Kill Bill Vol. 1

Kill Bill Vol. 1

Billed as Tarantino’s fourth film, Kill Bill Vol 1 is both a departure from what he has done before, and a mix of all previous films. It is primarily a Kung Fu revenge movie with many nods to past martial arts classics. Uma Thurman plays The Bride, a pregnant woman shot and left for dead at her wedding by Bill and his gang, the people she used to work for. After lying in a coma for four years, she wakes and immediately begins her quest for revenge. She is a killer, and all of her abilities remain, so she travels to Japan to get herself the greatest sword ever made and pick off her old gang one by one by one…

All the trademarks of the Auteur are here, the dialogue, the non-linear story-telling, the clever camera angles and the violence, but while his past films appealed to smart-ass critics, this is one for the fans, for himself, for all the kids like me who grew up watching Martial Arts movies. There is a great amount of blood-shed, although it is all brilliantly and stylishly filmed, and of course it is all done in a humorous way. As usual, Tarantino gets the best out of his cast, and they all seem to feel that it is an honour to work with him. Thurman is back to her best, old favourites like Sonny Chiba and Kenji Ohba are excellent, Lucy Liu is very good, and all the smaller parts are filled admirably. Julie Dreyfuss is also good, and Chiaki Kuriyama of Battle Royale, Gonin, and Shikoku fame. Tarantino is clearly having fun making this, experimenting with a variety of styles, from manga and anime to filtering between black and white and colour, the soundtrack is as effective as all his previous films, the instrumental mixing well with the songs and noises.

Kill Bill Vol.1 works mainly, through all the impressive violence, fun and games because of the Bride and her quest. We want to see her get revenge, we want to see her destroy all the murdering mah-fah’s who get in her way, and we want to see her Kill Bill. For that though you may have to wait for part two, unless you’ve wisely purchased that as well. There are a few twists, saving the biggest till last, but overall this is a fun movie, particularly for fans of fight films, setting us up well for the more emotive Vol 2, the Chinese Western part. At the time, a good return for the best new American director of the nineties.

The extras on the DVD are disappointingly sparse- a short making of and a music video. Where’s the manic commentary we have come to expect from the man who loves nothing more than talking about movies? A few extras in this day in age are almost a necessity.

Feel free to comment on the movie- is this Tarantino’s best or nothing more than a mish mash of other movies?



The film in which Rodriquez really came to prominence, Desperado is a continuation from his low budget effort ‘El Mariachi’, which deservedly gained him recognition from big studios as well as indie heroes such as Tarantino. The man with the guitar case full of guns is coming to town, looking for the man who killed the woman he loved. He sends a friend ahead of himself (Buscemi in another great performance) to set the scene- to tell the tale of a deadly encounter with the man who has become a legend, to try and find out if any locals have knowledge of Bucho, the one he believes is responsible for his lover’s death. When Banderas finally comes to town several bloodbaths ensue in glorious fashion, and he takes refuge with a local woman played with strength and guts by Salma Hayak. Naturally they fall for each other as The Mariachi gets to the bottom of the mystery.

The film has good performances from all, is very stylish and funny, with excellent dialogue, and the plot admittedly takes a step back to let the action have centre stage. The bullets fly everywhere, the action is fluid and original, and the stunts are all the more impressive because of the tiny budget. The sex scene is memorable, not because it is gratuitous, but because of the lighting and cutting, like much of the film. Violent and loud mouthed, but brilliant fun, and one for aspiring directors who have small budgets, proving that it can be done.

The DVD has a few decent extras- mainly the commentary.

Feel free to comment on the review and the movie- is this the best of the trilogy? Is this still the best from Rodriguez?