Chart Music Through The Years – 1964

Yes! Back thanks to an almost universal lack of demand, I stretch back the scalp of time and feast upon the mushy innards of the past – in this instance I return to the UK music charts. If you’re interested, you can read my original post here – https://carlosnightman.wordpress.com/2015/10/22/the-uk-top-40/

Greetings, Glancers! We go back approximately 20 years before I was born to check out what the kids were listening to in October 1964. 1964, if you know your music history, was a seminal year. The Beatles landed in the US for the first time, TOTP was shown for the first time in The UK, Keith Moon joined The Who, The Rolling Stones released their first album, Sam Cooke, died, and a bunch of hit songs were released, some of which we’ll cover below.

Elsewhere in the world, Charlie And The Chocolate Factory was published, Cuba and the US arsed about, Cassius Clay beat Sonny Liston, the first Ford Mustang was created, Nelson Mandela went to prison, and many riots and protests abounded all around the globe. It was a British invasion in most areas of culture – from music to movies to fashion and sport. I’m actually shocked that the Top 10 below doesn’t contain a single Beatles song but it does contain a mixture of new rock groups, Motown, and holdovers from the era which was on its way out. I know a few of these and as always I’ll probably recognise others once I hit play. So let’s hit play!

  1. Roy Orbison: Oh Pretty Woman

Oh right. I thought it might be this, but I never realised it was actually called ‘Oh Pretty Woman’. Isn’t it just ‘Pretty Woman’? Either way, it’s a timeless pop song. Obviously it’s routed in the 50s, but it’s basically perfect. What more could you need from a pop song – you can sing along easily, you recognize it by hearing any single second, it’s instantly catchy, and there isn’t a note out of place.

2. Herman’s Hermits: I’m Into Something Good

I bet this is the ham song, right? Denny’s ham? That’s an Irish reference which only Irish readers are going to get. It’s happy clappy anyway. Everyone knows this though, another timeless one, more flawless pop. It’s a little bit Beach Boys, what with those harmonies, but there’s something a bit more quirky to it. Apparently the scum sing this at their games. Yeah, like they have anything to sing about these days. Anyway, another good song.

3. The Supremes: Where Did Our Love Go

It’s pretty woman again, with that steady clappy intro. Seriously, compare these three songs with any three songs int he charts today. No comparison right? Sure they’re a little twee and innocent, but musically, melodically, vocally these songs wipe the floor with any of today’s chart wank. Plus, you already know this song. Even if you’ve never heard it, you know it. Today’s songs won’t last. For proof of that, the chart songs of 10 years ago haven’t lasted. This shit is over 50 years old and it’s still awesome. Too short though and doesn’t have a lot of (any) variety.

4. 

Julie Rogers: The Wedding

I have no idea what this is, so I’ll assume it’s Country. Nope, doesn’t sound Country. Well, the vocals could be, musically not really. Musically this is incredibly old fashioned. There’s a slight touch of Shirley Bassey here. Ave Maria. Strings. Explosion. Yeah, I’ve never heard this. Love how the drummer is going batshit. Vocals blasting away. I’m not sure what this is, but I can’t help but enjoy it just because of the sheer power of the performances. It’s not as catchy as the ones above but the gal and her gang knock it out of the park.

5. The Four Seasons: Rag Doll

Bum bum-bum. Bum bum-bum. More Beach Boys. What movie is this in….it’s all lovely. It sounds familiar but I don’t think I’ve heard it. Those highs are just on the right side of grating. Those oohs are damn catchy. The guitars are weird, can’t really hear them in this mix. The highs are making me think of Jim Carrey in The Cable Guy – the Star Trek bit? yeah, you know.

6. The Bachelors: I Wouldn’t Trade You For The World

Jeepers, more ooh-oohs. Ha ha, even trying to sound like The Beatles vocals. For about two seconds. It’s a little bit Country. Throw in some strings and I don’t care. The lyrics are cheesy as a tramp’s toe. Instrumental. Vocal disaster for last note. Yeah, fine, it’s another decent song but a little (bit) bit too simpering and soft.

7. The Searchers: When You Walk In The Room

Should this be ‘walk into the room’. Or is this just about someone walking around in a room. Like ‘when you walk in the room you keep blocking the TV, sit the fuck down cos I’m trying to watch Jessica Jones’?  BassThere’s the guitar. I know that riff. More harmonies, more melodies. It’s another toe tapper alright. The Youtube comments on these songs are hilarious – ‘this is REAL music, not like today’s crap’. I’ve already made that point too of course. The difference is I don’t care, or don’t want to care about the age or the genre – I just want it to be good – doesn’t matter if it’s a day old or five decades – good is good. This is good. There is less good in today’s charts. But it’s okay, as there is plenty of good outside the charts.

8. The Animals: I’m Crying

Ha ha, this guy’s Youtube channel is ‘Back When Music Was Good’. What’s the point in even being alive if you believe that? Yeah, go back to the 60s with your wars, rampant unemployment, lack of rights, and no internets. Actually that sounds exactly like 2017 apart from the internets. It’s a fast paced boyo, with organ and deep vocals, and yet it isn’t The Doors. It has an edge, as you’d expect from The Animals, it’s a little bit manic, but it lacks some melody outside of the ahh ahhs. Still, another good’un.

9. The Hollies: We’re Through

Everyone loves The Hollies, right? Listen to that guitar, great stuff. A fast paced rocker like early Beatles covers, this is frantic in every sense – the vocals wobble all over the place, the guitar and bass wrestle for attention, and the drums chatter away like the teeth of a frostbitten fool. It’s isn’t their most catchy or immediate song, but still good.

10. Jim Reeves: I Won’t Forget You

Well, I knew it couldn’t last. Still, this isn’t as horrible as I was forgetting. It’s pretty bleak even with the sentiment. Pure, clean vocals. It’s very plain and easy, a little bit Country, a little bit Calypso, very slow and simple, and there’s always going to be a market for it. Not my thing, but it’s harmless.

Well, that was very good – probably the best Top Ten I’ve covered yet in this series of posts. I’m not going to bother posting an alternate Top 10, partly because I don’t know enough about the other songs released, and partly because any alternate top 10 would include some of the artists above anyway. The obvious other recommendations would be The Beatles – take your pick from I Want To Hold Your Hand, A Hard Day’s Night, Can’t Buy Me Love – and also throw in some Beach Boys, Stones, Kinks etc. There’s something for everyone up above, except idiots, and even then some of the songs here are good enough to even interest the most staunch idiot.

Let us know in the comments which of the songs above you love, and if any other hits or otherwise from 1964 float your yacht!

Advertisements

Nightman’s Top Ten Films Of 1964

Greetings, Glancers! We continue my new series of posts which will detail my favourite films of every year since 1950. Why 1950? Why 10? Why anything? Check out my original post here. As with most of these lists the numbering doesn’t really matter much, though in most cases the Number 1 will be my clear favourite. As I know there are plenty of Stats Nerds out there, I’ll add in some bonus crap at the bottom but the main purpose of these posts is to keep things short. So!

10: Marriage, Italian Style (Italy)

9: Woman In The Dunes (Japan)

8: Hush Hush Sweet Charlotte (USA)

7:  A Hard Day’s Night (UK)

6: Seance On A Wet Afternoon (UK)

5: Dr. Strangelove (UK/USA)

4: Kwaidan (Japan)

3: Zulu (UK)

2: A Fistful Of Dollars (Italy/Germany/Spain)

1: Goldfinger (UK)

How Many Of My Films Were In The Top 10 Grossing Of The Year: Three

How Many Of My Films Were Nominated For the Best Picture Oscar: One

1964 Academy Awards: Prize Summary

Another year done, and here are the results for any numbers geeks among you:

My Winners From Official Nominations:

Dr. Strangelove: 4

Mary Poppins: 3

Night Of The Iguana: 2

A Hard Day’s Night: 2

Goldfinger: 1

Cheyenne Autumn: 1

The Woman In The Dunes: 1

The 7 Faces Of Dr. Lao: 1

Hush Hush Sweet Charlotte: 1

Seance On A Wet Afternoon: 1

Topkapi: 1

Peter Sellers: 1

Agnes Moorehead: 1

Kim Stanley: 1

Peter Ustinov: 1

Stanley Kubrick: 1

My Own Nominations:

A Fistful Of Dollars: 11

Goldfinger: 11

Zulu: 10

Dr. Strangelove: 8

The Fall Of The Roman Empire: 7

My Fair Lady: 6

Onibaba: 6

Mary Poppins: 6

Band Of Outsiders: 4

A Hard Day’s Night: 4

Seance On A Wet Afternoon: 3

633 Squadron: 3

The Outrage: 2

Red Desert: 2

The 7 Faces Of Dr Lao: 2

Marriage, Italian Style: 2

Viva Las Vegas: 2

Kwaidan: 1

The Unsinkable Molly Brown: 1

The Umbrellas Of Cherbourg: 1

The Flesh Eaters: 1

The Masque Of The Red Death: 1

The Woman In The Dunes: 1

Before The Revolution: 1

The Killers: 1

The Pink Panther: 1

Mothra Vs Godzilla: 1

Fail-safe: 1

Hey There, It’s Yogi Bear: 1

Hush Hush Sweet Charlotte: 1

Night Of The Iguana: 1

The Pumpkin Eater: 1

Marnie: 1

Peter Sellers: 1

Clint Eastwood: 1

Lee Marvin: 1

Sean Connery: 1

Agnes Moorehead: 1

Jitsuko Yoshimura: 1

Deborah Kerr: 1

Audrey Hepburn: 1

Julie Andrews: 1

Anne Bancroft: 1

Kim Stanley: 1

Sophia Loren: 1

Honor Blackman: 1

Nobuko Otowa: 1

Tippi Hedren: 1

Geroge C Scott: 1

James Booth: 1

Michael Caine: 1

Gian Maria Volonte: 1

Stanley Kubrick: 1

Sergio Leone: 1

Guy Hamilton: 1

Jean Luc Godard: 1

Cy Endfield: 1

Bryan Forbes:1

My Own Winners:

Dr. Strangelove: 4

A Fistfull Of Dollars: 3

A Hard Day’s Night: 3

The 7 Faces Of Dr Lao: 2

The Fall Of The Roman Empire: 2

Goldfinger: 1

Red Desert: 1

633 Squadron: 1

Hey There, It’s Yogi Bear: 1

Hush Hush Sweet Charlotte: 1

My Fair Lady: 1

Peter Sellers: 1

Agnes Moorehead: 1

Audrey Hepburn: 1

George C Scott: 1

Stanley Kubrick: 1

So, Doctor Strangelove and A Fistfull Of Dollars were the big hitters this year, two classic movies and two worthy winners.

Best Cast: 1964

My Nominations: The Fall Of The Roman Empire. The Outrage. Fail-Safe. Zulu.

So far this category seems to find epics picking up the most nominations – this is hardly surprising given the natural size of the cast required and the fact that epics of the 60s always had more than their fair share of A-list performers. Two of my four nominees this year are epics, will the remaining half showcasing that rare moment when a relatively small cast pull together to make a perfect whole. The Fall Of The Roman Empire features the likes of Alec Guiness, Omar Sharif, James Mason, Christopher Plummer, Ballyclare’s own Stephen Boyd, and of course, Sophia Loren while Britain’s attempt Zulu sees Michael Caine, Jack Hawkins, Stanley Baker, James Booth, and Richard Burton pulling together. Fail-Safe is a much smaller affair and features the quintet of Henry Fonda, Dan O’Herlihy, Walter Matthau, Frank Overton, and Larry Hagman, while Rashomon remake The Outrage  collects the likes of Paul Newman, Eddie G Robinson, Lawrence Harvey, Claire Bloom, and William Shatner.

My Winner:  The Fall Of The Roman Empire.

Which film of 1964 do you think featured the Best Cast? Let us know in the comments below!

Best Stunt Work: 1964

My Nominations: 633 Squadron. Goldfinger. A Fistful Of Dollars. Zulu.

With each passing year, Hollywood writers, directors, and stunt performers grew more ambitious and adventurous with their stunt ideas. 633 Squadron became a perennial British Christmas hit and the aerial battle scenes remain some of the most impressive ever filmed. The film lacked a huger star though and was not a big commercial hit. John Crewdson and Joe Powell are the uncredited geniuses here. Both men again had illustrious careers but are barely remembered. Zulu raised the bar for sheer scale of ground battle scenes, and while there are no obvious single outstanding stunts, the onslaught of fighting and action on screen at any given time must have been hell for the stunt crew and director to manage. Joe Powell again gets in on the act with John Sullivan providing stunt direction.  A Fistfull Of Dollars features plenty of stylized gun play with Benito Stefanelli acting as co-ordinator and stuntman, becoming the go to guy for Spaghetti Westerns. Goldfinger features many of Bond’s most famous setpieces – the laser table, the aerial scenes, the DB5 ejector seat and crash, and of course Bond’s fight with Oddjob. Bob Simmons and his large crew are to thank for some wonderful moments.

My Winner: 633 Squadron.

Which movie from 1964 do you feel has the best stunt work? Let us know in the comments!

Best Visual Effects: 1964

Actual Nominations: Mary Poppins. The 7 Faces Of Dr. Lao.

While not necessarily and landmark year for visual effects, the 2 official nominations show advancement of the field and hold scenes which are still outstanding today. For the flight mechanics, merging of animations and other pieces, Peter Ellenshaw, Hamilton Luske, and Eustace Lycette won the award for Mary Poppins. As much as Mary Poppins did for visual effects, The 7 Faces Of Dr. Lao blows the competition out of the water. The invention on display is superb, but it is the variety of effects which cement this as my winner. On a much lesser budget than Disne’ys extravaganza, Jim Danforth’s exemplery stop motion work reflects the crazed mind of an escaped, under-your-bed lunatic. The work forshadows later films such as Clash Of The Titans, but the wizardry here is exquisite.

My Winner: The 7 Faces Of Dr Lao.

 My Nominations: Mary Poppins. The 7 Faces Of Dr. Lao. Goldfinger. Mothra Vs Goldzilla. 633 Squadron.

Added to my nominations come three films of varying effects bonanza-ing. Goldfinger arguably begins the love affair between Bond and gadgets, M vs G has a number of catastrophic fights between the Titans, while 633 Squadron features realistic air battles. It seems odd to me that any of these 3 films were left out of the official nominations.

My Winner: The 7 Faces Of Dr Lao.

lao7

Who is your pick for the best visual effects of 1964? Let us know in the comments!

Best Music (Scoring): 1964

Actual Nominations: Mary Poppins, Beckett, Hush Hush Sweet Charlotte, The Fall Of The Roman Empire, The Pink Panther, My Fair Lady, A Hard Day’s Night, Robin And The 7 Hoods, The Unsinkable Molly Brown.

I’ve merged the Best Original and Best Adapted scores into a single category with a single winner. The actual winners (Original) this year, unsurprisingly were The Shermans for Mary Poppins, whose soundtrack has that eternal Disney quality- most of the tracks are ageless, but many of them, like the songs from the film, are too twee and grating for my venomous ears. Picking up the win for Adapted Score was Andre Previn for My Fair Lady, again an expected victory. The same opinion above can be used here, although I find Poppins the more fun soundtrack, while Lady has more intelligence. Laurence Rosenthal’s score for Becket is powerful, dramatic, and clearly raises the film’s potency while Frank De Vol arguably does the same job for Hush Hush Sweet Charlotte with music that teeters between tender and terrifying. Dimitri Tiomkin’s score for The Fall Of The Roman Empire has some fantastic moments, particularly the main theme which sounds an awful lot between a forgotten cross between The Good, The Bad, And The Ugly, and The Godfather while Henry Mancini finally strikes gold with the eternally wonderful theme to The Pink Panther. It’s stealthy jazz conjures up images of cool criminals, cool cops, comedy capers, and would have made a more deserving winner than either of the two actual winners. Nelson Riddle’s Robin And The 7 Hoods on the other hand is uninspired pap, featuring voices from the Twat Pack. The Unsinkable Molly Brown is more renowned for it’s songs than the score, while my winner A Hard Day’s Night could fall under the same conclusion. However, George Martin’s production of The Beatles tracks merged to create one of the best albums/soundtracks ever and they accompany the antics of the films perfectly.

My Winner: A Hard Day’s Night

My Nominations: A Hard Day’s Night, The Pink Panther. The Fall Of The Roman Empire. A Fistful Of Dollars. Goldfinger. Viva Las Vegas. Mary Poppins. My Fair Lady. 633 Squadron

Four newcomers for my list- a musical, a Western, a WWII flick, and a spy thriller. John Barry’s soundtrack for Goldfinger may be the most famous of all the Bond scores, and certainly ranks among the most iconic. This is the first point in the series where the music really grew a life of its own, featuring several motifs which continue throughout the series. The heavy focus on brass counters the more metallic sounds, sending the seductive clashing against the threat. The soundtrack was also a huge commercial success. The soundtrack for Via Las Vegas was not the success it was expected to be, it’s style going against the rise of The Beatles. However, it is one of the best in Elvis’ career and is particularly frantic and fun. Finally, Ennio Morricone’s soundtrack for A Fistful Of Dollars is one of the most evocative in history. Taking his cue largely from Tiomkin, Morricone twists the usual music of Westerns by adding all manner of whistles, chants, percussion, and sudden strings. The main theme has a memorable melody and is equally sombre and jubilant, moving between contemplative moments to galloping rhythms. Ron Goodwin’s stirring soundtrack for 633 Squadron is arguably what most people remember about the film- a rousing British battle cry. It’s difficult to choose a winner year, in a very strong year for movie soundtracks.

My Winner: A Hard Day’s Night.

Let us know in the comments which of the nominations above you feel is the deserving winner, and feel free to share any soundtracks I’ve missed!

Best Music (Song): 1964

Actual Nominations: Chim Chim Cheree (Mary Poppins), Dear Heart (Dear Heart), Hush Hush Sweet Charlotte (Hush Hush Sweet Charlotte), My Kind Of Town (Robin And The 7 Hoods), Where Love Has Gone (Where Love Has Gone)

Jeepers, I can’t wait to get out of the 60s so that some decent movie songs can be discussed. Henry Mancini’s Dear Heart almost strangles his excellent work from The Pink Panther and is yet another whiney, choral-voiced, meandering and dreary love song. There’s nothing offensively bad about it, and I’m sure my opinion is in the vast minority, but any time I hear songs of this style I am instantly sent into a momentary depression. Hush Hush Sweet Charlotte is better though, gentle, bland, but goes absurdly against the plot, tone, and style of the film. By this point you can probably guess what I’m going to say about Where Love Has Gone– I do enjoy the overblown strings of the intro, but it’s just another whiney love song about nothing with music which doesn’t merge well with the (bland) vocals. Luckily, My Kind Of Town is better, but unluckily it’s another swing song which is a type of music which I cannot listen to for more than 2 minutes before wanting to pull out my eyes and insert them in my ears so I can watch myself going deaf. So, it is with no delight that my winner matches the official one- Chim Chim Cher-ee. Again it goes against everything I like in movies and music, but it certainly isn’t bland or whiney. It’s fun, funny, clever, the lyrics fit the plot, the music fits the vocals, the performance fits blah blah. The children vocals however are awful, but luckily they don’t last long.

My Winner: Chim Chim Cher-ee (Mary Poppins)

dick-van-dyke-in-mary-poppins

My Nominations: Viva Las Vegas (Viva Las Vegas). Supercalifragilisticexpialadocious (Mary Poppins). Goldfinger (Goldfinger). Can’t Buy Me Love (A Hard Day’s Night). Wouldn’t It Be Loverly (My Fair Lady).

So, I’ve managed to pick entirely different songs from the official nominations-some of which could be said to have been a huge oversight. I still managed to select 2 songs from the two winning films- Superblabladoshus, a fine nonsensical song which retains the ability to charm kids of any generation, and Wouldn’t It Be Loverly which is a loverly song. Aside from those, my choices see Elvis on fine form with Viva Las Vegas – a hurried verse followed by blasting chorus which is now synonymous with the city, and Shirley Bassey’s epic first entry in the Bond series- the sensual classic, Goldfinger. Either of those tracks are deserving winners in any year. However, my win has to go to The Beatles; it’s a case of ‘take your pick’ from A Hard Day’s Night as every song is a winner. My favourite though is Can’t Buy Me Love, one of the best pop/rock songs ever.

My Winner: Can’t Buy Me Love (A Hard Day’s Night)

 Let us know in the comments what your favourite song from a 1964 movie was!

Best Make-up: 1964

Finally, in 1964, an award was presented for the first time in the field of make-up. It may have only been an honorary award, but it was a step in the right direction although it would take a depressing 17 years before the category became official. William J Tuttle had been responsible wholly or in part for the make up in films from the 1930s to the 1970s- if you haven’t heard his name then I’m sure you’re familiar with his work- The Wizard Of Oz, The Red Badge Of Courage, Singin’ In The Rain, The Prisoner Of Zenda, 7 Brides For 7 Brothers, Forbidden Planet, North By Northwest, The Time Machine, The Twilight Zone, Young Frankenstein to name a very few. His award for 7 Faces of Dr. Lao is justified and deserved in itself, but gives thanks to one of the greatest undervalued careers in Hollywood.

My Nominations: 7 Faces Of Dr. Lao. The Fall Of The Roman Empire. Goldfinger. The Flesh Eaters. Onibaba. Zulu. The Masque Of The Red Death.

A mix of horror, action, and epics make up my picks this year. Zulu and The Fall Of The Roman Empire are obvious choices given the scale and dedication involved, while Goldfinger continues the trend of strong work for Bond films. Onibaba is made all the more flesh-crawling due to the subtle make-up- it’s so subtle I don’t even know who the make-up artist was. The Masque Of The Red Death and The Flesh Eaters go for a more visceral approach and while both relatively low budget, they show a supreme mastery of the craft and ability to make the craft a vital part of the production. My Winner though has to be 7 Faces Of Dr. Lao as it is genuinely revolutionary. There are techniques and sights on display here that were new, and others brought to the tip of their power, but it is the diversity and invention which overshadows the other nominees and shows a great man going wild with his art.

My Winner: 7 Faces Of Dr. Lao.

Best Costume Design: 1964

Actual Nominations: As with Cinematography the category was split into BW and color and featured a cross-section of epics and musicals, featuring many of the same films as were nominated for Cinematography. The official winner for BW was Night Of The Iguana but there really isn’t a lot to pick between this and the other nominees- Hush Hush, A House Is Not A Home, Kisses For My President, The Visit. Again the colour nominations are more interesting, with Harry Stradling picking up the win for My Fair Lady. Completing the nominations are Becket, Mary Poppins, Molly Brown, and What A Way To Go. Edith Head’s designs were nominated in both colour and BW, but she did not pick up a win this year.

My Winner: BW: Night Of The Iguana. Colour: Mary Poppins. Few films of the decade had such vibrancy in all areas as Mary Poppins, so it gets my vote over My Fair Lady.

My Nominations: My Fair Lady. Mary Poppins. Band Of Outsiders. A Fistful Of Dollars. The Fall Of The Roman Empire. Zulu.

I’ve added 4 films to the 2 carried over from the official nominations, and only 1 of the 6 is BW. Band Of Outsiders has that timeless cool French Chic thanks largely to Christiane Fageol’s work which is in stark contrast to my other picks. A Fistful Of Dollars is as you would expect, all dirty, beaten ponchos, but it was films like this which started the endearing look and people like Carlo Simi and Maria Casado who perfected it. My final picks are historical epics, a genre which relies heavily on Costume Design to convey authenticity and tone. It may seem easy to pick a popular outfit of the time and put actors in it, but it takes an unprecedented amount of time, detail, and dedication to get everything just right. Arthur Newman may not have had a large career in Wardrobe, but each feature he worked on has that memorable touch. In Zulu he oversees the costumes of our band of under siege soldiers but also the tribal garments of the marauding warriors. However, my win goes to the joint venture between Veniero Colasanti and John Moore (who also provided the Set Design) whose experience of working together on other hits such as El Cid pays off for the lost epic The Fall Of The Roman Empire. Their designs range from outfits for soldiers of all levels to pure tunics for senators to luxurious dresses for Sophia Loren.

My Winner: The Fall Of The Roman Empire. 

Let us know your picks for the best Costume Design of 1964!