Paranormal Activity – Unpublished Screenplay

PARANORMAL ACTIVITY

OPEN ON:

EXT. SANTA ROSA. CALIFORNIA – DAY

A WOMAN drives into a DRIVEWAY in a CAR and steps out.

KATIE

Seriously?

MICAH

What?

KATIE

What? We have just bought this inexplicably gargantuan house that there’s no way we can possibly afford given that we are apparently unemployed, and now you have also purchased a Hollywood grade camera. And now you are pointing it at me.

MICAH

Yup.

KATIE

Why you do that?

MICAH

Well you know, it’s what all the kids are doing these days – filming pranks, shooting themselves eating tide pods, unwrapping toys, and uploading the clips to Instagram

KATIE

Insta-wha?

MICAH

Emm, oh right. What year is this again? 2007?

KATIE

It’s 2006, you dick.

MICAH

Really? Right. What about Youtube – is that a thing?

KATIE

Yes. Micah, you are behaving quite oddly today, and only marginally less annoying than you will be later.

MICAH

HA HA HA! Yes, it’s wonderful being young, white, and Middle Class in these United States! Nothing will ever go wrong!

INT. BATHROOM – NIGHT

KATIE is brushing her teeth. MICAH is grunting.

MICAH:

HEURRRRGH! RARRRRR! PLOP!

KATIE

Seriously? Do you really need to drop one off while I’m in here? It’s disgusting.

MICAH

HRRRRNNNGGAAA!

KATIE

And why on Earth are you filming this!?

MICAH

Gotta get dem likes and subcribes, boiii!

KATIE

Well, don’t get any ideas about bringing that thing into the bedroom tonight. I need my beauty sleep because my sister KRISTI and her husband DANIEL are coming, but not his daughter – our niece – ALI, or their son, HUNTER.

MICAH

HRRRYUUUNNNTERRRR! PLOP!

INT. BEDROOM – NIGHT

KATIE

Ahhh, I can’t wait to get into bed tonight, for a long and restful night without any funny or spooky busin- hey, what is that thing doing in here?

MICAH

Ugh. Why are you always com-plain-ing about EV-REE-THING? Look, it’s important that we document every pointless second of our worthless lives for future generations. You never know who might need it! Now stop your yapping and take off your bra.

KATIE

I will not!

MICAH begins stamping his foot in front of the CAMERA and mewling like a SPANKED INFANT.

MICAH

WHAAAAAAAA! WHAAAAAAAA!

KATIE

Stop that right now, you’re making the floor creak!

MICAH

WHAAAAAAAAAAAAA!

MICAH stamps his FEET around the room until A DRESSING GOWN falls off the BEDROOM DOOR.

MICAH

What the!? Did you see that? The dressing gown just flew onto the ground as if possessed by an evil spirit! I think this house might be haunted! YIPPEE!

KATIE

Seriously?

INT. BEDROOM – LATER THAT NIGHT

KATIE and MICAH are in BED. They are sleeping. THE DRESSING GOWN lies on the floor where it fell earlier.

MICAH (mumbling in sleep)

Mmmy life is brrilllya. Mmylifeis mmmm. You’re beautifu-ul, it’s true!

Suddenly, the DRESSING GOWN stands up all on its own as if possessed by an evil spirit. It starts to MOONWALK in front of the CAMERA before sliding out of the door and out of sight.

DRESSING GOWN

WEEEEEEEE!

INT. LIVING ROOM – DAY

MICAH

Wowzers – look at this footage!

KATIE

What is it? Did you record any further ghostly sightings?

MICAH

No, somehow I missed those, but check out how cool the toilet looks when it flushes in HD!

KATIE

Ew, gross.

The DOORBELL RINGS.

KATIE

That’s probably my sister, KRISTI and her husband DANIEL.

MICAH

Cool! I can’t wait to show DANIEL my sweet setup.

KATIE

Hello KRISTI!

KRISTI

Hello KATIE!

KATIE

Where is your husband, DANIEL?

KRISTI

He couldn’t make it, he is busy setting up cameras around our house.

KATIE and MICAH together

Cameras? Really? Why?

KRISTI

Yeah, also he hasn’t been cast yet, and come to think of it, neither have I, but we can retcon those details in later.

MICAH

Let me give you some privacy so you can talk about WOMAN STUFF. I’ll just leave my camera here.

MICAH leaves and KATIE and KRISTIE sit down

KRISTI

So why do you have a camera now? I hope you haven’t encountered any spooky goings-on? Going-ons? Whatever.

KATIE

Well, now that you mention it, I did think I heard some chilling noises last night, and ever since we’ve moved here I think I keep seeing a shadow standing at the bottom of my bed. And one time I thought I saw a Mexican running through my kitchen, but that seems unlikely.

KRISTI

Oh ho ho, I’m sure it’s probably nothing. La la la, lets talk about something else.

KATIE

Wait a second, I’m remembering more things – things I had forgotten about. Things from our childhood.

KRISTI

Yeah, our childhood was great. Nothing weird ever happened. Apart from that time our parents were gruesomely and mysteriously murdered and our Grandmother had to take care of us.

KATIE

WHAT!? I had forgotten that – I thought they died in a totally accidental housefire! But who cares, what’s important is that I remember I had a friend called Toby. You all thought he was imaginary, but he was really real! Wouldn’t it be cool if he came back?

KRISTI

No?

INT. BEDROOM – NIGHT

MICAH and KATIE are sleeping again, the lazy BASTARDS. Suddenly, the DOOR creaks open. It’s really quiet, but out of nowhere A LOUD NOISE MAKES A LOUD NOISE!

MICAH

Jesus, do that in the bathroom will you?

KATIE

I’m like literally terrified. I think this house really is cursed! I want to move out!

MICAH slaps her face. Twice.

MICAH

Silence woman, you are being hysterical. The only thing cursed in this house is your infernal mouth.

KATIE

I’m so sorry, sweetie, I’ll be good.

INT. LIVING ROOM – DAY

KATIE is literally on the TELEPHONE. Not literally.

KATIE

Come on, come on, pick up. Oh! Yes, hello! Is this the Priest’s hotline? Oh, thank goodness. Tell you what it is, I recently moved into a new house and I think it might be haunted – possibly by my imaginary childhood friend, TOBY. Uh huh. Uh huh. Mmm. That’s right. Uh huh. Mmm. A crucifix, yes. Uh huh. Got it. Mmm. Uh huh. Oh – you’ll send someone over right away? That’s fantastic! I’ll be here!

EXT. DRIVEWAY – DAY

A PRIEST arrives on a BICYCLE. You know he is a PRIEST because he is carrying a BIBLE, a set of BEADS, a LARGE FLASK with ‘HOLY WATER’ written on the side, and one of those things around his NECK.

PRIEST

Hello, you must be KATIE, and I must be a PRIEST.

KATIE

You are correct on both counts. Do come in.

PRIEST

Ah, before we enter, I would like to say a quick prayer in LATIN, if you don’t mind.

KATIE

Go ahead, that’s what I’m paying you for.

PRIEST

Semper ubi, sub ubi. AMEN.

KATIE

I don’t think that means what you think it means, but whatever.

INT. LIVING ROOM – DAY

The PRIEST is looking up at the ceiling, as if he can see something only he can see. He SHIVERS.

PRIEST

This place is…. evil. This room…. this house…. that lamp…. evil.

KATIE

Oh woe! Is there nothing you can do!? Why will no one help us poor, defenceless millenials!?

PRIEST

This rug…. that wall… evil.

Suddenly, ANOTHER REALLY LOUD BANG GOES BANG, and the EVIL LAMP wooshes across the room and smashes behind the PRIEST.

PRIEST

What the fuck! That lamp almost got me! I’m getting out of here!

KATIE

But what should I do?

PRIEST

Contact your Rabbi!

INT. BATHROOM – NIGHT

KATIE is in the shower. The CAMERA is watching every CREVICE. Uh oh! The DRESSING GOWN is moving again!

DRESSING GOWN

Now’s my chance. BOW-CHIKA-WOW-WOW!

The DRESSING GOWN steps into the SHOWER with KATIE.

KATIE

What the – OH NO! HELP!

For a moment it looks like they are struggling, but eventually the DRESSING GOWN wraps around KATIE and begins to squeeze her.

KATIE

OWW! OWWW! OOOOH! Ooooh, I like that. Mmmm, come here baby.

They kiss and the CAMERA SOMEHOW FADES TO BLACK.

INT. BEDROOM – NIGHT

KATIE is already in BED.

MICAH (OS):

Honey, I’m home! Where are you?

We hear FOOTSTEPS approaching and assume it is MICAH ascending the stairs. We are correct.

MICAH

Oh, there you are. Sorry I’m late, it’s just, you know what the guys are like when they’ve had a few. I missed you so much.

MICAH stops talking into the CAMERA and turns to see KATIE sitting up in bed and STARING at NOTHING.

MICAH

Oh, hi, I ah, didn’t see you there. Are you keeping well?

KATIE says nothing. In fact, she doesn’t say anything at all.

MICAH

Ohhh-kayyy.

INT. BEDROOM – LATER THAT NIGHT

KATIE and MICAH are sleeping. SOMETHING bumps the CAMERA and KATIE stirs.

KATIE

Ugh, what a weird dream. I dreamed that I was… never mind. Back to sleep we go.

KATIE lies down again, but is suddenly grabbed by an unseen force and dragged out of the BEDROOM feet first.

KATIE

MICAH! Help meeeeeee!

MICAH

In a minute.

KATIE (OS)

No, please don’t kill me, I’ll do anything! TOBY? MICAH!

MICAH finally wakes up, STARTLED.

MICAH

Katie? KATIE!

MICAH runs out of the room. OS we hear various screams and grunts and demonic CACKLES. There is one final yelp, and then a loud SNAP. Then silence. Eventually FOOTSTEPS come up the stairs and we assume it is KATIE or MICAH or DANIEL. We are only half right! KATIE crawls disconcertingly into the room and her face is all weird and messed up in a spooky way. She suddenly lunges at the CAMERA.

CUT TO: BLACK

A TITLE CARD READS:

Five days later, after being alerted by a neighbor concerned by a foul smell, a local Constable found the body of Micah with his head twisted all the way around. This footage was taken as evidence. Katie’s whereabouts are unknown.

POST CREDITS SCENE – INT. BEDROOM – NIGHT

The Dressing Gown is doing THE THRILLER DANCE in front of the CAMERA.

MICAH (OS):

Keep it down up there, some of us are trying to rest in peace!

It is unclear if this section took place before or after MICAH’S death, but is ironic either way.

THE END

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The Last Exorcism

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Horror moves in ever decreasing circles; one big idea comes along, is successful, and then breeds ever more numerous and more inferior spawn. The same can be said for other genres, and film and art in general, but it’s rarely more true, obvious, and barrel-scraping than in horror. As the genre dragged itself from the tattered, splattered remains of Torture Porn, the spectre of Handheld began to loom large. Paranormal Activity brought back the low budget innovation and shocks of The Blair Witch Project and updated its post-grunge malaise into the tech-obsessed, tech-scared new millennium. The ever decreasing circles rapidly became a noose to the point that shaky-cam and found-footage became terms which strangled imagination and left viewers dangling in disappointed, unexpected boredom. In general, I’m more forgiving of these films, even those which rely on obscure jump-scares and long periods of quiet before sudden deafening bangs in lieu of genuine tension and frights – as long as the premise is good, the idea interesting, and the filmmakers work with heart rather than greed. But like those long periods of quiet, every so often after a long period of similarly uninspired dross there comes the sudden deafening bang of quality.

The Last Exorcism looks from its trailer, from its premise, like just another found-footage film. It bears all the hallmarks of the sub-sub-genre, and it has its fair share of shaky camera work. However, thanks to some genuinely stunning performances and an honest attempt at tweaking the tropes and conventions and doing something more than just ticking boxes, it ends up being one of the best horror movies of the last few years. We have periods of silence but also genuine tension, and we have jump scares working along side surprising frights and moments that will chill. We have a strong cast and an assured director in Daniel Sturmm who knows exactly when to give a glimpse of what’s lurking inside his box or tricks, and when to rip the lid off.

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The film follows a loose documentary style formula, with a disillusioned Minister who has lost his faith plying his trade as a travelling exorcist. Sick of himself, sick of the people he meets, sick of religion, and sick of tricking people into believing he is saving them and thereby perpetuating their beliefs he decides to bring a film crew along on his last exorcism – he is going to show the world that he, and many like him are, a fraud. Accepting a request from a backwater town, he and the crew travel to the Sweetzer family farm to cast out the demon Abalam who, it appears, has taken over their sweet and innocent teenage daughter, Nell. Marcus explains to the camera that he has seen many patterns and similar cases over the years, and as he prepares for his mumbo jumbo and ritual, he tells us how to perform a fake exorcism. Having done his job and headed for home, things take an unexpected turn as Nell somehow tracks him down and is in a worse state than before his exorcism. From this point, the film unleashes all manner of scares and tricks as we are left to second guess motives and next steps. The plot twists and turns, offers a few red herrings, and nothing is clear until the final moments.

What I enjoyed most about the film is the performance of Ashley Bell as Nell. This is clearly a highly talented actress who should go on to future stardom. Her performance is visceral and charged with emotion, filled with subtle little ticks and looks, and she easily conveys naivety, fear, and possessed rage. It’s a performance which reminds me of Weaver in Aliens, Hamilton in T2, and Sheryl Lee in Fire Walk With Me in that it is full blooded, wildly energetic yet focused, and almost takes on a life of its own outside of the confines of the film. She deserved an Oscar nod for her work here, and it’s a shame she wasn’t recognised. Horror fans may be sick to their guts of found footage and exorcism films, but The Last Exorcism is the cream of the crop and shows what can be achieved in this style.

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Let us know in the comments what you thought of The Last Exorcism and how it ranks alongside other exorcism movies.