Best Stunt Work – 1970

My Nominations: Brewster McCloud. They Call Me Trinity. Catch-22. Little Big Man. Kelly’s Heroes. Tora Tora Tora.

We return to one of my favourite awards, namely because it has never been an official award, and also because stunts are one of those things which draw you to Cinema at a young age – a good stunt will stay in your mind just as much as a powerful line of dialogue or piece of acting. Many people will tell you that, for practical stunts, the 1970s are the finest decade. Certainly we saw an explosion of car chases and stunts, and not only on the big screen, but also through hit TV shows which continued into the 80s, such as CHiPs, Knight Rider, The A-Team, The Dukes Of Hazard etc etc. There’s something unique about the stunts of this era – the way they were filmed, up close, from multiple angles, with realism, and with plenty of slow mo. And they always seemed to take place on some dusty LA highway or desert road. Brewster McCloud has a plethora of stunts, from the aforementioned car chases and crashes to fisticuffs, well placed bird crap, and a boy flying like Icarus. Little Big Man features some stunts which deserve to be more well known and are visually iconic if not part of the public consciousness – the horsework and leaping from carriages here is second to none. They Call Me Trinity doesn’t come near the iconic status of the other films, but is still an underrated and very funny spaghetti western with plenty of action.

Our last three movies are three standard war movies each with their own flavor of action and stunts – Tora Tora Tora most notable of course for its aerial scenes – the same can be said for Catch-22, while Kelly’s Heroes is a more traditional mixture of gunplay, tanks, explosions, and punch-ups.

My Winner: Brewster McCloud

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Let us know in the comments which film of 1970 you would hand the Best Stuntwork Award to!

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Best Writing (Original) – 1970

Official Nominations: Patton. Five Easy Pieces. Joe. Love Story. My Night At Maud’s.

Patton was a deserving winner this year thought it doesn’t sit so nicely with me given that it’s a biopic – biopics to me, especially those which strive to be as close to reality as possible, never feel original. You have Patton’s entire life to pull from – his own speeches, witness testaments etc etc, so this isn’t something which was simply pulled from nowhere. Hell, it was even based on a couple of biographies. Obviously it was well written, but I don’t know if it belongs here. Carole Eastman on the other hand crafted her original Screenplay for Five Easy Pieces the more traditional way. It’s not one which is famously quotable, but I put that down to fewer people having seen it over the years. Everyone knows Love Story, but it’s really only here for a couple of soppy one-liners that don’t really make sense. My Night At Maud’s is a film all about the script and dialogue given that the action is largely replaced with text. As a foreign film it’s a strange nomination as it never stood a chance at winning and was probably seen by a small circle outside of the critics. It’s a good screenplay though but not one I would choose over some of the other films. Joe is the final nomination and it gets my win. It’s interesting because it is both dated and yet mirrors much of what is happening in North America and across the world today. Norman Wexler’s scripts were always of their time and never shied away from delving into the grittier points of subculture – the Academy would never pick it, I’m still surprised it was even nominated, but it gets my vote.

My Winner: Joe

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My Nominations: Five Easy Pieces. Joe. The Aristocats. Brewster McCloud.

I add three to my list – The Aristocats probably shouldn’t be here as it’s not even that interesting a movie but it’s fairly unique for Disney. Brewster McCloud is just funny, will make you laugh guaranteed, and is a precursor to a lot of movies which would come in a few years time. Any pick is fine, but when humour works, go with humour.

My Winner: Brewster McCloud

Let us know in the comments which film gets your vote for Best Original Screenplay of 1970!