It’s true that there is a fatigue for zombie movies at the moment. In truth, that fatigue set in over a decade ago, but that hasn’t stopped movie-makers still attempting to find a new spin on the formula or drop their own mangey undead copycat. #Alive lies somewhere in the No Man’s Land between these two camps, bringing in drones and vlogging and a different type of location, yet not really doing anything radically different from a narrative or character perspective. It’s essentially the same survivalist shtick of Night Of The Living Dead, set in a South Korean apartment block with a (mostly) single protagonist whose incompetence is his most notable trait. Luckily, the film is not overlong and is told with a certain amount of energy which compliments the youthful nature of its hero.
#Alive doesn’t take long to get to the point. A typical twenty something social media gamer type is just setting up for another day of streaming videogames with his friends and subscribers when one of his gang notices something strange on the news. As they question the validity of what they’re seeing, our protagonist hears the sudden sounds of carnage coming from outside; screams, car crashes, stampeding crowds. He looks out of his balcony to see people running and attacking each other from a few storeys below, and similar sounds are coming from right outside his door. It’s zombies, of the 28 Days Later variety. So begins the usual barricading of doors and windows, setting out food and water, and preparing weapons for an eventual attack and inevitable step outside. All the while he keeps checking his mobile, hoping for a signal, hoping for news from his family who had already left for the day when the attack began.
The Night Eats The World follows a very similar premise to this, but the two films are very different in tone and approach. #Alive is more action heavy and only half-heartedly deals with the psychological aspects of being trapped, terrified, and alone – not knowing if you’re the only person left alive in your city. The Night Eats The World is much more successful in this regard, and feels like the fresher movie even if it is the slower, more drama focused. Yoo Ah-in is perfectly serviceable as our lone survivor, suitably clumsy and naïve, yet capable of bravery when desperation calls for it. The story doesn’t truly explore his character beyond the fleeting looks at family photos or checking for texts, and I feel like the better film would have been him keeping in contact with each of the streamer friends from the start of the movie, follows their daily updates from his perspective until the power eventually goes out. The apartment location isn’t used to its full potential, at least not until the second half of the movie, and when certain reveals are made, you expect them and any twists which come along. It’s not a game-changer, but in terms of a Netflix Korean zombie movie in a contemporary setting, it manages to remain watchable without ever being scary or gruesome or particularly thought-provoking. It’s a one-off popcorn movie for people not familiar with the genre or who have a particular affinity of South Korean actors.
Let us know in the comments what you though of #Alive!