Escape To Victory – Get Rekt!

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Greetings, Glancers! Today I run a more critical eye over my tenth favourite movie of the year 1981, seeking to ignore my bias and provide a fair score based on the 20 criteria I feel are most important in the creation of a film. Today’s movie is John Huston’s Escape To Victorythe story of a football match between Nazi soldiers and Allied Prisoners Of War.

Sales: 4. It made back almost three times its budget – but I don’t know how much in addition was spent on advertising etc. Of course, I don’t know how much it has made on home release and streaming since – streaming probably not so much. You can’t go less than 3 – I might be pushing it giving it the 4.

Critical Consensus: 3. A cult movie in that it’s really only a movie English football fans ever remember, and as such critical consensus was never great, most giving it average to positive reviews. It’s a strange subject matter and a strange cast, with an even stranger director and over time outside of its cult fandom the reviews which drop are equally average.

Director: 3. When most people think of John Huston, they think of his early Thrillers or his late dramas and most probably overlook this strange football movie. Huston was never afraid of tackling unusual subject matter and this was an attempt to make a rousing The Great Escape type movie. It’s not on that level, but the scenes of intrigue, the handling of character, and the shooting of the football are all entertaining.

Performances: 3. You have a bunch of footballers known for performing in a different way in front of cameras, and you have a post Rocky, pre Rambo Sylvester Stallone as the fish out of water. Then you have Max Von Sydow and Michael Caine hamming it up. It’s fun – not a movie about performances as much as spotting faces, but everyone is fun.

Characters: 3. Few of the characters are more than WWII movie stereotypes, with the added bonus of them being footballers. Stallone’s character is the plucky yank who hasn’t a clue how to play football, Caine is the Stalwart pragmatic Brit – you get it. You get behind them.

Cinematography: 3. It doesn’t have the benefit of looking as pretty or as grim as as other movies of this type, but those other movies don’t have football.

Writing: 3. It’s funny, it’s rousing. It lacks in the one-liners department and in terms of cynicism and getting to grips with the historical situation.

Plot: 3. A bunch of Allied POWs are plotting escape, as you do. The Nazis are bored, like a spot of footy, and decide to put on an exhibition match pitting the best of Germany against a load of starving amateurs. The POWs put together a team to play the match, then want to win the match, but also want to escape.

Wardrobe: 3. Sure.

Editing: 3. Yep. Good tension building between the match and the escape.

Make up and Hair: 3. Why not.

Effects: 3. Not applicable.

Art and Set: 3. Getting a lot of threes.

Sound And Music: 4. It’s Bill Conti so you know it’s going to be inspirational. Lots of military beats and plenty of nods to other pieces of music, including The Great Escape. It’s not as good as that – neither is the movie – but it’s still a good score and main theme, plus the noise of players and supporters during the match is well handled.

Cultural Significance: 3. I wish I could higher with this one – I mean, I wish the movie had a greater cultural significance beyond a select group of British football fans who remember it fondly telling their mates about it. But the film didn’t really change the War genre, it didn’t make football popular in the US, it never became a yearly festive favourite in the UK etc. I suppose it has inspired other football based movies. I should probably go with a 2 here, but it does have a devoted following and there’s always talk of a remake.

Accomplishment: 3. Getting this cast together, in fact even getting a film like this made at all, never mind in 1981 when no-one cared about WWII movies, is an accomplishment in itself.

Stunts: 3. Not strictly applicable, but there are a few scenes of action outside of the football, and I guess you could class some of the football as stunts too.

Originality: 3. There aren’t many POW films where the climax is a football match.

Miscellaneous: 3. Three seems to be the order of the day.

Personal: 4. It’s just a fun movie. It’s in the same vein as The Great Escape, that fist-pumping sticking your middle finger up to Adolf kind of movie without showing the true horrors of War or being a POW. Plus if you’re a football fan it’s probably the only legitimately good movie featuring football as a plot device – not to mention the fun of spotting the different players. A distinct lack of Liverpool players though.

Total Score: 63/100.

I guess that’s a fair score. It doesn’t leap out in any department, but overall it’s a fun oddity for everyone involved, all while being an entertaining watch with a rousing finale.

Top Ten Tuesdays – Sylvester Stallone

In this new series of posts I’m going to list ten of my favourite films by some of my most loved directors and actors. While I may not have seen everything that they have done, I’ll catch up to them eventually. For some of the posts, I’ll be adding films I’m not as keen on to ensure a list of ten so be on the look out for your favourites. The ordering of most of these posts will not be strict and in most cases there will not be too much difference between my number 1 pick and my number 5 pick.

Apologies in advance – this one is going to be a little messy. There are a bunch of recent and not so recent Stallone films that I haven’t seen, and there are quite a few series entries which are all equally good, so I’ve decided to add a few films to the 10 to make sure that some films outside of Rocky and Rambo are included. In my childhood and much of my adolescence, Arnie was my action hero. I knew about Stallone, and I had seen a few Rocky movies, but it wasn’t until my mid-teens that I finally caught up on the bulk of Stallone’s output. It’s interesting to note that Stallone frequently writes or directs his movies, and even when he isn’t credited he will throw in a lot of ideas or suggest script changes which, in most cases the Director will agree are an improvement. The Razzies have been unkind to Stallone over the years, almost as an in-joke giving him nomination after nomination for Worst Actor. While he may not have the widest range, this is a disservice to a clearly intelligent man who has inspired millions through his performances – something that many Oscar Winning actors cannot suggest they have done. And who needs acting when you can literally punch The Cold War into submission? So lets join together and salute the machine that is Sly Stallone.

10. Escape To Victory

escape-to-victoryDecades on, this is still the best football movie ever made. With a host of stars against the ever popular backdrop of WWII, it sees a team of Allied POW footballers taking on the might of the Third Reich. Stallone stars alongside Michael Caine as one of the leaders among the POW in their daily survivals and escape attempts, and his early antics at trying to get involved in football are hilarious. Although a lighthearted movie in the vein of classics like The Great Escape, there are obviously darker moments, but it’s family friendly stuff with such obvious bad guys that everyone cheers when The Allies decide at half time that they can beat the Germans.

9. Tango And Cash


A film with legendary set problems, had this followed Stallone and Konchalovsky’s original vision it could have been a much grittier movie. As it stands though it is a weird mixture of violence, drama, and comedy with two great leads in Stallone and Russell. It’s a long way from the best film on this list, but it’s still a decent 80s Buddy Cop movie. The twist this time is that the cops are framed for murder, and have to escape and prove their innocence, blasting their way through bad guys and protecting Teri Hatcher as they go. It isn’t Lethal Weapon, 48 Hours, or Beverly Hills Cop, but it isn’t far off. For a rougher edge, less of the Buddy action, less comedy, but more of the on-set problems check out Nighthawks.

8. Daylight


If the 80s saw the rise and fall of Buddy Cop and one-man-army movies in the US, then the 90s felt the same way about disaster movies. While there were big budget hits based on apocalyptic events such as Armageddonthere were more minor contained films like Volcano which didn’t quite hit the mark. Daylight was released in the same year as Twister and Independence Day and is less of an obvious spectacle than those two. When you hear the rough plot for these three films, Daylight isn’t going to be the one anyone picks as the one they would choose to watch. It’s unfortunate as this is a perfectly good disaster flick, one which racks up tension more than the other two, and arguably has a more interesting group of protagonists. Given the confined setting, we get to spend a lot more time with these people and it feels more emotional when one of them dies. The cast is good, the action is strong, though the effects are understated and not bombastic. There isn’t anything here that you haven’t seen before (except maybe Viggo Mortensen being a dick) but it’s fun viewing anyway.

7. Cliffhanger

One of two returns to form for Stallone in 1993, Cliffhanger is a spectacle, with many jaw-dropping stunts scene, and scenery. Maybe the only thing more jaw-dropping is the scenery chewing with everyone’s favourite alien John Lithgow giving a delightfully Hans Gruber-esque performance as the snarling, heartless bad guy. With an alarmingly tense and bleak opening scene which did for mountains what Jaws did for oceans, Cliffhanger takes a basic premise and notches the action up to dizzying peaks thanks to its beautiful, naturally terrifying setting high above the ground. Stallone is on form as Gabe Walker, a mountain climber and rescuer who just happens to be in the wrong place at the wrong time during a $100 million heist. With a good supporting cast featuring Michael Rooker and Craig Fairbrass, this one is cut and dry good guys versus bad guys popcorn munching fun.

6. Rocky III/RockyIV


By this point in the series, the well was starting to run dry. Balboa had fallen in love, had been given a shot and missed the championship, then given a shot and won the championship, yet the endearing nature of the character, of Mickey, Paulie, and Adrian meant that the public wanted more. Rocky III and IV see Stallone’s creation having to defend his title against a superior, younger, meaner fighter, and both have a tragedy. III has Mr T giving a powerhouse performance, and the death of Mickey, while IV sees Dolph Lundgren give a concrete block performance along with the death of Apollo Creed. Both have the 80s montage training scenes, enjoyable scripts with laughs, love, and heartache, both have great one liners, and both of course have pumping fight scenes. Endlessly watchable there isn’t anything new here, but both are comfy, warm, classics.


5. Demolition Man

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Unlike almost all of the other leading action stars, Stallone throughout the 70s and 80s never ventured into science fiction. Demolition Man remains an anomaly in his filmography as it tackles elements such as time travel, hover cars, and futuristic toilet behavior. The film begins in typical Stallone style with Stallone’s reckless cop Spartan chasing down maniacal criminal mastermind Phoenix (Wesley Snipes). After a hostage crisis goes wrong, both Spartan and Phoenix are sentenced to Freezing, in possibly the least effective punishment ever. Roughly 30 years later Phoenix escapes to find a new world of peace and a complete lack or crime, along with a complete lack of ability to deal with crime; He resumes his tyranny. The authorities unleash Spartan and the game of cat and mouse begins once more, this time in the future leading to lots of cool effects and comedy fun. Stallone and Snipes are great together, Sandra Bullock is perfect, and there is an interesting wider cast. The stunts and action are strong and the script is a lot of fun, and I’ve no idea why this one was so badly received.

4. Cop Land

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Copland is probably the best films Stallone has ever been involved with. Not only does he give a genuinely strong performance, he is helped by a few other names you may recognise – Robert Patrick, Robert De Niro, Harvey Keitel, Ray Liotta. Out of all the films on my list, this will be the one fewest have seen. Critically praised, though not a massive commercial success, Cop Land is a Crime Drama, low on action, but high on quality as Stallone’s tired Sheriff deals with corruption in his own back yard – an area of his town where many high-ranking cops live with their families. More akin to Goodfellas than Rambo, this proves that a good script can make anyone give a good performance, and shows again that Stallone is much more than a machine gun with a body attached.

3. First Blood


Speaking of – here’s the film that launched Stallone’s other most famous character – John Rambo. A broken, beat, and scarred Vietnam veteran, First Blood sees Rambo tracking down his old buddies from ‘nam. In this first outing, he stumbles upon a small town in Northern USA after finding out that he is the last surviving soldier from his unit. He is picked up by the tough local Sheriff for vagrancy and subjected to humiliation by a sadistic jobber hick cop. Suffering from flashbacks and assorted trauma, Rambo breaks, beats the crap out of the cops and flees into the dense surrounding forests, cops and locals in hot pursuit. First Blood is an action thriller of the highest order, low on the gore and over the top action of each of the sequels. Only one person loses his life on camera, more the result of an accident than anything else, and Stallone gives a wide-eyed, unflinching portrayal. Sure it doesn’t try to be too clever, and it knows it is still an action movie, but that doesn’t mean it doesn’t succeed in getting its message across along with having great fist fights, chases, and gun play. The support cast each does a great job – Crenna, Dennehy, Starrett in differing roles, but it is Stallone who shines. His passionate speech towards the end is the best of his career, and he genuinely looks and acts like a tiger who has been beaten one time too many and is now biting back, turning the surrounding habitat in into a weapon.

2. First Blood Part 2


Having said, that Rambo 2 is my favourite of the series. There is still political commentary and moments of truth and tragedy, but those are more often relegated to one-liners between bouts of grenade lobbing. Rambo is screwed by his own country once again as he is recruited and sent back to ‘nam to look for missing POW. What we don’t know until halfway through the film is that it was always a futile mission, a box-ticking exercise to keep the public happy. When Rambo does indeed find and rescue some POW, his country turns his back on him once again and leaves him stranded in hostile enemy territory. The action in this movie is right up there with the best the 80s has to offer, with a number of pulsating scenes – the riverboat attack, infiltrating the camp, and the final flight. The film has some great dastardly villains from Vietnamese, to Russian, to American and each time Rambo takes one of the main antagonists down, it is done with real USA USA chanting cheer. It’s easy to right this off as right-wing nonsense, but that would be avoiding the central truths and all that wonderful action.

1. Rocky 1/Rocky 2


Naturally, both the start and peak of an impressive career Rocky is the perfect blend of The American Dream, love story, optimism, never giving up no matter how mismatched the odds. In many ways it’s the quintessential American film, and it’s also fitting how the story of the film mirrors the story of its making – an unknown actor and writer scrapes himself up from the streets to create one of the most commercially successful movies of the decade and one of the most recognizable characters in movie history, also earning a Best Actor Oscar nomination in the process. It’s one of those rare moments where everything comes together in unison – the writing, the cast, the director, the music – everything is tuned to perfection and creates a fascinating, eternally watchable, inspiration. Shortly after Stallone basically pulled the same stunt for a second time with Rocky II – it’s basically the same story played out with a different timeline and with a different end result. Both have stellar performances from all the main players – Stallone’s character is one it’s impossible not to root for, a bumbling, charming buffoon, while Talia Shire, Burgess Meredith, Burt Young, and Carl Weathers all give career best and each create their own icons (with all but Weathers earning Oscar nominations). Filling the films with iconic moments also helps – Rocky’s ascent to the top of the museum steps, Mickey’s grueling training regime segments, Rocky and Adrian’s early awkward dates, and of course the fights are all etched in the memories of movie fans. Stallone would go on to appear in many more great films, but this was never bettered.


There you have it. I’m now keen to catch up on those late 90, early 2000 movies that Stallone did to see if they’re as bad as everyone says, and there are a few early ones I’d like to revisit. Let me know if I missed any of your favourites, and what your picks would be!