Best Writing (Original) – 1969

Official Nominations: Butch Cassidy And The Sundance Kid. Bob & Carol & Ted & Alice. The Damned. Easy Rider. The Wild Bunch.

William Goldman’s screenplay for BCATSD picked up the official win this year, and it’s difficult to argue against the win. The easy dialogue couple with the charm of the actors ensures that the film is quotable and doesn’t feel dated. BACATAA has a name too long to type repeatedly, but Mazursky peppers his frank script with a lot of modern humour which was a revelation for audiences at the time. Even more shocking, for the handful who saw it, was The Damned with its explicit sex and discussions on power, corruption, and politics. Easy Rider too was a revelation, with Fonda, Hopper, and Southern’s script striking a chord with America’s youth like no movie before or since with much of the dialogue being ad-libbed on the spot.

My Winner: Butch Cassidy And The Sundance Kid

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My Nominations: Butch Cassidy And The Sundance Kid. Easy Rider. The Italian Job. Medium Cool. Take The Money And Run. The Wild Bunch.

I add a few notable films to my list – The Italian Job is of course extremely quotable, Medium Cool is a timely piece and relevant today as the quest for morality and integrity within journalism rages on. Take The Money And Run is one of Woody Allen’s earliest hits, more manic than what he would later produce.

My Winner: The Italian Job

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Let us know in the comments which film of 1969 do you think has the Best Original Screenplay.

Best Cinematography – 1969

Official Nominations: Butch Cassidy And The Sundance Kid. Anne of The Thousand Days. Bob & Carol & Ted & Alice. Hello Dolly. Marooned.

A clear winner this year, with Anne Of The Thousand Days, Hello Dolly, and Marooned more notable for their interior scenes. I’ve no idea what Bob & Carol & Ted & Alice is doing here.

My Winner: Butch Cassidy And The Sundance Kid

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My Nominations: Butch Cassidy And The Sundance Kid. Battle Of Britain. The Gypsy Moths. The Italian Job. On Her Majesty’s Secret Service. The Wild Bunch. Downhill Racer.

I’ve only brought over one film from the official list and I’ve added a few which seem much more deserving than those who did get a nod. The Italian Job speaks for itself, with all those exterior car scenes looking wonderful –  the same goes for On Her Majesty’s Secret Service. Battle Of Britain’s features stunning flying scenes photographed by Freddie Young, while in Downhill Racer Brian Probyn compares and contrasts the vast emptiness of the outdoors with the torment and void of its characters. The Wild Bunch of course gets a vote, while The Gypsy Moths does for skydiving photography what Battle of Britain did for aircraft.

My Winner: Downhill Racer.

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Let us know in the comments which movie of 1969 is your winner for Best Cinematography!