Official Nominations: Romeo And Juliet. Ice Station Zebra. Star! Oliver! Funny Girl.
There is one obvious outcast here, and that one will obviously be my choice of winner. The other nominees each feel and look too much like stage adaptations to deserve a Best Cinematography win under my criteria so therefore my winner is Ice Station Zebra and Daniel L Fapp.
My Winner: Ice Station Zebra
My Nominations: Ice Station Zebra. Planet Of The Apes. Bullitt. Hell In The Pacific. Once Upon A Time In The West. The Charge Of The Light Brigade.
It’s bizarre that in a year filled with so many stunningly shot films that The Academy fell back upon its old traditional ways and awarded wins and nominations to films which would look essentially identical on stage as they do on film. In that light, my list is almost completely different to the official one, with Planet Of The Apes shooting Earth as a foreign land and offering one of cinema’s most memorable shots and Bullitt showcasing a violent San Francisco in an all American ultra-modern fashion. Hell In The Pacific is a frequently beautiful looking film which doesn’t shy away from showing the wrath of nature and how insignificant man is, while The Charge Of The Light Brigade looks great even if it is largely forgettable. My winner is no surprise, with Tonino Delli Colli again working wonders with Sergio Leone in Once Upon A Time In The West to depict wide barren lands sparsely populated with distant bandits and assassins who seem to hang on the edge of a horizon.
My Winner: Once Upon A Time In The West
Over to you, which movie of 1968 do you think has the Best Cinematography? Let us know in the comments!
Official Nominations: BW: Who’s Afraid Of Virginia Woolf? The Fortune Cookie. Georgy Girl. Is Paris Burning? Seconds. Colour: A Man For All Seasons. Fantastic Voyage. Hawaii. The Professionals. The Sand Pebbles.
Who’s Afraid Of Virginia Woolf? and A Man For All Seasons picked up the wins this year, increasing their impressive respective tallies. Arguably strange choices in both places, particularly as Is Paris Burning? and Seconds have much more impressive and innovative work. On the colour side the winner is an expected and fine choice, but each of the other nominees could arguably be a better choice.
My Winner: BW: Seconds. Colour: Fantastic Voyage
My Nominations: The Bible In The Beginning. The Good, The Bad, And The Ugly. The Plague Of The Zombies. Is Paris Burning? Seconds. Fantastic Voyage. Hawaii. The Sand Pebbles.
Only five films from the official nominations make it over to my list, and to those I add an epic and two genre classics. Giuseppe Rotunno would gain fame later with a nomination for All That Jazz, but his sweeping shots of the approach to The Ark and the generally lavish shots in The Bible: In The Beginning deserve more recognition. Similarly, The Plague Of The Zombies leaves a lsasting impression on the viewer thanks to Arthur Grant’s bleak, atmospheric shots of a claustrophobic English village. The undisputed winner, and yet another shocking omission by The Academy, must be Tonino Delli Colli’s work on The Good, The Bad, and The Ugly. Taking all the tropes of the famous US Westerns of previous decades, and continuing on the path laid out by Dallamano on the previous Dollars movies, the film remains uncompromisingly vast and beautiful today. Horizons stretch out endlessly, specks in the distance draw the eye just as much as the full screen withered faces of the cast – how much of this is actually down to Leone is up for debate. Either way, it’s a clean winner.
My Winner: The Good, The Bad, And The Ugly.
What is your pick for the Best Cinematography of 1966? Let us know in the comments!