As it’s my music month, I’m going to post a few of these. Remember the Nightman Scoring System ©? My system for reviewing music as fairly as possible, an attempt to remove as much inherent bias as possible? That system where I break up an album into twenty evenly weighted categories so that when you score each one out of five, trying to base the score as much on fact as on opinion, you get a fair total out of 100? It’s the best scoring system in the world and you should use it. So should I in fact, hence this post. Anyway, if you want to read the rules about the system click this link and it will reveal all. There’s one for movies too, at this link. Check them both out – I say with absolutely no hyperbole that it will unquestionably change your life, make you an astonishingly brilliant human being, and also get you the ladies (regardless of your gender or orientation).
I continue going back over The Beatles’ albums, again, with their second UK release With The Beatles. Click this link for my original review. It’s not my favourite album of their’s – the weaker rushed out cousin to the first, but it’s still the bloody Beatles. Check out my scores below.
Sales: 5 (Like all of their albums, this was a smash hit).
Chart: 5 (Like all of their albums, this was a smash hit).
Critical: 5 (Like all of their albums, this was highly praised at the time, and is still voted as being one of the best albums of all time today. Retrospective reviews have been less positive so some people could go 4 or even 3 on this. I’m tempted to go 4, but I’ll leave it).
Originality: 3 (This is really more of the same after Please Please Me, hardly surprising when it was recorded 4 months after their debut. There isn’t any progression, which couldn’t really be expected, but even so I have to give a more average score in this category. The more lenient may go with 4 but 3 seems like the best choice).
Influence: 3 (Similar to their debut, but again the impact is decreased simply by virtue of the fact that Please Please Me was recorded first. If you’re being extra nice go 4, but I think 3 is most accurate).
Musical Ability: 4 (Again, there can’t be much progression in playing in four months, but here they solidify their various styles and ability to play together).
Lyrics: 3 (Like their debut, there isn’t a lot to speak of here for the eight original songs – another collection of love songs, this time with more focus on the darker side. They fit the music, they rhyme when they need to, and do everything else expected of simple pop tracks, and verge close at times to being much too cliche).
Melody: 3 (The original tracks here don’t quite match up to those on the debut, though there are still plenty of wonderful moments, but the covers are hit and miss. 3 -5 is the range here, but the lower ebb seems more reasonable).
Emotion: 3 (The tracks are given the full Beatles energetic treatment, and again the tracks are mostly pleasant without truly gripping us in a vice grip of emotion – no highs or lows, just playing for the love of playing).
Resilience: 5 (Again, 50 years on this is still being discussed, although the covers are not seen as definitive and the originals are not as strong as on other albums. Can’t go lower than a 3, surely).
Vocals: 4 (Lennon has stronger output here than the others, McCartney getting minus points for Till There Was You, Harrison does a good job in his first solo performance, while Ringo does a great job on his lead performance).
Coherence: 3 (This one does suffer from sounding more like a random collection of hits, although most of the tracks fit together in a gentle rock style rather than the full on energetic blast of the debut).
Mood: 3 (The mood is less distinct here than in the debut, with less of the spirit of the time coming through, and less of the japes of being a band made clear to the listener).
Production: 3 (For some reason this one sounds a little more tinny, twangy, cheaper than the debut, although every part is clear).
Effort: 3 (Not as high a score as the debut as many of these tracks were leftovers or basic covers of already oft covered hits, but by and large the band give it their all in the playing).
Relationship: 3 (The songs here don’t clasp on to the listener as firmly as those on the debut, although this does sound like the slightly uglier twin of Please Please Me and fits well with the early set of Beatles records).
Genre Relation: 4 (More of the same, with the band treading familiar water to other bands of the time, yet not truly striking out on their own).
Authenticity: 3 (Unlike the debut, this sounds and feels more like a cash in on recent success rather than a true Beatles album, although there are enough twists and moments to prevent it from sounding like any other band or a band at odds with themselves).
Personal: 3 (It’s not a great album in any respect in my eyes, with much less punch than the debut, less ideas, less passion, but still plenty of strong songs. Hardcore fans will go 4 or 5, I can understand the 4 but 5 seems like a lie. Only haters will give less than a 3).
Miscellaneous: 3 (Nice cover work again, not much else to say here. As always, this will range from 1-5 for the individual).
A lesser album in my eyes than the original, and the overall score reflects that, knocking it down to a mid-B grade if we’re talking more traditional scoring. I should have said in the previous post that some people will disagree with the 20% per grade scoring. Usually I wouldn’t do things that way either, and most schools etc don’t follow that pattern, but that opens a different can of worms; Should A grade only be 90-100, or 85-100? Should it fall like 0-30 is an E, 31-45 is a D, 46-69 is a C, 70-84 is a B? Who knows? What I will say is that you can’t give a 0 in any category, so even if you score 1 in each category, you still score 20/100. That’s the lowest possible, and I can’t see anyone getting it so maybe an E grade should be 30? Regardless, that’s not what we’re here for – I’m just giving a score out of 100 so I’ll leave any grading to your personal tastes. Once I’ve scores a few more albums, you’ll see a pattern emerge between them.
In any case, this score seems okay. If I wasn’t using these categories and was asked to give a score out of 100 for this album, depending on the day I think I’d give anywhere between high 60s and high 70s. I don’t think I’d ever go 80 or above. Let us know in the comments how you would score the album based on the system – I’m curious to see how other scores fit and if any patterns emerge.