Sh*t I Watch – Wolf Creek Season 1 and 2

Greetings, Glancers! I know it feels like I keep saying this recently, but we’re back with another entry from one of my long-standing series. Wolf Creek was a film I liked to a certain extent when it was first released, though my opinion on it was probably soured by the horror community’s over abundant love for it. At the time it just felt like a perfectly watchable addition to the ‘trip gone wrong, oops here’s a psycho’ sub-genre. It didn’t bring anything new but the main character of Mick was refreshingly smug. With the sequel, Wolf Creek 2, it explained more of Mick’s character and presented another group of hapless travelers in Australia with a series of bloody endings. Both films were torture porn with a self-mocking smirk, a fun time but nothing out of the ordinary beyond a charismatic lead villain. My wife enjoyed them too, but since that time she has moved away from a lot of the horror stuff we used to watch. It’s almost like she was just putting up with them until I put a ring on it.

Jump forwards a few years and Greg McLean decided to return to the outback and good old Mick, not with a third movie, but with a small screen outing. Wolf Creek Season 1 is a spin off from the films, and while it does loosely mention events and characters from the series, it’s its own thing. You don’t need to have seen the films to see the series, and vice versa. Within the opening scenes of the pilot episode, you know pretty much all you need to know about Mick, and about the show, and while the series as a whole does try to fill in his backstory and possibly explain his murderous intentions, it is more simply a female driven, wonderfully no holds barred, revenge story.

We open with an All American family on some sort of camping trip in the outback. They seem like your typical family – a bit of arguing, but clearly nothing out of the ordinary – Mom, Dad, athletic underachieving daughter, and cute son. Enter John Jarratt’s infamous Mick, the sly killer always ready with a racist quip, and a variety of guns and blades. Mick has this was of being charming and dangerous at the same time – lulling his audience with his Oz ways but simultaneously making you wary. You know there’s something wrong with this guy, but you cant honestly believe it. It’s not a spoiler to say that, in the middle of sharing the family’s food for the evening, he snaps and kills them. Pleasingly for a TV show, there is no shying away from the violence – mid conversation he slams a knife into Daddy’s leg before opening up his throat (in front of wife and child, naturally), then as mummy and son hold hands he throws another knife straight through mummy’s face. Son tries to run, but gets a bullet in his spine. When he goes stalking after daughter Eve (singing as he goes), the brutality finally hits home. Before going further, let me just say that Lucy Fry is a fucking beast. Her performance here, and in the series as a whole, is deserving of all the nominations and plaudits, and if she doesn’t become a superstar in the future it will be a damning slight for the human race.

Without giving away too many other spoilers, the rest of Season 1 sees Lucy, in classic Hitchcock style, trying to track down Mick to kill him while at the same time avoiding the cops. She learns more of his history as she goes, there are numerous side-plots about the cop who has been working Mick’s case for years, various locals with their own criminal or heroic pasts, and Mick himself who quickly realises that someone is following him for a change, and tries to turn the tables. The first season is only six episodes long, but this feels right. It never reaches the point of feeling bloated or unnecessarily stretched, but the various interweaving stories in the end are side dressing for the main event. While we end up caring about some of the others involved, in the end all we want to see is Eve and Mick standing off. Eve shows herself to be quick-witted and resourceful, a horror heroine in the vein of Ripley, Sarah Conor, or Sydney, and she plays the long game instead of rushing in. Fry and Jarrett have great chemistry, even though she don’t appear together too often, and on their own each is addictive and entertaining.

Credit should go to the writers and directors for continually thinking up great one-liners or speeches for Mick to chew on, and for shooting Australia in all its gorgeous, barren beauty. You’ve probably heard me talk about my love for sunrises and sunsets and twilight in movies, and Season 1 and 2 smash this look and atmosphere head on. Both series are among the prettiest I’ve seen in recent years – all the more so because there is little or no CG or false trickery going on – what you see is what the actors saw and felt.

Season 2 then concerns a new group. It isn’t readily apparent at what point in the Wolf Creek timeline any of this takes place, but again it’s not overly important. In classic sequel tradition, we up the ante by increasing the cast numbers – think Aliens or The Hills Have Eyes 2. We follow a group of people from various countries and of various ages going on a coach trip. We have a German couple and their daughter, a Canadian couple trying to salvage their marriage, a couple of tourists suffering from unrequited love, a psychologist, an ex soldier, a gay couple, a party boy, a bus – whatever the bus equivalent of a train spotter is. Through the six episodes we get to know this group, love them or hate them, and watch them get picked off by you know who. Yes, thanks to an unintended insult at a roadside cafe, Mick is back – this time taking charge of the coach and everyone inside. If there’s one thing Mick hates, it’s foreigners, and after driving his prey into the middle of nowhere he begins dispatching them with remorseless glee.

If I have any criticisms about Season 2, it’s that they have turned Mick too much into an unstoppable killing machine like Jason Voorhees. There are a number of teams he should quite easily have been killed, or at least slowed considerably, but there he is moments later back and badder than ever. Couple that with a few silly and unlikely decisions by our protagonists or others they meet along they way, and we have something which feels more contrived and cartoonish that the first Season. That being said, it’s still great stuff. Most of the cast are good and the time is taken to get to know their strengths and flaws. There is still a lot of up close and personal violence, with gruesome practical effects, and Mick is as rewarding and funny as ever. The story sometimes hints at a wider or future plot, but whether or not a third entry in the show or movie series will be made remains to be seen. With lead actor Jarrett accused of some serious crimes from a few decades ago, I can’t say much being done until is name is cleared (if it is). Would Wolf Creek work without him? It’s hard to see it happening, as Jarrett completely embodies the character, and all of his ticks, smirks, his voice, his stature, and of course that laugh – without those you would have a very different prospect on your hands.

Who’s it all for then? Fans of the movies should feel right at home, and anyone with a love for horror should get on board. If you like your horror violent and without holding back, then you’ll get a kick out of this, but it’s also funny, beautifully shot, and well acted and written, even if things do get a little silly the further down the line we get. My wife loved it too, and she has been avoiding the horror scene for a while now, unless it’s a creature feature. Horror is making a splash on the small screen in recent years, but it feels like this show flew a little under the radar. If you like horror, then you have no excuse not to seek this out and enjoy a bloody good time.

Let us know what you thought of the series in the comments below!

All Reviews A-Z

Here is a thing which I will plan to update each time I add a new review. This should make it easy for anyone who is sufficiently depraved enough to enjoy what I write and craves more. There isn’t a huge amount yet, but I do have a tonne of reviews written years ago for IMDB which I haven’t posted here yet, along with all my other Album reviews for Amazon. This list will grow. For now, click on anything you like!

Movie Reviews

2001 Maniacs – Tim Sullivan

300: Rise Of An Empire – Noam Murro

A Girl Walks Home Alone At Night – Ana Lily Amirpour

A Hard Day – Kim Seong Hun

A Mighty Wind – Christopher Guest

A Nightmare On Elm Street – Wes Craven

A Tale Of Two Sisters – Kim Ji Woon

After The Silence – Fred Gerber

Airwolf – Donald Bellisario

Akira – Katsuhiro Otomo

Alan Partridge: Alpha Papa – Declan Lowney

Alien – Ridley Scott

Aliens – James Cameron

Alien 3 – David Fincher

Annihilation – Alex Garland

Arachnophobia – Frank Marshall

Assault On Precinct 13 – John Carpenter

Attack Of The Adult Babies – Dominic Brunt

August Rush – Kirsten Sheridan

AWOL – Sheldon Lettich

Bad Lieutenant – Abel Ferrara

Bangkok Dangerous – The Pang Brothers

Baskin – Can Evrenol

Battle Royale – Kinji Fukasaku

Beavis And Butthead – Mike Judge

Beetlejuice – Tim Burton

Bedevilled – Jang Cheol-soo

Benny And Joon – Jeremiah S Chechik

Big Driver – Mikael Salomon

Big Trouble In Little China – John Carpenter

Bill And Ted’s Bogus Journey – Peter Hewitt

Bill And Ted’s Excellent Adventure – Stephen Herek

Black Coal, Thin Ice – Diao Yinan

Blair Witch – Adam Wingard

Blood Father – Jean Francois Richet

Bloodsport – Newt Arnold

Bodyguards And Assassins – Teddy Chan

Body Shots – Michael Christofer

Body Snatchers – Abel Ferrara

Braindead – Peter Jackson

Brooklyn Rules – Michael Corrente

Brother – Takeshi Kitano

Bruiser – George A Romero

Cam – Daneil Goldhaber

Cannibal – Manuel Martin Cuenca

Carne – Gaspar Noe

Chasing Amy – Kevin Smith

Chasing Sleep – Michael Walker

Cockneys Vs Zombies – Matthias Hoene

Come And See – Elem Kilmov

Commando – Mark L Lester

Conan The Barbarian – John Milius

Cronos – Guillermo Del Toro

Cursed – Wes Craven

Cyborg – Albert Pyun

Dark City – Alex Proyas

Dawn Of The Dead – Zack Snyder

Day of The Dead – George A Romero

Daylight – Rob Cohen

Dead Snow – Tommy Wirkola

Death Sentence – James Wan

Death Wish 2 – Michael Winner

Demons – Lamberto Bava

Desperado – Robert Rodriguez

Dial M For Murder – Alfred Hitchcock

Die Another Day – Lee Tamahori

Dirty Pretty Things – Stephen Frears

Disturbia – D.J. Caruso

Dobermann – Jan Kounen

Dogma – Kevin Smith

Donnie Brasco – Mike Newell

Don’t Blink – Travis Oates

Don’t Tell Mom The Babysitter’s Dead – Stephen Herek

Double Impact – Sheldon Lettich

Dr No – Terence Young

Dream Warriors – Chuck Russell

Drug War – Johnie To

Dumb And Dumber – The Farrelly Bros

Dumplin‘ – Anne Fletcher

Eaten Alive – Tobe Hooper

El Mariachi – Robert Rodriguez

Escape From Sobibor – Jack Gold

Escape Plan – Mikael Hafstrom

Embodiment Of Evil – Jose Marins

Everyone’s Hero – Christopher Reeve, Colin Brady, Daniel St. Pierre

Evil Dead – Fede Alvarez

Extinction – Miguel Angel Vivas

Final Destination – James Wong

Final Destination 2 – David R Ellis

First Blood – Ted Kotcheff

Fist Of Fury – Bruce Lee

For Your Eyes Only – John Glen

Freddy’s Dead – Rachel Talalay

Freddy’s Revenge – Jack Sholder

Freddy Vs Jason – Ronny Yu

Frenzy – Alfred Hitchcock

Friend Request – Simon Verhoeven

From Russia With Love – Terence Young

Game of Death – Bruce Lee/Robert Clouse

God Bless America – Bobcat Goldthwaite

Goldeneye – Martin Campbell

Goldfinger – Guy Hamilton

Goodnight Mommy – Veronika Franz/Severin Fiala

Grave Encounters – The Vicious Brothers

Grave Encounters 2 – John Poliquin

Gravity – Alfonso Cuaron

Halloween – John Carpenter

Halloween 2 and 3 – Rick Rosenthal/Tommy Lee Wallace

Halloween 4 – Dwight H Little

Halloween 5 – Dominique Othenin Gerard

Hard-Boiled – John Woo

Hard Target – John Woo

Hansel And Gretal – Yim Phil-Sung

Heartbreakers – David Mirkin

Heli – Amat Escalante

Hellboy – Guillermo Del Toro

Hellions – Bruce Macdonald

Home Alone – Chris Columbus

Horrible Bosses – Seth Gordon

Ichi – Fumihiko Sori

Ichi The Killer – Takashi Miike

Into The Mirror – Kim Sung Ho

I Really Hate My Job – Oliver Parker

It’s All About Love – Thomas Vinterberg

Jaws – Steven Spielberg

Jaws 2 – Jeannot Szwarc

Jaws 3 – Joe Alvez

Jaws 4 – Joseph Sargent

Jurassic Park – Steven Spielberg

Ju-On Black Ghost – Mari Asato

Ju-On White Ghost – Ryuta Miyake

Kickboxer – Mark DiSalle/David Worth

Kids – Larry Clark

Kill Bill Vol 1 – Quentin Tarantino

King Kong – Merian C Cooper/Ernest B Schoedsack

Kingdom Of Heaven – Ridley Scott

Lady Bird – Greta Gerwig

Leatherface – Maury & Bustillo

Leon – Luc Besson

Lifeboat – Alfred Hitchcock

Last Action Hero – John McTiernan

Live And Let Die – Guy Hamilton

Loaded – Alan Pao

Lost Highway – David Lynch

Macbeth – Orson Welles

Manuscripts Don’t Burn – Mohammed Rousalof

Milius – Joey Figuero

Mother’s Day – Darren Lynn Bousman

Mouth To Mouth – Alison Murray

Mr And Mrs Smith – Alfred Hitchcock

My Soul To Take – Wes Craven

Never Sleep Again – Daniel Farrands/Andrew Kach

Night Of The Demons – Kevin S Tenney

Night Of The Living Dead – George A Romero

Nowhere To Run – Robert Harmon

On The Road – Walter Salles

Origin: Spirits Of The Past – Keichi Sugiyama

Outrage – Takeshi Kitano

Out Of The Furnace – Scott Cooper

P2 – Frank Khalfoun

Peacock – Michael Lander

Perdita Durango – Alex de la Iglesia

Perlasca – Alberto Negrin

Pieta – Kim Ki Duk

Police Academy 1-7 – Various

Pontypool – Bruce McDonald

Predator 2 – Stephen Hopkins

Priceless – Pierre Salvadori

Problem Child – Dennis Dugan

Project X – Nima Nourizadeh

Q: The Winged Serpent – Larry Cohen

Raw Deal – John Irvin

Rear Window – Alfred Hitchcock

Red Heat – Walter Hill

Red Sonja – Richard Fleischer

Resident Evil – Paul WS Anderson

Resident Evil 2 – Alexander Witt

Return To Oz – Walter Murch

Rhapsody In August – Akira Kurosawa

Ring – Hideo Nakata

Ring 2 – Hideo Nakata

Ring 0 – Norio Tsuruta

Rings – F.Javier Gutierrez

Rogue – Greg McLean

Room – Lenny Abrahamson

Room 237 – Rodney Ascher

Rope – Alfred Hitchcock

Rosewood Lane – Victor Salva

Rubber – Quentin Dupeiux

Rust And Bone – Jacques Audiard

Sabotage – David Ayer

Seeking A Friend For The End Of The World – Lorene Scafaria

Shanghai Kiss – David Ren/Ken Kernwiser

Society – Brian Yuzna

Someone’s Watching Me – John Carpenter

Sophie Scholl – The Final Days – Marc Rothemond

Staunton Hill – Cameron Romero

Still Walking – Hirokazu Koreeda

Street Trash – Jim Munro

Stripes – Ivan Reitman

Suicide Club – Sion Sono

Sukiyaki Western Django – Takeshi Miike

Survive Style 5 + – Gen Sekiguchi

Tag – Sion Sono

Ted – Seth MacFarlane

The 39 Steps – Alfred Hitchcock

The Art Of War – Christian Deguay

Thelma And Louise – Ridley Scott

The Birds – Alfred Hitchcock

The Boss Of It All – Lars Von Trier

The Craft – Andrew Fleming

The Crow – Alex Proyas

The Detective – Oxide Pang

The Devil’s Rain – Robert Fuest

The Driver – Walter Hill

The Empress And The Warriors – Ching Siu Tung

The Evil Dead – Sam Raimi

The Evil Dead 2 – Sam Raimi

The Fifth Element – Luc Besson

The First Men In The Moon – Nathan Juran

The Gate – Tibor Takacs

The Girl Who Leapt Through Time – Mamoru Hosoda

The Green Inferno – Eli Roth

The Grudge – Takashi Shimazu

The Guest – Adam Wingard

The Happiness Of The Katakuris – Takashi Miike

The Hitcher – Robert Harmon

The House Of The Devil – Ti West

The Idiots – Lars Von Trier

The Isle – Kim Ki Duk

The Kings Of Summer – Jordan Vogt Roberts

The Last Exorcism – Daniel Stamm

The Last Exorcism 2 – Ed Gass-Donnelly

The Last House On The Left – Wes Craven

The Man From Earth – Richard Schenkman

The Mannsfield 12 – Craig Ross Jr

The Night Eats The World – Dominique Rocher

The Pact – Nicholas McCarthy

The Red Squirrel – Julio Medem

The Secret Life Of Pets – Chris Renaud

The Storm Warriors – The Pang Brothers

The Stranger – Robert Lieberman

The Tortured – Robert Lieberman

The Visit – M Night Shyamalan

The Wailing – Na Hong-jin

The Witch – Robert Eggers

The Windmill Massacre – Nick Jongerius

Train To Busan – Yeon Sang-ho

Triangle – Hark Tsui/Ringo Lam

Troy: The Odyssey – Tekin Girgin

Twins – Ivan Reitman

Unbreakable – M Night Shyamalan

Universal Soldier – Roland Emmerich

USS Indianapolis – Mario Van Peebles

Visitor Q – Takashi Miike

Wake In Fright – Ted Kotcheff

Way Of The Dragon – Bruce Lee

We Are What We Are – Jim Mickle

We Are Still Here – Ted Geoghagen

Wes Craven’s New Nightmare – Wes Craven

Wolfcop – Lowell Dean

Yellowbrickroad – Jessie Holland/Andy Mitton

You Were Never Really Here – Lynne Ramsey

TV Reviews

Are You Afraid Of The Dark

Back To School At 35

Breaking Bad

Friends

Game Of Thrones

Gladiators

Neighbours

Saved By The Bell

Strike It Lucky

The League Of Gentlemen

The Walking Dead

Wolf Creek

Wreslemania 34

Music Reviews

11 – Bryan Adams

18 Till I Die – Bryan Adams

3 Feet High And Rising – De La Soul

7800 Farenheit – Bon Jovi

A Hard Day’s Night – The Beatles

A Love Supreme – John Coltrane

A Night At The Opera – Queen

Abbey Road – The Beatles

Accessories – The Gathering

Afterwords – The Gathering

Air – Agua De Annique

Aladdin Sane – David Bowie

Bedtime Stories – Madonna

Blaze Of Glory – Bon Jovi

Blood, Sweat, And Tears – Blood, Sweat, and Tears.

Blue – Joni Mitchell

Blur – Blur

Bookends – Simon & Garfunkel

Bounce – Bon Jovi

Bryan Adams – Bryan Adams

Closer – Joy Division

Conan The Barbarian Soundtrack – Basil Poledouris

Conan The Destroyer Soundtrack – Basil Poledouris

Crush – Bon Jovi

Destination Anywhere – Bon Jovi

Diamond Dogs – David Bowie

Disclosure – The Gathering

Dumb And Dumber Soundtrack – Various

Entroducing – DJ Shadow

Erotica – Madonna

Evita – Madonna

For Sale – The Beatles

Fulfillingness’ First Finale – Stevie Wonder

Get Up – Bryan Adams

Hangman’s Beautiful Daughter – Incredible String Band

Heaven Or Las Vegas – Cocteau Twins

Help! – The Beatles

Heroes” – David Bowie

Hey Stoopid – Alice Cooper

Home – The Gathering

How To Measure A Planet? – The Gathering

Hunky Dory – David Bowie

I’m Breathless – Madonna

Into The Fair – Bryan Adams

Jagged Little Pill – Alanis Morissette

Joyride – Roxette

Keep The Faith – Bon jovi

Ladies Of The Canyon – Joni Mitchell

Lazer Guided Melodies – Spiritualized

Let It Be – The Beatles

Lets Dance – David Bowie

Life’s Rich Pageant – REM

Like A Prayer – Madonna

Like A Virgin – Madonna

Lodger – David Bowie

Look Sharp – Roxette

Low – David Bowie

Madonna – Madonna

Music! – Madonna

Magical Mystery Tour – The Beatles

Mandylion – The Gathering

Manic Street Preachers Live In Belfast – Manic Street Preachers

Miles Of Aisles – Joni Mitchell

My Fair Lady Soundtrack – Various

New Jersey – Bon Jovi

Nighttime Birds – The Gathering

Night On My Side – Gemma Hayes

On A Day Like Today – Bryan Adams

Pearls Of Passion – Roxette

Please Please Me – The Beatles

Pin Ups – David Bowie

Pretender – Jackson Browne

Pure Air – Agua De Annique

Ray Of Light – Madonna

Revolver – The Beatles

Rubber Soul – The Beatles

Savage – Eurythmics

Scary Monsters – David Bowie

Sgt Pepper’s Lonely Hearts Club Band – The Beatles

Sleepy Buildings – The Gathering

Slippery When Wet – Bon Jovi

Song To A Seagull – Joni Mitchell

Souvenirs – The Gathering

Space Oddity – David Bowie

Spirit – Bryan Adams

Station To Station – David Bowie

Tattooed Millionaire – Bruce Dickinson

These Days – Bon Jovi

The Man Who Sold The World – David Bowie

The Marshall Mathers LP – Eminem

The Rise And Fall Of Ziggy Stardust – David Bowie

The Roads Don’t Love You – Gemma Hayes

The West Pole – The Gathering

The White Album – The Beatles

Tori Amos Live In Belfast – Tori Amos

Transformer – Lou Reed

Tracy Chapman – Tracy Chapman

True Blue – Madonna

Urban Hymns – The Verve

Waking Up The Neighbours – Bryan Adams

With The Beatles – The Beatles

Yellow Submarine – The Beatles

You Want It You Got It – Bryan Adams

Young Americans – David Bowie

Youth Novels – Lykke Li

Book Reviews

1000 Zombies – Alex Cox

Atmospheric Disturbances – Rivka Galchen

Catching Fire – Suzanne Collins

Dinosaurs – Navigators

Fang Of The Vampire – Scream Street

Japan Day By Day – Frommers

London 2008 – Time Out

London Free And Dirt Cheap – Frommers

Paris 2009 – Time Out

Play With Colours – The Happets

The Art Of Racing In The Rain – Garth Stein

The Devouring – Simon Holt

The Gargoyle – Andrew Davidson

The Hunger Games – Suzanne Collins

The Invention Of Everything Else – Samantha Hunt

The Mayan Prophecies – Gerald Benedict

The Maze Runner – James Dashner

Undead – Kirsty Mckay

Sh*t I Watch – Game Of Thrones

In this latest series of posts, I’m going to talk briefly about some of my favourite TV shows of yesteryear, and some which I’m watching at the moment. In ‘Sh*t I Used To Watch’ I’ll reminisce about some TV shows that I used to watch, from my childhood up until roughly the time I graduated from University – by and large these will be shows that I haven’t watched since that period, or have only caught a small numbers of episodes of. In ‘Sh*t I Watch’ I will talk briefly about the shows I’m watching at the moment, and will deal with both current series which have not yet been cancelled or completed, and those which I am catching up on having missed first time around. I’ll try to post one of these each week, but as regular Glancers will be aware, my regular posts are fairly irregular.

Some of the shows in both categories which I’ll talk about will be ones you should all be familiar with, while others will be extremely niche and I can only imagine about three other people will have ever heard of. It’s my assumption in these posts, perhaps more than all the other junk on this blog, that you will get a murky picture of the person I both am and once was, and that maybe in a wider lens you’ll get a higher level look at the White, Western, child of the 80s. I’ll let you make your own conclusions, but the most obvious may be that we are what we consume, and our lives are rarely more than a procession of vicarious experience. Drill deeper though and we find a less bleak vision, seeing a communal, shared, loving experience as the most important moments of our lives as a species are no longer things like ‘Which Side Won The War’ or ‘Who Got To The Moon First’ or even ‘Why Are We Here’, but rather ‘Will Rachel And Ross Get It Together’ ‘Who Killed JR/Laura Palmer’ and ‘ WTF is Laddergoat’. Actually, that is kind of bleak. Today’s post is going to briefly summarize the show in question, and list a bunch of TV shows that I haven’t yet watched but which are on my ever-growing list. Between reading, writing, watching movies, playing guitar, playing videogames (on top of the real stuff like living, working, breathing, being married, and being a dad), there isn’t much time for me to watch TV. It used to be that any time a new, interesting show came out, I was first in the queue to see it, but now I tend to wait until a show has finished before I even start the first episode. We’ve all been burned in the past by a heinous cancellation, leaving unanswered questions and beloved characters forever suspended in a black hole of fan fiction and speculation; it hurts. A certain part of me only wants to invest my time in a show that I know has, or will fully run its course. I don’t need any more doubt, or imagination to take up my brain power.

My brain when Firefly was cancelled
My brain when Firefly was cancelled

Today’s show is a juggernaut, and arguably the most talked about and respected TV show of the last five years. Game Of Thrones is an epic tale featuring a massive cast of characters and places, with conspiracy, murder, deceit, boobs, and what am I even talking about you already know more about it than I do. I’ve known about the show for a long time, but until this year I hadn’t watched a single episode of it. I still haven’t read a single word of the books which the show is based on. My wife bought me the first three Seasons on DVD for Christmas and as of time of writing I have only seen up to the end of Season 3. I’m not going to give away any spoilers in these posts, either the ‘Sh*t I Watch’ or ‘Sh*t I Used To Watch’, hopefully, and so let’s try to keep the comments Spoiler free too! I don’t know why it took me so long to watch the show – I think it’s a cultural thing – I’m not a huge fan of the country I was damned to and if people from here try to claim something as their own, or latch on to something in a popular way, I will generally go in the opposite direction. Of course, that isn’t being fair to the show itself, and it was clear that there was overwhelming critical praise, so after watching a bit of the pilot I decided to give it a go. As expected, it is a treat, but I wouldn’t call myself a huge fan, and I certainly wouldn’t say it is without its faults. For my two cents, I think there are too few episodes per Season, and I feel that something as large as this appears to be could easily be expanded into a few more episodes each year. For me, there seems to be too much rushing in each episode, and too little time spend with each set of characters. That’s obviously a personal and minor squabble because the show still works wonderfully well. There is a terrific cast of actors, the effort going in to making the show believable is second to none, and it’s always great to see violence and boobs. Do I think it’s better than Buffy? Well no, because nothing is better than Buffy.

Hi!
Hi!

I raise the Buffy issue as that’s the benchmark I use for all TV now – no other show has affected me on so many levels as it did, and does. It remains the funniest show I’ve ever seen, with the most well written characters, the best dialogue, the most brilliant plots, and has such a huge emotional power compared to any other show I’ve ever seen. GOT is far from being a comedy, and there are rarely any moments of humour – that’s fine, humour would be out-of-place here. GOT is all about the drama, but in drama you need to have elements of horror or tension, and certainly an emotional connection. I have found it difficult to truly ‘like’ or align myself with any character in the series so far – there are people I like and people I love to hate, of course, and maybe that is also supposed to be the point. Buffy did the same thing though – every character was flawed, but it didn’t make you love or hate them any less. One of the things GOT is also known for is something which Buffy doesn’t get the credit for (outside of the fandom) even though it can be argued that it started the whole thing – the idea, and the reality that no-one is safe. Major characters are killed off at will during GOT, to the point that, similar to The Walking Dead, we genuinely don’t know if anyone is going to make it out alive, and much of the tension in an episode is from our belief that someone we like could have their throat cut in the next scene. GOT has a massive list of characters, and many of those characters do not survive more than a handful of episodes. Buffy had a massive list of characters, alongside its spinoff Angel, and a tiny number of those survive to the end of the show.

I came in to GOT not really knowing much about it, and hoping/expecting a world similar to LOTR, a world of fantasy with Dragons, Orcs, and the like, but in reality those fantastical elements have been, so far, kept to a minimum. They are in the background, or they are older than the apparently modern, civilized world which the characters now live in. We do get Dragons, we do get creatures, but the series’ strength is in the clashing of the various houses and their respective values. In that respect the world mirrors our own, and there is a constant sense of fragility, a sense that a single injustice, misplaced word, or relationship gone sour could have apocalyptic ramifications. Like the real world, we have people who live only for honour, and those who only live for glory; those who seek personal gain at any cost, and others whose lives are merely more than a futile journey of vengeance. The best shows allow us to see ourselves, and our friends, and our world in what is presented on-screen, skewed just enough that we are happy to say at the end of an episode that ‘I would never do that’ or ‘that would never happen in my country’. Perhaps GOT’s greatest lesson is that we don’t always have control over our lives, and even the best laid plans can fall apart disastrously due to the smallest unexpected intervention; I think we can all agree that this lesson is one which is inescapable even in our own secluded lives.

Living only a few minutes drive from some of the shooting locations of the series gives an interesting additional dynamic to watching the show, both as a fan and as a fan of the craft; it’s fun trying to spot places you know and it’s cool knowing that there are talented people just down the road making positive history. I’m keen to see what happens in Season 4 and 5 and I’m keen to get started on the books, and while I’m not going to say I’m a GOT nerd, I will say I’m a fan.

Bonus Material Alert! Below is a list of shows I haven’t yet watched a single episode of, but which are on my list. Feel free to let me know in the comments what you think I should watch, or add anything which I haven’t listed – if it’s recent, I probably haven’t seen it.

24

Arrested Development

Boardwalk Empire

Curb Your Enthusiasm

Deadwood

Dexter (watched 1 episode but wife decided she didn’t want to watch any more)

Entourage

Eureka

Falling Skies

Friday Night Lights

Fringe

Generation Kill

Hannibal

Jericho

Justified

Mad Men

One Upon A Time

Orange Is The New Black

Parks And Recreation

Penny Dreadful

Person Of Interest

Rome

Spartacus

Sons Of Anarchy

The Americans

The Pacific

The Sopranos

The Shield

The Wire

True Blood

True Detective

Veronica Mars

Z Nation