Nightman’s Updated Favourite Films Of 1994!


Here is my updated list of favourite films of 1994 – there aren’t actually any new entries, I’m simply adding a few blurbs on each film. First, the few which missed out on my Top 20 – Heavenly Creatures which saw Peter ‘I kick ass for The Lord’ Jackson, branching out from his shlock horror comedies and making something more emotionally substantial and mainstream. The Last Seduction aimed to single-handedly bring the noir genre kicking and screaming back to life, with a great performance by Linda Fiorentino, while The River Wild is Die Hard in a dinghy.

And now, the Top Twenty:

20: Little Women (US) Gilliam Armstrong

I don’t know why, but I generally enjoy the Little Women movies. That’s not strange in and of itself – what’s strange is that I can’t stand the original novel. This movie is gorgeously shot and has all of the hair and clothing and all of that crap that people seem to love, but more importantly it has a badass cast of people just coming into their own or at the top of their game – Winona Ryder, Claire Danes, Kirsten Dunst, Susan Sarandon, Christian Bale, Samantha Mathis, Gabriel Byrne, Trini Alvarado, Eric Stoltz and more. As acclaimed as this one was at the time, it’s a bit sad that it will now be overlooked by the overblown success of the 2019 version.

19: Ace Ventura (US) Tom Shadyac

Jim Carrey was maybe on the greatest sequence of starring roles in history in 1994, with a trio of all time classics. All three are on my list, this one and the next one are interchangeable in their quality and my enjoyment of them. This and The Mask are great fun. Pity the sequel is balls.

18: The Mask (US) Charles Russell

See above.

17: Stargate (US/France) Roland Emmerich

I loved Stargate when it was released – it was such a spectacle, plus it dealt with a period of history I have always been curious about, and it was done in a cool 90s way. AND you get Kurt Russell. It has since been overshadowed by the epic TV spin-offs but this was the starting point of one of the greatest, most underrated expanded universes in fiction.

16: Forrest Gump (US) Robert Zemeckis

It’s one of those films which I never feel like I need to revisit. It was fun, heartwarming, sure a little saccharine, but features one of the most iconic performances of the decade, one of the most recognisable characters in movie history, and some memorable one-liners. It’s an all round good film which hasn’t lost any of its potency.

15: The Lion King (US Disney)

It’s The Lion King. People love this a lot more than I do, and while I agree it is massively overrated, it’s still wonderful. Superb anmiation, great songs, amusing characters – classic Disney – before they sold out.

14: Mary Shelly’s Frankenstein (US/Japan) Kenneth Branagh

Lets face it, the 90s produced arguably the best movie version of Dracula and almost certainly the best movie version of Frankenstein – coming from a big fan of both Universal and Hammer. It’s not without its problems, much of that is simply to do with bringing the story to the screen in the first place, but it gets the pathos and the monstrosity of the original text correct, and offers Robert De Niro the chance to portray the sort of character A-listers wouldn’t usually come within 50 miles of.

13: Timecop (US) Peter Hyams

Did I ever do a TTT for Jean Claude Van Damme? I don’t know man, I’ve been doing this blog for generations. Timecop is the movie Looper wishes it was, with added mullets.

12: The Shawshank Redemption (US) Frank Darabont

Frequently listed as the greatest movie of the decade, and often as the greatest movie of all time, it still gives me great pleasure when ardent anti-horror or anti-Stephen King fans begrudgingly admit how good this is. Sure the movie succeeds based on Darabont’s direction and the terrific cast, but it all comes down to the story by King – a story of hope and of crawling through all of the shit life pours on you. It’s another fine example of The Academy completely ignoring Horror – or even anything with the stench of Horror attached to it – as the film was overlooked in every category it was nominated in (though fair enough, there were some excellent movies and winners this year).

11: Ed Wood (US) Tim Burton

Ed Wood is Tim Burton Oscar bait… I think. It’s one of those movies about movies, about the love of making them, about the whole system and the business. While movies like this have always been critical darlings, Burton decided to flip the whole shtick and make the focus one of the most notoriously ‘bad’ filmmakers in history. Wood is presented as an exuberant guy with a dream, a man who refuses to allow reality to crush his pursuit of making his dream come true or dull his love of the movies. Depp and Landau are on top form here, and it’s another Horror adjacent movie which The Academy couldn’t avoid.

10: Natural Born Killers (US) Oliver Stone

One of the most controversial movies of the 90s, this was certainly ahead of its time with its protagonists/antagonists taking their murder and mayhem to the road accompanied by an orgasmic media. Lewis and Harrelson have a natural born chemistry and whip out career best manic performances, ably backed up by a ‘remember me, everybody’ Robert Downey Jr, Rodney Dangerfield, Tom Sizemore, and Tommy Lee Jones. Few films whip up such controversy in their wake and few films have such a unique mish mash of styles and genres, creating an orgiastic fever-dream of drama, comedy, and violence.

9: Wes Craven’s New Nightmare (US) Wes Craven

If you want to breath life back into a dying series, you can do worse than handing back the reins to its creator a decade later. In a precursor to his meta mega-hit Scream, New Nightmare upends series and genre tropes as it peels back the curtain and blurs the increasingly more fragile walls between the real and fictional world. Wes brings back original cast members to tell the story of Heather Langenkamp – actress most famous for her performances in the Elm Street series – whose fictional arch enemy Fred Krueger has somehow found a way into the real world. The movie dispenses with much of the humour of the popular sequels, instead posing questions about fandom and the impact of fame and exposure to violent material on those who are both part of these worlds and help to create it. The film doesn’t scrimp on the gore even as it dispenses with many of the creative setpieces and kills which the series had become known for, but ends up being all the more nasty and interesting for it.

8: Clerks (US) Kevin Smith

There have been few better or equivalent Indie first times movies than Clerks – a movie of its time which capitalized upon the torchlight being shone on Indie film at the time, but which nevertheless remains fresh, vital, and hilarious even decades later. Smith would hone his writing and directing skills over the years, but this may be his most pure effort, pulling together friends and familiars and shooting on a shoestring, yet managing to create a much funnier, much stronger product than almost any other studio comedy of the decade.

7: True Lies (US) James Cameron

James Cameron doesn’t make many films, but when he does they’re either record-breakers, masterpieces, or at worst perfectly entertaining B genre fare. True Lies is neither a record breaker nor a masterpiece, but he did release it in between T2 and Titanic, so it can be viewed as a palette cleanser. More than that, it’s a send up of the spy/secret agent/Bond genre as Arnie leads a double life as a boring family man and a world-saving action hero. It’s the lightest, funniest film in the Cameron-verse, bolstered by an amusing trope-twisting script and fun takes by Jamie Lee Curtis and Bill Paxton.

6: Speed (US) Jan de Bont

The undisputed action movie event of the year, and one of the best of the decade. While the 80s featured muscle-bound bullet dodgers mowing down hordes of faceless bad dudes, the enlightened audiences of the 90s needed something more. Something like a bad dude who used to be a good dude, and a good dude who is flawed and hasn’t experienced the bicep sprouting pleasures of steroids, and a story more inventive than ‘bad dude kidnaps x and good dude must destroy everything’. Speed is one of the finest examples of the 90s take on the genre – reckless rookie Keanu Reeves comes up against crazed ex good guy Dennis Hopper and has to stop him blowing people up. The bulk of the movie takes place on a bus – a bus filled with passengers and Sandra Bullock – a bus armed with explosives which will go off if the bus goes under 50MPH, but there’s also a gripping climax involving a subway. Like its central plot device, the thrills, action, and tension never let up once they start, and the cast have a whale of a time.

5: Pulp Fiction (US) Quentin Tarantino

See my favourite movies of decade post.

4: Interview With The Vampire (US) Neil Jordan

See my favourite movies of decade post.

3: Leon (France) Luc Besson

See my favourite movies of decade post.

2: The Crow (US) Alex Proyas

See my favourite movies of decade post.

1: Dumb And Dumber (Top Ten Of All Time) (US) Peter Farrelly

See my favourite movies of decade post.

Let us know your favourites in the comments!

Tell it like it is!

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