For anyone who reads this list I’m sure there will be a mixture of disgust, appreciation, and annoyance. Good, make your own list. I’ve tried to include a few tracks from every album and while Chinese Democracy is still fresh in my mind and hasn’t exactly stood the test of time yet, this is a fairly accurate current list. If I was doing it by importance, or how much I’ve adored the individual songs over my life then there wouldn’t be any CD or TSI tracks here, and additional ones from AFD and UYI. As always, feel free to comment, ridicule, and provide your own favourites.
Just a note on GNR – they were the first band I ever got into, and everything I’ve listened to since then has been because of the impact they had on my early life. They looked so fucking cool, they swore, they fought, they were smart, pissed off, and they could play the most raw, amazing music at break-neck, effortless speed – everything an 8 year old boy could want. Before then my music was limited to Michael Jackson devotion and whatever crap was in the charts, but suddenly I was on my way to a life of hard rock, grunge, metal, and eventually everything else good. Soon I was learning guitar, writing music, djing in metal bars, and having groupies praise me for simply breathing. So thanks GNR, especially for the songs below.
36. You Can’t Put Your Arms Around A Memory (The Spaghetti Incident): A fine dedication to Johnny Thunders and one of few songs worth mentioning on the ill-fated The Spaghetti Incident. Like most of their covers, this is given the G’n’R crunch, and is notable for being one of the few tracks that Duff has lead vocals on. It’s a fairly tame song in comparison with the rest of the punk overhauls elsewhere but one of only a handful you’re likely to return to.
35. Cornshucker (Lies): Ok, this didn’t see an official release, but if you’re a fan you owe it to yourself to hear it at least once, if only to hear the original line-up sounding like they used to, and enjoying it. An incredibly juvenile song, about anal sex, the whole band get in on the act -singing, shouting, so it sounds more like an orgy than a song.
34. Ain’t It Fun (TSI): A seering cover of a little known punk classic, Axl and Hanoi Rocks guest Michael Monroe compete in whispers and growls and conspire to make a self-fulfilling prophecy concerning the near-future of the band.
33. So Fine (Use Your Illusion II): Another Duff tribute to Johnny Thunders, this is as gentle as GNR would ever get, even if they still manage to rock in the chorus. A largely piano-led track, it sounds like an early crossover of Civil War and Knockin On Heaven’s Door taking ideas and cues from both tracks to create a strong standalone.
32. Shadow Of Your Love (Lies): Another unreleased one, Shadow is another breathless early track, filled with fury and that exciting exhuberence which marked the band apart from others on the scene at the time. Axl’s yelp is on full form, the chugging power chords and thunderous drums compete for prime place, and there is a nice bluesy, tipsy solo.
31. Since I Don’t Have You (TSI): Just to top off the weirdness of TSI the first song off the album is a cover of a gentle 50s soother and the video stars Gary Oldman chasing the band around a swimming pool. Imagine Dirty Dancing starring Guns n Roses and you won’t be too far away from understanding the song. It has a charm, but I remember when I first heard it I thought the band were buggered. Turns out they were. Still good though.
30. Dead Horse (Use Your Illusion I): I’ll probably say this a lot on this list, but a number of songs get easily lost under the sheer mass of the UYI albums. Dead Horse is one of those, but it warrants a re-visit thanks to a sneering attitude similar to 80s GNR and it doesn’t suffer from the overblown nature of many other tracks spread over the double disc. Great intro, rockin’ verse and chorus, good stuff.
29. Locomotive (UYI): Probably the forgotten epic of the two UYI albums, this is a hard-rockin, bluesy rambler with a few thousand too many lyrics, and one which does fittingly feel like being both on, and pummelled by a Locomotive. The song builds and repeats itself over the course of over 6 minutes before stumbling brilliantly into one of the most perfect breakdowns you’ll ever hear; the bass and drums fall away to the sound of Axl’s dying wail, and all are replaced by a wonderfully dark piano and lead guitar led piece. Axl comes back in with a single mournful line while the rest of the band eventually re-group and jam for the remaining couple of minutes.
28. Prostitute (Chinese Democracy): Chinese Democracy is definitely a strong one; a misunderstood work of myriad genres and ideas, and unquestionably weaker than the band’s high points. Nevertheless, it’s still Guns N Roses (of a sort) and is a powerful album at times. A love song entitled Prostitute ends the album, and while Axl’s new vocals sound bizarre if listening as a standalone, if listening to the album as a whole you should be well used by now. With dancey drums, a groovy string section, and the albums soaring guitars, this is a great track. A self-mocking lyric (which Axl is so good yet) and a merging of crushing volume and tenderness, as well as a beautiful final 90 seconds mean this is a stong end to the album.
27. This I Love (CD): While many of the heavier songs on CD don’t hit the mark, most of the quieter songs do. This tear-jerker would be cheesy if Axl didn’t sound so earnest and broken. It’s another hair-ripping song of love slipping away, set to Axl’s lonely piano piece, more subtle strings and woodwind than you would expect from the band, and broke up by a bruising guitar section. This I love indeed.
26. Mr Brownstone (Appetite For Destruction): Probably the first song on the list that the more casual fan will recognise, this effortlessly cool depiction of addiction and excess is both brutal and engaging. The problem with music this good is that it’s so easy (sorry (sorry)) to ignore the words/message (if there is one). Like much of AFD this is iconic stuff – the opening moments and the main riff are the stuff of rock legend, Axl struts through the verses and shrieks the choruses like a man possessed, while the rhythm guys keep everything in check.
25. My Michelle (AFD): One of the lesser known tracks from AFD this is another sordid tale of the wrong side of the tracks, with down-and-out characters sctratching and biting their way to the top, or if not the top, their next easy ride or hit. More lyrical brilliance from Rose is mirrored by huge 80s guitars and drums. It’s a groovy cousin to Mr Brownstone.
24. Nice Boys (Lies): A belter, this one is played at a billion miles an hour, with all the hunger and frenzy of a murderer on the run. The lyrics are the usual early Guns stuff, not that you’ll make them out anyway, it highlights the band’s punk roots whilst showcasing their ability to make a dying genre insteresting again.
23. Reckless Life (Lies): Like its partner above, this is a live stormer with an Iron Maiden intro, Aerosmith swagger, and carefree, reckless attitude, all thrusted into our stomachs like a spear from a Rhino. It’s fast, the melodies are saved for the chorus, and Axl is at his blistering best.
22. Knockin On Heaven’s Door (UYI): A wonderful cover of a dreary Dylan classic, this is more touching than any other version, though we could do without the reggae live version please. For a while, GNR were masters of overturning songs and making their covers the definitive version – here the blending of somber verses, triumphant choruses, and big guitars stand proud.
21. Back Off Bitch (UYI): This is one of those songs which is rarely played live, or remembered, but it really could have been a single. Sure, there is the usual misogynist edge, but show me a GNR song which doesn’t have something distasteful, even in their singles. It’s short enough to have been a hit, it’s punchy, has a singalong chorus, although I’m sure there would need to be an unfortunate radio edit. It sounds like a missing track from AFD, and the song was around for a few years before it was released. A quick search on youtube will turn up some early versions from around ’87-88.
20. Madagascar (CD): Long before Chinese Democracy was ever released (and it still feels strange saying it has been) this was the song everyone was talking about. For fans of their more epic stylings, this was supposed to be the follow-up to their biggest and best songs, a new Kashmir, a new November Rain. While it doesn’t hit those heights, it is still a strong song. I only wish it had been recorded when Axl’s voice was at it’s peak, as I’m not sure it suits his new vocals. It starts off with great promise, with those somber trumpets sounding potent and sorrowful. Indeed, I think that introduction is the best moment in the song. Axl adds a great tormented strain to his vocals here, but it sounds a little too rough rather than natural. We weave through the verses and choruses before hitting a breakdown filled with samples and soundbites at 3 minutes, including a reminder of Civil War. This section has some good moments too, and it’s an interesting addition to their catalogue, and here it sounds most like Kashmir with an oriental style string backing and wirey guitars. I think after this section there should have been something new, something to take the song into a different direction for a couple of minutes, but instead we just get the chorus and end. It’s a good song, but after it was built up so much I feel it is missing something to make it truly great.
19. Get In The Ring (UYI): A critic’s favourite this. Axl’s ego goes into overdrive as he imagines, Uwe Boll style, kicking the crap out of all of the enemies of the band inside a wrestling ring – critics, reviewers, haters in general, all those opposed. I have a nostalgic fondness for this one, as it was always good fun to snicker along to it whenit was played in the car with my parents. Sometimes they would turn it off and spark and arguement. It was the first song I heard which contained so much swearing, and even now it takes some beating. Sure it’s puerile and juvenile, but the band did have a point – being a target for all manner of criticism, much of it unwarranted. Luckily, the song is filled with strong melodies and kick-ass music, so you can lookpast all the mother-fuckers and bitchy little asses. There is a strong, bluesy introduction before the song quickens and gets into it’s stride, and similarly the outro is memorable. A solid all round rock monster.
18. Double Talkin Jive (USI)
17. Civil War (UYI)
16. Live And Let Die (UYI)
15. Street Of Dreams (CD)
14. Welcome To The Jungle (AFD)
13. You Could Be Mine (UYI)
12. Catcher In The Rye (CD)
11. Sweet Child O Mine (AFD)
10. Better (CD):
9. Estranged (UYI):
8. Nightrain (AFD):
7. Don’t Cry (UYI):
6. Paradise City (AFD):
5. Coma (UYI):
4. Rocket Queen (AFD):
3. Patience (Lies):
2. November Rain (UYI):
1. Think About You (AFD):
Feel free to ridicule or praise my list, offer some comments, and share your top ten.