Seul Contre Tous

*Originally written in 2003


The follow-up to Noe’s 1991 brutal short Carne begins with a quick recount of what has happened – lead character ‘The Butcher’ has grown up hating the world after becoming an orphan because of the war. He owns a butcher shop and has a daughter, but everything else is sickening to him. He hates everyone and wishes they would all die, as we all die alone in the end. It is him against the stinking world he despises, everything is pointless, nobody cares. These ideas have been done countless times before, but never has effective, cold, or hard-hitting as here although the mood of Taxi Driver comes close. The Butcher kills a man he believed attacked his daughter, but it was the wrong guy, and goes to prison. Eventually he is let out.

Now The Butcher has found a new girlfriend, with her only because she gives him a room, sex, and promises to buy him a new shop. His daughter has been taken away from him and placed into foster care, and he only sees her for short spaces of time. She is the only one who can hold back his anger, and stop him from killing everyone on sight. However, his girlfriend repulses him, her mother is even worse in his eyes, and his grim surroundings only add to his growing hatred and rage. Like Carne, we hear his inner thoughts, how he sees everything as hopeless. Soon his inner monologue mixed with despair and fury causes an unreality and he, along with the viewer become uncertain of what is real, if the actions he takes are just his imagination or not. Soon he explodes with pure rage, beating his pregnant girlfriend on the floor and takes a gun with 3 bullets, intending to get his daughter and destroy everything. As he walks the streets his thoughts continue, and we wonder whether the people we walk with on our streets may be like this.

He is alone. Only the gun keeps him company. Several further shocking and brutal scenes are shown and they are made all the more unbearable because of the relentless pounding of words such as HATE being fired into our heads. That BOOM effect is useful in making the viewer uncomfortable, guns going off as the scenes cut. Our senses are assaulted by Noe’s direction, and Nahon’s performance is extremely impressive, easily worthy of any award. The scene where he repeatedly punches his girlfriend seems to go on forever, with all too real acting from her (Frankye Pain) adding to the horror. One scene with his daughter involving the gun is horrifying, but filmed so oddly beautifully and tenderly that we cannot look away, no matter how much we know we should be. If The Butcher escapes one harrowing act, he quickly replaces it with another. Characters like this are typically only seen in the realms of over the top horror, but Seul Contre Tous is entirely grounded in the real world.

Blandie’s performance as The Daughter is excellent, her vacancy ironic, he passivity revealing. With so much going for it, the film should rightly be seen by all self respecting movie fans, but beware that it won’t be easy. The film would be almost unwatchable if not for the beautiful cinematography, as well as some humour. However, the humour is so tongue-in-cheek that many people simply may not see it. It may leave you depressed with the world, or act as some skewed catharsis and give you hope because of your ‘better’ position. An extremely impressive film that deserves much more notice than it has received, but then again it is not the type of film you would take your partner, parents, or kids to see. Watch it on your own and let the pure emotion, and complete lack of love seep into you. One of a select breed of utterly harrowing films which will stay with you forever.

Let us know what you think of Seul Contre Tous in the comments!


*Originally written in 2004


The short film which got Gaspar Noé on the movie map, introducing us to his horrific, but thoroughly interesting character The Butcher, played brilliantly by Philippe Nahon. Noe’s direction here has all the hallmarks of his later films, showing he was carving his own voice and style from the beginning. His sudden cutting along with harsh, loud noise, skipping flashbacks and many other techniques all are used to disconcert the viewer. And it certainly works. Also, he is not afraid of showing violence, as viewers of Irreversible will know. Here the violence is equally powerful, and in the sequel Seul Contre Tous, it is almost unbearable.

The film opens with a horse being killed. It is shot in the head, and we watch it writhe on the floor, its pool of blood flowing out. We then see a human birth in all its bloody glory, the daughter of The Butcher. He was orphaned in WWII, and has grown up hating the world, and everyone and everything in it. He serves his customers, but his interior monologue constantly reminds us of his thoughts – he wants them all dead. His daughter Blandine Lenoir, who would also reprise her role six years later, is the only thing he cares about, and we watch them grow older together. She is however mute, and the subject of bullying and toying. The Butcher’s relationship with her is almost incestuous, bathing her when she is old enough to do it herself etc, but this is explored more in the next film. When she is attacked by a man, the Butcher explodes with rage, stabbing an innocent man in the mouth. He goes to prison, taken from the only things he wants – his shop and daughter. In the short 40 minutes we see all this and more, his time in prison and release back to his world. Because of his daughter’s state, autistic as well i think, she is bland, does little except stare, and is under the full control of her father. The film continues in the exceptionally bleak Seul Contre Tous – both are come with high recommendations and warnings and both feature some truly excellent acting but both are harrowing and relentless.

Let us know in the comments if you have seen Carne or it’s fully fledged sequel.