Originality: 4 (The band experiment on certain songs with string arrangements, newer styles of writing, recording, and genre setting them up nicely for what would come next)
Influence: 5 (Most of the songs here have been covered by several artists, and the style of merging rock and pop so fluidly was latched onto by record companies and artists around the world)
Musical Ability: 4 (The band again sound like they are having fun, Harrison is becoming a terrific lead guitarist and being allowed to roam free, and their growth as a cohesive unit is noticeable)
Lyrics: 4 (Once again the band take standard lyrics and ideas and add new twists to old cliches showing a great amount of intelligence. There are some moments which foreshadow the poetic turns which later songs would take, but which the band were not quite ready to release)
Melody: 5 (Some of the greatest, most famous pop songs in history, thanks largely to the melodies. Memorable choruses, verses, riffs, harmonies all come together for perfection)
Emotion: 4 (The overall tone is a light, happy one, but there are the more downbeat moments such as Yesterday which are some of the first moments where the group truly convey emotion in a meaningful way)
Resilience: 5 ( 50 years on, and an eternity ahead of it)
Vocals: 4 (Some of the strongest vocal displays, great harmonies, even Ringo doesn’t sound half-bad)
Coherence: 4 (The album holds together well, sounding like a whole, possibly because of the relation to the film, but mostly this is tied together by some clear themes and styles)
Mood: 4 (Again the mood switches quickly, but never abruptly, from sugary pop to bitter introspection, and all are crystal clear)
Production: 5 (Sterling work to create a sound which still sounds fresh today)
Effort: 5 (Again, touring, writing, filming were all going on at the same time, so to create such a timeless album is highly impressive)
Relationship: 5 (This time the album feels timeless down to the sheer joy of the songs. It’s difficult not to relate to such infectious melodies)
Genre Relation: 5 (This is effectively the archetypal pop album which pretty much everything since has sprung from)
Authenticity: 5 (When they sound happy it’s genuine, when they sound low you believe them, when they play you know that they enjoy doing it, both for the love of the craft and for pleasing the fans)
Personal: 5 (Possibly my favourite Beatles album, though as with most things there are times when this is changeable)
Miscellaneous: 5 (Once again, touring recording, writing, and making a movie all at the same time in a breathtaking feat of artistic achievement)
And now for something completely different. I usually don’t do these sorts of self-promotional things, if that’s what this is. I don’t go out of my way to share on Twitter or Facebook or try to advertise what I write here (though I do sometimes share links to the fan pages I’m on), mainly because it’s for me and also I like the idea of people just randomly stumbling upon the blog and liking it. I don’t want to be the centre of, or even the outskirts of attention, but I’m not some clammed up introvert either who falls to pieces when someone looks at me. I do think a lot of what I write is more interesting (and dare I say better) than many of the blogs out there who do similar stuff – in fact, I’ve unfollowed a few movie review blogs for being little more than a synopsis of the film, a couple of lines about personal feelings, a final score, and wondering how they have followers in the high hundreds or even thousands.
But that’s fine – this isn’t jealousy or a cry for attention. If you happen to come here, great. If you happen to come back, that’s fantastic and I am truly thankful for those of you who stop by regularly or comment or like whatever I post. I do believe that all art is selfish and while no blog could ever be considered art, you get what I mean. If you have your own blog – write it for yourself first. If you’re after money or likes or clicks or whatever, that stuff should be secondary, not the main goal of putting finger to keyboard, and you’re probably someone I’m not going to be interested in. Would I like more people to follow me, and comment on my posts? Of course. I’m not so far up my own ass that I’m going to turn people away and pretend that I don’t like compliments – everyone does. I’d love for this place to be more of a community and have more people waiting with baited breath for my next life-changing post… but then I’d probably have to put in more effort. That’s the thing with me – at least when it comes to this blog – I write whatever comes into my head in the moment, and post it. I rarely plan, I almost never rewrite, but I do write posts months in advance, then come back and add a screenshot or run spell-check, and then post. A lot of the blogs I follow – it’s obvious you guys but a lot more effort in to make your writing more engaging, more eloquent, and bursting to the rafters with more metaphors than a drunken Irishman. The irony being that I am a drunken Irishman and don’t care.
The point of it all. If you’re a regular visitor – one of my beloved Glancers – then you know the score. If you’re new here, then you probably stumble around the home page looking for something interesting before checking out the About page. If you’re a bot or if you stumbled here looking for big breasted Japanese women then may I hand you over to one of the internet’s many more specialized sites? For everyone, new or just passing through, I’m going to try to post something like this once a month – not as rambling and needless as this – but just a recap of what I do on the blog. Maybe I’ll give some info of what has been happening in my life or a preview of upcoming attractions. For example – I went for a promotion recently, didn’t get it, and now I have to train the person who did get it. Ain’t that a slap in the nuts?
For now I’m going to give a semi-exhaustive list of the various categories I write about. Feel free to click around the site. Feel free to share my blog. Tell your mother. Tell your dog! Everyone is welcome, and there’s bound to be something for everyone. A lot of the info below is copied and pasted from my About Page, but if I post this once a month it’ll be easy to see for whoever miraculously materializes here.
A-Z Reviews: This category is a single post with links to all my movie, music, and book reviews. It’s the best place to start and you can check it via THIS LINK. I try to update it regularly.
Amazon Vine: I’m a member of Amazon Vine, a program where Amazon’s best reviewers are provided with free products for reviewing purposes in order to drum up publicity before the product is released to the general public. You can find links to the Products I have received here.
Book Reviews: Something I don’t really do anymore, even though I still read plenty. I need to get back into this, but movies are so much easier to review. Maybe I’ll come up with a different format.
Blogging: A new category! This is where I’m going to put this exact post, and the others like it to follow.
Changing The Past: This category is where I go back through every Oscars since 1960 and pick my winners from almost every category. I pick my winners from the official choices, and then I add my own personal list of who I feel should have been nominated. It’s based on personal preference, but it’s also not based on any of the usual Academy political nonsense and I bypass most of their archaic rules. It’s not quite me just picking my favourite films, but it’s close.
DVD Reviews: I should probably just change this to Movie Reviews. It’s what you would expect – reviews of the movies I’ve watched. I’m not a big fan of reviewing every new film which comes out – there are a billion other blogs out there all doing the same thing. I don’t often watch new movies as they release, unless they’re streaming, so instead you’ll be getting reviews of those films a few years later, once I get around to them. Here you will find horror, actions, classics, foreign, indie, sci-fi, comedy, drama – everything. A word of warning – I frequently post reviews that I wrote almost twenty years ago when I didn’t have a clue – they’re crap, but I add them here in all of their badly written glory.
Essential Movies: I’ve only published an intro post for this category, but I have written some other posts for the future. I’m basically questioning what actually makes a film Essential, because it cannot be a definitive statement. What’s essential for you, may not be for me, so I’ve broken down the defintion into a few generic user types, then gone through some lists of the best movies of each year to see which ones are essential for each viewer. It’s pretty boring, and I already regret starting it, but that’s me.
Foreign Cinema Introduction: This category hasn’t been published yet, but once again it exists and I’ve written a bunch of posts for the future. The idea came from my many years of hearing people I know IRL or on the internet dismissing anything not mass-produced by Hollywood. If you only watch movies made in the USA – you’re not a movie fan, it’s as simple as that. I follow a few Facebook fan pages and blogs on WordPress which completely dismiss foreign movies – it’s ridiculous as you are missing out on many of the best films ever made. More than that, you are missing out on films which I know for a fact you will adore. So, this is me breaking down all that bullshit about subtitles, about foreign stuff being boring and every other excuse you’ve ever heard, while giving some very basic thoughts and introductions of the various countries of the world from a film perspective.
Lists: Here I post lists – some with comments, some without. All sorts of lists – from monthly previews of the year’s upcoming movies, to my favourite movies by actor or director, to best horror anthologies, best Christmas songs and TV shows, best movies for Halloween, my favourite episodes of Buffy The Vampire Slayer, my ranking of Bond movies, songs, and girls, my favourite albums by decade, my favourite songs by artist, bands I’ve seen live etc. I love lists.
Manic Street Preachers Song By Song: One of the first reasons I started this blog was to try to spread the Gospel of my favourite band, especially as they are not well known outside of Britain. Defo not in the US. Then I found out there were other blogs doing it too. Ah well. These are my thoughts on each song. Don’t know them? They are a Welsh rock band who have been around since the late 80s, early 90s. They are highly political and intelligent, on the left wing, and they are probably the finest lyricists in the world. Their main lyricist suffered from various addictions and mental health issues and disappeared in 1995 – although there have been sightings, nobody has ever confirmed they have seen him and no body has ever been found, though the band, fans, and family are still looking. After three albums with him, they suddenly became commercially successful after his disappearance. If you like rock music… if you like music in general, please give them a try.
Music Reviews: This is the same as movies, except for music. Reviews of albums I’ve always loved, as reviews of albums as I’m listening as a virgin. I take a look at the Top Ten UK Charts from a random month in each year and review each song, while giving my own alternative ten songs from the same year, I am reviewing albums that I’ve never heard by artists I am familiar with – filling the gaps in those discographies. I’m listening to spin-offs of my favourite bands, I’m reviewing the Disney soundtracks. I was a metal and grunge kid, but also had a love for the best in 80 pop when I was young, so I like to listen to anything though since around the mid-noughties chart music has gone from extremely bad to entirely worthless.
I devised two scoring systems – one for movies and one for music. To use it, you have to follow the guidelines and be honest. If you’re not honest, it will be obvious, and your review won’t be valid. For both music and and movies, I break down the scoring into twenty different categories of equal weighting – out of five, for a total out of 100. Categories include acting, directing, sales; or for music – charts, influence, musical ability etc. Say you hate the Marvel movies or The Beatles. You can’t score them a 1 out of five in the Sales category because both of those were factually monster hits – they can really only be 5 out of five. In other words, some of what is opinion and bias is removed from the equation. In the same vein, the disparity between critics and audiences is reduced – typically you may think that a movie or music critic care more about how arty or original or influential something is, while the audience might care how many boobs are seen or how catchy the melody is. I’m making sweeping assumptions – but you get the idea – each category is equally weighted so that influence is only worth five points, chart performance is only worth five points, directing, advertising, whatever – each is five points. I’d love to see people use this, and I’d love to run an experiment where a group of people each use the system to score the same thing, and see how similar or different the results are. I’m positive the average would be a more true reflection than anything on RT or IMDB or anywhere else. The only issue with it is, it’s more suited to scoring once something has been out there for a while rather than a pre-release or first week review.
Nightman’s Favourite Films By Year: Self-explanatory. I list my favourite ten films from every year since 1950, with no comment. Then I give a list of my top films from each decade once I’ve done each year, but this time share some comments. There’s also some stats in there, such as how many films I picked which were nominated for the Best Picture Oscar, which were top ten grossing movies etc.
The Shrine: People die. Famous people die. But they live on, in our hearts and minds and in the work they left behind. Here I offer the chance to remember and offer thanks.
The Spac Hole: Each Monday I post a random lyric from a random song. Every so often I write something which doesn’t fit in any other category. Usually it’s weird. That stuff all goes here. There are more semi-regular pieces like those posts where I use Google translate to change the lyrics of (s)hit songs or dreadful imaginings like what I would do if I owned my own Cinema.
The Spac Reviews: Carlos Nightman is my alter ego. Derek Carpet is his alter ego. He is an idiot. He likes movies. These are his reviews. They are…. different.
TV Reviews: I sometimes review TV too. I talk about my current shows and my all time favourites.
Unpublished Screenplays: Derek Carpet sometimes likes to pretend he’s a writer too. Here are some of his original works, based on other movies and TV shows.
Videogame Reviews: I do these sometimes too. Usually retro. Usually with a humourous bent.
Walk Of Fame: Hollywood has a Walk Of Fame. I have one too. Mine’s better, except I don’t update it anymore. Not only do my inductees get a star, but they get a statue too! And, in each post one lucky soul gets a special building concerning their work or life dedicated to them!
That’s that. Congrats if you got through it. Let me know if there’s anything you’d like to see me write about, or if there are any ideas concerning blogging or life you’d be interested in hearing my thoughts on!
Official Nominations:Original: Dr Zhivago. A Patch Of Blue. The Umbrellas Of Cherbourg. The Agony And Ecstasy. The Greatest Story Ever Told. Treatment: The Sound Of Music. The Umbrellas Of Cherbourg. Cat Ballou. A Thousand Clowns. The Pleasure Seekers.
The official nominations this year were split into original score and treatment score to deal with the amount of stage adaptations. I’ll bunch them together for my own nominations. Maurice Jarre’s oriental, string fuelled, emotive score for Dr Zhivago has at least one famous theme which you’ll recognise even if you haven’t seen the film and was unsurprisingly this year’s winner. Jerry Goldsmith’s wistful, tragic score for A Patch Of Blue has tinkly piano parts and just enough string backing to sway between loneliness and happiness, whilst the same can almost be said for Michel Legrand’s Umbrellas Of Cherbourg. Even though the film came out the year before, and was nominated the year before, it is oddly nominated in both categories here. Alex North’s score for The Agony and The Ecstasy has plenty of solo instrumental moments, strange for an epic, and countered by typical organ and brass elements – it’s in these larger moments that the emotional weight is carried though the score lacks a memorable tune. Alfred Newman’s The Greatest Story Ever Told is a similarly epic film merging typical Christian standards with choir backing and a collection of more tender moments, but again for me none of the themes stand out.
The Sound Of Music is filled with musical moments still wildly popular today, so it is difficult to argue against its choice as winner. Cat Ballou’s score by Frank De Vol is mostly upbeat, exciting, and jig-worthy while Don Walker’s A Thousand Clowns relies too much on the same motifs. Newman and Courage’s The Pleasure Seekers rounds up the nominees, the only anomaly here, memorable only for its Spanish tinged moments.
My Winner: Original: Dr Zhivago. Treatment: The Sound Of Music.
My Nominations: Help! Dr Zhivago. A Patch Of Blue. The Sound Of Music. Faster Pussycat, Kill Kill. Thunderball. For A Few Dollars More
I’ve added a few more films to my list, namely Ken Thorne’s treatment and original work for Help! and Morricone’s expansion to A Fistful Of Dollars for A Few Dollars More. John Barry’s soundtrack for Thunderball is one of the better scores, while Paul Sawtell’s zippy score for Faster Pussycat opened the doors for a million grindhouse imitators.
My Winner: Help!
Which film do you feel has the best soundtrack of 1965? Let us know in the comments below!
As a fan of the more extreme side of cinema, I ask you to join me, as I explore the history of Cinema's most extreme movies with all the sex, violence and symbolism intact. I'm here to reflect on the extreme movies that have come and gone to see what they mean, see what makes them so extreme, and of course, see if they're any good.