Official Nominations: I’m Easy. How Lucky Can You Get. Do You Know Where You’re Going To. Richard’s Window. Now That We’re In Love.
This was always going to be a winner for Nashville, although when you throw in a more traditional musical there’s always a chance it could win. It’s generally rare that a song nominated or which wins in this category to have a life outside the movie, but I’m Easy was a fairly big hit this year in the US charts. It’s lovely, and thankfully doesn’t feel like a country song, outside of Carradine’s vocals. Good lyrics, nice melodies. In my younger days I was partial to Mariah Carey’s version of Do You Know Where You’re Going To and the movie version by Diana Ross was also a substantial hit. Should it be here though, given it was actually written and recorded a couple of years earlier? These rules are muddy. How Lucky Can You Get is almost everything I despise in music. Those opening seconds make me want to swallow my ears, then the male vocals start and it somehow it gets worse. Then Streisand starts, but by that point my ears are halfway down my throat – don’t put yourself yourself through it.
The Other Side Of The Mountain is one of those movies – true story, hallmark channel style, this time about a ski champion who is paralyzed. It’s a love story, but it was ludicrously successful. The song is weird – nicely sung, incredibly dated and with all these cheesy additions, and it’s very short – just when you think it’s going somewhere it ends. It’s okay, but given the music being released in 1975, it doesn’t need to be here. Whiffs…. ahh, Whiffs. Now That We’re In Love is sappy rubbish, only here because of the songwriting talent – it’s crap.
My Winner: I’m Easy
My Nominations: I’m Easy. Love’s Dream. Camelot. O Brave Sir Robin. Time Warp. Mother And Son.
I’d love to pick something else from Nashville but almost every song has the cringworthy country guitar that I cannot abide. If I was to pick one, it would be Memphis, more for Karen Black’s performance. Love’s Dream (Lisztomania) is a showcase for how to do an interesting love song for a movie – it’s still sappy, but it has class and emotion thanks to Wakeman’s playing and Daltry’s vocals. For Holy Grail fans you can fight between my two picks here – I think the Camelot scene is funnier, but I prefer the O Brave Sir Robin song. Time Warp is Time Warp – I’m not a huge fan, but it’s everywhere and one of the most famous movie songs (even though the musical was earlier). Many of the new songs made for the Tommy soundtrack are expanded versions of the album tracks or feature twists on melodies and lyrics – Mother And Son starts out this way but ends up being its own entity. Again, not my favourite album but I had to pick something from it.
My Winner: O Brave Sir Robin
Let us know your winner in the comments!