearance of Honor Blackman and Michelle Ryan, along with the rest of the cast prove that the ensemble can carry and cover most annoyances. The movie doesn’t deviate far from most movies of its kind – the outbreak, the siege, and the escape are all present, but the addition of the elderly characters and the setting, along with the fact that everyone involved is having fun mean that this is infectious and entertaining, if not as timeless as Shaun Of The Dead. Give it a go if you are a fan of that movie as it shows there is still life in this beaten horse.
Let us know in the comments what you thought of Cockney’s Vs Zombies – is it one film too many in the genre, or one joke too few?
*Based on a free copy provided by Amazon – buy it here
I was hoping for a lot more from this- more coherent stories for example, but given that there are thousands of different ways to open and close your tale, as well as all the good stuff in the middle, it would be difficult to make any of them coherent. This is just a bunch of easy fun wrapped inside a few thousand rotting corpses. The zombies are impressively detailed and kids will spend hours creating their favourite characters and possibly delving into their own dark imaginations to produce their own fevered stories of blood and chaos. Wisely the illustrations are given a page all of their own so that there is a full page impact, while the stories appear on the other leaf. Each creation is split into three so if you turn the top third of a page you will be decapitating one monster and giving birth to a new one- likewise with the legs and torso. So, obviously this isn’t the sort of book you will pick up and read through, it’s more of a game, partly like those ‘you open the door- turn to page 49’ books of my youth.
Parents shouldn’t worry that there is anything too graphic or offensive or terrifying here, it’s all good clean gruesome fun- the sort which kids lap up. Horror ‘maestro’ Alex Cox narrates while we get a foreword from undead metal legend Rob Zombie, so chances are that is geared more towards ‘adult’ zombie fiends rather than the youngsters. It’s cheap and worth a look if your child is showing an interest in the dead side of life.
Have you read 10000 Zombies? Let us know in the comments!
*Note – at time of writing the show was in its mid season break. Now that I’m returning to the post the same season has finished and I’ve added a bonus paragraph!
Greeting, Glancers! It was inevitable, wasn’t it? My love of horror, apocalypse scenarios, TV, zombies – of course I was going to watch The Walking Dead, and of course I was going to love it. And of course I was going to include it in the Sh*t I Watch series. It should be noted though that I have not yet read the comics, though I hope to some day once they are cheap or someone gives me more money or an apocalypse comes and I can wander in to Forbidden Planet and take them free of charge. That’s what we all really want to see and dream about when we watch a show like this – the complete freedom to go and do as we please, no job, no responsibility, no future, our only care being how to survive.
I won’t get into why this sort of thing is so cherished by people suffice to say that it has always been something I’ve fantasized about from an early age; all the usual questions – which weapon to use, where to live, how to travel, who to trust, what sort of person you should be – a lone warrior wading through the wasteland and killing zombies as you go, a trader who moves between settlements passing on information and supplies, part of an elite military or rescue group, hoard yourself with your family and only sneak outside when absolutely necessary, a peacemaker and builder who tries to bring society back from the brink? The possibilities are both endless and endlessly cliched, but it’s so easy to lose yourself in daydreams.
For my part, I don’t think the perfect zombie or apocalypse show has been made, though I love so many movies, books, and games which base themselves around similar ideas. I Am Legend and The Stand are my two favourite books of all time; Romero’s Dead trilogy are among my most loved movies of all time; since as far back as I can remember, the stories I have been most drawn to have involved some sort of survival against the odds, either a journey back to civilization, or the survival against its breakdown – all going back to when I first read The Odyssey in Primary School, along with all the other assorted heroic journey myths. I bought The Zombie Survival Guide the first day it was released, having had it pre-ordered for months. I wrote a draft script for my own TV series based around a zombie apocalypse years before The Walking Dead was developed. If I’m ever walking alone (which is most days) my thoughts invariably drift to questions like ‘how would I escape if I was surrounded in this street’ and ‘what would be the best way to travel to and from the city from here’. I have gone so far as printing out detailed Google Maps of the places I’ve lived and covered them in coloured lines to signify borders and barricades to build,filling them with notes on where the best place to live would be and how to divide survivors into teams to move from house to house, building to building, street to street taking out corpses and barricading the area to make it as safe as possible. In short, I am not right. What’s cool (and disturbing) though is how many people are the same. If friendly conversation in a group somehow turns to this topic, there is always, always at least one other person who is similarly intrigued by the whole thing and has spent hours obsessively pondering. Hopefully all this has set the scene for why, even though I sometimes scream at the TV for how boring and repetitive The Walking Dead can be, I wholehearted love it and forgive its flaws.
If you somehow don’t know, The Walking Dead follows a group (or groups) of survivors in a world where society has collapsed due to a zombie outbreak. In grand zombie tradition the reasons for the outbreak are never explained and our lead character, Rick, missed most of the initial carnage. Waking in a hospital days after the world has essentially ended, a la The Day Of The Triffids, 28 Days Later, The Stand, etc etc, Rick seems to be the last person alive surrounded by flesh eating ‘Walkers’. Over time we find out that plenty of people have survived, including Rick’s family, friends, and other assorted goodies and baddies. Each series sees new characters introduced, old characters slaughtered, and plenty of human drama offset by scares, action, and horrific and delicious violence. Where The Walking Dead scores more highly over other recent shows that I watch is that it makes me care about the characters – I love some, I despise others, and the ones I am ambivalent about usually don’t last more than a few episodes. The characters feel real and you can understand the actions 0f even the most crazed or most evil, though there have been plenty of moments where you are confident that a certain character would never behave in a certain way based on what we have previously been shown. There isn’t a lot of humour, and in recent seasons the atmosphere has become almost unrelentingly bleak and tense as beloved characters are killed off with or without warning, and every glimmer of hope is swallowed whole.
There’s a valid argument that this show and other fiction like it fails to take into account that most humans are essentially good, want to survive, and understand instinctively that to survive we need to live in packs and work together towards a common goal. Too often in this sort of show are there people only looking out for themselves and who will terrorize and murder everyone in sight if they don’t bend the knee or simply get in their way. Whether or not this would happen in reality is hard to say – history has shown that we’ve only got to where we are today by forming societies and ensuring that those things which harm the group are punished, those things which prevent us from losing our humanity are cast out. But of course, the most interesting characters are always the outcasts, rebels, and misfits and there wouldn’t be much drama if we focused solely on rebuilding and avoiding the dead – we’re only happy when we’re filled with dread or grief. In The Walking Dead there are moments which show how our main characters wrestle with the notion of humanity, frequently turning into animals themselves to survive or get what they want. Several have come close to ‘stepping over the edge’ and therefore losing their humanity. The problem may be that each series there is a bad guy or bad element for dramatic purposes who rarely crosses the line into humanity – we know they are evil from the moment we see them and that there is no hope for them. To the show’s credit, it recognizes this fact and does its damnedest to try to make these bad guys more human, but as a smart audience we understand that the twain cannot meet, and that TV demands our characters to remain stalwart and true against the baddies.
I can’t speak for what Negan is like at this point, but lets look at the ‘big bads’ we’ve had so far. We’ve had Merle – essentially a psychopath, lines blurred by the fact that he is the brother of another character, Darryl. We’ve had Shane – Rick’s best friend and the man who basically takes over looking after Rick’s family. As the series progress he feels like he is losing control and influence within the group and wants Lori (Rick’s wife) for himself, eventually resorting to cowardice and malice and murder. We’ve had The Governor, a self-placed leader of a successful community who seems like a saviour on the surface, but is ruthless underneath – there are few real attempts at blurring the lines with him until a few brief moments after the collapse of Woodbury where it seems he could be human after all, but these don’t last long. We’ve had The Claimers – roving bandits whose loose set of rules is that whoever ‘claims’ something gets to keep it – throwaway evil. We had the people from Terminus – inviting survivors to an idyllic place only to execute and eat them, again they seem nice on the surface but are killers underneath with little attempt to blur the lines. The best and most frustrating attempt to blur this line is with the Policewoman Dawn, who rules Grady Memorial hospital. She genuinely wants to build a better world, but she allows her need for control get the better of her – she believes in upholding the law, but allows her men to rape and steal and hurt, she essentially turns the hospital into a prison demanding the most useful people to stay and help. She is shown to have good intentions but is also shown to be too cold and doesn’t get the character development needed to make us question whether the things she did were for the benefit of society or not. After she is dispatched, a large group of survivors decide to continue what she planned, but supposedly without resorting to inhuman activity – I wonder if we’ll see them again.
(Update since mid-Season: Season 6 to me had a major focus on this blurring of good and evil, with Rick and the gang frequently being seen by others as being the bad guys, or recklessly dangerous to the point that us the viewers will have been hard pressed to disagree with such notions. There is not simply a sense of performing awful acts to survive, but rather that they are going out of their way to kill because there might be a threat. They have become so deluded by their own confidence that when Negan finally makes his appearance in the final moments, his group has toyed so easily with Rick’s group as to make them seem like amateurs struggling within an ever-tightening noose.)
There are plenty of other examples of more minor bad guys (again notably the Doctor at Grady who seems like a good person but is killing certain patients for his own survival) and those who are simply canon fodder. But enough talk of such things, lets talk about what we really care about – guns, swords, and gore!
We may stay for the drama, but we came for the blood. The Walking Dead raised the bar for depictions of violence on TV and has superb effects throughout thanks to genre legend Greg Nicotero and his crew of wizards. There is so much work and love put into the practical effects, the make up, and even the CG, that it is a joy for gore fiends like me. Even the most static episode will have an obligatory chunk bitten from an arm or headshot etc, but we go truly overboard with all manner of kills, injuries, and gruesome creatures on various states of rot. The sets and locations are suitably barren and reflect an America sickened and on its knees, however I am getting a little tired of the same scenery over and over – those leaf strewn roads and those same forests. I’d love a little more variety, and that’s why I’d love further spin offs showing survivors from around America, from around the world – beach zombies, mountain zombies, a last stand around Chichen Itza, tribes or roaming survivors in Africa, Australia, all keeping away from the cities – and of course why not some cities themselves – a group of scared politicians or officials holed up in suburbia, or a bunker, or in a palace or millionaire’s mansion? I haven’t watched any of the spin-off show Fear The Walking Dead yet, but I understand it takes place in another US city and deals more with the lead up to and immediate aftermath of the outbreak. All I’m saying is that there is still room for other ideas and people and places before it all becomes too saturated and silly.
While the dialogue is peppered with inspirational speeches it’s not exactly the most quote-worthy show. There is a lot of introspection and there are a lot of arguments. Nevertheless, the show is well written and packs in plenty of surprises and shocks, though it’s clear those are on the wane. There isn’t a lot of humour and there isn’t a lot of love – when there is it usually doesn’t last. The show follows in the tradition of Buffy and Game Of Thrones by placing a lot of its ability to scare the viewer into us knowing that any character can be killed off at any time. There have been some rumblings recently though that the show has lost its bite and is now too scared to kill off one of the key players – a Rick, a Darryl for example. We’ve seen several main characters apparently be killed only for them to be miraculously resurrected which has pissed off quite a few people. The show does still have a high death count, not just bad guys and zombies, but recurring cast members. If you make it through a couple of Seasons as an actor you’re bound to feel both lucky and wary that your days are numbered. We know someone from the main group died at Negan’s hands in the Season 6 finale, but we don’t know who. There are plenty of disposable characters, but we all have our favourites. My main issue at the moment is that the format does seem to be running thin – survivors find a new place to hide and live, a new human threat emerges, the threat must be overcome, usually at the expense of the place they were living and a few new characters. Rinse and repeat. I was excited by the prospect of the road trip to DC as that gave the show a different direction, a different endgame and purpose, but it fizzled out. We know the show will have to end some time, and I’m not advocating some pleasant answer where a cure is found and they all live happily ever after. I do think there needs to be an ending though, before the masses lose interest and they wrap it up in a lazy way. I’d be happy watching forever of course, guns and gore and zombies and I’ll watch. Even if it’s Zombie Nation, and that show is balls.
But I’ve rambled on long enough. I need to go check the barricades and make sure the surrounding streets are clear before it gets dark. Because they mostly come out at night. Mostly. Let us know your thoughts on The Walking Dead in the comments section – your favourite character, kill, and of course what you would do if, nay, when the zombies come.
Aah, Halloween- the most wonderful time of the year. When even those who wouldn’t usually subject themselves to all manner of terrors decide to watch the odd scary movie or 2. Unfortunately for me, this part of the Spac Hole which I currently inhabit does not indulge in the season as seriously and joyfully as other places, so I have always felt a little deprived. Sure, we had some parties, sure we threw fireworks at Gerry’s house, and yes we would watch whatever limited choice of movies were on over the few days but compared to other places (particularly you festive folks in the US) it just didn’t seem as much damn fun. In my mind, the whole month of October should be a vessel for Halloween activities, from dressing up to trick or treating, to watching scary movies and hiding under the beds of people you don’t know with a chainsaw.
To that end I have helpfully made a few lists of classic horror movies which sould chill you to the bone, and add to the singular atmosphere of this most evil time of the year. This list of 31 movies was created so that you can split the fun over the entire month (alternatively you could wait until closer to the day and have a few marathon sessions) and let yourself tremble ever so slightly in the supposed safety of your own home. Just be sure to lock your doors and windows, close the curtains, and tuck up the kids tightly in bed (checking underneath and in closets for me) before turning off the lights. Maybe check those locks once more, you can never be too sure or too safe. Oh, what’s that? That noise from outside? I wouldn’t worry, probably just the wind. By all means go out and check, but that would mean going into the basement to find batteries for your torch. Really, just relax and watch the film, your paranoia can’t hurt you. The thing outside, yeah- it could hurt you. But you locked the doors, right?
These don’t have to be watched in any particular order, but some would suit the big day (or night) better than others. This is not meant to be a list of the best or even my favourite horror movies (though I love them all) but rather I feel these offer something of the atmosphere of Halloween. Enjoy.
An American Werewolf in London: This one has it all- gore, jump scares, atmosphere, action, humour, and a great plot with likeable characters. WereWolves, like Vampires have taken a rather glossy beating recently. This proves that you can wrap up a love story with horror without being teeny, without being sparkly, without being demeaning to viewers with brains. Classic Halloween scene: The Nazi section.
A Nightmare on Elm Street: Wes Craven, Johnny Depp, Heather Langenkamp, John Saxon, and Robert Englund- lovely ingredients for a tasty Halloween Pie. This is the original and best, before the horrific character of Freddy (Here just Fred) became a snuggleable, bantering chum. What could be better for Halloween than scaring yourself so badly that you can’t sleep- knowing that something terrible may be waiting for you in your dreams. A story with more depth than it gets credit for, dealing with the Craven standard of ill-advised parenting and how the children have to cope with the mistakes of the elders, this is full of genius set pieces and bloody action. Classic Halloween Scene: Nancy gets a bloody post coital surprise- but not what you’d expect. And did they say she was 14??
Alien: Often described as Halloween in space, or a Haunted House in Space, Alien deals with our fears of isolation, of being trapped, of being in s situation way beyond our control and way above our heads. Remove the alien, remove the setting, and this could be any slasher movie from the time. However, that would be taking away the fun, the fear, the atmosphere, and the ingenuity. This is dark, claustrophobic stuff, and the perfect film for Halloween to make you look out the windows into pitch darkness and wonder if something is staring back. Classic Halloween Scene: Dallas goes hunting, but realizes too late that he is the prey.
The Blair Witch Project: Similar to Alien this deals with our fears of isolation and the un-experienced unknown, but spices things up with issues of abandonment, paranoia, and things that go bump in the woods. A classic survival tale for city folk poking their ill-prepared noses where they don’t belong, Blair Witch succeeded because of it’s innovative filming and marketing techniques. It still succeeds today amongst a rubbish tip of similar films because the plot is solid, the acting is real, the rising tension and fear played out between the characters feels exactly like how we would react, the growing dread is almost unrivalled, and the climax is absolutely chilling. Classic Halloween Scene: The search for Josh in the freakshow house at the end will get you tingling and gripping the seat every time.
Creepshow: Halloween isn’t just about traumatizing each other, it’s also about good old fashioned camp-fire tales to warm the heart and soul. This is cheesy at times, but never boring or irritating, it feels nostalgic both for children of the 80s and of the 50-60s. The tales are brief, well written and acted, the effects are still top-notch with an earthy feel, and the scares are tense and fun. Classic Halloween Scene: Trying to convince your abusive wife to enter a box where a monster lives has never looked so enjoyable.
Candyman: Both Cliver Barker and Tony Todd are vital ingredients in any scare-fest- put them together and you’d better have a few spare pairs of pants lying around. An intellegent, sexy, city based horror which merges old world supernatural fears with the modern world of big business, CSI policework, snooping journalists, and end of the century hairdos. Barker at his height was a fountain of invention, bringing a freshness to the genre which made everyone else’s ideas look like old creaky mummy movies. Candyman merges urban myths with ancient folklore, mysticism with science, gore and shocks with beauty and lyricism. Todd’s presence is as powerful as any of the classic monsters, while Madsen gives a refreshing twist on the final girl character. Classic Halloween Scene: Hook through the chest.
Carrie: One for the teens this, though it may have aged some due to being so authentically 70s, the scares and the themes of abuse, loneliness, bullying, and separation are no less relevant or universal today. The story is simple but pumped up by ideas of religion, extremism, and psychotic mummies (not those ones). The acting by the main players is superb, there is something bleak about the whole sordid business, and we manage both to sympathize with and be scared by Carrie. And wish we had her gift. De Palma twists the tension knobs until they break off, though some of the intrusive camera guff is laughable now. Classic Halloween Scene: Everything between the bucket dropping and the school burning.
Child’s Play: The evil doll is a well worn sub genre of horror, but one which has very few, if any, classics. Child’s Play is amongst the best, and the series is certainly the most notorious. Like many 80s horrors, the series was unfairly derided for it’s supposed impact on our youth with some people going so far as blaming it for some grisly murders. As with most of these series, the quality decreased as the sequels increased, but the original remains surprisingly effective given the silly subject matter. If you don’t know the story- multi murdering maniac transfers his soul into a popular doll moments before his death, doll is picked up by young boy, doll begins murderous rampage again until it realises that it needs to sacrifice the boy to become human again. There are sure to be some laughs, some screams of just kick him in the balls and throw hm out the window!’, but maybe a few jumps too. Classic Halloween Scene: Chucky terrorizes the baby-sitter and we all jump when the phone rings.
Dawn Of The Dead: There is something quite special which you may not know about Dawn. If you watch it at Dawn- depending on where you live etc, try to time it where the film will just be ending as the sunrises. Then go for a walk immediately. It’s likely there won’t be many people around. The ones you will see will probably be shambling. The bleak nature of the film rarely hits harder than in these moments and you will surely look around yourself and feel a stark aura fill your being. There are few things more terrifying than waking up to an otherwise beautiful day and not wanting to be any part of it. Classic Halloween Scene: So many to choose from, from funny, to scary, to bleak, but I’ll go for the truck parking section as we realize that paradise can quickly become hell, and a haven can suddenly become a tomb.
Day Of The Dead: Surely the most grim of all the DEAD films, this is perfect Halloween viewing, not only because of the exquisite gore and effects. Claustrophobia and paranoia again play a large part, and you can’t help wondering why all these psychopaths keep getting in the way of your enjoyable apocalypse. Most people would be happily looting and whiling away their days watching DVDs, playing games, reading books, getting drunk, but there always has to be a crazy doctor or maniacal military group to spoil your good times. Halloween is all about good times, stick this on to reap the benefits. Classic Scene: When the Zombies step on the lift and it begins moving downwards- you just know all hell is about to break loose.
Dracula (30s): A classic to chill the bones of all comers, this still has the ability to… worry those who haven’t seen it before. A film that’s almost a hundred years old- how could that possibly be scary? Well, there’s a reason why this is still considered the best version. Classic Halloween Scene: When Harker first meets The Count.
The Exorcist: Now we get into the truly demanding territory. A rarity in the genre, The Exorcist was a massive financial and critical hit upon release, pampered with awards and then…uh, banned. It may not be as hard-hitting these days, but it’s still rough, creepy stuff. Plus it is played extremely coldly, and without a hint of humour. This is as bleak as horror gets, and even the supposed happy ending leaves us with a bitter, fearful taste. Excellent performances, bewildering jump scares, and freaky moments all conspire to chill the soul and ensure you cuddle up to your beloved in bed. Classic Halloween Scene: Spider walk.
The Evil Dead: This was mostly played for scares over the played for laughs sequel, and while there is humour here, the main focus is on sudden frights and wonderful, innovative camera techniques. You’ll have fun watching this one as each character gets picked off, comes back, and gets picked off again. Classic Halloween Scene: Cheryl at the window, not in the cupboard.
Friday The 13th: One of the original slashers and one of the most successful, this one has plenty of ideas and violence, and staples of the sub genre which have now become clichés. It has dated, it is silly and quite tame, but it was made with love and ambition and freshness. The ending is shocking, the performances are ok, and there isn’t a hockey mask in sight. Classic Halloween Scene: Arrow through the neck- don’t have sex kids.
Final Destination: Another rarity- an inspired modern horror film with great ideas which blends humour and genuine frights. We have a series of characters who rather than getting picked off one by one in an uncaring fashion, are shown to be real kids with real lives, fears, and concerns- and then they are picked off one by one in increasingly exciting, tense, and innovative ways. A film which deals with our fear of death, of inevitability succeeds on every level. Classic Halloween Scene: During a heated discussion in his car, one reckless character refuses to accept that his life is pre-destined or that death is stalking his every move. To prove the point he parks his car on train tracks with his friends as the train hurtles towards them. He soon realizes he was wrong.
The Fog: One of the great campfire spook stories, The Fog is still sadly underrated. Carpenter creates a wonderful atmosphere here which suits the season perfectly- even better if you’re near the sea or if there is fog around. Classic Halloween Scene: The introduction with the wizened old sailor sets the tone for the rest of the show, and should set the tone for your night.
Hellraiser: Another British one now, offering something different from our American cousins. We have sex, violence, lots of gore, and some S&M themed fun. This is gritty in an Eastenders sort of way- you don’t really want to look or have anything to do with these characters. Classic Halloween Scene: When Kirsty first meets the Cenobites- what is the finger in the mouth about?
Halloween: What more can I say? This is the movie which should be watched every Halloween- not only is it a genuine classic of the genre and a kick-ass movie no matter which way you look at it, it drips with and evokes that special Seasonal feeling that few things do. Make this the highlight of your night. After you’ve cut some throats. Classic Halloween Scene: Young Laurie runs screaming down her street being chased by a murderous maniac. She clambers to the front door of a neighbour, knocks and begs for help. A light is turned on. Then switched off. Did they think it was just kids messing around? Were they too afraid to help? Welcome To America folks.
Invasion Of The Bodysnatchers (70s): Some us like to dress up at Halloween as ghosts, vampires, or our favourite horror movie characters. Some people go further and pretend to be the person that the costume depicts. This definitive version of Bodysnatchers takes the idea of hiding behind a costume to dramatic and terrifying extremes- what if person next to you on the bus, your neighbour, your friend, your wife, or child was no longer the person they once were? In fact, what if some alien creature had taken their body as host and was walking around as an imperfect mockery of that person’s life? What if this alien race had designs on all your friends and everyone you’ve ever known, and what if you were next? This chilling view of a world snatched away from under our noses is all about loss of identity and mistrust, and makes for unsettling Halloween viewing. Classic Halloween Scene: The final moments. I’ll say no more.
Night Of The Living Dead: A staple of midnight viewing, the surrounding darkness makes the black and white all the more stark and cold; There are no easy answers or happy endings here. If you are watching this with a group of people, ask yourself which ones you would trust in a life/death situation. If your cosy home was surrounded suddenly by thousands of undead, who amongst you would come out as leader? Would you sit back, would you make decisions, would you think only of yourself or would you think of the safety of the group? Either way, you’re bound to get a chewing. Classic Halloween Scene: They’re coming to get you, Barbara.
The Omen: So far we don’t trust our neighbours and friends, but what if you thought your son was the Antichrist? The Omen is an apocalyptic film in more than one way and is filled with strong performances, gripping and bloody deaths, and a memorable, frightening score. Music is often pivotal in horror movies, and as you clamber the stairs to bed after this, with infernal monks chanting obscenities in your head, that corner of darkness you can’t quite see clearly may fill with unspeakable evil more readily. Classic Halloween Scene: Damian decides to ride his bike.
Prince Of Darkness: I find this to be Carpenter’s most underrated film mostly because it is awesome and should be mentioned in the same breath as Halloween and The Thing. Sure the plot is messed up with it’s evil green satanic liquid taking over zombies and bums mixed with time-travelling dream messages and psych jargon, but seriously it is awesome. It has more effective jump scares than any of his other shows and there is a creeping sense of dread and atmosphere throughout. In many ways it is classic Carpenter- a group of different thrown together in a building who have to team together or fall apart and stand against an overpowering threatening external force. It is a siege movie, it is clever for the genre though at times it doesn’t know what genre it wants to be. I think that was part of the fun though- like Big Trouble In Little China it is more than just it’s labels instead transcending notions of what it should or shouldn’t be, and is well ahead of it’s time. Classic Halloween Scene: The final survivors holding up behind some furniture while one of the crazies admires himself in a mirror with a large blade.
Ring: Please please please watch the Japanese version, not the abomination that is the remake. Sure the remake has plenty of jump moments, but it also has a deer on a boat, Brian Cox in a bath, and a director who decides it would be clever to cut away from the movie’s most important scene for the sake of a car chase. The original has Nanako Matsushima and Hiroyuki Sanada and if that isn’t enough of a recommendation then please remove thine eyes from mine page post haste. Watch this deep into the night, possibly as the last film, then play the lovely game of phone your friend once they have left to terrify them. Unfortunately the ideas first seen here have been so over-used that these games have become diluted, but the film still has an unflinching power. Not a drop of blood is shed, there are no knives, guns, or people bursting in from behind doors with a loud noise- this is the best horror film of the nineties and goes against everything that decade threw at us. And it’s a damn good story with excellent performances. Classic Halloween Scene: Sadako. TV. Sleep tight.
Scream: The second best horror movie of the nineties is the stuff of parties. By know everyone should have seen it, but many of you will have forgotten it and how good it still is. Plenty of shocks, laughs, scares, and action as well as a script the quality of which horror movies rarely get. And my beloved Neve Campbell is in it. Few horror films provide this much entertainment whilst still being scary, funny, and clever. The nods to horror movies will keep the nerds amongst your bunch happy and you can shout out when you spot a reference. Classic Halloween Scene: The final house chase scene as Neve doesn’t know where to run or who to trust.
The Shining: It’s rare for most people to get snow at Halloween, even more rare to be completely snowed in and surrounded. Try replacing the notion of snow with rain or darkness- would you want to go wandering outside if it was completely dark or hammering down? Anyway, this is another film which plays on isolation, claustrophobia, and paranoia. It’s probably best not to watch this one as a cosy night in flick with your little family- you’ll start wondering what the hell is going through each other’s minds. This is a giant of the genre with heaps of atmosphere and plenty of unsettling moments which deserves to be menti0ned at any Horror Movie Marathon. Classic Halloween Scene: Danny was warned not to go in that room. Prepare to be scared when Daddy goes looking too.
Silence Of The Lambs: The critic’s choice. Don’t invite any critics to your party as they will moan, groan, bore your girlfriends, and likely drink all your wine. There should be wine. This is nasty stuff from start to end as poor Jodie Foster tries to solve a murder whilst hiding her own fears from the unlikely Terminator Anthony Hopkins. This is better suited to smaller group viewing as it isn’t exactly cheery, blood n guts fun but it does the job when you’re on your own. Classic Halloween Scene: Anything with Bill really.
The Thing: In many ways the ultimate John Carpenter film, the ultimate macho man fest, and the number 1 examination of the paranoia which creeps into people during periods of isolation. The effects here still blow me away and they are only part of a long list of quality to describe this film- look at the cast, the performances, the music, the scares, the cinematography, and the way Carpenter drags the tension out of every shot until we don’t know who has been infected and who hasn’t. Great action adds to the great scares, but the special effects and story are kings here. Classic Halloween Scene: When the survivors are tied to chairs and Mac goes through each one by one to test if any are not human. Genius.
The Texas Chainsaw Massacre: This one still hurts today- it’s just so damn grim, dirty, and repulsive as to make the horror timeless. Sure they scares may be cliché now and the gore is almost non-existent, but the low down atmosphere, the miniscule budget, and the amateur (but good) performances all conspire to make this uncomfortable watching. I’m sure that there are plenty of people out there who still think that there could be a family like this in their town, just as much as I’m sure that there probably are still families or people like this in the world- maybe not in your town, but possibly the next one over. And chainsaws are awfully easy to come by these days. Classic Halloween Scene: The entire dinner scene. Truly horrific, the use of sound and various camera techniques make this one of the most intense few minutes in any horror movie.
28 Days Later: A modern classic, and one of the few great British horror movies of the last few decades. Taking riffs from Romero and King this is a post apocalyptic survivalist’s wet nightmare. Empty streets, shops to loot, cars to steal- all great if it wasn’t for the hundreds of thousands of psychopaths charging towards you in search of your blood. This is the 21st century folks, and zombies ain’t got time to amble and stumble about- these are confident, successful, modern big business, stepping up to the plate, corporate bull-shitting zombies, and they won’t take closing a door in their face for an answer. If you can’t run fast, you’re screwed. And just to make things Mega Man 9 difficult- these fiends don’t even have to bite you to kill/convert you- one drop of their blood/saliva entering your body, through a gash, a scratch, a kiss, or a tear is enough it recruit you. And sheesh! They don’t even give you time to grieve for your fallen comrade- within seconds of getting exposed, your best friend will be diving for your jugular too. My advice- kill everyone you see and hide under a pile of coats till it all goes away. Classic Halloween Scene: An abandoned car sitting in the middle of an abandoned London- nothing to fear but technology.
The Wicker Man: Nothing to fear but religion. Look closely enough and all religions begin to look like cults; they all have a figurehead, the followers worship the figurehead unquestionably and offer prayers, thanks, songs, and sacrifices, there are certain rituals usually borne of centuries long since dusted, those involved are usually inviting to outsiders in person, but have a secret hatred, anger, or issue against them once backs are turned. So we have The Wicker Man, possibly the best British Horror Film of the whole sorry lot. Aah, the confusion of two worlds colliding as we watch a upstanding lawman and guardian of his own archaic faith fall victim ever so slowly to a cult even more decrepit than his own. He knows something terrible is amiss, but it isn’t until his toes turn to cinders that he realizes his fate was sealed the second his feet touched the land. Classic Halloween Scene: When we first see Mr Straw and realize our hero’s fate.
Paranormal Activity: Proof not only that horror movies still have the power to scare, entertain, and bring in the mega bucks, proof not only that a good story well executed can be more than a match for buckets of blood, but also proves that in this day and age of $200 million dollar movies that a small group with talent, an idea, and a few months worth of average salary can make a great movie. Romero did it in the 60s, Carpenter did it in the seventies, Raimi in the 80s, Myrick and Sanchez in the 90s, and now Oren Peli has continued the tradition. Using every trick in the book he has made a classic pastiche of the genre and a thrill ride akin to running naked through a field of land mines. The setting of the movie is perfect for Halloween viewing- primarily it is set in the home and most of the scares happen at night- the film invades you with a sense that you aren’t safe in your own house and makes you take a second or third glance at that cup that you swore you set on the table which now sits on the ground. Likely to lose its impact with subsequent viewings this is best served to people who haven’t seen it. The scares (while you sense them coming) are unexpected and rewarding and while the characters are painfully annoying, you’ll still soil your drawers. Classic Halloween Scene: NEVER leave your foot hanging out of bed.
Trick R Treat: Anthology movies have had their heyday- we had a succession of British hits in the 70s, then a slew of bloodier efforts in the 80s. Then for 20 years anthology fans didn’t have a lot to be excited about aside from a few cheap efforts (although Asia did produce some great ones at the turn of the century). Trick R Treat is good enough to kick start a revolution in the genre, or at least it would have been had it been released in any cinemas. Straight to DVD (yet with a decent budget and big name cast) Trick R Treat features four shorts linked by an over-arcing plot and is to Halloween what presents are to Christmas. This one is destined to be shown and loved every Halloween for years to come, possibly as a double header with Carpenter’s classic. Classic Halloween Scene: The creepy opener sets the tone for the movie and features everything we love about the season, dripping with atmosphere, and settling us in for a bumpy ride.
Please leave your comments and suggestions for films you think are best viewed at Halloween, and let us know which films terrified you when you were growing up at this time of year.