I’ve mentioned it before on the blog, but I’ve had a love/hate relationship with Eli Roth. I love his enthusiasm, and the films he makes are generally made with love and have solid ideas driving them, but the execution is almost always lacking and he seems to give up part way through and inject unnecessary humour. I have nothing against humour in horror, but his always falls flat. Knock Knock is a remake of the notorious, yet little known 70s exploitation film Death Game – but is it a film which allows Roth’s strengths to overcome his weaknesses?
The film begins promisingly enough – Reeves is playing a wealthy husband and father who lives in a post modern glacial home. One night, while his family is out of town, two unfathomably sexy young women knock knock at his door claiming to need help finding a party. One thing leads to another and before long we are treated to a sleazy threesome. In true Bunuel style, the girls don’t seem willing, or know how to leave – all the more troubling when neighbour Colleen Camp stops by disapprovingly and when the girls destroy some artwork in the house. As matters progress, the sleaze and nonsense increase to silly levels.
Although that promising start eventually dissipates into a watered down tables turned version of Funny Games, with a lot less to say, it’s still stupidly watchable in the same way most exploitation movies are. The cast is a lot of fun, even if it is a little cringe-inducing seeing some of the things Reeves gets up to in the movie. There are many moments when the girls’ plan could have been foiled or come crumbling down, but silly contrived circumstance gets in the way. I’m not sure what precisely the film is trying to say, but it comes off as both hating men and women equally while still glamourizing the hollow and violent nature of both sides. It doesn’t come close to being a horror movie, and it’s not particularly funny to be considered a comedy – exploitation and a mish mash of genre tropes mean it’s more like a sleazy morality tale where the lesson seems to be ‘Don’t Talk To Strangers’. Still, for all its faults, its more enjoyable than a lot of the po-faced horror out there, and it’s brief enough that you’re not sacrificing much by giving it your time.
Let us know in the comments what you think of Knock Knock!
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