Christmas, eh? Everyone loves it – the food, the presents, the laughing at tramps who don’t get anything, the good will, and of course the music. I actually pity you poor yanks and your crappy Christmas music – everyone knows the UK owns the Christmas Song, although since our peak in the 70s and 80s there hasn’t been much to sing about. No surprise then that the Manics stepped up out of nowhere in 2007 with this slice of nostalgic perfection.
Musically, it has all the hallmarks you want, jolly, woozy, party music with big brass, jingle bells, and cheery chorus, and hooks as addictive as cocktail sausages. Lyrically wonderful it is too, each line marvelous at evoking universal memories – or universal for Britain. Footballs, Scalextric, drunken joy, Morcambe And Wise – this is a song which should be played alongside all of the other British favourites and deserves airplay every December on all of those terrible Top 50 Christmas song shows which take over the music channels on TV each year.
Greetings, Glancers! I’m back again to lovingly twist tinsel around your throats and tug until your baubles burst – in other words – to make you read these words about Christmas. If you liked my Christmas songs post, you should seek counsel with your local priest or GP promptly, but while you wait, why not make things considerably worse for yourself by browsing this post too? What’s the worst that could happen?
In case you didn’t know by now- I love Christmas. I love the TV, I love the atmosphere, I love the presents. I may be in my thirties, but some childhood traditions never go away – I still get the Christmas TV times and highlight all the TV shows and movies I want to watch or record. One of the things I loved most when younger was getting off school in the run up to the big day, and planning out my day of watching – waking up to catch a few 7.00 am cartoons, then seeing which movie I could watch in bed before breakfast. Even on Christmas Day, I would switch on the TV in my room while going through my stocking – Channel 4 always had the best stuff.
As much as the internet is populated with all the classic American TV specials – The Grinch, Charlie Brown etc – those never entered my Northern Ireland childhood in any real sense. I saw them, but they seemed too cutesy or foreign and as such were not deemed required annual viewing. Much of my list consists of shows which were force fed by my family or which I found myself returning to each year by myself once I gained such critical faculties. Don’t worry US readers – there’s a lot more American content here than there was in my TTT Christmas songs list.
I was too young for a lot of the more traditional British Christmas specials – Morecambe and Wise, The Two Ronnies etc, and I won’t be including any soaps, even if Eastenders and Coronation Street have both had their fair share of memorable one-offs. Remember that time when Bradley fell off the roof, or when Archie was done in by Queen Victoria? No, neither do I. No, old soap episodes aren’t the sort of thing you watch each year as they are ever replaced by new episodes, the Langoliers munching up all that has come before. No game shows or compilation clips shows either, both stalwarts of December viewing – sorry QI and It’ll Be Alright On The Night. Also, The Office will not appear in any guise. Because Ricky Gervais is a dick. Finally (finally!) there’s no ranking because I can’t be arsed.
Alan Partridge – Knowing Me, Knowing Yule
For whatever reason, I never saw much, or any of Alan Partridge in my formative years. It was around the age of 18 that I started watching the odd episode here and there before blasting through it all a few years later. In this episode, Alan is hosting his very own special festive edition of his show and invites guests including a devout Christian lady, a Carry On style innuendo spouter, and the disappointed and increasingly angry Chief Commissioner of the BBC, setting up nicely for the following Partridge series. The format is essentially the same as the others – Alan awkwardly interviewing increasingly ridiculous guests and trading insults, but with a nice Christmas backdrop and theme, and a slightly longer running time.
Beavis And Butt-head
Beavis And Butt-head had the occasional special episode during their run, and while many of the entries on my list are satires on British culture, this one is of course US aimed. That’s not to say it isn’t universal, or at least understandable in Western White culture. There’s A Very Special Christmas With Beavis And Butt-head – the name itself a send up, which sees the useless pair watch a bunch of Christmas songs on TV. It isn’t that exciting an episode, but as always their reactions are amusing and they do get to sing along near the end. Due to those pesky copyright laws, this one is very difficult to find in its original form.
The second episode(s) is Beavis And Butt-head Do Christmas. It’s split into the usual two separate episodes, this time linked with a festive theme. Huh Huh Humbug is another version of A Christmas Carol – but don’t worry, there is absolutely no moral here. Beavis falls asleep while his boss lectures him, and dreams that he is in fact the boss. While trying to watch Porn, he is visited by Ghost Butt-head and a bunch of other familiar faces who show him his past, present, and future – the past being particularly funny. The plot doesn’t go anywhere, but they never do. The second one is It’s A Miserable Life and it has a little more story, with Butt-head being visited by his guardian angel who shows him how wonderful life in town would be without Butt-head messing it up. Again it’s funny seeing the little twists within the world – Stuart and Beavis are now best friends and it seems like Beavis has sunk to Stuart’s level by wearing a Winger shirt – the horror. These ones always take me back to my pre-teen and early teen years and still get a chuckle.
Bottom – Holy
Bottom is one of my favourite sitcoms of all time, with two performers and writers at the top of their game, bringing the unfocused anarchy of their 80s work into the self-referential 90s. Aside from being about getting drunk, ‘doing it’, and slapstick ultra violence, the show has always skewered everything from British traditions to the sitcom format itself.
While Bottom also features a fantastic Halloween themed episode, it’s Holy which really gets the juices going, literally at times. Richie and Eddie, the Hammersmith Hardmen, are trying to celebrate Christmas with Richie in usual jubilant, devoutly English form and Eddie simply wanting to get pissed and watch Goldfinger. We have the unwrapping and sharing of presents, hope and disappointment in unequal measure, charades, Christmas Dinner mishaps (including the hilarious loss of a finger and even more hilarious fixing of said finger), and even a Christmas miracle. It’s one of the finest British comedy episodes of all time and it’s the one which is most quoted by me in the run up to, and on the big day itself. Has heeeee been?
Buffy The Vampire Slayer – Amends
I talked about this episode in my Season Three Buffy Review so I won’t go into details here other than to say that this isn’t your traditional, drop in and watch, episode. There’s a lot of back story going on, as well as plenty of foreshadowing, but if you’ve seen the whole show a few times then you’ll be fine. The story follows Angel still trying to readjust to life on Earth once more, while being tormented by visions of The First Evil, showing his past brutality and encouraging him to kill himself, or kill Buffy. Buffy, meanwhile is trying to host a normal, family Christmas dinner and invites Faith along. If you’re not a Buffy fan it won’t mean a lot to you, but it’s a nice change of pace from the centrally comic or horror themed episodes.
Being (one of) the biggest show(s) of the decade, Friends was obliged to have a variety of Holiday Specials – Halloween, Thanksgiving, New Years, Christmas are all covered. There are a few Christmas episodes, as well as other which were filmed around that time of the year and feature New York in all its snowy glory, so you have a few to choose from. In The One With Phoebe’s Dad, the gang are off doing different Christmasy things – Joey and Chandler leave their shopping too late, Monica is on selfish baking mode, Ross and Rachel fight while the heating is off, and Phoebe drives to meet her father. In The One Where Rachel Quits, Rachel quits, Joey gets a job selling Christmas trees, Phoebe witnesses a tree massacre, and Ross helps a scout after breaking her leg. In The One With The Girl From Poughkeepsie Ross is dating two women at the same time and ends up falling asleep on the train and going to Canada, Phoebe is writing a Christmas song, and Monika a Joey scheme to earn respect and money. The one With The Rockin’ New Year’s Eve features some Christmas fun while The Holiday Armadillo is the most famous Christmas episode and features Ross trying to teach his son about Jewish traditions as well as Christmas. Finally, we have The One With The Creepy Holiday Card which sees Ross and Mona’s relationship at breaking point, and The One With Christmas In Tulsa where Chandler is forced to work on Christmas Eve. Watched together, the amount of laughs, nostalgia, and Christmas tone will definitely get you in a festive mood.
I could be wrong on this, but I think there were two Christmas episodes in the 90s for Harry Enfield And Chums – it’s difficult given the show hasn’t been released on DVD and it changed its name at least once. These are quite difficult to track down, though you can find it them on Youtube. The shows were sketch based, featuring a wide array of classic characters in various scrapes. The Christmas episodes were extensions of these, with most of the sketches featuring a (mostly very sleight) festive slant both simple characters and those with some sort of progression. Along with this, there was usually a sing-song or longer section such as the characters singing ‘Perfect Day’ or parodying Titanic. There’s were repeated every so often on BBC and now on UK Gold, so catch them to remember a simpler time and some of the based character catchphrases ever.
Inside Number 9
Inside Number 9 is undoubtedly one of the finest TV shows of recent years – an ode to film-making, a love-letter to the creative craft. I know quite a few glancers of this blog are massive movie and TV fans, but may not be as exposed to British Television as those over here. I implore you all to watch this show – if you love horror, comedy, film in general, then this will be a new favourite for you, with the show ranging from gut-wrenching emotional episodes, to horror homages, all down with the typical sadistic wit, love of language, and sinister twists that you would expect from Reece Sheersmith and Steve Pemberton.
For those who don’t know, Inside Number 9 is an anthology programme – each episode featuring a new cast of characters and a new self-contained story, generally set in a single room or location. While the absolutely wonderful The 12 Days Of Christine features Christmas in some key scenes and is referenced in its name, it’s the Series 3 premier The Devil Of Christmas which should be a future viewing tradition. It’s a retro piece, set in the late 70s, and follows a family on a Christmas holiday where one of the locals explains the legend of Krampus. The episode, aside from being a faithful attempt at recalling 70s anthology horror and TV, is very funny, and very dark, and should not be missed. Black Mirror made it big – this should be just as big.
Lost – The Constant
Lost, you say? Lost never had a Christmas episode! Well, you’re wrong, and not only are you wrong but you’ve forgotten the single greatest episode of the series. Not only that, but you’ve forgotten one of the best episodes of any TV show, ever. The Constant culminated in the resolution of many crossover-plots and saw, finally, the happiness of my favourite character on the show. There aren’t enough words I can give to praise this episode – the acting, the writing, the way it all comes together – this is how the series as whole should have ended in terms of quality and tone. While I still enjoyed the last episode, The Constant is the pinnacle of the show. My love for it can be stemmed all the way back to all of those 70s, 80s, 90s cartoons and shows I watched and loved, featuring a person or people trying to find their way home – think Dungeons & Dragons or Quantum Leap or Sliders or Battlestar Galactica. Taken further, it all goes back to my love of The Odyssey – a tale I have been obsessed with my entire life. Hell, lets take it further still and say it’s related to those times I got ‘lost’ as a child and didn’t know how to get home or find my parents. Lost brought this idea into the new millennium, in a time when the world became smaller and there were no more undiscovered lands to explore – The Constant wringing out emotion, drama, adventure, tension, romance, time-travel, parallel balls, and all the rest of it into a single satisfying whole.
Christmas though? Yes, because Desmond has to make the call to Penny on Christmas Eve to let her know… well, I don’t want to get into the plot. This is frankly impossible to watch unless you’ve followed the show from episode 1, closely. Even watching as a standalone when you’ve seen the series before is difficult because you’ll miss most of the intricacies and details and will likely forget many of the more minor characters and references. However, if you’re a superfan, then this makes for excellent Christmas viewing and will warm your heart and make you believe in miracles.
Merry Christmas, Mr Bean
Out of all the shows on my list, Mr Bean is the one my kids have watched most regularly at the time of writing. I try to get them to watch this around Christmas each year, but they prefer the one where ‘Mr Bean shows his bum to all the little kids’. Their words, not mine. Merry Christmas, Mr Bean has a load of iconic and hilarious moments – the most famous of which is of course that Turkey on the head scene. The episode follows Mr. Bean preparing for the big day by doing a spot of shopping. His girlfriend drops hints that she wants a ring, a proposal, leading to much hilarity later on, while Bean messes around with a Nativity scene, leads a Brass Band, raises money for charity, and steals a tree. In the second half he decorates his house, posts a card to himself (which always makes my eldest laugh), makes a hash of Christmas dinner, and designs his own cracker. Mr. Bean is one of my oldest and most most favourite series and another which never fails to warm my soul.
Only Fools And Horses
I’m not even going to bother listing the various Christmas themed episodes for Only Fools And Horses…. incidentally, for any of my US glancers – are you even aware of half these shows? What British shows did you get (before the days of downloading and streaming and Kodi etc) on your shores years ago? A lot of these probably don’t translate well, but if Monty Python gets an audience worldwide then I don’t see why others can’t. Out of all the shows on my list, this is likely the biggest British institution. There have been a whopping sixteen Christmas episodes, starting in 1981, and ending in 2003. The ones I am most familiar with are the ones in the 90s, coincidentally around the time I started watching the show, having previously dismissed it as grimy and depressing. Namely, the 1996 Christmas Trilogy which sees Del Boy and Rodney dressing up as Batman and Robin and then, finally, becoming millionaires. It’s classic British humour, but it helps to have a history with the characters before indulging.
Peppa and pals have been around for years now, and with each new generation parents get roped in to watching and end up realising that it’s actually really good. I mean, it doesn’t have the same invention as Ben And Holly but it’s more of a family show. There are now a whole host of holiday themed or one-off Peppa episodes, but the Christmas ones were among the first. Peppa’s Christmas was the first episode to run longer than five minutes, and sees Peppa having to remember what all of her friends want from Santa – then he pops in to say hello. Later on the show started doing multi-episodes where the story followed on from the previous episode – we have one where the family visits a Santa’s grotto followed by an episode where they wake up on Christmas day to see what presents they have, and later still there’s an episode where they see Mr Potato in panto. Due to the short running time you can blast through these quickly, but it’s good to supplement them with some of the snow-themed episodes, like when the family build a snowman, go to a snowy beach, and go skiing. These are great for younger kids and cuddling up to watch and get into the Christmas spirit. At time of writing there is a new Christmas episode coming – by the time I post it should have been shown in the UK.
What quickly became the Daddy of the festive episode, thanks to the yearly Treehouse Of Horror episodes, and later more regular Christmas episodes. Even though the show is largely unwatchable now, you can still revisit those classics, including the very first episode – Simpsons Roasting On An Open Fire. It looks terrible now, but it still sucks you in and avoids a lot of the terrible, flat humour of Season 1 by piling on the charm. I’ll move next onto the least best episode of the classic era of the show – Gift Of The Magi. By this point in the series the scale was tipping over to having more misses than hits, this one following an evil toy company trying to unleash a new must have on citizens. It’s an okay episode, but not one I’d recommend watching every year. I’d say the same about Skinner’s Sense Of Snow except I remember less about it aside from people being trapped in school. There’s also one about Lisa becoming a Buddhist. No, stick with the good ones; Miracle On Evergreen Terrace sees Bart accidentally burning the presents and lying to the town and features the immortal ‘where is Christmas’ line, and the best of the lot, by a huge margin – Marge Be Not Proud. This one nails what it’s like being a boy at Christmas, from putting up with the lovingly bought, but terrible videogames or knock off action figures (I am Carvallo), to jealousy, to wanting to be loved, and all that other junk. This is the one to watch every year. Recent years have seen almost annual Christmas episodes, but I haven’t seen any of those that I’m aware of – I’ll get round to them eventually, but watching the show now is at once a chore, depressing, sad, and infuriating.
What is there to say about this – you have to watch it. Is this a thing in the USA, or anywhere else? Let me know. Like Mr Bean, it’s universal because it’s mostly silent, even though it’s inherently British. Follow it up with Father Christmas and The Snowman And The Snowdog for added points.
Wallace And Gromit
Although none of them are honestly Christmasy, the fact that they were released and are always shown at Christmas means they have become part and parcel of the whole package. You can take your pick of any of them, but you’re best watching them all over a few days – A Grand Day Out, The Wrong Trousers, A Close Shave, A Matter Of Loaf And Death – and while you’re at it, watch a few Timmy Time and Shaun The Sheeps too.
The Vicar Of Dibley
I say this is just as much of a British institution as Only Fools And Horses and any other sitcom which has lasted more than a few years. It is harmless, family oriented humour which anyone can ‘get’ which makes it great for watching with older kids. I hope my kids end up with a similar sense of humour to me, tending towards the zany side, playing with conventions, playing with language, more on the bizarre, non-sequitur side of the scale. The Vicar Of Dibley has just enough of this, mixed with traditional laughs to make it cross borders, and its Christmas episodes work well enough as standalones, though you’re better with a grounding in the characters. There are a few Christmas episodes, the one where Geraldine has to go to all the different meals on the same day, the one where Alice has her baby, the sort of double episode where it’s Geraldine’s 10th year in Dibley and the anniversary of Live Aid.
The League Of Gentlemen – Yule Never Leave
As mentioned above, my sense of humour was waiting for this show to come along. I already loved Bottom and everything Vic & Bob did, and this came along to merge both styles as well as my love of horror. The League Of Gentlemen instantly became my favourite show after its premier, but this Christmas Special is one to whip out and return to thanks to its anthology nature. Sure it means more if you know about the characters, but it’s a better choice to watch on the spur of the moment than any other episode as the series was fairly plot heavy.
I love anthology series and movies, and in this special episode, the Vicar is trying to have a bit of peace at Christmas but is disturbed by three visitors, each with their own macabre tale – the highlight of which is the Herr Lipp story. If you want to laugh your balls off this Christmas, this is the one to watch – I highly recommend you watch the series from beginning as it’s an all time great. Even better is that we’re getting new episodes this year as part of the 20th anniversary!
The Royle Family
This was grabbing all the headlines around the time The League Of Gentlemen first came out, and as such it was like Oasis Verses Blur all over again. I didn’t watch the show for quite some time, and the pieces I saw of it, all the slow panning cameras of people sitting, eating, yawning, scratching themselves, pissed me off. When I finally did watch, I began to appreciate it. I mean, I still hate all that slow panning stuff and the repetition, but I love the characters and the dialogue. The series last for three seasons, and had two Christmas episodes, but since the original run it has been brought back a number of times for specific new Christmas episodes. Again, it’s perfect for family viewing, but better suited to having teens in the house as the kids won’t understand any of it. I’m not sure I’ve even watched any of the other later Christmas episodes, but I must do that this year as we won’t be getting any more after the tragic passing of Caroline Ahern.
The Fresh Prince Of Bel Air
The Fresh Prince Of Bel Air remains, well, fresh. It’s still LOL funny today, has more one-liners, yo momma, and fat jokes than anything else, and is still a better written sitcom with more fully formed characters than most around today. It’s one of those shows which influenced me to the point that I can’t answer a simple question without including some sort of joke or sarcasm. I used to tune in to every new episode on BBC 2 and laugh my ass off, and the show still gets regular viewing by me today. The show had a bunch of Christmas episodes – all are worth revisiting in December, from Will decorating the house, to the one where they are robbed, and the one with Boys II Men, or the one where Hilary decides she wants a baby…. or does she?
The Fast Show
The Fast Show was the master of one-liner, catchphrase character based, surreal skits and sketches. It feels weird now looking back at a show which was often based around building up to a certain character saying their unique catchphrase, but the show was so much more than that, creating a world of interesting and weird characters with a wealth of humour and drama. As the name suggests, the show was quick moving, with sketches rarely lasting over a couple of minutes. Everyone had their favourites – while most loved the likes of Ted and Ralph, it was always the weirder side of the scale that I enjoyed – Johnny Nice Painter and the ‘what if you feel down a hole’ guy. Johnny Depp made an appearance, many of the characters featured in spin-offs, other shows, or ended up having their own dedicated series, and it has been brought back for various new series or specials over the years. The Christmas Episode as exactly as you’d expect it – more sketches with the usual suspects, though with a Christmas twist or backdrop. It will either be entirely bewildering to any newcomers watching now, or you’ll be sucked in and left gasping for more – for regular viewers it’s another great one to watch at Christmas for a quick collection of laughs with old favourites. SLAP. IT. IN.
The X Files
Like Lost, you may think it’s a bit strange that a show such as The X Files would contain a Christmas episode. Why not, though? WHY NOT? There are two episodes which overtly features Christmas – in Christmas Carol, the ongoing saga of what happened to Mulder’s sister is avoided and instead we look at Scully’s dead sister Melissa. Melissa had been killed off in an earlier episode, but here, during a Christmas trip with the rest of her family, Scully begins receiving phone calls from a young girl who sounds just like her sister – investigations and twists ensure. It’s not the most festive episode, and you’d need to be a longstanding fan to follow everything, but it’s still good. On the other hand, How The Ghosts Stole Christmas is a monster-of-the-week festive experiment. By this point in the series, the writers were creating more outlandish and unique episodes outside of the main arcs, and this was one of the most popular – I can remember watching this in bed in its original BBC run and chatting about it in school the next day. It’s Christmas Eve again and Mulder ropes Scully into investigating a haunted house – ghostly hijinks ensue in what is simply a good fun romp – its standalone nature makes it a strong candidate for one-off viewing.
3rd Rock From The Sun
I was a huge fan of this during its original British run, but it was one of those shows that no-one else seemed to watch. It was the right mixture of surreal and traditional, the performers were excellent, and the writing and jokes were always top notch. Jolly Old St Dick is probably the best festive episode, with Sally and Harry getting part-time Mall jobs at Christmas, leading to plenty of laughs, Dick being arrested, and Tommy again becoming frustrated with August. Happy New Dick almost qualifies but focuses more on New Year, while Gobble, Gobble, Dick, Dick is based on Thanksgiving.
The Twilight Zone
The Twilight Zone must surely rank as one of the greatest, most rewatchable, and most influential series of all time, and even it was no stranger to the Christmas episode. The Night Of The Meek deserves to be mentioned in the same breath as other Christmas Classics such as A Christmas Carol and It’s A Wonderful Life, being a hope-based story in the midst of troubling times. It centers on an alcoholic store Santa on Christmas Eve, a well-meaning character who wishes that just for one day all the beaten, downtrodden, and hopeless people he knows could be happy. This being The Twilight Zone, his wish comes true, and for a change there isn’t a stinging twist in the tale. Next up is The Changing Of The Guard in which Donald Pleasance learns on Christmas Eve that his job is going to be given to a younger man, so he contemplates suicide. Enter a guardian angel to show him that this would be a mistake. There are plenty of other episodes of the show which feature snow or moral quandaries suitable for watching at this time of the year, and as always if you’ve never seen the show, there’s no better time to start than today.
I’m not going to bother listing all the festive or Christmas related shows here – any or all of the Mr Hankey episodes will do nicely here, and most are delightful and hilarious send ups of various tropes and cultural norms.
I freely admit that anyone not from Northern Ireland and of a certain age will have no idea what this is. It’s a bit of a cheat given that it’s not actually a TV show, but a comedy recording – I have it on cassette but you can find it on CD or online. What is it? It’s a comedy recording by one John McBlain – a wonderful impersonator from my country whose voices are second to none and whose comedy centers on British and Irish politicians. Even if you listen to it as a non NI person, you’re unlikely to understand the voices never mind the references or know who the various players are, but for me it’s a vital part of Christmas tradition. There are actually two versions of it (at least) – Christmas at Adams’ and Christmas at Paisley’s but they’re essentially the same.
For existing fans of McBlain’s Spittin series, this is a joy – you’l already be familiar with the characters (caricatures of their real life counterparts) – the ultra violent beast Ian Paisley, the cowardly pervert Gerry Fitt, the shit-stirring Adams, John Cole who tries to hold it all together, and many more – even Bill Clinton pops in. They are all getting together for Christmas dinner in one of the homes which Gerry A owns (or should I say frequents, for various reasons) and to have a bit of a chat and a party. Naturally all hell breaks loose, there’s piss in the soup, Robert craps himself, Fitt cuts down a tree and wrecks himself…. yeah, I’m laughing my head off typing this but you are likely losing the will to live. It’s packed with one-liners, hilarious gaffs, great moments, and it’s also fucking disgusting. Click the link above, but be warned, this is racist, sexist, makes jokes about the handicapped, pedophilia, and anything else you could possibly be offended by… but it’s all funs and games.
Warehouse 13 is such a wonderful show – it’s the geek show that not even geeks talk about. It’s a lighter take on something like The X Files with a great cast, interesting ideas, lots of sexy ladies and (sort of) lads, and it’s written by Jane Espenson – if you’re not sold, you’re not worth talking to. Basically, there’s a big warehouse in the middle of nowhere which houses mysterious, mystical, and powerful artifacts – items with the ability to stop time, to give super powers, to hurt people etc, and they are typically based on some historical moment or famous person. A group has been protecting these artifacts for hundreds of years, preventing them from doing harm or falling into the wrong hands. Each episode follows a different artifact, though there are larger arcs too. Oh yeah, loads of Buffy people and other famous guest stars pop up too.
Anyway, the show has a couple of Christmas episodes which are, again, best viewed if you’re already a fan but still are entertaining standalones for the uninitiated. Secret Santa sees Claudia trying to reunite Artie with his father, while Myka and Pete investigate a Christmas artifact which seems to be making Santa evil while The Greatest Gift is a little more trippy as Pete accidentally sends himself to a parallel universe where he doesn’t exist and has to convince his friends to save him and send him back. Both episodes are a lot of fun, have plenty of drama, laughs, and Christmas cheer, and are good as an early December entree.
I think that’s enough yapping for now. Even as long as this post was, I’m sure there’s a load of shows and episodes I’ve missed. Let us know in the comments what your favourites are, what your Christmas viewing routine is like, which shows you absolutely couldn’t miss when you were young, and if I don’t speak to you again before the big day – Merry Christmas!
Greetings, Glancers! It’s the festive season again, that most wonderful time of the year when we open our chimneys and beckon Good Old St Beardy McBuldgingsack into our homes so he can spurt joy all over our hearth. That run up to Christmas may be getting earlier each year, and as we grow older and more cynical it’s increasingly easy to aim a sneering ‘humbug’ at the whole tinsel-draped event. But ‘fie’, says I. Fie, to all the naysayers, scrooges, sadsacks, and seasonally-challenged. Fie to those who would rain on our snowy parade in a vain attempt to wash away our once a year spending spree in a moaning puddle of sleet. Who could deny the smile and wonder of the wide-eyed child when they stumble out of bed to find a Winter Wonderland frosting up their windows? Who could hold back a tear and an oh so human warmth when seeing the innocence and excitement of finding a half-munched carrot in the living room and bags upon bags of toys and treats just waiting to be discovered? Dicks, that’s who.
Growing up in the turgid 80s wasteland of Northern Ireland, where a large snowfall usually meant having to spend longer on your hands and knees checking for car-bombs each morning before heading to school, Christmas was nevertheless something unimaginably special. The lights, the music, the parties; the end of school, the Television specials and adverts, and of course the presents. Even though Christmas as depicted on screen, in such far-flung places as England and the USA looked like an impossible dream, where everything was bigger, brighter, and even more snow-packed and gift-wrapped, in our wee corner of the globe we still shared in the united glory and tradition.
A very large part of that tradition – one that has been going of course for centuries, but at least as part of modern culture, is the Christmas song. I’ll say this about the USA – as impressive as their Christmases looked, their Christmas music is wank compared to ours. This list therefore is going to be primarily British. What list? Why, this list of my favourite Christmas songs! This selection of songs never fails to bring back memories, nostalgic feelings, and the fact that they have been enjoyed for so many generations and continue to be passed from parent to child each year will ensure that even as our descendants are old and frail, they will still be taken back to a place of happiness and wonder upon hearing them. I hope you read, enjoy, and comment with your favourites, but above all I wish you a safe and happy Christmas.
Slow. Dreary. These are things that are not reflective of Christmas, yet so many Christmas songs, particularly US ones strike me as being such. This song I feel skirts dangerously close to falling into that category, but avoids it due to the warmth and comfort of melody. The horns work, the violins hit the mark, and the sentiment ripples outwards.
Did it reach Number 1 in the UK: Nope, but it did get to number 2
Is The Video Terrible: Yes, just David meandering through various depressing snow-covered fieldsand hanging about near a shed
Firstly – this is NOT Elvis. Okay? It sounds like Elvis, but this has nothing to do with him aside from the fact that the band are deliberately trying to sound like him. I always assumed it was him when I was young, and when I saw the video I assumed Mud were covering him. It’s slow too, but it has always struck me as funny – that along with the harmonies keeps it from being dreary. It could absolutely do without the spoken section.
Did It Reach Number 1 In The UK: Yes, and it was a Christmas Number 1.
Is The Video Terrible: Of course – a live version taken from TOTP where the band sit about looking depressed in front of the world’s most 70’s Christmas tree. They are wearing gaudy suits and covered in tinsel and bauble accessories, yet rather than appearing festive they look like four local low-grade thugs who have broken into your home and demanded a warm plate of turkey and ham – and they’re not pleased about having to wait.
It’s another slow one, and it has terrible 80s drums, but it does have Mr Mercury belting out the vocals – particularly the title – so it’s immediately worth hearing. It’s far from being exciting, nothing really happens, yet it somehow still works.
Did It Reach Number 1 In The UK: Nope, not even close
Many people argue that this isn’t a Christmas song. Yes, there’s very little Christmasy about it, except for the fact that the video has fake snow and the boys are wearing hoodies. There is some timpani or bells or something which gives it the edge, and the fact that is was released in December and was such a massive hit means it has become associated with the period – that’s fine with me. On a serious note, the lyrical content bears mentioning as it was written about the suicide of one of the member’s brothers. It’s unusual subject matter for a boyband, it’s unusual for a boyband member to actually have any input into a song’s creation nevermind write the whole thing, and it’s unusual that it actually ends up being pretty good.
Did It Reach Number 1 In The UK: Yes. It was apparently their only UK number 1 and it was a Christmas Number 1.
Is The Video Terrible: It’s a boy band, so obviously the video is terrible. It looks like it was put together on Media Player by a child, and it consists almost entirely of the group in various poses shooting around the screen or giant close-ups of their faces panning across. It’s doubly terrible because of how the group were portrayed as ‘bad boys’, so they have all these looks that aren’t so much smouldering or heartfelt, but rather come across as ‘I’m going to stab you and then ram your nan’. Also, did you ever notice how whenever a new boy band becomes popular, within months an alternative appears and they are ALWAYS – without exception, portrayed as bad boys? It’s hard to take any of it seriously when the songs are wafer-thin love-letters or requests for sex. Aimed at 10 year olds.
The only hymn on my list, the only instrumental, and the only song that’s over 500 years old. You have to hand it to Oldfield – he’s a musical beast, playing all the parts himself and using roughly 500 instruments too. It doesn’t feel like a Christmas song at all, except for the fact that it’s always played around Christmas. It’s also repetitive as hell but remains dynamic throughout thanks to the gradual building of instruments and the occasional little twist on the standard.
Did It Reach Number 1 In The UK: Nope, number 4 only.
Is The Video Terrible: Yes, it is kind of terrible, but that’s mainly due to the age and hair and fingernails and clothes, yet it apparently influenced every Youtube video ever made with it’s grid based format showing Mike playing each instrument.
The ultimate ‘get together a bunch of famous people to sing a song’ song. It has also been re-recorded and released with diminishing returns numerous times, but there’s not getting away from the original. It’s not the most complex song – it’s not supposed to be. It’s meant to be a message to the world, delivered in an earnest and easily digestible, commercial way. It worked, becomes one of the biggest selling songs of all time.
Did It Reach Number 1 In The UK: Yes, and was a Christmas Number 1.
Is The Video Terrible: Yes, given that it’s just a bunch of famous people singing into the camera or walking around in slow motion. It’s interesting now though as you try to work out who each person is and what the hell was wrong with the world in the early 80s to make some of them so famous in the first place – to be fair, each version of the song has featured mostly unremarkable artists and the odd diamond.
I’ve no idea how popular this, or The Snowman is in the USA – let me know in the comments, I guess. Over here though it’s a must for Christmas viewing – the timeless story of a boy and his adventure one night with a snowman. In some ways I wish this hadn’t been such a choirboy vocal as those are almost always unlistenable. It works though, although I will say the Nightwish version gives some much needed oomph – I don’t think the best version of the song has yet been recorded, or if it has I haven’t heard it. I do love the quiet instrumental version which is played over the end credits – beautiful. I’ve given three links above – the original by Auty, the Aled Jones version (yes folks, it’s not him in the movie), and the Nightwish one.
Did It Reach Number 1 In The UK: Nope.
Is The Video Terrible: The Snowman is excellent – everyone should see it. The Aled video is fairly bad, unless you’re into watching Welsh boys traipse around barren mountains, while the Nightwish version was not a single and had no video.
Back in that brief period when The Darkness was a popular band, they cranked out an impressive number of hits. This is arguably their widest reaching song, aimed directly at the Christmas market and ensuring annual rotation. Good marketing, sure, but it’s also a fun, festive song with all the hallmarks of other British classics. There’s a wry sense of humour, heapings of cynicism, and plenty of double-entendres. Musically it has everything you would want from a Christmas hit – big chorus ripe for a drunken singalong, hefty verses filled with festive lyrics and traditional instruments, a choir of kids etc. It doesn’t take itself seriously, just like most of the best hits for the time of year.
Did It Reach Number 1 In The UK: Unfortunately not, just like a bunch of other better songs. It was held off the top spot by the absolute wank cover of Mad World – one of the worst songs of all time.
Is The Video Terrible: It’s fine – deliberately cheesy, it fits with the rest of the band’s visual output and humour while also harking back to a few previous Christmas videos. It’s mostly the band unwrapping presents in front of a roaring fire inside a log cabin, but done with plenty of panache and larfs.
Nothing says Christmas like squeezing out an enormous yuletide log of your own, and this song continues the grand tradition of animated characters recording a Christmas song. The song appears in the episode of the same name, along side other classics like Kyle’s Mom Is A Big Fat Bitch and A Lonely Jew On Christmas, but this is the winner. It’s as ridiculous as it is ridiculously catchy as well as being endearing and funny.
It’s another one that reminds me of Christmas parties as a child, ones we had at home, or the more organized group ones in my town. This was always one of a number of songs which seemed to be played every day of December and therefore it’s intrinsically linked to toys, snow, and good times in my mind. The song has a lot of weird synth stuff going on meaning it doesn’t feel inherently Christmas-like, but it does have those bells and the video is festive as hell. It’s super repetitive and simplistic, but still good.
Did It Reach Number 1 In The UK: Nope, it only got as high as number 5.
Is The Video Terrible: It’s certainly dated, with a lot of weird effects and fashion, but the setting of the pub in the midst of a party is a great idea – all the locals are hammered, everyone’s dressed up in cosy garb, the booze is flowing, and Paul keeps bouncing about in every shot like he’s snorted a snowball right off Rudolph’s red nose.
The most unusual song on the list – weird considering the list includes a singing turd. De Burgh posits that the Star of Bethlehem was actually an alien spacecraft. The lyrics are interesting and the song feels both ethereal, somehow faith-driven, and otherworldly. I love the organ/keyboard.
Did It Reach Number 1 In The UK: When it was first released in the 70s it failed to chart, but it had better success when re-released in the 80s with a more Christmas themed arrangement.
Is The Video Terrible: There wasn’t one, so I’ve linked your standard live version.
Okay, this one isn’t necessarily very festive – it does have those jingle bells though and if you play it each Christmas it’ll soon sink in to your annual festivity. There aren’t many Christmas songs which rock as well as this one, so you should stick it in your playlist.
Did It Reach Number 1 In The UK: Nope, only number 11.
Is The Video Terrible: It has Susanna Hoffs in it, so it couldn’t possibly be terrible. It’s just the band playing with clips of Less Than Zero in the background.
It seems weird that soon we’ll have kids (actually, we already do) growing up in a world without Cliff Richard’s music. I’m hardly a fan, but he’s nevertheless a British icon. Cliff has always been no stranger to Christmas songs, but I think this is his most well-known and best, and you can’t pass December without hearing this at least five times. Cliff took a rather sordid song and made it more religious, more Christmasy. It’s all about the kids, as Christmas should be, but hopefully it doesn’t take on a more dubious meaning given recent rumours about Cliff. Again, though I’m not a fan, it’s pretty shocking that many people don’t recognise his influence and impact. Back on topic, this is a super-happy song with lyrics about presents, Santa, hymns, fires, baby Jesus et al. It’s great.
Did It Reach Number 1 In The UK: Of course, one of the four times Cliff has had a Christmas Number 1. Speaking of Christmas Number Ones, looking at the list the last one I’ve actually heard is 2009’s Killing In The Name. Sad.
Is The Video Terrible: Depends on you really. It’s just Cliff and a bunch of extras roaming around a set filled with fake snow, singing carols and swinging their arms.
We’re into the classics now – another song you’ll start to hear in shops around the middle of November. The moment you hear those opening notes you can’t help but grin like a maniac and it’s another which takes me back to my childhood with zero effort.
Did It Reach Number 1 In The UK: Does Santa shit in your chimney? Christmas Number 1. Incidentally this, along with a few others in my list re-enter the UK charts every Christmas and generally reach the top 40.
Is The Video Terrible: It’s certainly different, starting out with some kid getting a private jet trip and landing in some far-flung snowy land. From then on it’s as Ultra-Christmasy as the song itself, with snow fights, sleigh rides, presents, Santa, elves, and the rest. That dance remains terrible, as are the rolled up sleeves.
My wife’s personal favourite. I’ve had a love/hate relationship with this one as in the UK it’s held up as this untouchable thing – it’s not, it’s just a decent song. Out of all these songs I feel like it’s overplayed the most and it’s the one I get sick of most easily. Perhaps it’s the whole Irish thing that annoys me given my feelings about that particular brand of music. Yes the lyrics are cynical but that loses its impact after the billionth play and you begin, quickly, to remember how terrible the vocals are. Still, you can’t have Christmas without it!
Did It Reach Number 1 In The UK: Nope, held off the top spot by The Pet Shop Boys. There’s no question it should have made Number 1 though.
Is The Video Terrible: It gets points for featuring a snarling Matt Dillon, but loses points for showing Shane Macgowan. If Shane Macgowan starred in a horror movie it would be banned. The video is mostly a lot of bored, dour, sour faces sitting in bars or walking around New York – it has become iconic, but that neither means it’s terrible nor good.
It’s arguably the finest rip off/musical homage of all time, with Joni twisting ‘Jingle Bells’ and transforming it into something serene, heart-rending, and timeless. This is likely the finest song on this list and a haunting reminder that Christmas can be rough. It doesn’t go into some of the more important issues we should think of at this time of year – homelessness, starvation, families drifting apart etc, instead fixating on a single relationship. But who cares, it does what it does beautifully, the lyrics and music centre on Christmas, and it’s a gorgeous listen every damn time.
Did It Reach Number 1 In The UK: It was never released as a single, so nope.
I prefer the James Dean Bradfield solo version as it cuts away most of the chaff, but this is the better of the two in terms of pure festivity. This is Christmas through and through, managing to be tragic and happy at the same time. It’s great, and again you can’t have Christmas without it.
Did It Reach Number 1 In The UK: Nope, kept off the top spot by Band Aid – the song remains the biggest selling UK single to never reach number 1.
Is The Video Terrible: It’s certainly a dated relic of the 80s, but it isn’t terrible in and of itself. There’s nothing amazing, just Wham and a bunch of extras prepping for a party and having fun up a snow covered mountain.
5. The Ghosts Of Christmas – Manic Street Preachers
Did It Reach Number 1 In The UK: Nope, it was released free so wasn’t eligible for charts. Damn Capitalism.
Is The Video Terrible: Manics videos are rarely very exciting, and as this never had one we can assume it would have been standard fare. However, given the band’s love of nostalgia we may have had childhood clips and the usual twists on British culture. I can’t even find the song on Youtube, so you know it must be good.
An anti-Vietnam war song, became an anti-war song, became an anti-hate song, and remains a pro-Christmas song. It’s another which doesn’t feature a lot of traditional Christmas sounds or lyrics, but the sentiment is one of hope, peace, and looking towards a brighter future – things we can all support at this time of the year. Musically it’s one of the best post-Beatles pieces of work, and not even Yoko’s wailing can dampen it.
Did It Reach Number 1 In The UK: Nope, number 4 in 1971 and then number 2 in 1980, as well as other positions in other years.
Is The Video Terrible: There are a couple of different versions, but they’re both fairly similar. The original features John, Yoko, and Sean and a lot of footage from their War Is Over period, while the newer one is news footage of the aftermath of war, famine, murder etc.
A frequent winner of many Best Christmas songs lists, it’s certainly one of the most fun, unashamedly buoyant, and downright joyous Christmas songs. How can you not smile or get excited when you hear this? It makes me want to live somewhere where there’s actually a guarantee of snow each December, not the same grey clouds and drizzle we get every other time of the year.
Did It Reach Number 1 In The UK: Nope, number 2, kept off by Stay Another Day.
Is The Video Terrible: No, it’s probably one of the best videos on the list. Back before Mariah was a dick, she was incredibly hot, supremely talented, and crucially – not a dick. Her frolicking about in the snow should be watched at least once during the holiday period and it makes me, again, wish I lived somewhere with actual seasons – warm summers, freezing winters, not this endless grey shite we deal with 90% of the time.
IT’S CHRIIIIIISSSTMAAASSS! There’s isn’t much else to say about the song – it’s great, and you need it in your life in December.
Did It Reach Number 1 In The UK: Yes, Christmas Number 1 in 1973
Is The Video Terrible: Absolutely, but it’s great too. Laughing at the hair and the fashion and the Noddy, but then remembering that whatever you are wearing, however you are dancing, is going to be ridiculed in 10 years time. Not me though – my look is timeless. It’s another live performance video so you can’t say much about it.
My favourite, and it has mostly always been that way – all those memories I’ve mentioned before about my own childhood are most perfectly recalled by this, it’s probably the song I listen to most at the time of year, and it’s definitely the song I find myself singing or humming most. It’s perfect. I think it’s the only Wizzard song I’ve ever heard.
Did It Reach Number 1 In The UK: Nope, kept off the opt spot by Merry Xmas Everybody.
Is The Video Terrible: Well, yes. The band, in all their bizarro, glam, glory prance around in a semi-frightening manner while a bunch of kids arse about with them.
There you have it, my favourite Christmas songs. I’m sure you have plenty of your own. As I was typing the list, I remember the Gary Glitter classic – Another Rock ‘n’ Roll Christmas – a song I always kind of liked, but then… Gary Glitter. Let us know in the comments what your favourites are and if you have any fond memories of Christmas music!
The Christmas Pocket Bible makes for a good stocking filler or pre-Christmas present; a read in the nights running up to the big day can heighten the seasonal festive feelings, while browsing through the history, the copious lists, interesting stories, and other assorted details is an ideal and relaxing way to spend the aftermath of a stomach bursting Christmas meal. The book is informative and interesting where it explains the often wacky origins of our traditions, and on the flip side it can inspire new traditions for your family, ideas for the holidays, and ways to improve or adapt your Christmas. The book is laid out in the fashion of an encyclopedia, so rather than read from front to back you can simply dip in and dip out. At the moment the book is fairly cheap- good value for the amount of information on offer here. Well written and researched it reminds me, if anything, of QI – the show and the books. There is a gentle humour and some articles seem to enjoy delving into the stranger side of our cultural past. Overall this provides a decent and leisurely way to pass some time over the holidays.
I’ll echo what most other people have said about this book and CD combo – good book, average cd. The book has solid, thick pages with vibrant artwork depicting scenes or people from 6 Disney classics. As is to be expected from Disney, the colours and characters are second to none, endlessly charming, and will spark the imagination of many a young fan. If I have any complaint about the book it’s that some are sparse, but I assume that is so that the lyrics are easier to read. Additionally, I don’t think we need the copyright info and song credits on each page – they could have been together on a final page – but that would be mere nitpicking.
Onto the CD – I have no problem that these are not instrumental versions, in fact I prefer the full vocal backing. However, the vocals are not from the movies in some cases which takes away from the experience, at least for a hardened Disney fan like myself. I imagine this wouldn’t be much of a problem for the younger listeners. My main complaint is the song collection, featuring two songs from Winnie The Pooh which I don’t think anyone has ever heard, and one from 101 Dalmatians, which is hardly known as one of the strongest musically in Disney’s catalogue. There are a wealth of songs and films to choose from, so it seems odd to pick 3 relatively weak songs when the likes of Aladdin and Beauty And The Beast are left out. Naturally this is personal preference, and again I’m sure that the kids won’t mind. There are plenty of other cd/book combos and you can always buy movie soundtracks.
So overall this is a good, cheap product which is a bit different from the usual selection of fairy tale cds. Kids and adults alike can singalong and relive some classic Disney moments like Simba’s courting and King Louie skipping over his own arms. The last time I attempted to relive that particular moment and skip over my own arms, it ended up with a quick trip to casualty, two weeks of agony, and a lifetime of embarrassment, but it was all worth it for 8 seconds of hilarity.
As one bearded old freak once said – ‘IT’S CHRIIIISSSTMAAAAASSSSS!’. Yes kiddies, it’s the festive season again, with snow, presents, bearded men, stupid fucking jumpers, mulled wine, turkey, crackers, Bond movies, Christmas movies, and of course Christmas music. As it’s the season of giving, I’ve decided to give you three, count ’em, three slices of lyrical hilarity – one old, one new, and one you may not know. I hope you enjoy, and have a Merry Christmas.
I Wish It Could Be Christmas Everyday
Bearded freaks, Wizzard, created what is arguably the greatest Christmas song ever in 1973, one with festive joy and nostalgia dripping from every note. This will take you on a trip back to your childhood faster than a DeLorean.
When the snowman brings the snow, Well, you just might like to know He’s put a great big smile On somebody’s face
If you jump into your bed, Quickly cover up your head Well, don’t you lock the doors, You know that sweet Santa Claus Is on the way
Well, I wish it could be Christmas every day. When the kids start singing and the band begins to play Oh, I wish it could be Christmas every day And let the bells ring out for Christmas
When we’re skating in the park If the storm cloud paints it dark Then your rosy cheek’s Gonna light my merry way
Now the frosty paws appear And it’s frozen up to here So we’ll lie by the fire Til’ the sleep simply melts ’em all away
Well, I wish it could be Christmas every day When the kids start singing and the band begins to play Oh, I wish it could be Christmas every day (Christmas every day) And let the bells ring out for Christmas
When the snowman brings the snow Well, he just might like to know He’s put a great big smile On somebody’s face
So if Santa brings that sleigh (Santa brings that sleigh) All along the Milky Way I’ll sign my name on the rooftop in the snow Then he may decide to stay
Well, I wish it could be Christmas every day (Ooh, don’t you know that) When the kids start singing and the band begins to play Oh, I wish it could be Christmas every day (Christmas every day) And let the bells ring out for Christmas
Snowmanwhen you switchyour eyes, well, youmight like toknow Hewill puta bigsmile onsomeone’sface
Ifyou jumpinyourbed, cover upyour hairquickly Wellyoulock thedoor, you know you are ina sweetway toSanta Claus
Well,Iwish I couldbeChristmasevery day. Children arewhen you startsinging andthe bandbegins toplay Oh,it’swhat I wantyou toringthe bellonChristmasdayandChristmasnumber
If thestormclouds aredarkcolorswhenweskatein the park Thenthe lightsonmymerrywaysoonrosycheeks
Now appearstofrostyandfrozenhere Away fromall of them, sleepsimplymelting‘TilSo welayby the fire,
Well, Iwishkidsstart singingandthe bandbegins toplaywhenitcould beChristmasevery day Oh,Iwish I couldbeChristmasevery day (Christmas day) Let’sringthebellandChristmas
When you provide asnowmansnowWell, hemightjustwantto know Hewill puta bigsmile onsomeone’sface
Soif you providethesleighSanta(Santa givesa sleigh) Allalong theMilky Way Imay decidethat hestayedto signmy namein the snowon the roof.
Well, I(Oh, do notyou know)iswish I couldbe theChristmasday Whenchildrenstart singingandthe bandbegins toplay Oh,Iwish I couldbeChristmasevery day (Christmas day) Let’sringthebellandChristmas
Aside from the lyricist being confused over what Christmas actually is (I wish I could be Christmas every day), there sadly isn’t a lot of hilarity or confusion on offer. The only dubious piece comes near the end, with Santa possibly leaving his (yellow) mark in the snow on your roof after having one sherry too many.
All I want For Christmas Is You
One of the few great Christmas songs by a female vocalist, for some reason, is an anti-commercial ode to love. Unless of course she’s singing about an actual baby, in which case the song takes on an entirely depressing meaning.
I don’t want a lot for Christmas. There is just one thing I need I don’t care about the presents Underneath the Christmas tree
I just want you for my own More than you could ever know Make my wish come true, All I want for Christmas is you, yeah.
I don’t want a lot for Christmas. There is just one thing I need And I don’t care about the presents Underneath the Christmas tree
I don’t need to hang my stocking There upon the fireplace Santa Claus won’t make me happy With a toy on Christmas Day
I just want you for my own More than you could ever know Make my wish come true All I want for Christmas is you. You, baby
Oh, I won’t ask for much this Christmas I won’t even wish for snow And I’m just gonna keep on waiting Underneath the mistletoe
I won’t make a list and send it To the North Pole for Saint Nick I won’t even stay awake to Hear those magic reindeer click
‘Cause I just want you here tonight Holding on to me so tight What more can I do? Baby, all I want for Christmas is you You, baby
Oh, all the lights are shining So brightly everywhere And the sound of children’s Laughter fills the air
And everyone is singing I hear those sleigh bells ringing Santa, won’t you bring me the one I really need? Won’t you please bring my baby to me?
Oh, I don’t want a lot for Christmas This is all I’m asking for I just want to see my baby Standing right outside my door
Oh, I just want you for my own More than you could ever know Make my wish come true Baby, all I want for Christmas is you You, baby
All I want for Christmas is you, baby. All I want for Christmas is you, baby All I want for Christmas is you, baby. All I want for Christmas is you, baby
I do not want a lot for Christmas. Thereis one thingIwant. Ido not care about thepresents under theChristmas tree.
I ammore thanthat.I just want youto knowthat you. All I wantfor ChristmasYeah,you, yourealize mywish.
I do not want a lot for Christmas. Thereis one thingIwant. AndI do not care about thepresents under theChristmas tree.
Ido not need tostopmystockingsonthe fireplace. Santa Clauswill notmake me happywith a toyonChristmas.
I ammore thanthat.I just want youto knowthat you. Imake allmy wishes.Christmasgiftisright for you. You,Baby.
Oh,Ido notwishevendo not require alot ofsnowthisChristmas. And I‘m just going tocontinuewaitingunder themistletoe.
I madea listdoes not transferto theNorth Poleof St.Nick. I do notwatchthosemagicreindeerclick.
“I want them caughtmeso tightCausetonightyou Howcan I dobetter? Baby, Iwant for Christmasis you, baby.
Oh,all thelights areshiningSobrightlyshining. The laughterof childrenfills the air.
And all thepeoplethatIhearsleigh bellsringingsong. Santa, you do not really haveanyneedfor me? ♪I hope you‘d take me?
Oh, Ido not wanta lotfor Christmas.This isbecauseIwant to dois I justwant to seemy babyStanding right outsidemy looks
Oh,you‘re more thanjustthosethat you know. Mywish isto providea baby, I wantfor Christmasisyoubabyto you.
Iwant for Christmasbaby,you.All I wantfor Christmasis you, baby. Iwant for Christmasbaby,you.All I wantfor Christmasis you, baby.
Mariah, once a lovely, pure creature, has morphed over time into a monstrous diva caricature with opinions and music which beg to be ignored. In her translated lyrics above, she becomes frighteningly forthright and decisive. There is no beating around the bush here, thanks to such simple changes as removing the apostrophe from ‘don’t’ to make ‘do not’. In what seems to be a startling rejection of all that glitters, she claims that she does not want presents because she is ‘more than that’. Whilst seeming aloof, it is refreshing to see a pop star abandoning the desire for hollow riches and proclaiming that self-worth is more important.
But, what’s that? There is still one thing she does want, but she toys with us throughout the song as to what it could be. As we move along we begin to see patterns – what is all this vague talk about ‘you, baby’? It isn’t clear that she is singing about her need for love, or even her need for a baby, as mentioned earlier. It becomes clear that she is not happy with Santa – there is disdain in the line ‘North Pole of St Nick’, and outright anguish in ‘Santa, you do not really haveanyneedfor me? ♪I hope you‘d take me?‘ What has clearly happened here is that Mariah has offered her services as either an elf or a love to Santa, but that he has spurred her advances and unveiled her inner bunny boiler. So what she wants for Christmas is revenge! And she’s going to use her own baby to get it? I don’t understand.. she’s going to give her own baby away, and explains this in caveman speak – me, baby (hands baby over) you, baby. ‘Mywish isto providea baby, I wantfor Christmasisyoubabyto you.’ Arrggghh!
An unexpected freebie single from the band which gave us such previous festive treats as ‘Die In The Summertime’, this is a vastly underrated Christmas treat – underrated in that no-one aside from a diehard Manics fan will have heard it. Hitting all the notes of all the great British Christmas songs from your childhood, but with the cynical Manics twist, it’s a fast paced trip through Christmas as you remember it. As expected (at least as used to be the case) the lyrics are brilliant on their own. It will be interesting to see how they fare when translated.
Christmas day, stuck in the seventies. Play all day with your Scalectrics Oh my god, I got a tomahawk. How sweet life can be
No X-Box and no computers. We just used our imagination A leather football was perfection. What more could you want?
Sleep through the Queen’s speech ‘Cause it means nothing to me Zulu’s on, the Milk Tray’s out So it must be love
The ghost of Christmas has come. The ghost of Christmas has come
Hot Wheels on the dinner table. Too much sherry with mum unstable She’s acting like Evil Knievel. Oh yes, I am blessed
Drink some sparkling wine. Watch Morecambe and Wise Christmas Top of the Pops. Thank God, the world has stopped
The ghost of Christmas has come. The ghost of Christmas has come The ghost of Christmas has come. The ghost of Christmas has come
The ghost of Christmas has come. The ghost of Christmas has come The ghost of Christmas has come. The ghost of Christmas has come
Christmasday, stuckin the ’70s. Play withyourwhole dayScalectrics Oh my God,I havean ax. Howsweet lifecan be
Thereis noXbox computer. Weuse ourimagination Leatherfootballwas perfect. Can youdobetter?
Sleepthroughthe Queen’sspeech ‘Cause no senseto me. Thelineof the lure, themilktrayout, So be sure tolove
Hot Wheelsat the dinner table. Unstablemother andso muchSherry She’s likeEvilKnievel‘s actions. Oh yes,I amblessed
Drinksomesparkling wine. ViewMorecambeWise ChristmasBestDad. Thank God, the world stops
It’s another song with the lyricist getting confused over what Christmas actually is – with the recurring ‘Christmas came, a Ghost’ making matters spooky. It all starts well, with the original line being mirrored, but then we get ‘On my God, I have an ax’ which takes things in a more horrifying direction. In fact, Christmas presents here appear to be an invitation to murder throughout the song – ‘Leatherfootball was perfect. Can you dobetter?’ And how does ‘Zulu’ translate to ‘the line of the lure’? And what a line of lure? Is this something to do with fishing? Or some trap set up to murder more hapless victims. Have you ever seen the British Horror Film called Mum And Dad? It’s an excuse for torture, but features some entertaining Christmas kills. The lyrics are reminiscent of that movie. I’m not sure if ‘So much Sherry’ refers to the drink, or some girl called Sherry who has been split all over the place. It all comes to an abrupt end, with the dramatic ‘Thank God, the world stopped’ which is as good an ending line for a book as I’ve ever read.
The horror! Amazon have decided to change the format, layout, presentation etc of the Vine and Last Harvest Pages. It’s horrible. Horrible like when you wake up with a tramp in your mouth. Still, I was able to look at the screen long enough to select the following freebies:
Philips DVT1700 Digital Voice Recorder with DNS Speech to Text Software:
Aside from possibly recording farts and blackmail, I’m not sure what I’ll use this for.
This sort-of biography brings together Kulka’s memories and reflections on the part of his childhood spent in Auschwitz. It is written in fragmented style, almost like the reader is only hearing snippets of a bigger story, overhearing on a crowded train. Nevertheless, it is expectedly sobering, but doesn’t focus on the harrowing side of things, instead giving a child’s views on what he sees – sometimes witnessing violence but not fully understanding, feeling the inevitable finger of death crossing over the camp yards, but still trying to live, learn, and fight.
This gripping factual text explores the origins of Father Christmas’s’es’es’s relationship with thunder lizards – also known as Dinosauruses. After missing Christmas one year for being drunk on Cave Juice, it turns out that Santa banished the creatures to Rygel IVXIIW-P and replaced them with Laplanders – also known as Reindeer.
Easily the best Christmas movie for kids growing up in the eighties and nineties, and deserves to be mentioned along side the classics from previous decades. It is no small feat that this has already become for many, traditional Christmas viewing, given that it is still a fairly recent film, at least in comparison to The Snowman, It’s A Wonderful Life, Santa Claus The Movie etc. For kids, the movie has everything- action, excitement, humour, and for everyone else the story and acting are engaging.
The idea of being left Home Alone for a while, especially after your relatives have been so annoying, will appeal to kids as they will have peace to do anything they want and let their imaginations fly. Cue lots of ice cream and sled rides down stairs. The film shows depth by letting us see the initial down side to being alone- the house can be scary even for the most resourcful and confident child when it gets dark, and you know your parents are not there to help. The plot sees the massive Mcallister family planning to go on holiday for Christmas. After an unfortunate pizza incident at the dinner table, young Kevin is sent to bed and locked in. The next morning there is a rush, and the family leave for the airport without Kevin, only realising what has happened when they are on the plane. They try to find a way home, but this is not easy as it’s Chritmas, meeting snotty clerks and unhelpful fools before John Candy steps in. Meanwhile, two crooks plan to rob the Mcallister house, knowing it’s empty, but soon realise that Kevin is inside. Kevin sees that it is up to him to protect his house, and begins setting up traps for the intruders. What follows is great entertainment.
Yes it may at times be soppy, but it is a family Christmas film and much of the scmaltz is covered by some great invention and quite painful slapstick. It is much smarter than you may think, probably accounting for much of its great success, and the acting, particularly from Culkin and Pesci is impressive. O’Hara is also good while the rest of the cast, in small roles do well. The set pieces are ingenious, ensuring that every 10 year old boy will come up with their own ways to stop bad guys.
The special features are non-existent, which is poor for such a successful film. A commentary would have been good, and a making of or documentary showing where some of the ideas came from could have been interesting and full of nostalgic goodness. It may be better to buy a set with the sequel for better value.
Feel free to leave your comments on the movie-where should this appear on the list of best Christmas movies?
As a fan of the more extreme side of cinema, I ask you to join me, as I explore the history of Cinema's most extreme movies with all the sex, violence and symbolism intact. I'm here to reflect on the extreme movies that have come and gone to see what they mean, see what makes them so extreme, and of course, see if they're any good.