Nightman’s Favourite Movies – Critically Destroyed!

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*NOTE – Sometimes things get messy when you’re an unstructured mess like I am. The post below was written in advance of me posting my first Get Rekt movie post. But then I forgot to publish it, flying ahead with the series with no explanation. I’m rectifying (rektifying?) that now. So this is a slightly more pointless post than most stuff around here.

Greetings, Glancers! You’ve read it by now, right? My Nightman’s Scoring System (c) Movie Edition post? If you haven’t, click that link and start using it – bloggers, critics, movie reviewers – it’s a great system to employ if you absolutely must give a score in your movie reviews, much better than an arbitrary or random score out of 5, 10, or 100.

If you hang around my site more than is legally advised, chancers are you’ve had a juke at either my Favourite Movies By Year posts or my Beatles albums reviews. In the Beatles posts, I used the musical version of the Nightman Scoring System (c) to give a score. As I was brushing my teeth last night, I was thinking how to better advertise and use the Movie version in my posts and have decided to go through my Movies By Year posts and score those movies using the system. If I was going down the purely arbitrary route, I would simply assign a 5 out of 5, or 10 out of 10 to everyone one of those. That would be selfish and based mostly on personal preference, while I’m aware that quite a few of those films are not ‘good’ or deserving of such a score on a critical level.

But I’m curious to see how well these films do in terms of scoring, and how they rank against each other. Is Problem Child a better film than Police Academy 4? I have no idea, but we’ll find out. Twenty categories, each with a score out of five, each given as honest a consideration as I can provide while admittedly being a bias-tainted fanboy, totalled to tally a final result out of 100. It’s going to take a while, and I’ll probably give up long before the end, but I’m planning to give it a shot.

In writing my original yearly favourite movie posts, I started at 1950 and worked forwards and for my updated posts I started at 2010 and worked backwards. To spice things up for myself in this series, I think I’m going to start with the Number 10s of each year, starting with 1950, then circle back to the Number 9s until we get to the Number 1s. That way I won’t get bored looking at the same year for weeks on end. It would be swell if we had some audience participation too – give your own scores and we can compare. I know you won’t, but I can dream.

In all seriousness, this is mainly another case of my curiosity getting the better of me, leading to another series of posts no-one is going to care about. I have fun writing these things though, so it’s all good. As always, feel free to drop your input in the comments section and I’ll see you there!

Nightman’s Favourite Films Of The 1980s – Stats Roundup

Greetings, Glancers! So, older readers of my Oscars posts may recall that I tried to give some stats at the end of the year. It became too difficult to gather metrics and I become too lazy, and lo the posts migrated to the Hades Of Blogs like so many before. The same will likely happen to these summary posts – where I give some ‘interesting’ stats on my favourite films of each decade. It doesn’t mean anything, you won’t gain any insight or pleasure from reading them, and they will be painful to write. Why do it? Well shucks, I’ve always had a thing for hurting myself. ‘Enjoy’!

Number Of Best Picture Nominees: Five (Out of a possible fifty)

Number Of Best Picture Winners: One (Out of a possible ten)

Number Of Movies In The Top Ten Grossing of The Year: Twenty nine (Out of a possible one hundred)

Number Of Movies Which Were The Top Grosser: Five (Out of a possible ten)

Well… this was the decade when The Academy began making truly bizarre choices when it came to Best Picture. When it came to most of the big categories actually, and it’s something they haven’t ever really recovered from. I’m not saying that just because this was the decade I grew up in and therefore have a lot of childhood association to the films I’ve picked as favourites – I do feel that many of the films in my Top Tens were far more deserving of critical attention, and in many cases that acclaim has come in the years and decades since.

This was certainly a decade when cinema as pure entertainment was perfected – we have more classics per genre than any other decade, and directors and writers must have been allowed a degree of freedom and creativity never seen before or since which led to many wacky ideas and films which you couldn’t believe would have ever seen the light of day at any other time. Naturally this meant we got an unprecedented level of crap too, and even some of those are beloved by me, but by and large it’s the decade when my favourite filmmakers and stars hit their peak. You may be wondering then why I only picked 29 out of the top 100 grossing films – well, we had a high rate of romances and comedies too which, while I like many of them, weren’t strong enough for me to put on my lists. While, as you’ll see below, there weren’t many foreign films causing my grossing figures to be low, there were a lot of cult hits and sequels that I love which didn’t make as much money as the originals.

Movies By Country In My Top 10:

USA: Ninety one

UK: Sixteen

Italy: One

Japan: Three

France: One

Australia: One

Canada: Two

HK: Five

The USA dominates again, to a ridiculous degree. While a lot of that is due to me mainly being exposed to Hollywood movies in my childhood, I still watched plenty of foreign stuff too. While those were mainly martial arts movies, few of those were strong enough to make my lists. The UK is really only here for Bond now but had plenty of crossover hits, Japan had still mostly fallen away even though there were plenty of Japanese animated movies I liked they were again rarely strong enough to penetrate the top ten.

Movies By Director:

John Carpenter: Seven

John Glen: Four

David Cronenberg: Four

 

Steven Spielberg: Two

John Landis: Two

David Lynch: Two

James Cameron: Two

Sam Raimi: Two

Francis Ford Coppola: Two

Stanley Kubrick: Two

Brian De Palma: Two

Jerry Paris: Two

Walter Hill: Two

George A Romero: Two

Richard Donner: Two

Robert Zemeckis: Two

John McTiernan: Two

Tim Burton: Two

John Woo: Two

John Hughes: Two

Sylvester Stallone: Two

Oliver Stone: Two

Rob Reiner: Two

Ivan Reitman: Two

 

John G Avildson: x

Tobe Hooper: x

Akira Kurosawa: x

Walter Murch: x

Robert Harmon: x

Martin Scorsese: x

Joe Dante: x

Ridley Scott: x

Tony Scott: x

George Miller: x

Russell Mulcahy: x

John Milius: x

Ted Kotcheff: x

Barry Levinson: x

George P Cosmatos: x

Alan Parker: x

Martin Brest: x

Gerald Scarfe: x

Cliver Barker: x

Paul Michael Glaser: x

Joel Schumacher: x

Paul Verhoeven: x

Chuck Russell: x

Jim Drake: x

Kathryn Bigelow: x

Larry Cohen: x

Irvin Kershner: x

John Hough: x

Mark L Lester: x

Ching Siu-Tung: x

Bruce Robinson: x

Ringo Lam: x

Vincent McEveety: x

Hayao Miyazaki: x

Arthur Hiller: x

Ruggero Deodato: x

Desmond Davis: x

Sidney J Furie: x

Wes Craven: x

John Huston: x

Mary Lambert: x

Stephen Herek: x

Ron Howard: x

Michael Lehmann: x

Christopher Cain: x

Katsushiro Otomo: x

Newt Arnold: x

Tony Randel: x

Richard Marquand: x

John Badham: x

Luc Besson: x

Jackie Chan: x

Sammo Hung: x

Hugh Wilson: x

One hundred films, seventy eight directors. When people think of the 80s, they usually say it was Spielberg’s decade, or belonged to John Hughes. I was never a massive fan of the more mainstream John Hughes films and while Spielberg was everywhere in the 80s, people may forget that he didn’t always direct many of the films he was associated with. For me, the decade belonged to John Carpenter. Ten years, seven top ten movies – that’s pretty unprecedented. Then again, I am biased as Carpenter is my favourite director of all time. The numbers don’t lie though, and he’s way out on top. While we have a large list of directors with only one hit on my lists, a number of those single hits happened to me my first or second film of the year, and we have plenty of stalwarts with a deuce. Only coming close to Carpenter are John Glen, who directed every Bond film of the 80s, and David Cronenberg with his terrific run of classics.

Let us know your thoughts in the comments!

Nightman’s Favourite Films Of The 1970s – Stats Roundup

Greetings, Glancers! So, older readers of my Oscars posts may recall that I tried to give some stats at the end of the year. It became too difficult to gather metrics and I become too lazy, and lo the posts migrated to the Hades Of Blogs like so many before. The same will likely happen to these summary posts – where I give some ‘interesting’ stats on my favourite films of each decade. It doesn’t mean anything, you won’t gain any insight or pleasure from reading them, and they will be painful to write. Why do it? Well shucks, I’ve always had a thing for hurting myself. ‘Enjoy’!

Number Of Best Picture Nominees: Twenty three (Out of a possible fifty)

Number Of Best Picture Winners: 7 (Out of a possible ten)

Number Of Movies In The Top Ten Grossing of The Year: Thirty three (Out of a possible one hundred)

Number Of Movies Which Were The Top Grosser: Five (Out of a possible ten)

The number of films nominated for Best Picture this year is unsurprisingly high. In this decade The Academy and myself largely saw eye to eye thanks to a new wave of American directors whose films gained critical attention and personal adoration. Special mention goes to 1975, which may be the only year where all five films nominated for Best Picture appear in my personal Top Ten, as well as three of the Top Ten Grossing movies. Not only that, 1976 followed with 4 of the nominees making my list, as well as being one of the few years to have a clean sweep by country – all ten movies in my list are from the US. 1978 actually also has 10 US movies, though Superman is classed as being US/UK/Switzerland/Panama. By and large The Academy got it right this year, with seven Best Picture winners making it to my top ten lists – I don’t think we’ll get such a high number again and I anticipate the 80s being much lower. Twenty three out of the fifty total nominees made my list, that’s up from the 60s and the 50s.

In terms of top grossing movies, five of the top grossers made my lists, which is up from the 60s but down from the 50s – I put that down to the 60s having many successful costume epics and musicals, not my favourite genres, and me being more familiar with 70s movies and enjoying movies further outside the mainstream than what the 50s had to offer. Just to confuse things though, the thirty three films in the Top Ten grossing movies by year is higher than the 50s, but lower than the sixties…. so I’m not sure what to make of the stats. I will say 33 out of 100 is lower than what I expected but that I anticipate the 80s to be much higher.

Movies By Country In My Top 10:

USA: Seventy three

UK: Nineteen

Italy: Seven

Japan: One

France: Three

Germany: One

Australia: Four

Hong Kong: Five

Thailand: One

Canada: Two

Netherlands: One

Switzerland: One

Panama: One

The USA dominates again with a whopping seventy three films out of 100, one less than the 1950s. I was expecting this decade to be high as it is really when most of my favourite US directors and performers were hitting their peaks. Aside from the US, we have a few notable changes, namely Japan falling from grace and Spain disappearing completely. Japan had ten entries in the 50s, five in the 60s, but only one in the 70s. Don’t worry, that will pick up again. The UK drops down to nineteen, an expected drop after the swinging sixties, while Italy dropped a little to seven – held up by a new wave of horror movies. France stays consistent with single figures, Canada returns with a couple, but the newbies on the list are Australia with four and Hong Kong with five – Bruce Lee on the latter and a few up and comers for the former.

Movies By Director:

Robert Altman: Four

Dario Argento: Three

Walter Hill: Three

Francis Ford Coppola: Three

William Freidkin: Three

Sidney Lumet: Three

 

Bruce Lee: Two

Mel Brooks: Two

Guy Hamilton: Two

Sam Peckinpah: Two

Nicholas Roeg: Two

Lo Wei: Two

John Carpenter: Two

Bernardo Bertolucci: Two

John G Avildson: Two

Stanley Kubrick: Two

Terry Jones: Two

Don Siegel: Two

Steven Spielberg: Two

Martin Scorsese: Two

Clint Eastwood: Two

George A Romero: Two

Richard Donner: Two

 

Michael Cimino: One

Philip Kaufman: One

Jeannot Szwarc: One

John Milius: One

Irvin Kershner: One

Alan Parker: One

Kevin Connor: One

Ridley Scott: One

George Miller: One

David Lynch: One

Frank Roddam: One

Lucio Fulci: One

Michael Wadleigh: One

Michaelangelo Antonioni: One

Mel Stuart: One

Peter Weir: One

George Lucas: One

Lewis Gilbert: One

Sylvester Stallone: One

Terry Gilliam: One

George P Cosmatos: One

Mike Hodges: One

Richard C Sarafian: One

Alan J Pakula: One

Milos Forman: One

Paul Verhoeven: One

David Cronenberg: One

Brian De Palma: One

Michael Anderson: One

Arthur Hiller: One

Disney: One

Terence Malick: One

Tobe Hooper: One

Nobuhiko Obayashi: One

Franklin J Schaffner: One

Michael Winner: One

Sandy Harbutt: One

Bob Clark: One

Bob Rafelson: One

Brian G Hutton: One

Wes Craven: One

Gordon Hessler: One

Roman Polanski: One

John Boorman: One

Roy Ward Baker: One

Douglas Trumbull: One

Robert Clouse: One

Robin Hardy: One

One hundred films, seventy one directors. That’s down slightly from the sixties – most of the guys who were prominent in the previous decade are here again. The biggest changes this decade are that Hitchcock has completely vanished – he made a few decent films but none which I enjoyed sufficiently to include here, and Kurosawa. While Hitchcock is dead by the time the 80s roll around, Kurosawa was still going. In addition, Disney only made a single inclusion as they entered a bit of a dark age before their second Golden Age would begin later in the 80s. There are no obvious standouts from a director standpoint, though Robert Altman claims the top spot with four. We have a group on five with three movies each – Freidkin, Argento, Hill, Coppola, Lumet, and a bunch with two. A few directors making their debuts in my lists this decade will go on to greater success.

Let us know your thoughts in the comments!

Nightman’s Top Films Of The 1960s – Stats Roundup

Greetings, Glancers! So, older readers of my Oscars posts may recall that I tried to give some stats at the end of the year. It became too difficult to gather metrics and I become too lazy, and lo the posts migrated to the Hades Of Blogs like so many before. The same will likely happen to these summary posts – where I give some ‘interesting’ stats on my favourite films of each decade. It doesn’t mean anything, you won’t gain any insight or pleasure from reading them, and they will be painful to write. Why do it? Well shucks, I’ve always had a thing for hurting myself. ‘Enjoy’!

Number Of Best Picture Nominees: Eighteen (Out of a possible fifty)

Number Of Best Picture Winners: Three (Out of a possible ten)

Number Of Movies In The Top Ten Grossing of The Year: Thirty Six (Out of a possible one hundred)

Number Of Movies Which Were The Top Grosser: Three (Out of a possible ten)

The number of films nominated for Best Picture this year dropped marginally, while my numbers of Best Picture Winner picks went from 6 to three – ostensibly this tells me that I rarely agreed with the Academy choices throughout the decade. On the flip side, the number of Movies in the Top Ten Grossing list increased by fourteen, showing that maybe I was following the crowd and enjoying the mass market movies rather than the critical darlings, although the actual Top Grossing Movie picks went down to three from six. It’s likely a case of me seeing more movies from this decade than the one before, and preferring plenty of movies which were not eligible,were foreign, or were cult classics rather than hits.

Movies By Country In My Top 10:

USA: Fifty Nine

UK: Thirty Two

Italy: Eleven

Japan: Five

France: Five

Germany: Four

Spain: Four

Algeria: One

The USA dominates again, though this being the swinging 60s, the UK figures are probably the best they will ever be. Due to this, the US figures have taken a dip, but the slack has been picked up by Italy who rack up (legs) eleven hits. Again, I imagine that will be the best tally the country will garner in a single decade. Sweden and Canada drop off the list, and Algeria joins.

Movies By Director:

Stanley Kubrick: Four

Robert Aldrich: Four

Sergio Leone: Four

Terence Young: Four

Disney (yeah I know): Three

Roman Polanski: Three

 

Federico Fellini: Two

Blake Edwards: Two

Stanley Kramer: Two

Akira Kurosawa: Two

Alfred Hitchcock: Two

John Sturges: Two

Sidney J Furie: Two

J. Lee Thompson: Two

Norman Jewison: Two

Mike Nichols: Two

Don Chaffey: Two

Lewis Gilbert: Two

Gerald Thomas: Two

 

Jean Luc Godard: One

Mark Robson: One

Masaki Kobayashi: One

Cy Endfield: One

Terence Fisher: One

Arthur Penn: One

Gillo Pontecorvo: One

Peter Yates: One

Sam Peckinpah: One

George Roy Hill: One

Peter R Hunt: One

Peter Collinson: One

Guy Hamilton: One

Robert Rossen: One

Jack Clayton: One

Franklin J Schaffner: One

John Schlesinger: One

Mel Brooks: One

Lindsey Anderson: One

John Boorman: One

Roger Vadim: One

Michael Powell: One

Wolf Rilla: One

Georges Franju: One

Billy Wilder: One

Nobuo Nakagawa: One

Jean Luc Godard: One

Val Guest: One

Marlon Brando: One

Vittorio De Sica: One

Hiroshi Teshigahara: One

Michaelangelo Antonioni: One

Richard Brooks: One

James Hill: One

Dennis Hopper: One

Russ Meyer: One

George A Romero: One

Paul Bogart: One

Guy Green: One

Richard Lester: One

Bryan Forbes: One

Stuart Rosenberg: One

Ken Annakin: One

Andrew Marton: One

Bernhard Wicki: One

Gerd Oswald: One

Darryl F Zanuck: One

John Ford: One

David Lean: One

Robert Mulligan: One

Herk Harvey: One

Francis Ford Coppola: One

Luchino Visconti: One

Sydney: Pollack: One

Jospeh L Mankiewicz: One

Robert Wise: One

One hundred films, seventy five directors. We have some new directors making my stats this decade, while some of the big hitters from the 1950s have dropped back or dropped off completely. Elia Kazan is gone after notching up multiple entries last time around, while both Hitchcock and Kurosawa drop down to two. Kazan made eight films in the 50s, but only four in the sixties, while Hitchcock and Kurosawa similarly eased their output. That means we have no clear front-runners for the 1960s – instead, we have a quartet of quartets, with Kubrick, Young, Leone, and Aldrich earning top honours and Disney and Polanski close behind.

Let us know your thoughts in the comments!