Official Nominations: Ingrid Bergman. Valentina Cortese. Madeline Kahn. Diane Ladd. Talie Shire.
Few arguments this time with the nominations, the obvious choice to drop though being Valentina Cortese for the now little known Truffaut classic Day For Night. Diane Ladd follows Burstyn’s lead in Alice Doesn’t Live Here Anymore – being essentially a road movie, there are any number of notable supporting performances, but they are all fairly small, yet each stands out in its own way, a testament to the quality of the cast and the director. Madeline Kahn featured in both of the Mel Brooks hits this year, but it’s Blazing Saddles where she got a deserving nomination, while Talia Shire further bolsters the foundations laid out previously as Connie Corleone tries to grow out of the shadow of her family. Finally, Ingrid Bergman picked up her third Oscar for Murder On The Orient Express, a performance which is almost entirely focused on a single scene, but it’s one which will stay in the viewer’s mind.
My Winner: Talia Shire
My Nominations: Ingrid Bergman. Madeline Kahn. Diane Ladd. Talie Shire. Valerie Curtin. Margot Kidder.
I only add two further nominations to the four carried over – Valerie Curtin as the shy counterpoint to Diane Ladd in Alice Doesn’t Live Here Anymore and Margot Kidder for her… well, I don’t want to spoil Black Christmas now, do I?
My Winner: Talia Shire
Official Nominations: Eileen Heckart. Jeannie Berlin. Geraldine Page. Susan Tyrrell. Shelly Winters.
What is it with this category? Why is it always crappy? Heckart won for a film most people don’t know and feels like one of those ‘well, she’s been around for decades so we’d better nominate her’. It’s fine, but nothing out of the ordinary. Jeannie Berlin gets a nomination as the slighted newlywed in The Heartbreak Kid – again, fine. Geraldine Page and another movie most people will never see – Pete ‘n’ Tillie (told ya). Guess what? Fine, nothing more, but she’s barely there. Susan Tyrrell and Fat City? Well, at least this one is interesting and probably the best performance of the bunch. Finally, Shelly Winters gets another nomination in what is the most memorable performance of the bunch. Really, any pick here as as good as another, but I do like the whole world-weary drunk thing so…
My Winner: Susan Tyrrell.
My Nominations: Talia Shire. Diane Keaton. Ida Lupino. Natalya Bondarchuk. Anne Bancroft.
I’m going to have to go Godfather again in this category. Both Keaton and Shire don’t have a huge amount to do in Part 1, but both are strong contenders in the early days of their careers. While Keaton has more depth, Shire garners more sympathy and passion from the audience as a character. I’ll throw a good old veteran nomination out there – Lupino never got one, but she gets one from me, this year as the distressed and tired mother of Steve McQueen in Junior Bonner. Natalya Bondarchuk is ghostly and tormented in Solaris while Anne Bancroft is strong once again in Young Winston.
My Winner: Talia Shire.