*Note. This, and at least three subsequent Roxette album posts were written before this week and the news that Marie had passed away after her long cancer battle. I typically write these posts many months before I actually post them (I have already listened to and written about Charm School by September this year – who knows when I’ll post it). It’s strange to think we won’t get another Roxette album now, but we still have a collection of songs to look back on and enjoy.
Greetings, Glancers! Between 1994’s Crash! Boom! Bang! and 1999’s Have A Nice Day the music world had moved on. While the band had released a Greatest Hits, a Rarities compilation, and an album of Spanish covers of their own ballads, five years is a long time to go without new material. Did anyone still care about Roxette on the eve of the old millennium and were they still capable of making instant pop classics? With regards to the first question, the album charted well and still sold a couple of million copies, though it wasn’t as large a success as their previous albums. Looking at the 14 songs on the track list, I don’t recognise any of them although given that ‘Wish I Could Fly’ was apparently the most played song of 1999 I assume I have heard it and somehow blanked it from my memory. I assume the album will be all new to me, but possibly bring some surprise nostalgia.
‘Crush On You‘ opens with a different sound for the band. Not jarring, as we know Roxette like to play around with their sound a little. It’s a heavy percussive opening before descending into a cheesy dated rave sound before stabilizing a little in the verse. Per sing talks the vocals with Marie filling in for the chorus. That chorus is pretty simple, a nice counterpoint to the plain melody of the verse. It is designed to feel hectic, a rap quality to the verses and a lot of synth and drums bouncing around. Nice enough production – a lot of switching around and different sounds, each couple of lines has a slightly different accompaniment to keep things varied. Stripped down it would be quite simple and straight, but all together it’s an okay opener, should get the blood pumping.
‘Wish I Could Fly‘ doesn’t ring a bell for me at the moment. I was listening to the radio in 99 so if this was such a big hit I should remember it. The verse feels marginally familiar, but I think I’m searching for a memory where there isn’t one. The chorus sounds like a couple of other Roxette songs and is strong enough that I should remember it, so I’m confident that I haven’t heard this. I’m not sure why it was such a hit as it feels like a pastiche of other Roxette songs… maybe it’s exactly what fans wanted after five years, but it’s definitely a lesser version of what they’d already achieved.
‘You Can’t Put Your Arms Around What’s Already Gone‘ starts with DJ scrapes and crappy digitized beats. Per delivers the lead verse melody – it’s fine, lots of effects on his voice. It’s the backing stuff which is more interesting – the band clearly having fun messing in the studio but the unfortunate result is it sounds very dated. I have a feeling a lot of this is intentional, as if they were going for an already dated sound in 1999, but that sound isn’t one I’m keen on so it sounds very juvenile.
‘Waiting For The Rain‘ has a McCartney feel. The piano rhythm and the vocals feel very much like mid-career Beatles. The overall tone is very 60s to me, there’s a little bit of brass and flute stuff going on, and again the vocals have some effects over the top. It’s catchy enough, and each repetition builds a little something extra on, but it never gets better than okay.
‘Anyone‘ opens with a nice piece of piano, then a big string section gives me hope for an unknown ballad. This is much more what I prefer from Roxette – heart tugging melodies and vocals. Yes, it’s easily my favourite so far but you should know by now I love a good ballad. The verses stretch out, making me wonder if there is a chorus. The chorus, extended as it is, or split up as it is, doesn’t work as well as the verse and I’m happier once we get back to the verse. That return is short lived as we’re quickly back to the chorus. That’s a bit of a letdown as we were heading for one I’d quickly listen to again. As it is, it’s one I wouldn’t mind hearing again but not one I’d look for.
‘It Will Take A Long Long Time‘ is a rest from the over produced nature of everything we’ve had so far. A simple acoustic guitar intro and Marie’s vocals. Then some keys. Then the production comes with the chorus, but it’s not overbearing. Simple hopeful lyric. That’s a better chorus too – this one feels more even musically. The bridge and instrumental are as by the numbers as you can get and simply lead to another chorus before the end. Usually I say these ones are lazy and thrown together in a matter of hours, but it’s one of the better ones due to its simplicity. Nothing bad so far, just a range of middling songs.
‘7Twenty7‘ brings the production back with a digitized howl of noise, I guess signifying the 727 airplane. The song is another lackluster one built up by the wall of sound. I always say – can a song be stripped down to just a voice and a single instrument, and still be as powerful as the original, and this case I don’t see it. Very mundane melodies and aside from the odd Marie moment the vocals are plain. Of course, many songs are supposed to be that wall of sound and the stripped down theory shouldn’t apply, but this isn’t one of those. The song isn’t four minutes long but I’m bored long before that.
‘I Was So Lucky‘ seems a little more stripped down, maybe another ballad. Better melodies, better music. It’s still not reaching those top levels, but it’s better. The main feeling I get from the album is just that it’s plain, white music. I’m not sure the songs could be transformed to something better than what they are – what you hear is what you get and none of it is terrible or amazing. I still like this, but I can’t see it reverberating in my head after it’s done. Better than meh and in cases like this, quite good is the most positive I can be, but still waiting for one I’d really want to hear again.
‘Stars‘ opens like a terrible cheesy Europop rave up, one of those one-hit wonders from the late 90s which had the braindead bopping in droves. It ends up being better – the verse melodies and the kid choir stuff is good, but the backing beats and sounds are generic and weak and I dismiss them entirely within milliseconds of hearing them. It’s a bit annoying then when they finally get a better selection of hooks that they surround them with garbage.
‘Salvation‘ keeps the improved melodies running, with a wispy organ sound accompanying Marie. It’s all going well until that dreadful 90s drum sound comes in. That sound alone is almost bad enough to ruin the whole song for me. There’s a religious bent to the lyrics which the instrumental choices mirror, with angelic voices filling in, and we get another good chorus. This is easily one of the best songs – I don’t think the bridge does anything – but the verse and chorus do nothing wrong aside from the drum sound. Take that away and I’d gladly listen to this again.
‘Pay The Price‘ seems to go for a more traditional rock sound. It still has a lot of studio shenanigans going on instead of going for a pure live sound, but this is Roxette we’re talking about. It’s jumpy and fun, feels like a nice Summer song – something you’d have in the background of a 90s movie beach scene. Harmless fun and I don’t have any complaints – just not the most memorable. That’s maybe the best two songs in a row – can we keep the trend going?
‘Cooper‘ is the name of my cat. He’s named after Alice and Dale, not this song. His middle name is Michael Jackson, according to my kids. I don’t know who this Cooper is they are referring to, seems to be a lady. Per’s vocals are good here, maybe because of the good melodies, interesting lyrics, and tone suggesting something sinister. It’s a ballad, but has something akin to Little Susie. Cooper was sleeping as I started to play this song, but he’s now sitting up and staring at me so I have to console him and let him know it’s not about him.
‘Staring At The Ground‘ opens with more interesting drum sounds then some more summery guitar. It’s another light and fun song, inconsequential, but one which really tries to slap a smile on your chin. It even has harmonica. It’s almost like a 3 minute chorus.
‘Beautiful Things‘ opens with strings – always good. Good breathy vocals, sad tone. I’m good with the melodies, drum sound isn’t great but not too distracting, and the chorus works nicely as a counterpoint. Good transitions between the two tones and parts, blends well. The bridge isn’t the best, but that’s par for the course on this album. Yeah, good song, good ending to the album.
It’s a shame the start of the album isn’t as fun as the end. There are four or five good songs worth mentioning in that run in which are better than everything else. I wouldn’t say there are any bad songs but there is too much that is middling and either never hits top gear or is brought down by over-produced fluff. Albums which sound over-produced to me usually suggest a void of ideas or lack of creativity, or alternatively show an artist excited about a new box of toys but with not a clue how to use it to make a good time. Many albums throw a lot of these tricks into the mix and it pays off, because it either compliments the song’s purest form or elevates that song to something even more special. When it doesn’t work, it’s either vapid noise or highlights how uninteresting the music actually is. There isn’t a true standout song for me here, but those few towards the end warrant another listen – I’m not sure whether I’d include them on a personal Roxette compilation, but maybe after another few listens.
Let us know in the comments what you thought of Have A Nice Day!
Nightman’s Playlist Picks: Beautiful Things. Salvation. Pay The Price.