Best Writing (Original) – 1974

Official Nominations: Chinatown. Alice Doesn’t Live Here Anymore. Day For Night. Harry And Tonto. The Conversation.

Coppola was a busy boy this year, with The Conversation and The Godfather Part II. He also wrote the screenplay for The Great Gatsby. While his entry here could have won another year, it’s up against Chinatown – one of the greatest screenplays ever written. Day For Night gets the vote for trying, successfully, something different, while Alice Doesn’t Live Here Anymore is one of the great examples of the new feminist movement. Harry And Tonto is charming enough, but not on par with the others.

My Winner: Chinatown

My Nominations: Chinatown. Alice Doesn’t Live Here Anymore. Day For Night. The Conversation. Blazing Saddles. Bring Me The Head Of Alfredo Garcia. Dark Star. A Woman Under The Influence. Thunderbolt And Lightfoot.

We only drop Harry And Tonto and add Blazing Saddles in its place for planting 1970 US speak into the Old West and being filled with the lewd, the satirical, the juvenile, and more. Bring Me The Head Of Alfredo Garcia is a violent and often confused mystery peppered with a variety of grim characters while Dark Star makes a mockery of 2001. A Woman Under The Influence is a gritt, almost overwhelming character study, while Thunderbolt And Lightfoot is a shining example of a genre which would quickly be lampooned as the decade drew to a close and beyond.

My Winner: Chinatown

Let us know which film you pick as winner!

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Best Cinematography – 1974

Official Nominations: The Towering Inferno. Earthquake. Chinatown. Lenny. Murder On The Orient Express

Three period pieces and two disaster movies make up the list this year, with Joseph Biroc and Fred J Koenekamp picking up a deserved win for The Towering Inferno. Earthquake is a fun, effects filled movie but pales to the winner in most aspects, while Lenny is the least interesting looking of the period films. Murder On The Orient Express uses all of the landscape and sets inherent in the story well, while Chinatown has an almost sepia touch throughout giving a subtle sense of age.

My Winner: The Towering Inferno

My Nominations: The Towering Inferno. Chinatown. Murder On The Orient Express. The Godfather II. The Texas Chainsaw Massacre. Blazing Saddles.

Three make it to my list, and joining them is The Godfather Part 2 – lets face it, it’s probably going to be nominated for every applicable category. The Texas Chainsaw Massacre is another unsurprising inclusion by me, a film with a look which has been mimicked countless times, but never matched – not even when Daniel Pearl returned for the remake decades later. Blazing Saddles gets on because it’s always nice to nominate when a comedy has a more or less unique look, while The Conversation has a moody, claustrophobic feel glimpsed through the narrowed lens of long distance shots. Finally, The Sugarland Express sees Spielberg make his first outing with the renowned Vilmos Zsigmond – a partnership which would eventually lead to an official win.

My Winner: The Godfather Part II

Let us know in the comments which film you pick as winner!

Best Animated Feature – 1974

My Nominations: The Nine Lives Of Fritz The Cat

While there were a few animated films released this year, most were made for TV or simply not very good – meaning we only have a single nominee who therefore becomes our winner. The Nine Lives Of Fritz The Cat is arguably better than the original, though most critics dismissed it as more of the same, or simply lacking the initial shock value or wit of the first one. Either way, both are an acquired taste.

My Winner: The Nine Lives Of Fritz The Cat

Best Foreign Film – 1974

Official Nominations: Amarcord. Cat’s Play. The Deluge. Lacombe, Lucien. The Truce.

Not a great year for the category, officially or otherwise. Amarcord got Fellini the win, but it’s a 1973 movie so it’s off my list. Joining it is Cat’s Play. The Deluge is way too long, The Truce is decent, which leaves Malle’s Lacombe, Lucien as the clear winner – a heartening and cynical tale about a boy trying to join La Resistence but finding it more difficult than he would have thought. It would be my winner here regardless.

My Winner: Lacombe, Lucien.

My Nominations: The Apprenticeship Of Duddy Kravitz. Murder On The Orient Express.  Stone. The Four Musketeers. Lacombe, Lucien.

Only my winner makes it over to my list, joining a random quartet. Stone is the only one here which stood zero chance of ever being nominated, but it’s probably the most enjoyable of the bunch, at least for someone like me. It’s an Australian biker movie, part cop movie, part suspense, all action, and very low budget. The characters all have cool names like Undertaker, The Gravediggers, Captain Midnight so you should know what to expect just from that information. It’s about a biker gang whose members (ahem) are being hacked up, so a bad-ass cop decides to go undercover and investigate by joining the gang. Naturally the line between cop and biker blurs. It’s great fun.

Also a lot of fun is The Four Musketeers. I’ve no idea how many movies there have been about the French sword fondlers, but this is one of the best. It’s a direct sequel, bringing back the cast and director Richard Lester – as it was meant to be a single film starring The Beatles, there’s quite a lot of humour and energy, but when they released there was too much footage and story they split the movie into two parts. The cast includes Christopher Lee, Fay Dunaway, Richard Chamberlain, Oliver Reed, Charlton Heston and more. Speaking of ensemble casts Murder On The Orient Express, recently re-imagined with Johnny Depp, sees Michael York (also from The Four Musketeers), Sean Connery, John Gielgud, Ingrid Bergman, Vanessa Redgrave, Lauren Bacall, Albert Finney and many more all gallivanting around a train in one of the greatest whodunits.

Finally, The Apprenticeship Of Duddy Kravitz, sees Richard Dreyfuss as a bored Canadian kid who gets a crap job in a hotel and his escapades at pissing people off and trying to earn his own plot of land. It’s weird but much better than it sounds.

My Winner: Stone

Let us know in the comments which movie of 1974 you pick as the Best Foreign Film!

Best Director – 1974

Official Nominations: Francis Ford Coppola. John Cassavetes. Bob Fosse. Roman Polanski. Francois Truffaut.

It’s always unfortunate for the other nominees when they come up against such a sure-fire clear winner. No-one stood a chance against Coppola here, and rightly so, but each of the other directors and their films are notable. Not only did Coppola unleash The Godfather Part II, but he also gave us The Conversation – either film would be strong enough to win in this category, but when he directed both in one year – fuggetaboutit. John Cassavetes directs possibly his most straightforward film, and yet it’s probably his most dense featuring an, at times, incredible lead performance from Gina Rowlands. It’s a character study at heart, yet takes shots at wider society and its expectations, and Cassavetes directs it at his least experimental, most personal.

Bob Fosse’s Lenny likewise feels like the least Fosse film from a directorial standpoint, yet all his usual interests are present an accounted for, and it’s bolstered by another wonderful lead performance. Truffaut’s Day For Night is as experimental as you would assume, yet not so much that it is a detriment to the story or alienating to the viewer. It’s not quite a love letter to cinema, as much as it is a pervert’s eye view of the unseen parts of film-making. Finally, Roman Polanski loses out in Chinatown – a clear winner any other year such is its majesty.

My Winner: Francis Ford Coppola

My Nominations: Francis Ford Coppola. John Cassavetes. Roman Polanski. Francois Truffaut. Tobe Hopper. Mel Brooks. John Guillerman.

If you’ve read my previous posts for this year, then you’ll be expecting my additional nominees – Tobe Hopper for his horrific The Texas Chainsaw Massacre, in which every trick in the book is used to get under the skin, and every aspect of film-making is twisted so that the viewer is repulsed. Mel Brooks on the other hand balances script and performance manically in both Blazing Saddles and Young Frankenstein to elicit wild giggles from anyone fortunate enough to stumble upon either film – another fine example of a double effort by one director. Finally, John Guillerman ensures that the disaster movie reaches its peak, making The Towering Inferno more than mere spectacle but filling it with tense drama, action, and even laughs.

My Winner: Francis Ford Coppola

Let us know in the comments who your pick is for the Best Director of 1974!

Best Picture – 1974

Official Nominations: The Godfather Part 2. Chinatown. The Conversation. Lenny. The Towering Inferno.

One the most renowned and brilliant years for the Best Picture, you would think that any year any of those nominated could be winner. The Godfather Part 2 got the official win, and how can you possibly argue against it? Coppola, Pacino, De Niro, the survivors from the first film, ‘you broke my heart’, ‘just enough to wet my beak’ etc. It’s glorious.

Chinatown is glorious too, just slightly less so. Polanski, Nicholson, Dunaway, Robert Towne – all doing career best work. It doesn’t even sound remotely interesting on the surface – a private investigator is hired to look into a man who is an engineer for some LA water company. As the plot unravels more and more mysteries emerge, leading to threat, violence, sex… it’s Chinatown. The Conversation is interesting primarily because Coppola made and released it in the same year as he did The Godfather II – how is that even possible? To be honest I’m not a huge fan of The Conversation – Hackman is good, his character is interesting, but the plot and repetition leave me mostly cold. I’m in the minority.

Lenny is Bob Fosse’s least regarded major work, but my favourite of his, probably to do with the lack of singing and dancing. It still deals with a lot of dark subject matter like his other movies do – the price of fame, addiction, relationships – and it features a terrific Dustin Hoffman performance as the great comedian. We finish with one of the finest disaster movies ever, and arguably the most tense and action packed. As was the case with these, the cast is packed with stars – Steve McQueen, Paul Newman, Fred Astaire, Robert Vaughn etc are among those trapped or involved with the world’s tallest building going up in flames. As difficulty as the category is, there’s still a clear winner.

My Winner: The Godfather Part 2

My Nominations: The Godfather Part 2. Chinatown. Blazing Saddles. The Texas Chainsaw Massacre. Young Frankenstein.

The Mid-Seventies choices are difficult to argue with, but nevertheless there are a few films I feel deserved a nomination too. The Texas Chainsaw Massacre is primary among those, but it’s a films which stood zero chance of garnering a single nomination – the film was simply too brutal, too shocking for its time, going beyond even what The Exorcist achieved. It is a film which retains that quality even today, in a world where more extreme, more bloody, more disgusting films are released yearly, yet few if any of those match the sheer force which surrounds The Texas Chainsaw Massacre. From the all too real performances, the grainy , gritty look, the crawling, uncomfortable soundtrack, it’s a film which doesn’t beg to be recognised – it kicks down your door, lashes you to a hook, and forces you to watch. Blazing Saddles is an altogether lighter affair, yet it’s equally groundbreaking, a satirical affair which is both whip smart and blazingly funny, while Mel Brooks somehow achieves a double nomination with Young Frankenstein – a film which drops the satire and heightens the farce.

My Winner: The Godfather Part 2

Let us know in the comments what you pick as the Best Film of 1974!

Best Supporting Actress – 1974

Official Nominations: Ingrid Bergman. Valentina Cortese. Madeline Kahn. Diane Ladd. Talie Shire.

Few arguments this time with the nominations, the obvious choice to drop though being Valentina Cortese for the now little known Truffaut classic Day For Night. Diane Ladd follows Burstyn’s lead in Alice Doesn’t Live Here Anymore – being essentially a road movie, there are any number of notable supporting performances, but they are all fairly small, yet each stands out in its own way, a testament to the quality of the cast and the director. Madeline Kahn featured in both of the Mel Brooks hits this year, but it’s Blazing Saddles where she got a deserving nomination, while Talia Shire further bolsters the foundations laid out previously as Connie Corleone tries to grow out of the shadow of her family. Finally, Ingrid Bergman picked up her third Oscar for Murder On The Orient Express, a performance which is almost entirely focused on a single scene, but it’s one which will stay in the viewer’s mind.

My Winner: Talia Shire

My Nominations: Ingrid Bergman. Madeline Kahn. Diane Ladd. Talie Shire. Valerie Curtin. Margot Kidder.

I only add two further nominations to the four carried over – Valerie Curtin as the shy counterpoint to Diane Ladd in Alice Doesn’t Live Here Anymore and Margot Kidder for her… well, I don’t want to spoil Black Christmas now, do I?

My Winner: Talia Shire

Best Supporting Actor – 1974

Official Nominations: Robert De Niro. Fred Astaire. Jeff Bridges. Michael V Gazzo. Lee Strasberg.

Lets be clear – basically any of the male supporting cast from The Godfather II could be nominated here. We get three of them, but there’s room for more, and there’s a case for De Niro being in the Lead category too. Any way you slice this though, De Niro wins. His Vito Corleone performance is a marked step up from anything he had done previously, and he arguably covers more ground than Brando did. The legendary teacher, Lee Strasberg got a nod too – ordinarily I would be cynical about this, but his performance is terrific – as is Gazzo’s as the side-switching ‘Five Fingers’. Elsewhere, Jeff Bridges continues his string of early hits with an endearing performance as the petty crook Lightfoot, while Fred Astaire gets the unnecessary veteran nod in The Towering Inferno – thankfully there isn’t much dancing.

My Winner: Robert De Niro

My Nominations: Robert De Niro. Jeff Bridges. Michael V Gazzo. Lee Strasberg. John Cazale. Gastone Moschin. Kris Kristofferson. Christopher Lee. Gene Wilder. Marty Feldman. Peter Boyle.

Four make it over, and a host of others join them. The Godfather Part II is the big winner, with the dastardly duo of Fredo and Don Fanucci joining their comrades, while Wilder gets a nod here for Blazing Saddles as well as a lead nod in the other category. Feldman and Boyle both excel in Young Frankenstein, Christopher Lee makes for one of the most charming and memorable Bond villains, and Kris Kristofferson brings the beard and heart-throbbing in Alice Doesn’t Live Here Anymore. 

My Winner: Robert De Niro

Best Actress – 1974

Official Nominations: Ellen Burstyn. Diahann Carroll. Faye Dunaway. Valerie Perrine. Gena Rowlands.

This is a tight one, because there are at least three terrific lead performances you can pick from, and another two decent options. Ellen Burstyn got her win here for Alice Doesn’t Live Here Anymore – it’s not as iconic as The Exorcist but she arguably does more here and gets more of the spotlight. After the death of her husband, Alice travels across the US with her son hoping to find light at the end of a dark tunnel. Burstyn is funny and sympathetic and you feel like the film and the performance should be better known than it is. Faye Dunaway joins Nicholson in an acting masterclass with Chinatown, Dunaway bringing the noir Femme Fatale into yet another decade and crafting a more sinuous, slippery archetype. Gena Rowlands stars in her husband’s A Woman Under The Influence as a woman deemed to be crazy, for lack of a better word. Through the inner workings of her family, and husband in particular, we view her actions in a more sympathetic vein although it’s clear she is batshit, desperately so. It’s an audacious, largely extraordinary performance, though it does become tiresome and slips into over the top theatrics at times.

The final two choices were never going to win against the previous three, but deserve mentions. Claudine is a decent film, and the cynic in me says the performance feels like The Academy bowing to pressure rather than them honouring a good actor. It is a good performance and it does deserve a nomination, it makes you think of the actors in previous years who missed out but deserved equally. Finally, Valerie Perrine, better known as Miss Teschmacher from Superman, gets a dubious nomination for Lenny as the woman Lenny Bruce stalks and marries. She’s good, no doubt, but is in the shadow of Hoffman’s performance.

My Winner: Faye Dunaway

My Nominations: Ellen Burstyn. Faye Dunaway. Gena Rowlands. Lauren Bacall.

Having said all that, I struggle to choose any additional performances who would be on par with the three above, at least in the lead category. Lets add one more anyway, with Lauren Bacall’s moaning motormouth in Murder On The Orient Express.

My Winner: Faye Dunaway

Best Actor – 1974

Official Nominations: Art Carney. Albert Finney. Dustin Hoffman. Jack Nicholson. Al Pacino.

Another of the great WTFs in the history of The Academy sees Art Carney – dead last in the category by anyone’s reckoning, winning. Having said that, it’s still a good performance, worthy of a nomination, but it’s totally a nomination and win purely for the fact he had been around so long. He plays an elderly man who with his cat whose home is taken from him. He decides to travel across America with his cat to get to LA and one of his sons, but it’s more about the journey, the people he meets, the quirky situations. I feel like this should be more of a cult movie and it feels like the sort of thing hipsters would love – good film, good performance.

Almost everything else here is legendary. Albert Finney’s performance in Murder On The Orient Express is fine again, surrounded by a stellar cast, but I think we all know the real Poirot is David Suchet. It’s one of the most famous novels and mysteries of all time, and a very successful, authentic version. Dustin Hoffman is incredible as Lenny Bruce, a performance which hurries back and forth between an energetic force of nature coming up in the world, and an addict in the throes of depression and excess. Jack Nicholson gives yet another defining performance in Chinatown as a dogged PI sucked into intrigue, romance, and danger. Finally, Pacino gets another nomination, this time in The Godfather II. You already know it, it’s fantastic. Last year for me it was between Nicholson and Pacino. That time I picked Pacino, but we’ll flip it now and give it to Jack.

My Winner: Jack Nicholson

My Nominations: Jack Nicholson. Al Pacino. Dustin Hoffman. Gene Wilder. Gene Hackman.

Three of the official nominees cross over, leaving two new choices who arguably deserve to have officially replaced Carney and Finney. Interestingly, both Wilder and Hackman appear in Young Frankenstein, but it’s Wilder’s wide-eyes, manic comedic masterclass which gets the nod, while Hackman’s geeky voyeur introvert who grows increasingly paranoid is, for me, the best thing about The Conversation. 

My Winner: Jack Nicholson

Let us know in the comments who you pick as the Best Actor of 1974!