There was a period in the 80s and 90s when it seemed like everything Stephen King had ever written was being adapted for the big or small screen. Then we had a lull for around a decade or so as both his written and adapted material slowed a little. In recent years we have seen a resurgence – a thirst for more King material to watch, leading to remakes and new adaptations to the extent that it seems like rarely a month passes without a new release or announcement. 11/22/63 the novel is one of King’s most heralded recent works, a highly personal, highly relevant tale given the current political climate in the USA. It has all those good old King staples – a writer with romantic tendencies, childhood or nostalgia for the past, and just a hint of the supernatural. It’s a long and engaging read, detailing a few years in the life of a man who discovers a portal which can transport him back to the late 1950s. No matter how much time he spends there, only two minutes pass in the present. If he does something in the past it can change the future, but if he subsequently returns to the past all his changes get wiped – any time he goes through the portal, he always returns to the same point and place in time. With some narrative and character changes, the TV mini-series adaptation takes the same central idea and runs with it, creating an interesting, authentic, tense and sometimes tragic tale of one man’s decision to change the course of history.

James Franco stars as Jake Epping (a role he plays relatively straight), a teacher and writer who is recently divorced and drifting through life. When he visits his friend Al, he is shocked to see that Al suddenly looks incredibly sick. Al tells him that he has cancer and will be dead soon and tells Jake about the time-travelling portal in his cafe. This first episode is largely spent explaining how the portal works and in convincing Jake to travel back with a single goal – to prevent JFK from being assassinated – the belief being that the world would be a better place today had he survived. Al has failed in his attempts due to the onset of his cancer and his doubts over who killed JFK – Oswald, the FBI etc etc. On top of that, the past doesn’t want to be changed leading to certain supernatural or deadly events as time seeks to correct itself. By the time the second episode rolls around, Jake has taken on the mission in full spirit, though he has five years to kill before the day of the assassination comes around. During this time Jake must fit in – get a job, research everything he can about the people surrounding the assassination, and work out how to stop it.

There’s a definite nostalgic feeling in these episodes set in the past. I wasn’t around in the 50s or 60s, and I’m not American, and yet the wistful, seemingly carefree nature of those times shines though, albeit with a dark underbelly. The pacing, for such a sprawling tale, is just right and the changes made to the plot are fine (one of the biggest changes being the introduction of Bill Turncotte) – I certainly had no issues with them. If you haven’t read the book and have no interest in doing so, this won’t impact you although I would encourage everyone to read it as it is one of King’s best in recent years. Oswald is shown in a, I don’t want to say sympathetic light, but in a human light at least – a flawed man driven to make his own bad decisions – his wife Marina caught in the middle. The romantic side-plot of Jake and Sadie is rather sweet, but then I’ve always enjoyed these sort of relationships – as seen in other efforts like Back To The Future, Goodnight Sweetheart and a myriad of others. The cast are all in top form, credit going to Franco, George Mackay, Sarah Gadon, and Lucy Fry, and the various directors and writers all craft a relatable tale which begs that always prodding question – what would you do? With a running time over 6 hours it takes a certain commitment to watch, but if you like the premise or indeed the history or the surrounding conspiracies, then this will likely pull you in during the first episode and keep you locked in the past until the credits roll.

Let us know what you think of 11/22/63 in the comments!

Sh*t I Watch – Wolf Creek Season 1 and 2

Greetings, Glancers! I know it feels like I keep saying this recently, but we’re back with another entry from one of my long-standing series. Wolf Creek was a film I liked to a certain extent when it was first released, though my opinion on it was probably soured by the horror community’s over abundant love for it. At the time it just felt like a perfectly watchable addition to the ‘trip gone wrong, oops here’s a psycho’ sub-genre. It didn’t bring anything new but the main character of Mick was refreshingly smug. With the sequel, Wolf Creek 2, it explained more of Mick’s character and presented another group of hapless travelers in Australia with a series of bloody endings. Both films were torture porn with a self-mocking smirk, a fun time but nothing out of the ordinary beyond a charismatic lead villain. My wife enjoyed them too, but since that time she has moved away from a lot of the horror stuff we used to watch. It’s almost like she was just putting up with them until I put a ring on it.

Jump forwards a few years and Greg McLean decided to return to the outback and good old Mick, not with a third movie, but with a small screen outing. Wolf Creek Season 1 is a spin off from the films, and while it does loosely mention events and characters from the series, it’s its own thing. You don’t need to have seen the films to see the series, and vice versa. Within the opening scenes of the pilot episode, you know pretty much all you need to know about Mick, and about the show, and while the series as a whole does try to fill in his backstory and possibly explain his murderous intentions, it is more simply a female driven, wonderfully no holds barred, revenge story.

We open with an All American family on some sort of camping trip in the outback. They seem like your typical family – a bit of arguing, but clearly nothing out of the ordinary – Mom, Dad, athletic underachieving daughter, and cute son. Enter John Jarratt’s infamous Mick, the sly killer always ready with a racist quip, and a variety of guns and blades. Mick has this was of being charming and dangerous at the same time – lulling his audience with his Oz ways but simultaneously making you wary. You know there’s something wrong with this guy, but you cant honestly believe it. It’s not a spoiler to say that, in the middle of sharing the family’s food for the evening, he snaps and kills them. Pleasingly for a TV show, there is no shying away from the violence – mid conversation he slams a knife into Daddy’s leg before opening up his throat (in front of wife and child, naturally), then as mummy and son hold hands he throws another knife straight through mummy’s face. Son tries to run, but gets a bullet in his spine. When he goes stalking after daughter Eve (singing as he goes), the brutality finally hits home. Before going further, let me just say that Lucy Fry is a fucking beast. Her performance here, and in the series as a whole, is deserving of all the nominations and plaudits, and if she doesn’t become a superstar in the future it will be a damning slight for the human race.

Without giving away too many other spoilers, the rest of Season 1 sees Lucy, in classic Hitchcock style, trying to track down Mick to kill him while at the same time avoiding the cops. She learns more of his history as she goes, there are numerous side-plots about the cop who has been working Mick’s case for years, various locals with their own criminal or heroic pasts, and Mick himself who quickly realises that someone is following him for a change, and tries to turn the tables. The first season is only six episodes long, but this feels right. It never reaches the point of feeling bloated or unnecessarily stretched, but the various interweaving stories in the end are side dressing for the main event. While we end up caring about some of the others involved, in the end all we want to see is Eve and Mick standing off. Eve shows herself to be quick-witted and resourceful, a horror heroine in the vein of Ripley, Sarah Conor, or Sydney, and she plays the long game instead of rushing in. Fry and Jarrett have great chemistry, even though she don’t appear together too often, and on their own each is addictive and entertaining.

Credit should go to the writers and directors for continually thinking up great one-liners or speeches for Mick to chew on, and for shooting Australia in all its gorgeous, barren beauty. You’ve probably heard me talk about my love for sunrises and sunsets and twilight in movies, and Season 1 and 2 smash this look and atmosphere head on. Both series are among the prettiest I’ve seen in recent years – all the more so because there is little or no CG or false trickery going on – what you see is what the actors saw and felt.

Season 2 then concerns a new group. It isn’t readily apparent at what point in the Wolf Creek timeline any of this takes place, but again it’s not overly important. In classic sequel tradition, we up the ante by increasing the cast numbers – think Aliens or The Hills Have Eyes 2. We follow a group of people from various countries and of various ages going on a coach trip. We have a German couple and their daughter, a Canadian couple trying to salvage their marriage, a couple of tourists suffering from unrequited love, a psychologist, an ex soldier, a gay couple, a party boy, a bus – whatever the bus equivalent of a train spotter is. Through the six episodes we get to know this group, love them or hate them, and watch them get picked off by you know who. Yes, thanks to an unintended insult at a roadside cafe, Mick is back – this time taking charge of the coach and everyone inside. If there’s one thing Mick hates, it’s foreigners, and after driving his prey into the middle of nowhere he begins dispatching them with remorseless glee.

If I have any criticisms about Season 2, it’s that they have turned Mick too much into an unstoppable killing machine like Jason Voorhees. There are a number of teams he should quite easily have been killed, or at least slowed considerably, but there he is moments later back and badder than ever. Couple that with a few silly and unlikely decisions by our protagonists or others they meet along they way, and we have something which feels more contrived and cartoonish that the first Season. That being said, it’s still great stuff. Most of the cast are good and the time is taken to get to know their strengths and flaws. There is still a lot of up close and personal violence, with gruesome practical effects, and Mick is as rewarding and funny as ever. The story sometimes hints at a wider or future plot, but whether or not a third entry in the show or movie series will be made remains to be seen. With lead actor Jarrett accused of some serious crimes from a few decades ago, I can’t say much being done until is name is cleared (if it is). Would Wolf Creek work without him? It’s hard to see it happening, as Jarrett completely embodies the character, and all of his ticks, smirks, his voice, his stature, and of course that laugh – without those you would have a very different prospect on your hands.

Who’s it all for then? Fans of the movies should feel right at home, and anyone with a love for horror should get on board. If you like your horror violent and without holding back, then you’ll get a kick out of this, but it’s also funny, beautifully shot, and well acted and written, even if things do get a little silly the further down the line we get. My wife loved it too, and she has been avoiding the horror scene for a while now, unless it’s a creature feature. Horror is making a splash on the small screen in recent years, but it feels like this show flew a little under the radar. If you like horror, then you have no excuse not to seek this out and enjoy a bloody good time.

Let us know what you thought of the series in the comments below!

All Reviews A-Z

Here is a thing which I will plan to update each time I add a new review. This should make it easy for anyone who is sufficiently depraved enough to enjoy what I write and craves more. There isn’t a huge amount yet, but I do have a tonne of reviews written years ago for IMDB which I haven’t posted here yet, along with all my other Album reviews for Amazon. This list will grow. For now, click on anything you like!

Movie Reviews

#Alive – Il Cho

11/22/63 – Bridget Carpenter

2001 Maniacs – Tim Sullivan

300: Rise Of An Empire – Noam Murro

A Dark Song – Liam Gavin

A Girl Walks Home Alone At Night – Ana Lily Amirpour

A Quiet Place – John Krasinski

A Hard Day – Kim Seong Hun

A Mighty Wind – Christopher Guest

A Nightmare On Elm Street – Wes Craven

A Tale Of Two Sisters – Kim Ji Woon

A Wish For Christmas – Christie Will Wolf

Aftermath – Elliott Lester

After Midnight – Jeremy Gardner/Christian Stella

After The Silence – Fred Gerber

Airwolf – Donald Bellisario

Akira – Katsuhiro Otomo

Alan Partridge: Alpha Papa – Declan Lowney

Alien – Ridley Scott

Aliens – James Cameron

Alien 3 – David Fincher

Annihilation – Alex Garland

Arachnophobia – Frank Marshall

Assault On Precinct 13 – John Carpenter

Attack Of The Adult Babies – Dominic Brunt

August Rush – Kirsten Sheridan

AWOL – Sheldon Lettich

Bad Lieutenant – Abel Ferrara

Bait – Kimble Rendall

Bangkok Dangerous – The Pang Brothers

Baskin – Can Evrenol

Battle Royale – Kinji Fukasaku

Beavis And Butthead – Mike Judge

Beetlejuice – Tim Burton

Bedevilled – Jang Cheol-soo

Benny And Joon – Jeremiah S Chechik

Big Driver – Mikael Salomon

Big Trouble In Little China – John Carpenter

Bill And Ted’s Bogus Journey – Peter Hewitt

Bill And Ted’s Excellent Adventure – Stephen Herek

Bill And Ted Face The Music – Dean Parisot

Birdy – Alan Parker

Black Coal, Thin Ice – Diao Yinan

Blair Witch – Adam Wingard

Blood Father – Jean Francois Richet

Blood Fest – Owen Egerton

Bloodsport – Newt Arnold

Bodyguards And Assassins – Teddy Chan

Body Shots – Michael Christofer

Body Snatchers – Abel Ferrara

Bordello Of Blood – Gilbert Adler

Braindead – Peter Jackson

Brooklyn Rules – Michael Corrente

Brother – Takeshi Kitano

Bruiser – George A Romero

Cam – Daneil Goldhaber

Cannibal – Manuel Martin Cuenca

Captain America: The First Avenger – Joe Johnston

Carne – Gaspar Noe

Cell – Tod Williams

Chasing Amy – Kevin Smith

Chasing Sleep – Michael Walker

Children Of The Corn – Fritz Kiersch

Christmas At Castle Hart – Stefan Scaini

Christmas In Rome – Ernie Barbarash

Cockneys Vs Zombies – Matthias Hoene

Come And See – Elem Kilmov

Commando – Mark L Lester

Conan The Barbarian – John Milius

Creepshow 2 – Michael Gornick

Cronos – Guillermo Del Toro

Cursed – Wes Craven

Cyborg – Albert Pyun

Dark City – Alex Proyas

Dark Tide – John Stockwell

Darlin – Pollyanna Macintosh

Dawn Of The Dead – Zack Snyder

Day of The Dead – George A Romero

Daylight – Rob Cohen

Dead Of Night (1977) – Dan Curtis

Dead Snow – Tommy Wirkola

Death Sentence – James Wan

Death Wish 2 – Michael Winner

Demons – Lamberto Bava

Desperado – Robert Rodriguez

Dial M For Murder – Alfred Hitchcock

Die Another Day – Lee Tamahori

Dirty Pretty Things – Stephen Frears

Disturbia – D.J. Caruso

Dobermann – Jan Kounen

Dogma – Kevin Smith

Donnie Brasco – Mike Newell

Don’t Blink – Travis Oates

Don’t Tell Mom The Babysitter’s Dead – Stephen Herek

Double Impact – Sheldon Lettich

Dr No – Terence Young

Dream Warriors – Chuck Russell

Drug War – Johnie To

Dumb And Dumber – The Farrelly Bros

Dumplin‘ – Anne Fletcher

Eaten Alive – Tobe Hooper

El Mariachi – Robert Rodriguez

Escape From Sobibor – Jack Gold

Escape Plan – Mikael Hafstrom

Embodiment Of Evil – Jose Marins

Everyone’s Hero – Christopher Reeve, Colin Brady, Daniel St. Pierre

Evil Dead – Fede Alvarez

Excision – Richard Bates Jr

Extinction – Miguel Angel Vivas

Family For Christmas – Amanda Tapping

Fanboys – Kyle Newman

February – Oz Perkins

Final Destination – James Wong

Final Destination 2 – David R Ellis

First Blood – Ted Kotcheff

Fist Of Fury – Bruce Lee

For Your Eyes Only – John Glen

Freddy’s Dead – Rachel Talalay

Freddy’s Revenge – Jack Sholder

Freddy Vs Jason – Ronny Yu

Frenzy – Alfred Hitchcock

Frenzy – Jose Montesinos

Friend Request – Simon Verhoeven

From Russia With Love – Terence Young

Game of Death – Bruce Lee/Robert Clouse

Game Night – John Francis Daley/Jonathan Goldstein

Girls Against Boys – Austin Chick

God Bless America – Bobcat Goldthwaite

Goldeneye – Martin Campbell

Goldfinger – Guy Hamilton

Goodnight Mommy – Veronika Franz/Severin Fiala

Grave Encounters – The Vicious Brothers

Grave Encounters 2 – John Poliquin

Gravity – Alfonso Cuaron

Halloween – John Carpenter

Halloween 2 and 3 – Rick Rosenthal/Tommy Lee Wallace

Halloween 4 – Dwight H Little

Halloween 5 – Dominique Othenin Gerard

Hard-Boiled – John Woo

Hard Target – John Woo

Hansel And Gretal – Yim Phil-Sung

Heartbreakers – David Mirkin

Heli – Amat Escalante

Hellboy – Guillermo Del Toro

Hellions – Bruce Macdonald

Home Alone – Chris Columbus

Honor And Glory – Godfrey Ho

Horrible Bosses – Seth Gordon

Ichi – Fumihiko Sori

Ichi The Killer – Takashi Miike

I Am The Pretty Thing That Lives In The House – Oz Perkins

I’m Not A Serial Killer – Billy O’Brien

Inoperable – Christopher Laurence Chapman

Into The Mirror – Kim Sung Ho

I Really Hate My Job – Oliver Parker

It Comes At Night – Trey Edward Shults

It’s All About Love – Thomas Vinterberg

Jaws – Steven Spielberg

Jaws 2 – Jeannot Szwarc

Jaws 3 – Joe Alvez

Jaws 4 – Joseph Sargent

John Wick – Chad Stahelski/David Leitch

Jurassic Park – Steven Spielberg

Ju-On Black Ghost – Mari Asato

Ju-On White Ghost – Ryuta Miyake

Kickboxer – Mark DiSalle/David Worth

Kids – Larry Clark

Kill Bill Vol 1 – Quentin Tarantino

King Kong – Merian C Cooper/Ernest B Schoedsack

Kingdom Of Heaven – Ridley Scott

Knock Knock – Eli Roth

Lady Bird – Greta Gerwig

Leatherface – Maury & Bustillo

Leon – Luc Besson

Lifeboat – Alfred Hitchcock

Last Action Hero – John McTiernan

Life – Daniel Espinosa

Live And Let Die – Guy Hamilton

Loaded – Alan Pao

Lost Highway – David Lynch

Love On Safari – Leif Bristow

Macbeth – Orson Welles

Manuscripts Don’t Burn – Mohammed Rousalof

Megan Is Missing – Michael Goi

Milius – Joey Figuero

Mortal Kombat – Simon McQoid

Mother’s Day – Darren Lynn Bousman

Mouth To Mouth – Alison Murray

Mr And Mrs Smith – Alfred Hitchcock

My Soul To Take – Wes Craven

Never Sleep Again – Daniel Farrands/Andrew Kach

Night Of The Demons – Kevin S Tenney

Night Of The Living Dead – George A Romero

Nowhere To Run – Robert Harmon

On The Road – Walter Salles

Origin: Spirits Of The Past – Keichi Sugiyama

Outrage – Takeshi Kitano

Out Of The Furnace – Scott Cooper

P2 – Frank Khalfoun

Pandorum – Christian Alvart

Peacock – Michael Lander

Perdita Durango – Alex de la Iglesia

Perlasca – Alberto Negrin

Pieta – Kim Ki Duk

Police Academy 1-7 – Various

Pontypool – Bruce McDonald

Predator 2 – Stephen Hopkins

Priceless – Pierre Salvadori

Pride, Prejudice, And Mistletoe – Don McBrearty

Problem Child – Dennis Dugan

Project X – Nima Nourizadeh

Pyewacket – Adam Macdonald

Q: The Winged Serpent – Larry Cohen

Radius – Caroline Labreche/Steeve Leonard

Raw Deal – John Irvin

Rear Window – Alfred Hitchcock

Re:born – Yuji Shimomura

Red Heat – Walter Hill

Red Sonja – Richard Fleischer

Resident Evil – Paul WS Anderson

Resident Evil 2 – Alexander Witt

Return To Oz – Walter Murch

Rhapsody In August – Akira Kurosawa

Ring – Hideo Nakata

Ring 2 – Hideo Nakata

Ring 0 – Norio Tsuruta

Rings – F.Javier Gutierrez

Rogue – Greg McLean

Room – Lenny Abrahamson

Room 237 – Rodney Ascher

Rope – Alfred Hitchcock

Rosewood Lane – Victor Salva

Rubber – Quentin Dupeiux

Rust And Bone – Jacques Audiard

Sabotage – David Ayer

Sanctum – Alister Grierson

Scream – Wes Craven

Scream 3 – Wes Craven

Seeking A Friend For The End Of The World – Lorene Scafaria

Seul Contre Tous – Gaspar Noe

Seven Samurai – Akira Kurosawa

Shanghai Kiss – David Ren/Ken Kernwiser

She Dies Tomorrow – Amy Seimetz

Signs – M Night Shyamalan

Society – Brian Yuzna

Someone’s Watching Me – John Carpenter

Sophie Scholl – The Final Days – Marc Rothemond

Spiderman 2 – Sam Raimi

Staunton Hill – Cameron Romero

Still Walking – Hirokazu Koreeda

Street Trash – Jim Munro

Stripes – Ivan Reitman

Street Hawk – Virgil W Vogel

Suicide Club – Sion Sono

Sukiyaki Western Django – Takeshi Miike

Survive Style 5 + – Gen Sekiguchi

Tag – Sion Sono

Tears Of The Sun – Antoine Fuqua

Ted – Seth MacFarlane

The 39 Steps – Alfred Hitchcock

The Art Of War – Christian Deguay

Thelma And Louise – Ridley Scott

The Birds – Alfred Hitchcock

The Blair Witch Project – Daniel Myrick, Eduardo Sanchez

The Boss Of It All – Lars Von Trier

The Clovehitch Killer – Duncan Skilies

The Craft – Andrew Fleming

The Crow – Alex Proyas

The Detective – Oxide Pang

The Devil’s Rain – Robert Fuest

The Divide – Xavier Gens

The Driver – Walter Hill

The Empress And The Warriors – Ching Siu Tung

The Evil Dead – Sam Raimi

The Evil Dead 2 – Sam Raimi

The Fifth Element – Luc Besson

The First Men In The Moon – Nathan Juran

The Forest Of Love – Sion Sono

The Ghost And The Darkness – Stephen Hopkins

The Gate – Tibor Takacs

The Gift – Joel Edgerton

The Girl With All The Gifts – Colm McCarthy

The Girl Who Leapt Through Time – Mamoru Hosoda

The Green Inferno – Eli Roth

The Grudge – Takashi Shimazu

The Guest – Adam Wingard

The Happiness Of The Katakuris – Takashi Miike

The Haunting Of Goodnight Lane – Alin Bijan

The Hitcher – Robert Harmon

The House Of The Devil – Ti West

The Idiots – Lars Von Trier

The Innkeepers – Ti West

The Isle – Kim Ki Duk

The Kings Of Summer – Jordan Vogt Roberts

The Last Boy Scout – Tony Scott

The Last Exorcism – Daniel Stamm

The Last Exorcism 2 – Ed Gass-Donnelly

The Last House On The Left – Wes Craven

The Lifeguard – Liz W Garcia

The Man From Earth – Richard Schenkman

The Man Who Knew Too Much – Alfred Hitchcock

The Mannsfield 12 – Craig Ross Jr

The Night Eats The World – Dominique Rocher

The Pact – Nicholas McCarthy

The Password Is Courage – Andrew L Stone

The Perfection – Richard Shepard

The Predator – Shane Black

The Red Squirrel – Julio Medem

The Sand – Isaac Gabaeff

The Secret Life Of Pets – Chris Renaud

The Slumber Party Massacre – Amy Holden Jones

The Storm Warriors – The Pang Brothers

The Stranger – Robert Lieberman

The Stuff – Larry Cohen

The Tortured – Robert Lieberman

The Visit – M Night Shyamalan

The Wailing – Na Hong-jin

The Wisdom Of Crocodiles – Po Chih Leong

The Wisher (Spliced) – Gavin Wilding

The Witch – Robert Eggers

The Windmill Massacre – Nick Jongerius

Train To Busan – Yeon Sang-ho

Triangle – Hark Tsui/Ringo Lam

Trilogy Of Terror – Dan Curtis

Troy: The Odyssey – Tekin Girgin

Tusk – Kevin Smith

Twins – Ivan Reitman

Unbreakable – M Night Shyamalan

Universal Soldier – Roland Emmerich

USS Indianapolis – Mario Van Peebles

V/H/S – Various

V/H/S 2 – Various

Visitor Q – Takashi Miike

Wake In Fright – Ted Kotcheff

Wake Wood – David Keating

Way Of The Dragon – Bruce Lee

We Are What We Are – Jim Mickle

We Are Still Here – Ted Geoghagen

Wes Craven’s New Nightmare – Wes Craven

Winter Soldier – Winterfilm Collective

Wolfcop – Lowell Dean

X – Ti West

Yellowbrickroad – Jessie Holland/Andy Mitton

You Were Never Really Here – Lynne Ramsey

Zombie Creeping Flesh – Bruno Mattei

Zombieland – Ruben Fleischer

TV Reviews

Are You Afraid Of The Dark

Back To School At 35

Breaking Bad


Game Of Thrones



Saved By The Bell

Strike It Lucky

The League Of Gentlemen

The Walking Dead

Wolf Creek

Wreslemania 34

Music Reviews

11 – Bryan Adams

101 Dalmations – Disney

2020 – Bon Jovi

18 Till I Die – Bryan Adams

3 Feet High And Rising – De La Soul

7800 Farenheit – Bon Jovi

A Celebration Of Endings – Biffy Clyro

A Hard Day’s Night – The Beatles

A Love Supreme – John Coltrane

A Night At The Opera – Queen

Abbey Road – The Beatles

Accessories – The Gathering

Aftermath – The Rolling Stones

Afterwords – The Gathering

Air – Agua De Annique

Aladdin Sane – David Bowie

Alice In Wonderland – Disney

All Things Must Pass – George Harrison

American Life – Madonna

Anti-Icon – Ghostmane

Ascension – John Coltrane

Atomic Jones – Tom Jones

Balls To Picasso – Bruce Dickinson

Beaucoup Of Blues – Ringo Starr

Bedtime Stories – Madonna

Between The Buttons – Rolling Stones

Black Sabbath – Black Sabbath

Black Saint & The Sinner Lady – Charles Mingus

Black Tie White Noise – David Bowie

Blaze Of Glory – Bon Jovi

Blizzard Of Ozz – Ozzy Osbourne

Blood On The Tracks – Bob Dylan

Blood, Sweat, And Tears – Blood, Sweat, and Tears

Blue – Joni Mitchell

Blur – Blur

Bookends – Simon & Garfunkel

Bounce – Bon Jovi

Brave (Part One) – Marillion

Brave (Part Two) – Marillion

British Steel – Judas Priest

Bryan Adams – Bryan Adams

Burning Bridges – Bon Jovi

Cinderella – Disney

Charm School – Roxette

Chromatica – Lady Gaga

Closer – Joy Division

Clutching At Straws (2) – Marillion

Clutching At Straws (1) – Marillion

Conan The Barbarian Soundtrack – Basil Poledouris

Conan The Destroyer Soundtrack – Basil Poledouris

Confessions On The Dancefloor – Madonna

Crash! Boom! Bang! – Roxette

Crush – Bon Jovi

Destination Anywhere – Bon Jovi

Diamond Dogs – David Bowie

Disclosure – The Gathering

Dumb And Dumber Soundtrack – Various

Electronic Sounds – George Harrison

Entroducing – DJ Shadow

Erotica – Madonna

Eternal Atake – Lil Uzi Vert

Everything Is Changing – Anneke Van Giersbergen

Evita – Madonna

Fetch The Bolt Cutters – Fiona Apple

Five O’Clock World – The Vogues

For Sale – The Beatles

Fugazi (1) – Marillion

Fugazi (2) – Marillion

Fulfillingness’ First Finale – Stevie Wonder

Fun And Fancy Free – Disney

Future Nostalgia – Dua Lipa

Genius + Soul = Jazz – Ray Charles

Get Up – Bryan Adams

Hangman’s Beautiful Daughter – Incredible String Band

Hard Candy – Madonna

Harvest Moon – Neil Young

Have A Nice Day – Bon Jovi

Have A Nice Day – Roxette

Heaven And Hell – Black Sabbath

Heaven Or Las Vegas – Cocteau Twins

Head On – Samson

Help! – The Beatles

Heroes” – David Bowie

Hey Stoopid – Alice Cooper

High Roller – Urchin

Highway To Hell – ACDC

Holy Diver – Dio

Home – The Gathering

Holidays In Eden (1) – Marillion

Holidays In Eden (2) – Marillion

How To Measure A Planet? – The Gathering

Hunky Dory – David Bowie

I’m Breathless – Madonna

I Hear A Symphony – The Supremes

Imagine – John Lennon

Into The Fair – Bryan Adams

In Your Room – Anneke Van Giersbergen

Jagged Little Pill – Alanis Morissette

Jazz Samba – Stan Getz

Jealous Heart – Connie Francis

Joyride – Roxette

Just Like Us – Paul Revere And The Raiders

Keep The Faith – Bon jovi

Ladies Of The Canyon – Joni Mitchell

Lady And The Tramp – Disney

Lazer Guided Melodies – Spiritualized

Leftism – Leftfield

Let It Be – The Beatles

Lets Dance – David Bowie

Life’s Rich Pageant – REM

Lightfoot – Gordon Lightfoot

Like A Prayer – Madonna

Like A Virgin – Madonna

Little Deuce Coupe – The Beach Boys

Live In Europe – Anneke Van Giersbergen

Lodger – David Bowie

Look Sharp – Roxette

Lost Highway – Bon Jovi

Low – David Bowie

Machine Head – Deep Purple

Madame X – Madonna

Madonna – Madonna

Magical Mystery Tour – The Beatles

Mandylion – The Gathering

Manic Street Preachers Live In Belfast – Manic Street Preachers

McCartney – Paul McCartney

MDNA – Madonna

Melody Time – Disney

Miles Of Aisles – Joni Mitchell

Misplaced Childhood (1) – Marillion

Misplaced Childhood (2) – Marillion

Music! – Madonna

My Fair Lady Soundtrack – Various

My Turn – Lil Baby

Never Let Me Down – David Bowie

New Jersey – Bon Jovi

Nighttime Birds – The Gathering

Night On My Side – Gemma Hayes

Nothing Is True And Everything Is Possible – Enter Shikari

Ohms – Deftones

On A Day Like Today – Bryan Adams

Operation Mindcrime – Queensryche

Out Of Our Heads – The Rolling Stones

Our Favourite Shop – The Style Council

Painkiller – Judas Priest

Pearls Of Passion – Roxette

Peter Pan – Disney

Please Please Me – The Beatles

Pin Ups – David Bowie

Pretender – Jackson Browne

Pure Air – Agua De Annique

Ram – Paul McCartney

Ray Of Light – Madonna

Rebel Heart – Madonna

Restless And Wild – Accept

Revolver – The Beatles

Rolling Stones – The Rolling Stones

Rolling Stones 2 – The Rolling Stones

Roll Out The Red Carpet – Buck Owens

Room Service – Roxette

Room Service – Bryan Adams

Rough & Rowdy Ways – Bob Dylan

Rubber Soul – The Beatles

Saludos Amigos – Disney

Satin Pillows & Careless – Bobby Vinton

Savage – Eurythmics

Scary Monsters – David Bowie

Screaming For Vengeance – Judas Priest

Script For A Jester’s Tear (1) – Marillion

Script For A Jester’s Tear (2) – Marillion

Seasons End (2) – Marillion

Seasons End (1) – Marillion

Second Coming – The Stone Roses

Sentimental Journey – Ringo Starr

Set My Heart On Fire Immediately – Perfume Genius

Sgt Pepper’s Lonely Hearts Club Band – The Beatles

Shine A Light – Bryan Adams

Shout At The Devil – Motley Crue

Shut Down Vol 2: The Beach Boys

Silver & Gold – ASAP

Sleeping Beauty – Disney

Sleepy Buildings – The Gathering

Slippery When Wet – Bon Jovi

Song To A Seagull – Joni Mitchell

Sounds Of Silence – Simon & Garfunkel

Souvenirs – The Gathering

Space Oddity – David Bowie

Speaking In Tongues – Talking Heads

Spirit – Bryan Adams

Station To Station – David Bowie

Surfer Girl – The Beach Boys

Surfin Safari – The Beach Boys

Surfin USA – The Beach Boys

Tattooed Millionaire – Bruce Dickinson

The Adventures Of Ichabod & Mr Toad – Disney

The Buddha Of Suburbia – David Bowie

The Circle – Bon Jovi

The Orbison Way – Roy Orbison

The Sky Is Crying – Stevie Ray Vaughn

Them Again – Them

These Days – Bon Jovi

This House Is Not For Sale – Bon Jovi

The Man Who Sold The World – David Bowie

The Marshall Mathers LP – Eminem

The Plastic Ono Band – John Lennon

The Rise And Fall Of Ziggy Stardust – David Bowie

The Roads Don’t Love You – Gemma Hayes

The Royal Scam – Steely Dan

The Second Album – The Spencer Davis Group

The West Pole – The Gathering

The White Album – The Beatles

Tin Machine – David Bowie/Tin Machine

Tin Machine II – Bowie

Tonight – David Bowie

Tori Amos Live In Belfast – Tori Amos

Transformer – Lou Reed

Tracy Chapman – Tracy Chapman

Travelling – Roxette

True Blue – Madonna

Tubular Bells – Mike Oldfield

Underneath – Code Orange

Ungodly Hour – Chloe X Halle

Urban Hymns – The Verve

Van Halen – Van Halen

Violent Femmes – Violent Femmes

Vulgar Display Of Power – Pantera

Waking Up The Neighbours – Bryan Adams

Wild Life – Wings

With The Beatles – The Beatles

What About Now – Bon Jovi

What’s Going On – Marvin Gaye

What’s Your Pleasure – Jessie Ware

Wonderwall Music – George Harrison

Yellow Submarine – The Beatles

YHLQMDLG – Bad Bunny

You Want It You Got It – Bryan Adams

Young Americans – David Bowie

Youth Novels – Lykke Li

Book Reviews

1000 Zombies – Alex Cox

Atmospheric Disturbances – Rivka Galchen

Catching Fire – Suzanne Collins

Dinosaurs – Navigators

Fang Of The Vampire – Scream Street

Japan Day By Day – Frommers

London 2008 – Time Out

London Free And Dirt Cheap – Frommers

Paris 2009 – Time Out

Play With Colours – The Happets

The Art Of Racing In The Rain – Garth Stein

The Devouring – Simon Holt

The Gargoyle – Andrew Davidson

The Hunger Games – Suzanne Collins

The Invention Of Everything Else – Samantha Hunt

The Mayan Prophecies – Gerald Benedict

The Maze Runner – James Dashner

Undead – Kirsty Mckay

Sh*t I Watch – Game Of Thrones

In this latest series of posts, I’m going to talk briefly about some of my favourite TV shows of yesteryear, and some which I’m watching at the moment. In ‘Sh*t I Used To Watch’ I’ll reminisce about some TV shows that I used to watch, from my childhood up until roughly the time I graduated from University – by and large these will be shows that I haven’t watched since that period, or have only caught a small numbers of episodes of. In ‘Sh*t I Watch’ I will talk briefly about the shows I’m watching at the moment, and will deal with both current series which have not yet been cancelled or completed, and those which I am catching up on having missed first time around. I’ll try to post one of these each week, but as regular Glancers will be aware, my regular posts are fairly irregular.

Some of the shows in both categories which I’ll talk about will be ones you should all be familiar with, while others will be extremely niche and I can only imagine about three other people will have ever heard of. It’s my assumption in these posts, perhaps more than all the other junk on this blog, that you will get a murky picture of the person I both am and once was, and that maybe in a wider lens you’ll get a higher level look at the White, Western, child of the 80s. I’ll let you make your own conclusions, but the most obvious may be that we are what we consume, and our lives are rarely more than a procession of vicarious experience. Drill deeper though and we find a less bleak vision, seeing a communal, shared, loving experience as the most important moments of our lives as a species are no longer things like ‘Which Side Won The War’ or ‘Who Got To The Moon First’ or even ‘Why Are We Here’, but rather ‘Will Rachel And Ross Get It Together’ ‘Who Killed JR/Laura Palmer’ and ‘ WTF is Laddergoat’. Actually, that is kind of bleak. Today’s post is going to briefly summarize the show in question, and list a bunch of TV shows that I haven’t yet watched but which are on my ever-growing list. Between reading, writing, watching movies, playing guitar, playing videogames (on top of the real stuff like living, working, breathing, being married, and being a dad), there isn’t much time for me to watch TV. It used to be that any time a new, interesting show came out, I was first in the queue to see it, but now I tend to wait until a show has finished before I even start the first episode. We’ve all been burned in the past by a heinous cancellation, leaving unanswered questions and beloved characters forever suspended in a black hole of fan fiction and speculation; it hurts. A certain part of me only wants to invest my time in a show that I know has, or will fully run its course. I don’t need any more doubt, or imagination to take up my brain power.

My brain when Firefly was cancelled
My brain when Firefly was cancelled

Today’s show is a juggernaut, and arguably the most talked about and respected TV show of the last five years. Game Of Thrones is an epic tale featuring a massive cast of characters and places, with conspiracy, murder, deceit, boobs, and what am I even talking about you already know more about it than I do. I’ve known about the show for a long time, but until this year I hadn’t watched a single episode of it. I still haven’t read a single word of the books which the show is based on. My wife bought me the first three Seasons on DVD for Christmas and as of time of writing I have only seen up to the end of Season 3. I’m not going to give away any spoilers in these posts, either the ‘Sh*t I Watch’ or ‘Sh*t I Used To Watch’, hopefully, and so let’s try to keep the comments Spoiler free too! I don’t know why it took me so long to watch the show – I think it’s a cultural thing – I’m not a huge fan of the country I was damned to and if people from here try to claim something as their own, or latch on to something in a popular way, I will generally go in the opposite direction. Of course, that isn’t being fair to the show itself, and it was clear that there was overwhelming critical praise, so after watching a bit of the pilot I decided to give it a go. As expected, it is a treat, but I wouldn’t call myself a huge fan, and I certainly wouldn’t say it is without its faults. For my two cents, I think there are too few episodes per Season, and I feel that something as large as this appears to be could easily be expanded into a few more episodes each year. For me, there seems to be too much rushing in each episode, and too little time spend with each set of characters. That’s obviously a personal and minor squabble because the show still works wonderfully well. There is a terrific cast of actors, the effort going in to making the show believable is second to none, and it’s always great to see violence and boobs. Do I think it’s better than Buffy? Well no, because nothing is better than Buffy.


I raise the Buffy issue as that’s the benchmark I use for all TV now – no other show has affected me on so many levels as it did, and does. It remains the funniest show I’ve ever seen, with the most well written characters, the best dialogue, the most brilliant plots, and has such a huge emotional power compared to any other show I’ve ever seen. GOT is far from being a comedy, and there are rarely any moments of humour – that’s fine, humour would be out-of-place here. GOT is all about the drama, but in drama you need to have elements of horror or tension, and certainly an emotional connection. I have found it difficult to truly ‘like’ or align myself with any character in the series so far – there are people I like and people I love to hate, of course, and maybe that is also supposed to be the point. Buffy did the same thing though – every character was flawed, but it didn’t make you love or hate them any less. One of the things GOT is also known for is something which Buffy doesn’t get the credit for (outside of the fandom) even though it can be argued that it started the whole thing – the idea, and the reality that no-one is safe. Major characters are killed off at will during GOT, to the point that, similar to The Walking Dead, we genuinely don’t know if anyone is going to make it out alive, and much of the tension in an episode is from our belief that someone we like could have their throat cut in the next scene. GOT has a massive list of characters, and many of those characters do not survive more than a handful of episodes. Buffy had a massive list of characters, alongside its spinoff Angel, and a tiny number of those survive to the end of the show.

I came in to GOT not really knowing much about it, and hoping/expecting a world similar to LOTR, a world of fantasy with Dragons, Orcs, and the like, but in reality those fantastical elements have been, so far, kept to a minimum. They are in the background, or they are older than the apparently modern, civilized world which the characters now live in. We do get Dragons, we do get creatures, but the series’ strength is in the clashing of the various houses and their respective values. In that respect the world mirrors our own, and there is a constant sense of fragility, a sense that a single injustice, misplaced word, or relationship gone sour could have apocalyptic ramifications. Like the real world, we have people who live only for honour, and those who only live for glory; those who seek personal gain at any cost, and others whose lives are merely more than a futile journey of vengeance. The best shows allow us to see ourselves, and our friends, and our world in what is presented on-screen, skewed just enough that we are happy to say at the end of an episode that ‘I would never do that’ or ‘that would never happen in my country’. Perhaps GOT’s greatest lesson is that we don’t always have control over our lives, and even the best laid plans can fall apart disastrously due to the smallest unexpected intervention; I think we can all agree that this lesson is one which is inescapable even in our own secluded lives.

Living only a few minutes drive from some of the shooting locations of the series gives an interesting additional dynamic to watching the show, both as a fan and as a fan of the craft; it’s fun trying to spot places you know and it’s cool knowing that there are talented people just down the road making positive history. I’m keen to see what happens in Season 4 and 5 and I’m keen to get started on the books, and while I’m not going to say I’m a GOT nerd, I will say I’m a fan.

Bonus Material Alert! Below is a list of shows I haven’t yet watched a single episode of, but which are on my list. Feel free to let me know in the comments what you think I should watch, or add anything which I haven’t listed – if it’s recent, I probably haven’t seen it.


Arrested Development

Boardwalk Empire

Curb Your Enthusiasm


Dexter (watched 1 episode but wife decided she didn’t want to watch any more)



Falling Skies

Friday Night Lights


Generation Kill




Mad Men

One Upon A Time

Orange Is The New Black

Parks And Recreation

Penny Dreadful

Person Of Interest



Sons Of Anarchy

The Americans

The Pacific

The Sopranos

The Shield

The Wire

True Blood

True Detective

Veronica Mars

Z Nation