Best Writing – Original – 1966

Official Nominations: A Man And A Woman. Blow Up. The Fortune Cookie. Khartoum. The Naked Prey.

A rare winner from France this year, with Claude Lelouch and Pierre Uytterhoeven’s A Man And A Woman earning the victory. Although the film is more revered for its visuals and soundtrack, the script still resonates universally today. Antonioni and Guerra’s script for Blow Up (with English translation by Edward Bond) is the near perfect story for Counter-culture audiences with both the story itself and the impact it had highlighting the rapid, necessary changes the world was going through, and the widest generational gap there has arguably ever been. Billy Wilder’s (along with I.A.L Diamond) Fortune Cookie proves that even though the world was changing, there was still room for the upstarts of previous decades while Robert Ardrey’s script for Khartoum is a fine, fairly plain, old school affairwhich doesn’t do much to re-invent the historical epic. The Naked Prey is an excellent underrated film, packed with action and suspense (though with questionable Imperialism) and its script by Clint Johnson and Don Peters has sparse dialogue, instead letting the escape, chase, and violence lead the plot. An unusual, but deserving nomination.

My Winner: Blow Up

blowup4w_2893035k

My Nominations: A Man And A Woman. Blow Up. The Naked Prey. The Good, The Bad, And The Ugly. How To Steal A Million. The Shooting.

Adding to the trio of Official Nominations come Leone’s The Good, The Bad, And The Ugly, a film whose most famous lines are still quotable today, Carole Eastman’s existential The Shooting, and Harry Kurnitz and George Bradshaw’s quick witted How To Steal A Million.

My Winner: Blow Up

posterblow-up

What is your choice for the best Original Screenplay of 1966? Let us know in the comments below!