Undead – Kirsty McKay

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Scaring Children

I am an advocate of bringing horror to the younger generation. I’ve given reasons for this elsewhere, but basically a good dose of blood and guts keeps the doctor away. I didn’t come to this book with a high expectation- when I was young and wanted some scares I typically went to the adult section, not the teen one as teen literature is (or was) too often watered down or flooded with convenient and topical issues of the day. Thankfully McKay’s Undead is neither watered down, nor riddled with forced topics from parents’ groups, media, or publishers. Yes it is still aimed at a younger audience – no explicit swearing, sex, or unnecessary violence, but we do get some shocking moments, strong building of tension, and lots of zombie mayhem.

Chew The Bones

The premise is good, and explores another avenue of the classic situational zombie convention. Be it a shopping mall, your own home, or on a bus during a school trip, zombie fiction usually follows the same format but can be given effective twists if the writer is inventive enough. Here we find a small number of misfits barricading themselves in their school bus when the outside world drops dead and decides to chew on some lovely young bones. This leads to some obvious clashing between the pretty one, the outcast, the nerd and so on, and how they must overcome their differences to keep each other alive. This never truly feels contrived, although it does feel necessary at times in order to drive the plot forwards.

Shocking Revelations

We follow the group as they try to escape and struggle to work out what has happened –  this leads to some shocking, and some not so shocking revelations. Naturally we end on a cliffhanger and the hope of a sequel. As previously mentioned there is a lot of zombie fun, but this is more in the action vein rather than being explicitly gory. There are plenty of moments which would work well on film as jump scares, and we get a few unsavoury characters to darken the mixture. There is one sad and shocking scene involving some new characters introduced halfway through, so credit to McKay for having the confidence to stick it in- usually such an event would be quickly and happily rectified, but not here.
The story is gripping, McKay writes with panache and strives to avoid the usual cliches and pitfalls of the genre, giving an exciting tale with fully realised (if typical for the market) characters, and she doesn’t back down when faced with the pressure of giving the readers a happy, Hollywood ending.

Have you read Undead? What age do you think it is appropriate to introduce children to horror media? Let us know in the comments!

Buy It Here!