1960 Academy Awards Prize Summary

Now that my choices for 1960 are over, I’m giving a handy, useless, summary of my thoughts. Once I have completed my re-imagnining of a particular year I will list my overall choices of winners from the actual nominations, as well as the numbers from my own nominations and winners. For any stats geeks amongst out there, you may find something of interest here. For everyone else, please accept my apologies. Note- I am not including a nomination per film when an actor or director is nominated for that film- so if Audrey Hepburn was nominated as Best Actress for Breakfast At Tiffany’s it would only be 1 nomination for Hepburn, not 1 for her and 1 for the film. Additionally, at the bottom I’ve added a recommended viewing list for anyone with similar tastes to me.

My Winners From The Actual Nominations: 

Spartacus: 3

The Apartment: 3

Psycho: 2

The Alamo: 2

The Magnificent Seven: 1

Alfred Hitchcock: 1

Sal Mineo: 1

Exodus: 1

Jack Lemmon: 1

Melina Mercouri: 1

Never On Sunday: 1

Shirley Knight: 1

The Dark At The Top Of The Stairs: 1

The Virgin Spring: 1

The Time Machine: 1

Sons And Lovers: 1

Elmer Bernstein: 1

My Own Nominations:

The Magnificent Seven: 13

Spartacus: 12

Psycho: 7

The Lost World: 6

Peeping Tom: 5

Village Of The Damned: 4

The Apartment: 4

The Alamo: 4

The Last Voyage: 3

The Bad Sleep Well: 3

Breathless: 3

House Of Usher: 3

The Brides Of Dracula: 3

Exodus: 3

Sons And Lovers: 2

Jigoku: 2

The Virgin Spring: 2

The Dark At The Top Of The Stairs: 2

Night And Fog In Japan: 2

Ocean’s Eleven: 2

Swiss Family Robinson: 2

Never On Sunday: 1

The Time Machine: 1

The 3 Worlds Of Gulliver: 1

Butterfield 8: 1

It Started In Naples: 1

The Story Of Ruth: 1

Eyes Without A Face: 1

The Young One: 1

Late Autumn: 1

Elmer Gantry: 1

Alfred Hitchcock: 1

Stanley Kubrick: 1

Michael Powell: 1

Nagisa Oshima: 1

John Sturges: 1

Akira Kurosawa: 1

Jean-Luc Godard: 1

Billy Wilder: 1

Horst Bulcholz: 1

Charles Bronson: 1

Laurence Olivier: 1

Dean Stockwell: 1

Sal Mineo: 1

Melina Mercouri: 1

Elizabeth Taylor: 1

Sophia Loren: 1

Elana Eden: 1

Dorothy McGuire: 1

Alida Valli: 1

Toshiro Mifune: 1

Yul Brynner: 1

Steve Mcqueen: 1

Carl Boem: 1

Kirk Douglas: 1

Shirley Knight: 1

Shirley Jones: 1

Janet Leigh: 1

Audrey Hepburn: 1

The Unforgiven: 1

13 Ghosts: 1

The Little Shop Of Horrors: 1

Alakazam The Great: 1

Elmer Bernstein: 1

Bernard Hermann: 1

Alex North: 1

Ernest Gold: 1

Dimitri Tiomkin: 1

My Winners From My Nominations:

The Magnificent Seven: 6

Psycho: 3

Spartacus: 2

Eyes Without A Face: 1

Alfred Hitchcock: 1

Horst Bulcholz: 1

Alida Valli: 1

Anthony Perkins: 1

Audrey Hepburn: 1

The Unforgiven: 1

The Virgin Spring: 1

Jigoku: 1

The Lost World: 1

The Apartment: 1

The Alamo: 1

Alakazam The Great: 1

Elmer Bernstein: 1

So unlike the official 1960 Academy Awards where The Apartment was biggest winner and most nominated, The Magnificent Seven, Spartacus, and Psycho lead the pack for me.

Recommended Viewing List:

Spartacus. The Apartment. Psycho. The Magnificent Seven. Village Of The Damned. Peeping Tom. The Lost World. Breathless. Jigoku. The Virgin Spring. The Dark At The Top Of The Stairs. Eyes Without A Face. Night And Fog In Japan.

Best Cast: 1960

My Nominations:

I love ensemble casts. If I was a Director, I’d try to pack in as many of my favourite actors as possible, especially if making an epic. The Magnificent Seven may not be an epic but every character is given an interesting story and a big name to match. None of the roles feel like cameos, and everyone plays their part to their best abilities.

Spartacus on the other hand is an epic in every sense and has a cast featuring Kirk Douglas, Laurence Olivier, Jean Simmons, Charles Laughton, Tony Curtis, Peter Ustinov and more.

Ocean’s Eleven has a stong cast no matter which you look at it. Personally I cannot stand the Rat Pack and everything they were about, but most people can’t argue with Sinatra, Martin, Davis Jr, Angie Dickinson, Cesar Romero, and Shirley Maclain.

In The Apartment Billy Wilder brought together many of his favourites in this smart comedy. The main players are Jack Lemmon, Shirley Maclaine, Fred MacMurry, and Jack Kruschen

Exodus is still fairly unknown by today’s audiences, but have a look at the list of names involved and know that they excel- Paul Newman, Eva Marie Saint, Ralph Richardson, Sal Mineo, and Peter Lawford.

My Winner: The Magnificent Seven (This award goes to Yul Brynner, Steve McQueen, Charles Bronson, James Coburn, Robert Vaughn, Brad Dexter, Horst Buchholz, and Eli Wallach)

The Magnificent Seven

What would be your pick for the best film cast out of all the releases in 1960? Let us know in the comments. That’s 1960 complete, next up will be a summary of my winners.

Best Stunt Work: 1960

A Falling Guy
A Falling Guy

My Nominations:

The Magnificent Seven:This one has any number of heart pumping scenes, from horse chases to gun fights, but it is the sheer speed and diversity of the stunts and action here which does it for me. So please spare a moment to recognise the excellent work of Larry Duran, Jerry Gatlin, Loren Janes, Jack Williams, and Henry Wills.

Spartacus: Most epics have action scenes as a prerequisite. There is a lot of great work here, mostly focussed on the battles and individual fights.

The Lost World: Nothing too jaw-dropping here, but plenty of fights, chases, and explosions which called for some of the best stuntmen in the business.

The Last Voyage: Watching an enormous cruise liner split in half and explode ensures plenty of tension, falling, running, and diving, and in this early disaster movie there are some brilliant stunts. Remember folks, no CG- just men diving out of the way and putting their bodies in extreme danger.

My Winner:

The Magnificent Seven: No Contest.

The Magnificent Seven
The Magnificent Seven

Best Special Effects: 1960

The only official nominations here were: The Time Machine and The Last Voyage. Both were ahead of their time, both are the types of movies I used to marvel at as a youngster- fantastic journeys, large casts, exciting escapades, and/or a variety of freaks/monsters. It’s close, but my winner is The Time Machine, though the sinking scene in Voyage is excellent.

The Time Machine

My Nominations: The Time Machine.

The Last Voyage.

The 3 Worlds Of Gulliver: Superdynamtion works well. There is a lot of foreground, backgorund trickery here, but some of the scenes are seemless and hold up very well today.

13 Ghosts: Magic specs are gimmicky but cool. I wish more movies but treats like these into theatres. Bring back William Castle!

The Lost World: Another great movie full of exploration and adventure, and yes, lizards used as dinosaurs. But there is more here and at the time it must have been spectacular. Dino fight! Giant Spiders!

Village Of The Damned: The movie would be nowhere near as creepy without those eyes. The endingwould not be so powerful without those effects.

My Winner: The Time Machine

The Time Machine

 

Best Make-up: 1960

This award shockingly didn’t exist until the 80s.

My Nominations:

The Brides Of Dracula. House Of Usher. The Little Shop Of Horrors. The Lost World. Psycho. Village Of The Damned.

My Winner: The Lost World

The Lost World

Best Music- 1960

Official Nominations: Exodus: This features a vast and epic soundscape of brass and strings to evoke images of wide empty spaces filled with battle and despair. The oft covered main theme is still hard hitting today.

The Alamo: A typical Western soundtrack with Southern influences and more than a hint of tragedy. Dimitri Tiomkin was by this stage the most well known Western composer and he raises the bar once again here.

Elmer Gantry: The main themes are packed with church bells and ominous crashes of percussion, while the backing strings race and twitch almost maniacally. Andre Previn receives yet another nomination in the Drama category, and doubles his joy in the musical category below.

Magnificent Seven: A stonking main theme which is as joyous and energetic as anything you will hear today, the entire soundtrack is filled with poignancy and bitter notes. Elmer Bernstein was no stranger to the Academy at this point, earning his second well deserved nomination.

Spartacus: Suitably military sounding, we can imagine endless marches, flag waving, and the glory of Rome while the more tender moments are a bit too light and fluffy and not nearly tragic enough for my tear-filled ears. Alex North would receive 15 nominations but never pick up the win.

Song Without End: This was the official winner in the Best Musical score category and while most of the music is piano led and not overly memorable, the importance is that the soundtrack was recorded before the film was made. Everything is frantic and played at a million miles an hour which adds a certain charm for metallers like me. Morris Stoloff and Harry Sukman grabbed the gold.

Bells Are Ringing: A typical musical soundtrack full of tuneless brass which sounded badly dated the second it was released meant Previn picked up another nomination but it is not one to remember.

Can Can: See above for Nelson Riddle’s effort.

Let’s Make Love: See above, though slightly less dated for Lionel Newman and Earle H Hagen’s work.

Pepe: This has some inspired Spanish guitar, though more often than not Johnny Green’s piece gives way to old school Hollywood cheese.

My Winner: The Magnificent Seven

The Magnificent Seven

My Nominations:

I’m only adding a single new nomination to the list, a soundtrack which still reverberates in the public conscienc today and whose influence can be seen many a movie palying at your local now- Psycho: Hermann single handedly invents the music of horror cinema here with his racing rhythms, jagged and jarring string section. Spartacus. Magnificent Seven. The Alamo. Exodus.

My Winner: Magnificent Seven

Elmer Bernstein