Nightman’s Least Favourite Movies Of 1994!

Greetings, Glancers! As you’ll have seen in my other 1994 post, this was one of my favourite years for Cinema with maybe more personal favourites than any other year. That doesn’t mean there wasn’t a steaming pile of turds as well. Hold your nose, and dive in below.

Ashes Of Time

Wong Kar Wai is a director of phenomenal visual talent. Nevertheless, I do find his movies can be hit and miss in terms of character and storytelling – but sometimes his films use characters and story as a mere backdrop for metaphor and suggestion. Ashes Of Time is a mesmerising and bewildering affair – frequently gorgeous, but ultimately dull. The Redux version is a little more fluid, but the shorter running time still feels like a slog. It’s not surprising that Wong Kar Wai would make a Wuxia film with very little action, so if you’re coming to this expecting Crouching Tiger you’re likely to be disappointed and more than a little confused when instead you get Solaris with swords. The story follows a nomadic swordsman who interacts with various characters in separate yet intertwining chapters, as he works through love, loss, and longing. I think.

Baby’s Day Out

It is what it is. I’m sure kids at the time got a kick out of the antics of a baby being chased around New York by hapless criminals, and I’ve no doubt this would work well as an animation with a decent script, but as it stands it’s a bit of a mess.

Beverly Hills Cop III

I was never the biggest Beverly Hills Cop fan in the world, but the first two movies are classic 80s Action comedies. It’s rare that the third entry in a franchise is good, and it’s even more rare when there has been a significant gap between the second and third. It’s disappointing because there’s a good cast with (some) returning faces, it’s directed by John Landis, and it’s set in an amusement park – all things I approve of. Each of these normally positive attributes is spun into a negative – Murphy seems disinterested, Judge Reinhold is too old to be pulling the same shtick, Landis was on a major downturn in quality, and the setting isn’t used in any sort of interesting way. It’s simply not as funny or energetic as the others and the low stakes of the story mean we don’t care about any of it.

The Flintstones

I was never a huge fan of the show, but it was one of those ‘well there’s nothing else on TV on Sunday morning and I refuse to get out of bed yet’ cartoons so I still watched it. To the film’s credit, it kind of nails the look and the cast, but it also looks very cheap and some of the casting choices are miserable. I could see a bigger budget remake of this doing well now, just make sure the cast are all good fits rather than the 80% on show here. Obviously the story needs to be interesting and there needs to be jokes – both lacking in the 90s version.

Four Weddings And A Funeral

The bastard which started it all. After this the world was crying out for soppy British Rom Coms and Hugh Grants. It fares better than much of what followed in its wake and it does have a collection of British stars who deserve recognition for performances elsewhere. But it’s very dull, very foppish, hits all the quirky notes which nauseate my mind, body, and soul, and like all Rom Coms no matter how you dress it up they all end up in the same spot. I’d like just for once for the Rom Com to end in a shocking, completely random tragedy with no resolution or happy ending – just boom – wtf – end credits.

Junior

Another one of Arnie’s experiments at branching out from just punching heads off and exploding shit. Which is fine, some of those were good. Increasingly though you now look back at Arnie’s mid 90s output and think ‘man, you were still in peak physical condition, why didn’t you make another action movie’. Lets not forget – T2, Total Recall, True Lies, Last Action Hero, even End Of Days were all ostensibly action movies but which elevated the genre and did something different. Eraser and The Sixth Day tried but were not very good. An average Arnie action movie is still better than whatever bollocks this is, a diluted comedy free from the laughs of Kindergarten Cop and the charm of Twins, with added romance. It’s watchable, as Arnie always is, and there’s great cast support, but there’s nothing memorable, no laughs, no one-liners, nothing exciting or funny – the one joke (man gets pregnant) could have worked with any actor. Arnie could have made one more great action movie in that period – a true Expendables, King Conan, his version of I Am Legend. Sigh.

Muriel’s Wedding

It’s Australian Four Weddings. But somehow even more for women.

Mission To Moscow

I’ll defend the Police Academy series to the death. Even number 5 which didn’t know how to recover from Guttenberg leaving the series, and 6 which wasn’t very good. Mission To Moscow is basically unforgivable. There’s another fake Mahoney, most of the cast has buggered off, and it’s extremely cartoonish. Rather than being a series of loosely connected vignettes highlighting the ridiculous characters, this one somehow tries to focus more on plot, but forgets to make the plot interesting or coherent. There aren’t really any laughs – I mean, I’ll laugh watching Lassard do anything, even if that is him trying to communicate with Russian jugglers or whatever he’s doing here – and there’s a bit where fake Mahoney’s moustache goes ‘woop’…. you can see I’m struggling here. The most interesting thing is that we have Ron Perlman doing his finest Zangief impression, Christopher Lee as a Russian Cop, and Claire Forlani looking effing gorgeous. It’s best to forget this exists.

Renaissance Man

Danny DeVito – what were you thinking?

Sirens

It’s more Hugh Grant. Lets be honest, there’s only one reason anyone would watch this, and if anyone does foolishly watch this for that one reason, they’re going to be sorely disappointed. It’s about an English Church dude who goes to Australia and is shocked to see boobs. It’s somehow less interesting than that sounds.

Let us know in the comments if you enjoyed any of the films listed above, and feel free to share the movies of 1994 which you couldn’t stand!

Nightman’s Updated Favourite Films Of 1994!

 

Here is my updated list of favourite films of 1994 – there aren’t actually any new entries, I’m simply adding a few blurbs on each film. First, the few which missed out on my Top 20 – Heavenly Creatures which saw Peter ‘I kick ass for The Lord’ Jackson, branching out from his shlock horror comedies and making something more emotionally substantial and mainstream. The Last Seduction aimed to single-handedly bring the noir genre kicking and screaming back to life, with a great performance by Linda Fiorentino, while The River Wild is Die Hard in a dinghy.

And now, the Top Twenty:

20: Little Women (US) Gilliam Armstrong

I don’t know why, but I generally enjoy the Little Women movies. That’s not strange in and of itself – what’s strange is that I can’t stand the original novel. This movie is gorgeously shot and has all of the hair and clothing and all of that crap that people seem to love, but more importantly it has a badass cast of people just coming into their own or at the top of their game – Winona Ryder, Claire Danes, Kirsten Dunst, Susan Sarandon, Christian Bale, Samantha Mathis, Gabriel Byrne, Trini Alvarado, Eric Stoltz and more. As acclaimed as this one was at the time, it’s a bit sad that it will now be overlooked by the overblown success of the 2019 version.

19: Ace Ventura (US) Tom Shadyac

Jim Carrey was maybe on the greatest sequence of starring roles in history in 1994, with a trio of all time classics. All three are on my list, this one and the next one are interchangeable in their quality and my enjoyment of them. This and The Mask are great fun. Pity the sequel is balls.

18: The Mask (US) Charles Russell

See above.

17: Stargate (US/France) Roland Emmerich

I loved Stargate when it was released – it was such a spectacle, plus it dealt with a period of history I have always been curious about, and it was done in a cool 90s way. AND you get Kurt Russell. It has since been overshadowed by the epic TV spin-offs but this was the starting point of one of the greatest, most underrated expanded universes in fiction.

16: Forrest Gump (US) Robert Zemeckis

It’s one of those films which I never feel like I need to revisit. It was fun, heartwarming, sure a little saccharine, but features one of the most iconic performances of the decade, one of the most recognisable characters in movie history, and some memorable one-liners. It’s an all round good film which hasn’t lost any of its potency.

15: The Lion King (US Disney)

It’s The Lion King. People love this a lot more than I do, and while I agree it is massively overrated, it’s still wonderful. Superb anmiation, great songs, amusing characters – classic Disney – before they sold out.

14: Mary Shelly’s Frankenstein (US/Japan) Kenneth Branagh

Lets face it, the 90s produced arguably the best movie version of Dracula and almost certainly the best movie version of Frankenstein – coming from a big fan of both Universal and Hammer. It’s not without its problems, much of that is simply to do with bringing the story to the screen in the first place, but it gets the pathos and the monstrosity of the original text correct, and offers Robert De Niro the chance to portray the sort of character A-listers wouldn’t usually come within 50 miles of.

13: Timecop (US) Peter Hyams

Did I ever do a TTT for Jean Claude Van Damme? I don’t know man, I’ve been doing this blog for generations. Timecop is the movie Looper wishes it was, with added mullets.

12: The Shawshank Redemption (US) Frank Darabont

Frequently listed as the greatest movie of the decade, and often as the greatest movie of all time, it still gives me great pleasure when ardent anti-horror or anti-Stephen King fans begrudgingly admit how good this is. Sure the movie succeeds based on Darabont’s direction and the terrific cast, but it all comes down to the story by King – a story of hope and of crawling through all of the shit life pours on you. It’s another fine example of The Academy completely ignoring Horror – or even anything with the stench of Horror attached to it – as the film was overlooked in every category it was nominated in (though fair enough, there were some excellent movies and winners this year).

11: Ed Wood (US) Tim Burton

Ed Wood is Tim Burton Oscar bait… I think. It’s one of those movies about movies, about the love of making them, about the whole system and the business. While movies like this have always been critical darlings, Burton decided to flip the whole shtick and make the focus one of the most notoriously ‘bad’ filmmakers in history. Wood is presented as an exuberant guy with a dream, a man who refuses to allow reality to crush his pursuit of making his dream come true or dull his love of the movies. Depp and Landau are on top form here, and it’s another Horror adjacent movie which The Academy couldn’t avoid.

10: Natural Born Killers (US) Oliver Stone

One of the most controversial movies of the 90s, this was certainly ahead of its time with its protagonists/antagonists taking their murder and mayhem to the road accompanied by an orgasmic media. Lewis and Harrelson have a natural born chemistry and whip out career best manic performances, ably backed up by a ‘remember me, everybody’ Robert Downey Jr, Rodney Dangerfield, Tom Sizemore, and Tommy Lee Jones. Few films whip up such controversy in their wake and few films have such a unique mish mash of styles and genres, creating an orgiastic fever-dream of drama, comedy, and violence.

9: Wes Craven’s New Nightmare (US) Wes Craven

If you want to breath life back into a dying series, you can do worse than handing back the reins to its creator a decade later. In a precursor to his meta mega-hit Scream, New Nightmare upends series and genre tropes as it peels back the curtain and blurs the increasingly more fragile walls between the real and fictional world. Wes brings back original cast members to tell the story of Heather Langenkamp – actress most famous for her performances in the Elm Street series – whose fictional arch enemy Fred Krueger has somehow found a way into the real world. The movie dispenses with much of the humour of the popular sequels, instead posing questions about fandom and the impact of fame and exposure to violent material on those who are both part of these worlds and help to create it. The film doesn’t scrimp on the gore even as it dispenses with many of the creative setpieces and kills which the series had become known for, but ends up being all the more nasty and interesting for it.

8: Clerks (US) Kevin Smith

There have been few better or equivalent Indie first times movies than Clerks – a movie of its time which capitalized upon the torchlight being shone on Indie film at the time, but which nevertheless remains fresh, vital, and hilarious even decades later. Smith would hone his writing and directing skills over the years, but this may be his most pure effort, pulling together friends and familiars and shooting on a shoestring, yet managing to create a much funnier, much stronger product than almost any other studio comedy of the decade.

7: True Lies (US) James Cameron

James Cameron doesn’t make many films, but when he does they’re either record-breakers, masterpieces, or at worst perfectly entertaining B genre fare. True Lies is neither a record breaker nor a masterpiece, but he did release it in between T2 and Titanic, so it can be viewed as a palette cleanser. More than that, it’s a send up of the spy/secret agent/Bond genre as Arnie leads a double life as a boring family man and a world-saving action hero. It’s the lightest, funniest film in the Cameron-verse, bolstered by an amusing trope-twisting script and fun takes by Jamie Lee Curtis and Bill Paxton.

6: Speed (US) Jan de Bont

The undisputed action movie event of the year, and one of the best of the decade. While the 80s featured muscle-bound bullet dodgers mowing down hordes of faceless bad dudes, the enlightened audiences of the 90s needed something more. Something like a bad dude who used to be a good dude, and a good dude who is flawed and hasn’t experienced the bicep sprouting pleasures of steroids, and a story more inventive than ‘bad dude kidnaps x and good dude must destroy everything’. Speed is one of the finest examples of the 90s take on the genre – reckless rookie Keanu Reeves comes up against crazed ex good guy Dennis Hopper and has to stop him blowing people up. The bulk of the movie takes place on a bus – a bus filled with passengers and Sandra Bullock – a bus armed with explosives which will go off if the bus goes under 50MPH, but there’s also a gripping climax involving a subway. Like its central plot device, the thrills, action, and tension never let up once they start, and the cast have a whale of a time.

5: Pulp Fiction (US) Quentin Tarantino

See my favourite movies of decade post.

4: Interview With The Vampire (US) Neil Jordan

See my favourite movies of decade post.

3: Leon (France) Luc Besson

See my favourite movies of decade post.

2: The Crow (US) Alex Proyas

See my favourite movies of decade post.

1: Dumb And Dumber (Top Ten Of All Time) (US) Peter Farrelly

See my favourite movies of decade post.

Let us know your favourites in the comments!

Nightman’s Top Twenty Films Of 1994

Greetings, Glancers! We continue my new series of posts which will detail my favourite films of every year since 1950. Why 1950? Why 10? Why anything? Check out my original post here. As with most of these lists the numbering doesn’t really matter much, though in most cases the Number 1 will be my clear favourite. As I know there are plenty of Stats Nerds out there, I’ll add in some bonus crap at the bottom but the main purpose of these posts is to keep things short. So!

When I first decided to make these Top Ten By Year lists, I knew that 1987 and 1994 would be the two that I would need to expand. While I was only a youngster in 1987 and came to catch all those movies in syndication in later years, I was 11 in 1994 and already well versed in a variety of genres and heading to the Cinema fairly frequently. It was a turning point year for me in many ways – I left Primary School for Big School, Kurt Cobain died, and many of my favourite movies were released. While I didn’t see all of these movies the year they were released, I would say I had seen them all by 1998 – and each multiple times since. 1987 and 1994 remain my favourite years for movies, though I would say 1994 edges it in terms of quality while 1987 has the most personal favourites.

Here are a few which narrowly missed out: Heavenly Creatures,  The Last Seduction, The River Wild.

And now, the Top Twenty:

20: Little Women (US) Gilliam Armstrong

19: Ace Ventura (US) Tom Shadyac

18: The Mask (US) Charles Russell

17: Stargate (US/France) Roland Emmerich

16: Forrest Gump (US) Robert Zemeckis

15: The Lion King (US Disney)

14: Mary Shelly’s Frankenstein (US/Japan) Kenneth Branagh

13: Timecop (US) Peter Hyams

12: The Shawshank Redemption (US) Frank Darabont

11: Ed Wood (US) Tim Burton

10: Natural Born Killers (US) Oliver Stone

9: Wes Craven’s New Nightmare (US) Wes Craven

8: Clerks (US) Kevin Smith

7: True Lies (US) James Cameron

6: Speed (US) Jan de Bont

5: Pulp Fiction (US) Quentin Tarantino

4: Interview With The Vampire (US) Neil Jordan

3: Leon (France) Luc Besson

2: The Crow (US) Alex Proyas

1: Dumb And Dumber (Top Ten Of All Time) (US) Peter Farrelly

How Many Of My Films Were In The Top 10 Grossing Of The Year: Seven (Including the top five)

How Many Of My Films Were Nominated For the Best Picture Oscar: Three (Including the winner)