Greetings, Glancers! As you’ll have seen in my other 1994 post, this was one of my favourite years for Cinema with maybe more personal favourites than any other year. That doesn’t mean there wasn’t a steaming pile of turds as well. Hold your nose, and dive in below.
Ashes Of Time
Wong Kar Wai is a director of phenomenal visual talent. Nevertheless, I do find his movies can be hit and miss in terms of character and storytelling – but sometimes his films use characters and story as a mere backdrop for metaphor and suggestion. Ashes Of Time is a mesmerising and bewildering affair – frequently gorgeous, but ultimately dull. The Redux version is a little more fluid, but the shorter running time still feels like a slog. It’s not surprising that Wong Kar Wai would make a Wuxia film with very little action, so if you’re coming to this expecting Crouching Tiger you’re likely to be disappointed and more than a little confused when instead you get Solaris with swords. The story follows a nomadic swordsman who interacts with various characters in separate yet intertwining chapters, as he works through love, loss, and longing. I think.
Baby’s Day Out
It is what it is. I’m sure kids at the time got a kick out of the antics of a baby being chased around New York by hapless criminals, and I’ve no doubt this would work well as an animation with a decent script, but as it stands it’s a bit of a mess.
Beverly Hills Cop III
I was never the biggest Beverly Hills Cop fan in the world, but the first two movies are classic 80s Action comedies. It’s rare that the third entry in a franchise is good, and it’s even more rare when there has been a significant gap between the second and third. It’s disappointing because there’s a good cast with (some) returning faces, it’s directed by John Landis, and it’s set in an amusement park – all things I approve of. Each of these normally positive attributes is spun into a negative – Murphy seems disinterested, Judge Reinhold is too old to be pulling the same shtick, Landis was on a major downturn in quality, and the setting isn’t used in any sort of interesting way. It’s simply not as funny or energetic as the others and the low stakes of the story mean we don’t care about any of it.
The Flintstones
I was never a huge fan of the show, but it was one of those ‘well there’s nothing else on TV on Sunday morning and I refuse to get out of bed yet’ cartoons so I still watched it. To the film’s credit, it kind of nails the look and the cast, but it also looks very cheap and some of the casting choices are miserable. I could see a bigger budget remake of this doing well now, just make sure the cast are all good fits rather than the 80% on show here. Obviously the story needs to be interesting and there needs to be jokes – both lacking in the 90s version.
Four Weddings And A Funeral
The bastard which started it all. After this the world was crying out for soppy British Rom Coms and Hugh Grants. It fares better than much of what followed in its wake and it does have a collection of British stars who deserve recognition for performances elsewhere. But it’s very dull, very foppish, hits all the quirky notes which nauseate my mind, body, and soul, and like all Rom Coms no matter how you dress it up they all end up in the same spot. I’d like just for once for the Rom Com to end in a shocking, completely random tragedy with no resolution or happy ending – just boom – wtf – end credits.
Junior
Another one of Arnie’s experiments at branching out from just punching heads off and exploding shit. Which is fine, some of those were good. Increasingly though you now look back at Arnie’s mid 90s output and think ‘man, you were still in peak physical condition, why didn’t you make another action movie’. Lets not forget – T2, Total Recall, True Lies, Last Action Hero, even End Of Days were all ostensibly action movies but which elevated the genre and did something different. Eraser and The Sixth Day tried but were not very good. An average Arnie action movie is still better than whatever bollocks this is, a diluted comedy free from the laughs of Kindergarten Cop and the charm of Twins, with added romance. It’s watchable, as Arnie always is, and there’s great cast support, but there’s nothing memorable, no laughs, no one-liners, nothing exciting or funny – the one joke (man gets pregnant) could have worked with any actor. Arnie could have made one more great action movie in that period – a true Expendables, a King Conan, his version of I Am Legend. Sigh.
Muriel’s Wedding
It’s Australian Four Weddings. But somehow even more for women.
Mission To Moscow
I’ll defend the Police Academy series to the death. Even number 5 which didn’t know how to recover from Guttenberg leaving the series, and 6 which wasn’t very good. Mission To Moscow is basically unforgivable. There’s another fake Mahoney, most of the cast has buggered off, and it’s extremely cartoonish. Rather than being a series of loosely connected vignettes highlighting the ridiculous characters, this one somehow tries to focus more on plot, but forgets to make the plot interesting or coherent. There aren’t really any laughs – I mean, I’ll laugh watching Lassard do anything, even if that is him trying to communicate with Russian jugglers or whatever he’s doing here – and there’s a bit where fake Mahoney’s moustache goes ‘woop’…. you can see I’m struggling here. The most interesting thing is that we have Ron Perlman doing his finest Zangief impression, Christopher Lee as a Russian Cop, and Claire Forlani looking effing gorgeous. It’s best to forget this exists.
Renaissance Man
Danny DeVito – what were you thinking?
Sirens
It’s more Hugh Grant. Lets be honest, there’s only one reason anyone would watch this, and if anyone does foolishly watch this for that one reason, they’re going to be sorely disappointed. It’s about an English Church dude who goes to Australia and is shocked to see boobs. It’s somehow less interesting than that sounds.
Let us know in the comments if you enjoyed any of the films listed above, and feel free to share the movies of 1994 which you couldn’t stand!
That’s Four Weddings write up nails my feelings on the matter.
Why don’t more Rom Coms have needless bloody violence? I might enjoy them if they did.