Nightman’s Least Favourite Movies Of 1993!

Sinful Cinema: Super Mario Bros. - Slant Magazine

Greetings, Glancers! While 1993 ain’t no 1994 in terms of overall quality or quantity, it’s not far off. It was a great year for movies, but that doesn’t mean there wasn’t a steaming pile of unacceptable bum squirtings too. Squirtings like these:

Addams Family Values

I know there’s a lot of nostalgia over this and the first movie, but they’re junk. It’s perfectly cast like the first movie, but whatever slight humour to be found in part 1 is somehow even more reduced here. I know I’m saying this as an adult who had no affinity for the movies when they were release, but I watched both recently with my kids and they were bored stiff. I need more than good casting, costumes, and sets.

Dave

It’s the sort of campy comedy which Britain would begin pumping out later in the decade, albeit with a political, satirical slant. As much as I have enjoyed certain movies, I don’t think Kevin Kline has ever made a film I’ve loved, or made a film better by being in it. The Ice House would be the exception. Nothing against him, he’s a good actor, just does nothing for me and most of his movies don’t do much for me. It’s another version of, well, Kagemusha, where a lookalike in thrust into a position of power, and it plays with US politics but it floats by me with a story, characters, and arena I could never care for.

Heaven & Earth

First we had the exceptional Platoon, then the equally brilliant Born On The 4th Of July, but then we had this story of a woman’s experience before, during, and after The Vietnam War. It should work – looks stunning, good cast, Oliver Stone – but it’s dull. The emotion it strives for, the potency of the violence and how lives and families can be shattered by the after effects of violence, doesn’t come across very well while also being readily apparent.  While his two previous Vietnam movies are immediately unforgettable, Heaven & Earth dribbles from your memory minutes after watching.

Indecent Proposal

It’s another Basic Instinct so we’ll get to see more boobs! Lyne was hot off other salacious hits like Fatal Attraction and 9 1/2 Weeks, and the film made a tonne of money based on the premise and the promise of wife-borrowing boobs. However, we get no boobs, no violence, no interesting characters, and a plot straight out of a Soap Opera pilot which wasn’t picked up.

Matinee

I should love this. In fact, I should have loved this when I first saw it given the quartet of Joe Dante, John Goodman, Omri Katz, and Kellie Martin (each who I loved as a kid) and the fact that it’s about the love of Cinema. But when I did first see this it was another painfully dull, lifeless, and boring experience. In all honesty I haven’t seen it since and I’m curious that if I were to return to it now – decades later – if I would get more out of it, or maybe even love it. The memory of how much I didn’t like it has stopped me from ever revisiting.

The Piano

Boredom is a recurring theme this year. As much as I love Anna Paquin, I’m still not sure she needed an Oscar for this. A fairly good-looking film, at times, it’s another complete slog where I am given no encouragement to care about anything that is happening or anyone it’s happening to. And if I want to see Harvey Keitel’s sack, I’ll watch Bad Lieutenant. 

The Remains Of The Day

See above, but without Keitel’s balls.

Robocop 3

Robocop is an all time Top Ten for me. Robocop 2 is a vastly inferior sequel which is still entertaining in its own way. Robocop 3 is an unwatchable abomination and one of the most disappointing movies ever made, replacing cast members, killing off others, with zero violence or satire, with terrible effects, and somehow making samurai sword wielding robots yawn inducing. Were they even robots? Who knows? Who cares?

Sommersby

I actually like the premise behind Sommersby, and the setting, but once again it’s a painfully slow burn. It would be dishonest of me to even use the word ‘burn’, it’s more like a slow breath of some tramp’s cigarette smoke into your eyes when you’re waiting for the last train home; Pointless, annoying, and if they do it again you’ll mruder them.

Super Mario Bros

You knew it was coming, right. I guess we’ll see what the Animated Mario movie will look like when it gets released next year, but it can’t be much worse than this. But seriously, how do you turn that game series into a live action movie? Decent cast – I like everyone involved and I like the Roxette song. That’s about where the enjoyment ends because they try to make it a semi-serious movie instead of an all out comedy or action movie, and they try to set it in the real world. It just doesn’t work, and it probably never could.

Let us know your least favourite movies of 1993 in the comments!

Nightman’s Updated Top 17 Movies Of 1993!

17: Falling Down (US/France/UK) Joel Schumacher

Schumacher continued the 80s success of the likes of The Lost Boys and St Elmo’s Fire into the 90s, with Falling Down probably his best film of the decade. It reinvented Michael Douglas, casting him as a classic anti-hero and the sort of bloke we have all wished we would like to be at some point. Maybe that’s a tad too far, but which of us have not wanted to just say ‘fuck it’ and go on a rampage around the city? Schumacher nails the atmosphere of sweaty 90s LA, a boiling pot of race, pressure, and violence, and manages to make the film action packed, violent, funny, and smart all at once.

16: Mrs Doubtfire (US) Chris Columbus

It’s a family film with its fair share of risque humour thanks to a tour de force performance from Robin Williams. Not all of the jokes land, as it always the case when Williams was given free reign, but when there are so many and when they are delivered with such pace, you barely notice. It’s also another charming watch and kids and older members will find plenty to enjoy.

15: Schindler’s List (US) Steven Spielberg

A contender for the finest war movie ever made, and for the best movie of the decade, Schindler’s List is obviously an exhausting, difficult, but important watch. There are two must watches for everyone on my list today – both are by Spielberg, and this is one of them.

14: What’s Eating Gilbert Grape (US) Lasse Hallstrom

Johnny Depp’s star was on the rise, and this was another notch on his bedpost. Lasse Hallstrom was looking for a US hit while Juliette Lewis was another hot property. What’s Eating Gilbert Grape was not the sort of film which was ever going to be a hit, but even before it took on a cult status it was clear to any viewer that it was a powerful and humble and perfectly well made and well acted drama. Naturally it was the film which broke DiCaprio, his film stealing performance earning an Oscar nomination. People have maybe forgotten this one now, but with the star power involved its a hidden gem which will continue to be discovered.

13: Cliffhanger (US/France/Italy) Renny Harlin

Arnie had exploded into the new decade making sure that the 80s action hero still had a place in the new, more self aware era. His 90s exploits had not been successful so he found a new action vehicle with up and coming director Renny Harlin. It’s basically Die Hard on a mountain, but it has plenty of action, plenty of violence, a classic batch of hammy villains, and lots of one-liners – in short, everything you want in an action movie, with the added bonus of great scenery and spectacle.

12: Benny And Joon (US) Jeremiah S Chechik

Another offbeat character for Depp to tackle, this is the less mainstream version of What’s Eating Gilbert Grape? It’s one of a select few romances or Rom Coms that I hold dear, and another film for people who have maybe forgotten what a great actor Depp is should check out.

11: Dazed And Confused (US) Richard Linklater

Linklater always makes watchable movies, regardless of genre, but his best movies are those which feel like a group of best mates hanging out – with Dazed And Confused being the prime example. Like the movie itself, you can stick it on and just chill. The various characters, the various groups all somehow feel like personal friends and Linklater has a way of making you feel like part of the gang, even as a guy from Northern Ireland who wasn’t alive in the time period predicted. You don’t even need the performances to be good – they are – but you do need the soundtrack and the setting to echo the vibe – it does.

10: The Vanishing (US) George Sluizer

Frequently named as one of the, if not worst, but least most unnecessary and least interesting remakes of all time, The Vanishing still remains for me a gripping and eerie watch. Sure, it’s not as powerful as the original but I saw this one first and those first impressions are hard to shake. Remember, this is a favourites list, not what I think is the best. What I still love about this remake is the cast – Bridges, Sutherland, Bullock, and Travis are all committed and Sluzier does a great job of maintaining the mystery and tension of the original. While the ending is a prime example of Americanisation, I don’t necessarily mind. Sure it would have been cool if they’d shot alternative endings or went with something similar to the original, but the original is still there to enjoy in all its bleak glory.

9: Carlito’s Way (US) Brian De Palma

Carlito’s Way is one of those latter day Mafia movies which was still flying the flag for the sort of violent stylized thriller which would become out of vogue once Pulp Fiction came along. It’s not as good as Goodfellas, and not as memorable as Scarface, but it’s just as engaging with the benefit of being more underseen – get ahead of your mates and stick this one on your movie night list once Lockdown is over and enjoy Pacino, Sean Penn and Leguizamo, acting to Eleven while De Palma cranks up the tension.

8: The Nightmare Before Christmas (US) Henry Selick

I’ve spoken about this movie plenty of times on other lists on this site; it’s great.

7: A Perfect World (US) Clint Eastwood

Clint had been directing for about 80 years by the time he made A Perfect World, and had been acting for roughly 300 years on top of that. His follow up to the universally acclaimed Unforgiven is a light crime drama which I prefer to his masterful Western. I’ve always suspected the light tone came from Kevin Costner’s involvement and that another actor may have brought a more cynical vibe, but Costner and Eastwood were a perfect match and foil for one another, and created one of the least seen finest movies of the 90s. Assuming most reading this list may not be familiar with this movie – it follows two escaped convicts in early 60s Texas who pick up a hostage in the form of a young Jehovah’s Witness boy completely innocent of the ways of the world. What begins is a road movie mixed with coming of age mixed with buddy comedy mixed with violent thriller as Costner learns responsibility from the boy and the boy learns right and wrong from the criminal, all while Texas Ranger Eastwood and criminologist Laura Dern chase them down. It’s an incredibly, unforgivingly (ha) underrated film with a terrific cast, nuanced, funny, touching, and never bogged down by its 2 hour plus running time.

6: Demolition Man (US) Marco Brambilla

I’ve spoken plenty about this one on the blog before – it features in my Top Ten Stallone movies.

5: Last Action Hero (US) John McTiernan

I’ve spoken plenty about this one on the blog before – it features in my Top Ten Arnie movies.

4: Body Snatchers (US) Abel Ferrara

It gets undue hate for not being as good as the 70s or 50s version. Don’t sleep on it. It’s in my favourite movies of the decade list… I think. If it’s not, it’s fantastically grim vision of the famous story with a more claustrophobic setting.

3: True Romance (US) Tony Scott

It’s in my top movies of the decade.

2: Tombstone (US) George P Cosmatos

It’s in my top movies of the decade.

1: Jurassic Park (US) Steven Spielberg

It’s in my top movies of the decade.

Nightman’s Top Seventeen Films Of 1993

Greetings, Glancers! We continue my new series of posts which will detail my favourite films of every year since 1950. Why 1950? Why 10? Why anything? Check out my original post here. As with most of these lists the numbering doesn’t really matter much, though in most cases the Number 1 will be my clear favourite. As I know there are plenty of Stats Nerds out there, I’ll add in some bonus crap at the bottom but the main purpose of these posts is to keep things short. So!

So, I couldn’t get twenty but I likewise couldn’t cut it down to ten because most of these films I love equally. There probably won’t be another year like this so bear with me…

17: Falling Down (US/France/UK) Joel Schumacher

16: Mrs Doubtfire (US) Chris Columbus

15: Schindler’s List (US) Steven Spielberg

14: What’s Eating Gilbert Grape (US) Lasse Hallstrom

13: Cliffhanger (US/France/Italy) Renny Harlin

12: Benny And Joon (US) Jeremiah S Chechik

11: Dazed And Confused (US) Richard Linklater

10: The Vanishing (US) George Sluizer

9: Carlito’s Way (US) Brian De Palma

8: The Nightmare Before Christmas (US) Henry Selick

7: A Perfect World (US) Clint Eastwood

6: Demolition Man (US) Marco Brambilla

5: Last Action Hero (US) John McTiernan

4: Body Snatchers (US) Abel Ferrara

3: True Romance (US) Tony Scott

2: Tombstone (US) George P Cosmatos

1: Jurassic Park (US) Steven Spielberg

How Many Of My Films Were In The Top 10 Grossing Of The Year: Four (Including the top grossing film)

How Many Of My Films Were Nominated For the Best Picture Oscar: One (The Winner)