Official Nominations: How The West Was Won. 8 1/2. America, America. Love With The Proper Stranger. The Four Days Of Naples
While 8 1/2 is the more visionary and original film, I’m always fascinated and awed by epics – every facet of a true epic which spans generational time spans is appealing to me, from a pure entertainment viewing standpoint, to its creation. Without strong writing and characters and epic would be four hours of torture, but when you have engaging writing, memorable quotes, and characters you yearn to see more of, then you’ll have a winner in my books. How The West Was Won is a winner. Elia Kazan’s vanity project America, America is also epic in scope and earned him multiple nominations, including Best Writing, while Arnold Schulman’s Love With The Proper Stranger deals with tough topics but doesn’t hit any peaks. Four Days Of Naples is an interesting enough Italian film, but again doesn’t stir anything in me with regards to writing.
My Winner: How The West Was Won.
My Nominations: Dementia 13. Winter Light. Summer Holiday. Shock Corridor. The Running Man. It’s A Mad Mad Mad Mad World. How The West Was Won. 8 1/2.
Sam Fuller was always ahead of his time, and with Shock Corridor he perfects the horror/crime cliché of ‘man goes to asylum to uncover murder case’, both writing and directing skilfully. Dementia 13 shows a young Coppola’s flair, Winter Light is full of Bergman’s venom against religion, Summer Holiday remains popular to this day in Britain, whilst Mad World and The Running Man are good examples of pacing when it comes to writing chase thrillers and adventures.
My Winner: Shock Corridor.
Let me know your picks for Best Original Writing of 1963 in the comments below!