I want to gorge on films with a fanciful, intriguing premise, something unique, rather than the next multi-million dollar blockbuster. That’s what draws me to little known and little seen films such as this, and why I give a blank stare if someone asks if I’ve seen The Avengers IV: Iron Ass. The premise here, which expands outwards like a ripple the more we learn, is that a man wakes up from a car crash with memory loss, but anyone who comes within a certain distance of him drops dead. So we have the tried and tested memory loss mystery unraveling – something seen in plenty of movies – confounded by a new and deadly ability which he needs to understand.
Radius scratches the low-fi Sci-fi itch I get after seeing too many generic action movies or Sci-fi films which cover their cracks and ideas void with millions of dollars and famous faces. It’s nice to reset, be challenged, and be introduced to new faces and ideas. It can be tricky because, while there are a lot of filmmakers out there striving to bring their passion projects to the screen, many of them simply aren’t very good or are either too obtuse or amateurish for most viewers. Radius deserves to be seen – it’s not the most outlandish, it is generally well acted, shot, directed, and has a solid score – but it plays maybe one or two twists too many and sometimes fails when both trying to explain matters and when leaving things open ended. I got the sense that, while I enjoyed it, many viewers would be frustrated by the lack of guidance, the lack of answers, or indeed by the lack of really pushing any boundaries.
Written and directed by Caroline Lebreche and Steeve Leonard, Radius stars Diego Klattenhoff and Charlotte Sullivan as the man who inadvertently kills anything he comes near, and the woman who finds him but seems immune to his power. Don’t worry subtitle-phobes, the names may sound French, but the movie is all in English. The film ticks plenty of boxes for me – unusual set up and mystery, small primary cast, it’s as much a road movie as it is a Sci-fi, and it’s little known so you can get a little dopamine rush when you tell your friends about it. Horror fans will get a kick out of this – it’s not exactly supposed to be scary, but just the notion of being able to kill people by being near them sounds like a horror movie setup. There are a bunch of kills, but they’re rarely bloody and more of the ‘dude walks forwards then falls down dead’ style, and one of the twists late in the film hints at more horrific beginnings.
I had plenty of fun with Radius although I didn’t always like the directions the story wanted to go. It always felt like one step away from falling into absurdity or needless complexity. There is enough restraint in the storytelling that we are afforded the respect to fill in the gaps ourselves, but a few leaps of faith are required too. I can’t say I was ever drawn in by the characters on any meaningful emotion level and the script doesn’t leave a lot of room for ruminating or romance or outbursts, yet I was happy to follow these characters until the end of their journey. It’s not going to be for everyone, but for anybody else who enjoys imaginative setups such as this, or who want to reset after one too many blockbusters, you might get a kick out of this.
Let us know what you thought of Radius in the comments!