When your trailer is proclaimed as the scariest ever, you’d better back that shit up by making an equally terrifying whole. That trailer went viral in 2015, and as a horror fan it was a bold claim that I needed to verify. What I will say about the trailer is that it makes the movie look like something it isn’t. I didn’t find the trailer scary in the slightest but it did look ominous and interesting and had enough potential to make me want to see the whole thing. Now that I have seen it, did the final product live up to that potential?
Well…. no. Goodnight Mommy does have an interesting premise but misses out on creating any real sense of paranoia or dread. There is maybe a single page’s worth of dialogue in the entire movie, no real action appears until the final twenty minutes of an unnecessarily stretched running time, none of the ideas it purports are explored, and the whole thing is simply dull. We have meandering, lingering shots of empty rooms, the Austrian countryside, and people sitting, staring, walking, and we have unsympathetic and ultimately uninteresting characters leaping to conclusions and exhibiting behavior that seems to have no plausibility or reason. If we compare it to a movie such as, say A Tale Of Two Sisters, the difference in quality is vast. You could argue that it is an invalid comparison but it’s clear the makers desperately wanted to make something in that vein. A Tale Of Two Sisters makes use of its absolutely gorgeous cinematography and colour palette, and isn’t merely there to remind us that the family is isolated. The performances in Goodnight Mommy are sterile, while A Tale Of Two Sisters is visceral, and perhaps most crucially the Asian film is genuinely unsettling and scary.
Goodnight Mommy tells the story of two brothers who apparently live alone in a large house far from civilization, until one day a woman claiming to be their mother returns home from an operation. She is shrouded in bandages and seems to be grumpy and detached compared to when she left. The boys are left to their own devices but they begin to wonder if the woman in their house is an impostor – naturally they leap to the next logical step of torture (in fairness they do try to reach out to a priest, but he takes them home – knowingly). There is a supposed twist, but it’s unclear if the viewer was meant to know it before the official reveal or during one of the several unofficial reveals, or even during the first ten or 15 minutes of the movie where it is fairly obvious anyway. Several notable clichés are invoked such as the good old ‘outsider comes to the rescue only to be distracted at the crucial moment’ and the ‘almost escapes but is caught by something which would never happen in reality’. It’s muddled and plain and boring, and it isn’t redeemed by a better final twenty minutes. There are ideas, there is potential, and some of the scenes towards the end might even cause a hardened horror fan to cringe, but there isn’t enough to recommend. It’s a case of wanting to grab the filmmakers by the shoulders and scream in their faces ‘you’re doing it wrong! I know you’re better than this!’
By all means, watch this if you were genuinely creeped out by the trailer – I mean, check out the many many glowing reviews this has received by better people and clearer voices than me and mine. I can’t say I was disappointed by this as I wasn’t expecting much, but in the end this is a fairly tame thriller that both abandons and under uses its ideas. Let us know in the comments what you thought of the movie!