Remember the Nightman Scoring System ©? My system for reviewing music as fairly as possible, an attempt to remove as much inherent bias as possible? That system where I break up an album into twenty evenly weighted categories so that when you score each one out of five, trying to base the score as much on fact as on opinion, you get a fair total out of 100? It’s the best scoring system in the world and you should use it. So should I in fact, hence this post. Anyway, if you want to read the rules about the system click this link and it will reveal all. There’s one for movies too, at this link. Check them both out – I say with absolutely no hyperbole that it will unquestionably change your life, make you an astonishingly brilliant human being, and also get you the ladies (regardless of your gender or orientation).
We’ve reached my favourite Beatles album now – click here to check out my original review or read on for the scores.
Sales: 5 (Another smash hit)
Chart: 5 (Another smash hit)
Critical: 5 (Another smash hit)
Originality: 4 (The band experiment on certain songs with string arrangements, newer styles of writing, recording, and genre setting them up nicely for what would come next)
Influence: 5 (Most of the songs here have been covered by several artists, and the style of merging rock and pop so fluidly was latched onto by record companies and artists around the world)
Musical Ability: 4 (The band again sound like they are having fun, Harrison is becoming a terrific lead guitarist and being allowed to roam free, and their growth as a cohesive unit is noticeable)
Lyrics: 4 (Once again the band take standard lyrics and ideas and add new twists to old cliches showing a great amount of intelligence. There are some moments which foreshadow the poetic turns which later songs would take, but which the band were not quite ready to release)
Melody: 5 (Some of the greatest, most famous pop songs in history, thanks largely to the melodies. Memorable choruses, verses, riffs, harmonies all come together for perfection)
Emotion: 4 (The overall tone is a light, happy one, but there are the more downbeat moments such as Yesterday which are some of the first moments where the group truly convey emotion in a meaningful way)
Resilience: 5 ( 50 years on, and an eternity ahead of it)
Vocals: 4 (Some of the strongest vocal displays, great harmonies, even Ringo doesn’t sound half-bad)
Coherence: 4 (The album holds together well, sounding like a whole, possibly because of the relation to the film, but mostly this is tied together by some clear themes and styles)
Mood: 4 (Again the mood switches quickly, but never abruptly, from sugary pop to bitter introspection, and all are crystal clear)
Production: 5 (Sterling work to create a sound which still sounds fresh today)
Effort: 5 (Again, touring, writing, filming were all going on at the same time, so to create such a timeless album is highly impressive)
Relationship: 5 (This time the album feels timeless down to the sheer joy of the songs. It’s difficult not to relate to such infectious melodies)
Genre Relation: 5 (This is effectively the archetypal pop album which pretty much everything since has sprung from)
Authenticity: 5 (When they sound happy it’s genuine, when they sound low you believe them, when they play you know that they enjoy doing it, both for the love of the craft and for pleasing the fans)
Personal: 5 (Possibly my favourite Beatles album, though as with most things there are times when this is changeable)
Miscellaneous: 5 (Once again, touring recording, writing, and making a movie all at the same time in a breathtaking feat of artistic achievement)
Take The Nightman Scoring System© Challenge and let me know how you score the album!
So you umm. You like this one eh?
A couple of half decent songs on there, aye